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LOCATION, LOCUTION: After spending summers in rural France, Stephen Goldenberg uses Villefranche as setting for murder mystery novel


Tracey Warr is here with a fellow British novelist Stephen Goldenberg, with whom she’ll soon be appearing for a book talk in Villefranche-en-Rouergue. It’s one of France’s most beautiful villages and the setting for Goldenberg’s latest mystery novel.

Greetings, Displaced Nationers.

My guest this month is fellow novelist Stephen Goldenberg, who was born, and has lived most of his life, in London. He now lives for a portion of the year in south-west France, a location that inspired his latest novel, Car Wheels on a Gravel Drive.

Goldenberg studied Law at Oxford University; but because of his love for reading great literature, he went on to train to be an English teacher. For the next 35 years he taught English in London secondary schools and became one of the first school teachers to introduce the subject of Media Studies.

Since taking early retirement, Goldenberg has written and published three novels and renovated an 18th-century stone-built farmhouse in the village of Calcomier in the Aveyron, a region of southern France named after the Aveyron River. He and his partner, Sue, have lived in the house for around five months a year for the last ten years. They try to be as involved as possible with the community, including helping out at the annual village fete. The house, Stephen says, is a perfectly peaceful place to write, especially on the small shaded terrace down by the river.

In addition to Car Wheels on a Gravel Drive, which came out last year and, as mentioned, is set in rural France, Goldenberg has self-published two other novels of suspense, both set in Britain: The Lying Game (Matador, 2012) and Stony Ground (Lulu, 2007). He says that his latest book reflects his fascination with the laid back rural French lifestyle and the lives of the many British expats who live there permanently.

What’s next? Goldenberg will be back on his home turf. His next novel, The Autobiography of an Invisible Man, takes place in London and is based on the life of a man who occasionally modeled for the displaced Irish-born British artist Francis Bacon.

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Welcome, Stephen, to Location, Locution. Which comes first when you get an idea for a new book: story or location?

For Car Wheels on a Gravel Drive it was definitely location. For my other novels, it’s been the story first followed by the assumption that it’s automatically going to be set in and around London because that’s where I’ve spent the vast majority of my life. But it was my partner, Sue, who suggested that I should set my next novel in south-west France since, by then, we’d had the house near Villefranche de Rouergue for six or seven years and were beginning to feel at home.

Your main characters are English expats?

Once I had my location, it was obvious to me that my main characters would be English expats who had relocated to rural France from London. And then, I decided that they would have made this move for the wrong reason—namely, because they were having troubles with their relationship and decided that a dramatic change of location and lifestyle would solve their problems. Also, at about the same time, the murder of an English expat, Jacqueline Wilson, who lived not far from us, had hit the headlines and gave me the idea of writing a murder mystery novel involving an Englishwoman who had recently relocated to the area.

What’s your technique for evoking the atmosphere of a place?

For me, sense of place is always created through a very light touch approach. I’m not one for masses of detailed description or massive amounts of research. A cumulation of small details can create a strong atmosphere. I particularly like to include the slightly quirky or unusual. For example, my use of a real café/restaurant in Aurillac called L’Abside, which is in a strange building grafted on to the side of a church.

Which particular features create a sense of location? Landscape, culture, food?

Much as I’m a lover of food, especially the cuisine of south-west France, it doesn’t play much of a role in my novels. In the case of this novel, it was very much about culture—especially the experience of expatriates trying to adapt to the language and culture of their adopted country in circumstances that are far from ideal. As far as the landscape is concerned, I wanted to write something that reflected my experience as a big city dweller getting used to the radical difference in moving to a small village in rural France.

Can you give a brief example of your latest work that illustrates place?

Jeremy had lost track of what day of the week it was until he drove into Villefranche at lunchtime and saw that the restaurants were crammed full. Of course. Thursday. Market day. He zigzagged around the stallholders in the Place Notre Dame packing their produce into vans, skipping out the way of the municipal dustcart hoovering up the fruit and vegetable detritus. He climbed the steps up to the terrace on the far side of the square and surveyed the café’s outdoor seating area, firstly to check that there was no-one there that he knew and, when he was sure of that, to find an empty table.

How well do you need to know the place before using it as a setting?

If it is the main setting, then the answer is very well. Even though I don’t include that much description in my actual writing, I need to have a clear sense of exactly where my characters are. However, I do not believe in doing too much research for novels and, sometimes, I slip in settings that I hardly know at all (e.g., Decazeville in the present novel) just because it was the most convenient town between Villefranche and Aurillac.

Which writers do you admire for the way they use location?

Location isn’t something that particularly attracts me in choosing which novels to read and often, I find writers who are too heavy on atmospheric description off-putting. But there are two writers who, I think, use location really well. Thomas E. Kennedy is an American who lives in Copenhagen and sets his novels there. It’s a city I’ve never been to but, thanks largely to his writing, I hope to pay a visit soon. And then there’s one of my all-time favourite writers, Richard Russo, whose novels are set in small town upstate New York. I visited the area a couple of years ago and, because of his writing, found it strangely familiar.

Stephen Goldenberg’s picks for novelists who have mastered the art of writing about place

Thanks so much, Stephen, for your answers. It’s been a pleasure.

* * *

Readers, any questions for Stephen? Please leave them in the comments below.

As ML mentioned at the outset, Stephen and I will both be talking about our recent novels in Villefranche-en-Rouergue, France. The event takes place on 21 April 2017 at the English Library. All Displaced Nationers are welcome! For further details, please contact me at traceykwarr@gmail.com

Meanwhile, if you would like to discover more about Stephen Goldenberg and his novels, I suggest you visit his author site.

À bientôt! Till next time…

* * *

Thank you so much, Tracey and Stephen! I find it intriguing that Stephen tries not to over-research location, even when using an adopted home as a setting. He is right that it’s a balance, and authors can get carried away describing place. —ML Awanohara

Tracey Warr is an English writer living mostly in France. She has published three early medieval novels with Impress Books: Conquest: Daughter of the Last King (2016), The Viking Hostage (2014), and Almodis the Peaceweaver (2011), as well as a future fiction novella, Meanda (2016), set on a watery exoplanet, as well as non-fiction books and essays on contemporary art. She teaches on creative writing courses in France with A Chapter Away.

STAY TUNED for next week’s fab posts!

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Photo credits:
Top visual: The World Book (1920), by Eric Fischer via Flickr (CC BY 2.0); “Writing? Yeah.” by Caleb Roenigk via Flickr (CC BY 2.0); author photo, supplied; London street scene via Pixabay.

All other visuals use photos supplied by Stephen Goldenberg or book cover art.

Top 60 books for, by & about expats and other global creatives in 2016 (2/2)

Global bookworms, have you finished gorging on the 36 works of fiction featured in Part One of this post? Or perhaps you haven’t finished but fancy trying out a different flavor? In either case, you’re in luck. In Part Two, we’re adding 24 works of nonfiction—memoirs, travelogues, anthologies—that came out in 2016, bringing the grand total to 60.

Again, some of the titles may seem familiar—especially if you subscribe to our Displaced Dispatch—but I reckon you’ll still enjoy munching through the list: the whole is somehow greater than the sum of its parts.

As has become our practice, we’ve included indie as well as traditionally published works, and the books are presented in reverse chronological order.

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Fall 2016

Squirrel Pie (and other stories): Adventures in Food Across the Globe (Bloomsbury, November 15, 2016)
Author/Illustrator: Elisabeth Luard
Expat credentials: After marrying novelist, travel writer and early proprietor of Private Eye Nicholas Luard, London-born-and-bred Elisabeth Luard lived in southern Spain (Andalusia) for nine years, where she produced four children and also painted birds and flowers to supplement the family income, later adding cookery writing to the mix. After Spain, the family relocated to the Isle of Mull (off the west coast of Scotland). As empty nesters, Elisabeth and Nicholas moved to a house in rural Wales they’d inherited from a friend (after Nicholas’s death, Elisabeth downsized and moved to London to be near her grandchildren). All told, Luard’s extensive travels with her husband have taken her to some extraordinary places.
Synopsis: Luard shares tales and dishes gathered from her global ramblings, from scouring for snails in Crete to sampling exotic spices in Ethiopia to tasting pampered oysters in Tasmania. She forages from forest, field, and stream, from the Andes to the Arctic—and provides more than fifty authentic recipes, each one a reflection of its unique place of origin, along with illustrations.
How we heard about: The book earned a mention in Sara Wheeler’s recent article for Guardian Books: “Where have all the female travel writers gone?” She called it “an excellent addition to the voguish ‘foodoir’ category, which overlaps often with travel writing—both being, in the end, hybrid genres.”
Why we recommend: Trying new foods is one of the major benefits of global travel; and if you haven’t yet learned how to spot a truffle lurking under an oak tree, it’s about time you did. You’ll also end up with recipes for Boston bean-pot, Hawaiian poke, Cretan bouboutie, mung-bean roti, roasted buttered coffee beans, Anzac biscuits, and Sardinian lemon macaroons.


Rituals of Separation: A South Korean Memoir of Identity and Belonging (Tojang Press, November 7, 2016)
Author: Elizabeth Rice
Expat credentials: Rice grew up in Seoul, South Korea. After working for a number of years in the NGO sector, she started to write a book about her childhood in South Korea. She is currently living between Costa Rica and Vermont.
Synopsis: When her American family returns to the U.S. after 16 years in South Korea, Elizabeth Rice is a hidden immigrant. She may be a white woman with American roots, but the United States is not her homeland. Part memoir, part history, her book captures the tension of living between identities, the deep longing for home, and the determination to find healing in the face of unrecoverable loss.
How we heard about: A listing in Summertime Publishing’s expatbookshop.com.
Why we recommend: Rice tells the classic Third Culture Kid story of being torn between two cultures, in an eloquent and moving way.


America the Anxious: How Our Pursuit of Happiness Is Creating a Nation of Nervous Wrecks (St. Martin’s Press, October 4, 2016)
Author: Ruth Whippman
Expat credentials: A British author, journalist and filmmaker who started her career at the BBC, Whippman moved to Berkeley, California, with her family when her husband took a job with a tech start-up. (She holds American citizenship because her mother was born in the United States.) Notably, it was the move from always-cynical Britain to always-sunny California, that stimulated her to research this book.
Synopsis: Whippman explores the multibillion dollar happiness industry in her adopted country, and the question of why Americans always seem to be searching for contentment and never finding it. Is it that quest for happiness itself that is generating so much anxiety?
How we heard about: New York Times Sunday Book Review
Why we recommend: Whippman has been called a “whip-sharp British Bill Bryson” for her feat of making cogent observations on the American way of life.


The Big Cat Man (Bradt Travel Guides, October 1, 2016)
Author: Jonathan Scott
Expat credentials: In a blog post of last August, Scott writes that he knew from an early age that “England was not for me”—that he wanted “a life of adventure combined with a window on to the wilderness.” Nowadays he and his wife, Angela, who is also a wildlife photographer, divide their time between a house in a leafy suburb of Nairobi, with giraffes as neighbors, and a cottage on the Maasai Mara.
Synopsis: Scott decides that instead of writing natural history narratives about animal characters, he will write his own story: of how he went from growing up on a Berkshire farm in the UK, to training as a zoologist, to working as wildlife artist and safari guide in the Maasai Mara National Reserve in Kenya, to becoming a presenter for BBC’s Big Cat Diary and Animal Planet’s Wild Kingdom. The story includes his marriage, in his forties, to Angela; the pair’s travels to Antarctica, India and Bhutan; and the trauma of facing Angela’s serious illness, which put them on a spiritual journey to rival anything they had faced before.
How we heard about: Through Scott’s interview with Wanderlust travel magazine.
Why we recommend: As Lyn Hughes, co-founder and editor in chief of Wanderlust, says, it was “a brave move for a boy from the Home Counties to move to Africa in the 1970s.” But Scott was undaunted and soon fell in love with the land, the wildlife, the people: “there’s nowhere like it.” He has also fought hard to preserve the future of African wildlife.

Summer 2016

When in French: Love in a Second Language (Penguin Press, September 13, 2016)
Author: Lauren Collins
Expat credentials: Born and bred in North Carolina, Collins didn’t venture beyond U.S. borders until she was an adult and became an expat reporter in London. She became further displaced when she met and fell in love with Olivier, a French mathematician who, after a bumpy cross-cultural courtship, would become her husband. When Olivier was required to move to Geneva for his work, she followed, upending their “his continent, my language” balance and forcing her to confront his Francophone world. The couple now lives in Paris with their young daughter.
Synopsis: Collins offers up her marriage as a case study of what happens when one partner tries to learn the other’s native tongue. How much of one’s sense of self is tied up in language?
How we heard about: When The New Yorker, where Collins has been a staff writer since 2008, ran her article “Love in Translation” last August.
Why we recommend: According to New York Times reviewer Suzy Hansen, the book is “far more ambitious than the average memoir about moving abroad” because it also includes a “meditation on the art of language and intimacy” and a tribute to the “delights of cross-cultural fusion.”


The Illustrated Book of Sayings: Curious Expressions from Around the World  (Ten Speed Press, September 13, 2016)
Author/Illustrator: Ella Frances Sanders
Expat credentials: Calling herself an “intentional” global nomad, Sanders has lived in Morocco and Switzerland, but has now settled back in her native UK (the town of Bath). She first uncovered her creative potential when living in, and interning for a company in, Morocco.
Synopsis: A collection of strange idioms, adages and philosophies from around the world, the book highlights just how culturally specific language can be, with many of the nuances seemingly muddled, bemusing or lost in translation. Sanders’s illustrations imagine these metaphors as literal scenarios, while her accompanying commentary serves to unravel these cultural conundrums.
How we heard about: Sanders has been on our radar ever since she produced her first book, Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World, which made our 2014 list (it grew out of a 2013 blog post of hers that went viral: “11 Untranslatable Words From Other Cultures”). She calls this second book “a sort of older sibling” to the first.
Why we recommend: Sanders says she writes her books to enable people able to connect with ideas that came from a place other than the one they grew up in.


Misunderstood: The Impact of Growing Up Overseas in the 21st Century (Summertime Publishing, August 15, 2016)
Author: Tanya Crossman
Expat credentials: Crossman is technically a third culture kid: although she grew up in Australia (Sydney and Canberra), she spent two of her high school years in Greenwich, Connecticut. As a young adult, she has lived and worked in China and also spent time in Cambodia. Right now she is back in Sydney studying for her master’s degree but hopes to go abroad again soon.
Synopsis: Crossman’s book examines the impact international life can have on the children through the personal stories of hundreds of individuals who have grown up as so-called third culture kids, or TCKs: kids who grow up outside of the country of origin of their parents. The book also offers practical suggestions for how best to care for and support this special group of expats, not only while they live overseas, but also when they return to their passport countries and mature into adults.
How we heard about: We follow Summertime on social media; plus Crossman was the second interviewee by TCK Talent columnist Dounia Bertuccelli.
Why we recommend: Crossman is a passionate advocate for the special needs of TCKs. As she told Bertuccelli, her book differs from other TCK resources

“…because I act as an advocate and a ‘voice’ for young TCKs. I’m trying to express how they really feel about the experience of growing up in a third culture. They have a different experience of the world to their parents. Recognizing this is essential for giving them the support they need.”


The Glamour of Strangeness: Artists and the Last Age of the Exotic (Farrar, Straus and Giroux, August 9, 2016)
Author: Jamie James
Expat credentials: A native Texan who became an art reviewer for the New Yorker, James spent years traveling the globe until he finally left New York and moved permanently to Bali in 1999. The move has given him the chance to indulge in his passion for Pacific culture, Indonesian in particular, producing fiction and nonfiction with local and regional themes.
Synopsis: Drawing on his own career as a travel writer, James offers biographical sketches of six artists whom he would categorize as “exotes” because they ran away to discover who they are and where they belong, thereby joining the “school of no nation, or all nations”:

  • German painter Walter Spies, who settled in Bali
  • Raden Saleh, the Javanese painter who found fame in Europe
  • Isabelle Eberhardt, a Russian-Swiss writer who roamed the Sahara dressed as an Arab man
  • Russian-born American filmmaker Maya Deren, who went to Haiti and became a committed follower of voodoo
  • French post-Impressionist painter Paul Gauguin, who left France for Tahiti
  • French doctor and writer Victor Segalen, who immersed himself in classical Chinese civilization in imperial Peking

How we heard about: New York Times Sunday Book Review
Why we recommend: James’s book reveals a generation of creative people who not only wished to escape from their homelands but also found their new surroundings stimulating for producing art. In refusing to stay put in the country to which they’d been assigned by birth, were they anticipating the world we have today, in which commerce and communications and culture flow easily across national boundaries? We stand on their shoulders! The only thing is, we expats and global creatives are now so common we are no longer considered exotic.:/


Cultural Chemistry: Simple Strategies for Bridging Cultural Gaps (July 19, 2016)
Author: Patti McCarthy
Expat credentials: Originally from the UK, Patti McCarthy grew up a third culture kid. She has lived and worked in England, Belgium, the United States, Botswana, Singapore and (now) Australia, where she runs her own business called Cultural Chemistry providing cross-cultural and relocation support to expats. Not only has she been an expat for over forty years, but her husband, two dogs, and three children were all born in different countries.
Synopsis: Intended as a handbook for anyone who works in a multi-cultural business environment, the book details hundreds of cross-cultural misunderstandings and introduces McCarthy’s four-step process for handling, which she calls the Four R’s: Rewards, Research, Reflect, and Reach Out.
How we heard about: From a tweet by UYD Management
Why we recommend: We’ve hopefully all mastered the three R’s by now. Onwards to the next challenge!


A Scorpion in the Lemon Tree (July 1, 2016)
Author: Marjory McGinn
Expat credentials: Born in Scotland, McGinn was brought up in Sydney, Australia. As a young adult she traveled back to Scotland in search of the cultural links she thought she might be missing, and then across Europe. When she got to Greece,  she liked it so much she stayed on in Athens and worked for a year. Upon her return to Australia, she took up a career as a newspaper journalist; but by the time the 21st century dawned, she yearned to go back to Scotland, accompanied this time by her partner and fellow journalist, Jim. In 2010, the couple and their Jack Russell terrier, Wallace, set off on an adventure to the southern Peloponnese that lasted four years and became the basis for McGinn’s three travel memoirs. These days “home” is East Sussex, England.
Synopsis: Following Things Can Only Get Feta and Homer’s Where the Heart Is, the third in McGinn’s Peloponnese series covers house rental dramas, scorpion threats, and a publishing upheaval. Despite setbacks, McGinn and her companions can’t help but be seduced by the charm of Koróni, on the Messinian peninsula, making new friends while also reconnecting with some of the memorable characters of their days in the wild Mani region.
How we heard about: McGinn is a Displaced Dispatcher and has been featured on the Displaced Nation in Tracey Warr’s Location, Locution column.
Why we recommend: McGinn renewed her love affair with Greece at a time when she thought it would be of mutual benefit. Greece was sliding into economic crisis and had to be bailed out repeatedly—and she wanted to record the country’s rural way of life before it disappeared. At the same time, though, McGinn’s chosen profession of journalism was in crisis. Could her times in Greece inspire her to become a travel writer?

Spring 2016

All Strangers Are Kin: Adventures in Arabic and the Arab World (Houghton Mifflin Harcourt, June 14, 2016)
Author: Zora O’Neill
Expat credentials: O’Neill lived in Egypt and studied Arabic in graduate school during the 1990s. This started her on the path of becoming an international creative, interested particularly in languages and traditional foods of other countries. From New Mexico originally but now based in Astoria, Queens, O’Neill has written or contributed to more than a dozen guidebooks, and co-authored a cookbook. Besides the Arab world, particularly Egypt, she has gotten to know Amsterdam and Mexico.
Synopsis: A travel memoir about studying Arabic, the book recounts O’Neill’s linguistic Grand Tour of the Middle East, through four countries that represent the main dialects of the Arab-speaking world. She starts her journey by re-acquainting herself with Egyptian Arabic in Cairo (where she studied Arabic in grad school) in late 2011. She moves to Emirati Arabic in Dubai, to Lebanese Arabic in Beirut, and to several cities in Morocco where she can use Darija, the Arabic spoken in western North Africa. Every time she moves from one country to another, she undergoes a fresh culture shock. As her journey progresses, she convinces us that the various dialects of fushá (Modern Standard Arabic) are the gateway to a fascinating culture.
How we heard about: From a review by M Lynx Qualey, whom we follow on twitter (@arablit).
Why we recommend: It’s impressive that over 25 years, O’Neill never gave up her dream of learning Arabic. She studied classical Arabic in the 1990s and earned her master’s in Arabic literature. But it would be two decades later, on the trip across North Africa and the Arabian Peninsula described in this book, that she finally felt natural speaking it.


A Chorus of Cockerels: Walking on the wild side in Mallorca (Summersdale, June 9, 2016)
Author: Anna Nicholas
Expat credentials: After an eccentric childhood in Kent and London that involved quite a bit of travel in Eastern Europe, Nichols traveled the world for the Guinness Book of Records and then ran her own travel and luxury lifestyle PR firm in London. About 15 years ago, she left Britain with her husband and son to live in northwest Mallorca, aka Majorca, the largest island in the Balearic Islands archipelago (part of Spain). Since then, she has done more writing, not only journalistic articles but also a series of books about rural island life. In May she will be accompanying explorer Colonel John Blashford-Snell to the Amazon (Colombia).
Synopsis: A merger of her PR firm with another London agency has given author and journalist Nichols more time to explore her adopted home. The upshot is this book, Nichols’s sixth Mallorca title, discussing the Spanish island’s Roman and Moorish history and culture. The cockerels of the title refer to her family’s growing menagerie: at last count, 40 hens and cockerels, along with assorted cats, frogs, donkeys, and Johnny the Toad.
How we heard about: Nichols was one of the original group of bloggers on Telegraph Expat. More recently, she produced a summary piece on expat life for Expat Explorer.
Why we recommend: “Intrepid” is Nichols’s middle name. She once organized an expedition to carry a piano to a remote Amerindian tribe in South America (it was the subject of a BBC documentary). Thus you can be confident you’re in good hands when she sets out to explore her adopted island home. She will leave no stone (be it farm, factory, Moorish myth) unturned; she even finds time to hike the Camino de Santiago along the way…


What Language Do I Dream In? (Virago, June 7, 2016)
Author: Elena Lappin
Expat credentials: Born in Moscow, Lappin grew up in Prague and Hamburg, and has lived in Israel, Canada, the United States and—longer than anywhere else—in London.
Synopsis: Lappin’s memoir tells the story of growing up in five languages—Russian (she uses with her parents), Czech (she uses with her brother, as they grew up in Prague), German (from their days in Hamburg), Hebrew (from living in Israel), and English (she has lived in Canada, the US, and now London). A writer-editor, she feels grateful that English finally adopted her, though it did not adopt her brother (he writes in German).
How we heard about: We follow Virago Press on Facebook.
Why we recommend: Most of us struggle to become bilingual let alone multilingual. What happens when not only you but your entire family is multilingual because of having been serial immigrants—how do you communicate with each other? Which of these languages do you teach your children? And if you dream of becoming a writer, as Lappin did: how do you choose a dominant language to think and write in?


Once Upon an Expat (May 31, 2016)
Editor/Author: Lisa Webb
Expat credentials: A Canadian, Webb got swept into the the expat world when she and her husband decided to live in France in 2010. Five years later, they moved with their two children, both of whom were born in France, to Borneo, Indonesia, for a year. They now call the Congo home. Webb has a popular blog, Canadian Expat Mom.
Synopsis: An anthology of stories by women who’ve experienced firsthand what it means to set up life in a foreign country. Areas of the world include Europe, Africa, the Middle East, Asia, Australia, and the Americas.
How we heard about: From tweets by Sally Rose and Brittani Sonnenberg. 
Why we recommend: Among the 20 contributors are several familiar names—including Amanda van Mulligen, who blogs at Turning Dutch; Olga Mecking, who blogs at the European Mama; and the aforementioned Displaced Nation columnist Sally Rose (Sally contributed the story “What Mattered Most”).


Mother Tongue: My Family’s Globe-Trotting Quest to Dream in Mandarin, Laugh in Arabic, and Sing in Spanish (Avery, May 17, 2016)
Author: Christine Gilbert
Expat credentials: Growing up in rural Massachusetts, Gilbert never traveled as a youth. But the death of her grandfather from a severe form of dementia changed all that. It set her on a path to seek out how to become bilingual in the belief that bilingualism helps delay the onset of the disease. Gilbert quit her corporate job and, with her husband, Drew, and toddler son in tow, launched an ambitious eighteen-month-long, three-country quest to become fluent in Mandarin, Arabic, and Spanish. The family (they now have three children) are currently settled in Oaxaca, Mexico, in a house on the Sierra Madre—with Thai herbs from their travels growing in the garden. The couple has started their own video production company and are filming a series about the anthropology of food.
Synopsis: The book is divided into three sections, each named for the place the family settles in order to immerse themselves in the language: China (daunting), Lebanon (welcoming), and Mexico (not surprisingly, learning Spanish is the easiest of the three challenges). The story is part personal memoir, part travelogue, and part literacy narrative. In the end, Gilbert comes to value biculturalism as well as bilingualism.
How we heard about: We first heard about Gilbert when she and Drew were named 2014 National Geographic Travelers of the Year.
Why we recommend: Gilbert is super creative: she is a photographer, a writer, a filmmaker, a coach. But at the time when she uprooted her family to move around the world, she was also a young mother with an all-American husband. That takes guts—a quality Gilbert appears to have in spades.


Bonjour Kale: A Memoir of Paris, Love, and Recipes (Sourcebooks, May 3, 2016)
Author: Kristen Beddard
Expat credentials: Pittsburgh-born American Kristen Beddard moved to Paris in 2011 with her husband for his job. An advertising executive, she found herself without a job and, surprisingly, without one of her favorite vegetables, kale. (The couple repatriated to New York City in 2016.)
Synopsis: Beddard decided she didn’t want to live in Paris for five years without a vegetable that for her, a vegetarian of many years, was like comfort food. The book recounts her launching of the Kale Project, an initiative to reintroduce kale—a légume oublié (lost/forgotten vegetable)—to the country of croissants and cheese. The project succeeded (Beddard’s campaign even made the front page of the New York Times), and the French now enjoy harvesting and eating le chou kale.
How we heard about: From her fellow American expat in Paris, pastry chef David Lebovitz, whom we follow on social media. In fact he wrote about her again in a recent post.
Why we recommend: Reintroducing an heirloom veggie to a country that prides itself on heirloom foods is a feat beyond what most expats, however creative, can ever hope to accomplish. No wonder the New York Times dubbed Beddard “The Kale Crusader.”


Life without a recipe: A Memoir of Food and Family (WW Norton, April 18, 2016)
Author: Diana Abu-Jaber
Expat credentials: The child of a Jordanian father and an American mother (with Irish-German roots), Abu-Jaber grew up in the middle of two very different, and often clashing, cultures. On the one hand she had her tough, independent sugar-fiend of a German grandmother, wielding a suitcase full of holiday cookies; on the other, her flamboyant, spice-obsessed Arab father, full of passionate argument. The two could not agree on anything. Apart from two years her family spent living in Jordan, however, Abu-Jaber has always lived in the United States. She currently lives in Portland and south Florida.
Synopsis: The sequel to Abu-Jaber’s first memoir, The Language of Baklava, this book focuses on writer Abu-Jaber’s attempt to navigate early and middle adulthood. Unable to decide whether she wants her life sweet or spicy, she has two short-lived marriages. By the time she reaches her 40s, she realizes she has to carve out life on her own terms, not those of her family’s. That’s when she meets and marries the outdoors-loving Scott, and they adopt a daughter.
How we heard about: We read her November 2015 essay for the New Yorker, “Lamb Two Ways,” which was drawn from her forthcoming book.
Why we recommend: Abu-Jaber provides an honest account of her struggle to define her identity as Arab and American, as writer and family member. Besides, who can resist spending time with a woman who is baking her way through life? Her sense of life-as-adventure and obsession with all things culinary make her great company.


An Octopus in my Ouzo: Loving Life on a Greek Island (April 14, 2016)
Author: Jennifer Barclay
Expat credentials: Born in Manchester, UK, Barclay grew up on the edge of the Pennines—but as an adult she has led a peripatetic life, attempting to put down roots in Canada and France while also trying out life in Guyana and South Korea. But in the end she settled on Greece, particularly after she discovered the remote island of Tilos, where she now lives for most of the year.
Synopsis: The book tells the story of Barclay’s first few years of immersion in island life, which included getting pregnant (the island is a ferry ride away from a hospital). It’s the sequel to her previous memoir, Falling in Honey, about how Tilos stole her heart after her love life fell apart back in the UK.
How we heard about: Barclay’s “Gathering Road” podcast interview with Elaine Masters brought her onto our radar screen.
Why we recommend: Barclay’s first memoir was one of my picks for Beth Green’s column. I was intrigued by the title of the book that she wrote after living in South Korea: Meeting Mr Kim: Or How I Went to Korea and Learned to Love Kimchi.


Winter 2016

Five Flights Up: Sex, Love, and Family, from Paris to Lyon (March 15, 2016)
Author: Kristin Louise Duncombe
Expat credentials: Duncombe grew up overseas as the child of a US diplomat and has lived overseas for most of her adult life and in Europe since 2001. A trained psychotherapist, she specializes in working with international and expatriate families. She and her family currently live in Geneva.
Synopsis: This is Duncombe’s second memoir. In the first, Trailing, she chronicled her experience of being swept off her feet by an Argentinian Médecins Sans Frontières doctor. Abandoning her plans to set up a psychotherapy practice in New Orleans, she followed him to East Africa—which proved to be even more of an adventure than the couple had bargained for. In the second memoir, ten years have passed and Duncombe has established a successful Paris-based psychotherapy practice—only to find she must uproot herself from Paris to Lyon, again because of her husband’s job. The new book explores the challenges of managing two-career marriages and raising bicultural kids, along with the eccentricities of life in France.
How we heard about: We’ve read a number of the author interviews on her blog.
Why we recommend: Duncombe’s unique specialty is helping “trailing spouses” maintain their sanity while following their other half around the globe. But she must reconfigure everything she thought she knew about her “expat expertise” when her child sinks into existential crisis, and tea time is to be had with glamorous French moms whose sex lives include swingers’ parties. The book should appeal to memoir for anyone facing a move, dealing with marital ghosts, or confronting the professional death of starting anew.


Gardens of Awe and Folly: A Traveler’s Journal on the Meaning of Life and Gardening (Bloomsbury, March 1, 2016)
Author/Illustrator: Vivian Swift
Expat credentials: Swift is not an expat but a perpetual wanderer. When not traveling, she lives on Long Island Sound. (Yes, one of the gardens is from her own Long Island, proving the worthiness of Emily Dickinson’s observation that you can find everything worth discovering in your own backyard.)
Synopsis: From Scotland to Key West, from Brazil to Paris, Swift tracks down nine of the world’s gardens that are considered to be masterpieces. She illustrates her travelogue with her own watercolors.
How we heard about: Swift’s Le Road Trip: A Traveler’s Journal of Love and France made our previous year-end list (we learned about that book from her blog).
Why we recommend: Swift seduces through whimsical words and pictures; she even offers a lesson on how to paint falling leaves.


Bed, Breakfast & Drunken Threats: Dispatches from the Margins of Europe (Jean-Albert Dadas Press, February 17. 2016)
Author: Dave Seminara
Expat credentials: Born in Buffalo, NY, Seminara joined the U.S. Foreign Service upon graduation from university. His diplomatic career included stints in Macedonia, Trinidad and Hungary, and in the Bureau of Central African Affairs in Washington, D.C. He is now a roving reporter—he writes a regular column for BBC Travel called “BBC Travel Pioneer”—and prize-winning photographer. These days he calls Bend, Oregon, home.
Synopsis: A collection of 24 travel stories that unfold across 14 European countries, the book is a tribute to Seminara’s quest to understand Europe. We learn that he wishes he had Norwegian roots, envies the Basques, and feels certain that the best places in Italy and Greece have yet to be discovered.
How we heard about: Social media
Why we recommend: At a time when Europe has fallen out of fashion with travel writers (even Rick Steves says his favorite country is India!), it makes a nice change to find a book by an unabashed Europhile.


Knocked Up Abroad: Stories of pregnancy, birth, and raising a family in a foreign country (January 28, 2016) and Knocked Up Abroad Again: Baby bumps, twists, and turns around the globe (November 17, 2016)
Editor/Author: Lisa Ferland
Expat credentials: A public health expert from her previous life in the US, Ferland has lived abroad in Sweden with her family since 2012. She says that parenting has been her greatest adventure, and the fact that she’s combined this with an expat life has led to some of her most exciting discoveries about herself. Nowadays she works as a writer, editor and publisher.
Synopsis: The first book in the series contains 24 stories about the trials and joys experienced by 21 mothers and two dads who had babies and raised their families abroad, ranging from the spa-like treatments for postpartum women in Japan to insatiable pregnancy cravings in the Seychelles to non-functioning toilets in West Africa. The second book is an anthology of stories by 25 women in 25 different countries—again recording what it’s been like to raise children in a country that looks, sounds, and expects completely different behaviors than the culture in which the mother was raised herself.
How we heard about: We follow Ferland on social media.
Why we recommend: The collection includes stories by two writers we love: Amanada van Mulligen and Clara Wiggins.


How to Talk about Places You’ve Never Been: On the Importance of Armchair Travel (Bloomsbury, January 26, 2016)
Author: Pierre Bayard (translator: Michele Hutchison)
Expat credentials: Bayard is a French author, professor of literature and connoisseur of psychology. He is not an expat but has gained an international following through his books presenting revisionist readings of English literary classics: Sir Arthur Conan Doyle’s The Hound of the Baskervilles, Agatha Christie’s The Murder of Roger Ackroyd, and Shakesperea’s Hamlet.
Synopsis: Bayard takes readers on a trip around the world, giving us essential guidance on how to talk about all those fantastic places we’ve never been. He examines the art of the “non-journey,” a tradition that a succession of writers and thinkers, unconcerned with moving away from their home turf, have employed in order to encounter the foreign cultures they wish to know and talk about. He cites examples of famous writers who were able to write vividly about places they hadn’t visited.
How we heard about: From a conversation between Bayard and Paul Holdengräber at Albertine, a French and English bookshop in Manhattan, a project of the Cultural Services of the French Embassy fostering French-American intellectual exchange (attended via livestream).
Why we recommend: Besides being irreverent and thought provoking, Bayard makes cross-cultural comparisons that would never have occurred to us. For instance, he says that, whereas Americans were shocked to learn that this revered writer had fabricated much of the story of his travels across America with his dog in his work Travels with Charley: In search of America, in France people were unfazed. The French believe it’s possible to convey the spirit of something without having experienced it directly.


The Road to Little Dribbling: Adventures of an American in Britain (Anchor, Jan 19, 2016)
Author: Bill Bryson
Expat credentials: From Des Moines, Iowa, Byrson has been a resident of Britain for most of his adult life, returning to the United States between 1995 and 2003. He served as the chancellor of Durham University from 2005 to 2011, and since 2007 has been serving as the president of the Campaign to Protect Rural England. He now holds dual nationality (a relatively recent decision) and has an OBE.
Synopsis: Twenty years after his classic Notes from a Small Island was published (it is still one of the bestselling travel books ever written), the Bryson decided to deliver another valentine to his adopted home, which in the interval has given the Iowan writer both a wife and a career in journalism. He set himself the challenge of going the longest distance one can travel in a straight line without crossing saltwater: from Bognor Regis in the south to Cape Wrath in the Scottish Highlands. The result is another entertaining travelogue with stories of “pleasing Britannic things” as well as a few of his pet peeves. And no, there’s no such place as Little Dribbling: Bryson made it up as an ode to eccentric British place names.
How we heard about: New York Times Sunday Book Review
Why we recommend: Two of the Displaced Nation’s founders, both of them British, listed Bryson as one of their favorite expat writers. I rather doubt they’re his only fans!

* * *

And so we have it: our top picks for displaced nonfiction that came out in 2016. What do you think, dear reader? Are we missing something you think deserves to be on the list? Kindly let us know in the comments! (Until next year…)

ML Awanohara, one of the Displaced Nation’s founders and its current editor, has a section in the weekly Displaced Dispatch where she mentions the latest expat books. Why not subscribe as a treat to yourself during the winter doldrums?

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Photo credits: All photos via Pixabay or Morguefiles.

Top 60 books for, by & about expats and other global creatives in 2016 (1/2)

top-60-books-2016-part-one-fiction

Are bookworms like earth worms: do they come to the surface during the spring rains? In which case, the Displaced Nation’s timing—we publish our yearly roundup of recommended books for, by, and about expats and other global creatives in late February and early March—may not be as eccentric as all that. And at least we’re not competing with lots of other “best of 2016” lists that came out in December!

Without further ado, we’re calling on all of you displaced bookworms to come out and start feasting! This year there are 60 books on our list, a first. Hopefully it means you’ll find a title or two that you missed. Or perhaps you’ll see books whose titles sound familiar—especially if you subscribe to our Displaced Dispatch—but of which you forgot to make a note.

Part One, published today, presents 36 works of fiction, both novels and story collections, indie as well as traditionally published works. Part Two will add 24 works of nonfiction, bringing the total to 60. As in years past, the books appear in reverse chronological order.

* * *

Fall 2016

the-good-officer_coverThe Good Officer: Can they love again? (Newhurst Press, November 18, 2016)
Author: Helena Halme
Expat credentials: Born in Finland, Halme lived in Sweden as a child and felt displaced when her family moved back to Finland when she was 14. She left Finland to live in England (now London) after meeting and marrying a British man (yes, he was in the military!), but she still celebrates Finnish customs.
Synopsis: Kaisa has betrayed her husband, the handsome English naval officer, Peter. What can she do but move back to her native Finland? But then she takes a job in London and meets Peter again by chance. Can they love each other again? The third novel in The Englishman series following the tumultuous 1980s love affair between a Finnish student and a British naval officer, based loosely on Halme’s own life story.
How we heard about: Halme has been featured several times on the Displaced Nation: see, for instance, her Random Nomad interview, still one of our best!
Why we recommend: How often do you get to read a Nordic military romance?


a-year-and-a-day_coverA Year and a Day (Penguin Books, Nov 17 2016)
Author: Isabelle Broom
Expat credentials: Broom travelled through Europe during her gap year and went to live on the Greek island of Zakynthos for an unforgettable and life-shaping six months after completing her degree in media arts in London (her first novel, My Map of You, is set on that island). Since then, she has travelled to Canada, Sri Lanka, Sicily, New York, LA, the Canary Islands, Spain and lots more of Greece. She loves to write books set in far-flung locations.
Synopsis: Three different couples find themselves staying in the same hotel in Prague, and we follow them as they mingle and get to know each other and form a bond.
How we heard about: Trip Fiction review,with Prague promo.
Why we recommend: According to several of Broom’s Amazon reviewers, the Prague of this book is “magical” and becomes an “additional character.”


swing-time_coverSwing Time (Penguin, November 15, 2016)
Author: Zadie Smith
Expat credentials: Smith is the product of a black mother and a white father, whom her mother married after migrating to England from her native Jamaica. Now a professor of fiction at New York University, Smith has traded London for New York City for at least part of the year.
Synopsis: Set in England and West Africa, the story concerns the friendship of two mixed-race girls who meet in a tap dance class in London in 1982. One has talent; the other has ideas.
How we heard about: New York Times Sunday Book Review
Why we recommend: Particularly when the action moves to West Africa, the novel parses race and global politics in a way only a writer of Smith’s caliber can.


tokyo-short-stories-book-1_coverPostcards from Tokyo, Book 1 (November 3, 2016)
Author: Wendy Nelson Tokunaga
Expat credentials: Born in San Francisco, Tokunaga has lived in the Bay area all her life except for when she lived in Tokyo during the early 1980s. Her husband is Japanese.
Synopsis: Six stories that are all inspired by Tokyo, a place that writer Tokunaga has observed both first-hand and from afar. Highlights include a story about a young American who leaves her hostess job to become a kept woman but instead of finding solace is unable to escape her own demons, and a story about an American cat that becomes a stowaway with the intention of becoming a social media sensation in Japan.
How we heard about: We have featured Tokunaga a couple of times on the Displaced Nation (see, for instance, this interview) and follow her on social media.
Why we recommend: Tokunaga has a knack for telling stories about Japan that are culturally insightful while also being highly entertaining.


je-taime-maybe-book-coverJe T’Aime…Maybe? (TGRS Communications, November 3, 2016)
Author: April Lily Heise
Expat credentials: April Lily Heise is a Canadian writer and romance expert who has been living in Paris for over a decade. This is her second novelized memoir on her romantic misadventures.
Synopsis: After barely surviving a turbulent series of relationships in the City of Love (shared in the first volume of the series, Je T’aime, Me Neither), our heroine Lily is ready to throw in the towel on amour. That is, until she receives a very unexpected email—one which revives her hope in finding true love…yet at the same time awakens the mischievous, passionate energy of Paris. Will she manage to connect with her potential soul mate, located on the other side of the globe?
How we heard about: We follow the HIP Paris Blog.
Why we recommend: Readers of Heise’s blog and book appreciate her for being “hilarious,” “brutally honest” and “badass” about love in the city that celebrates that emotion. As one of them puts it, this book is a “sort of Parisian-style Bridget Jones’s Diary.”


a-portrait-of-emily-price_coverA Portrait of Emily Price (HarperCollins, November 1, 2016)
Author: Katherine Reay
Expat credentials: After living all across the United States and a few stops in Europe, Katherine and her family recently moved back to Chicago. It’s also the first book Reay has written that’s based in a place where she hasn’t lived, though she did visit Italy multiple items when living in Europe.
Synopsis: Art restorer Emily Price has never encountered anything she can’t fix—until she meets Ben, an Italian chef, who seems just right. They marry and Emily follows Ben home to Italy, where she finds she can’t quite adjust to his family and culture.
How we heard about: From Publishers Weekly listing
Why we recommend: It’s interesting that an author who usually takes her inspiration from Jane Austen has entered Henry James territory, portraying clashing worldviews and other cross-cultural miscommunications. What’s more, the book includes sensually evocative descriptions of Italian food and scenery, for which it has earned comparisons with Frances Mayes’s Under the Tuscan Sun.


the-boat-rocker_coverThe Boat Rocker (Pantheon, October 26 2016)
Author: Ha Jin
Expat credentials: Xuefei Jin, who publishes under the nom de plume Ha Jin, is a China-born but United States-based author. A former Chinese army soldier, he chose to stay in the United States after the Tiananmen Square massacre.
Synopsis: Chinese expatriate Feng Danlin is a fiercely principled reporter at a small news agency that produces a website read by the Chinese diaspora around the world. Danlin’s explosive exposés have made him legendary among readers—and feared by Communist officials. But his newest assignment may be his undoing: investigating his ex-wife, Yan Haili, an unscrupulous novelist who has willingly become a pawn of the Chinese government.
How we heard about: New York Times Sunday Book Review
Why we recommend: At a time when the press is under attack, it is interesting to read a novel by a writer who has lived under two very different sets of rules: the Communist Party’s elaborate control of mass media and the free market’s complicated influence on what we read and watch.


how-to-pick-up-a-maid_coverHow to Pick Up a Maid in Statue Square: Stories (Thistledown Press, Oct 16, 2016)
Author: Rea Tarvdas
Expat credentials: When her husband, a management consultant, was transferred to Hong Kong in 2000, Tarvdas placed her job as a psychiatric emergency-room nurse on hold and packed up the house and moved for two years to Hong Kong. She has since repatriated to Calgary, Canada.
Synopsis: A collection of stories that creates a fictional community of hardworking men and women, bankers and brokers, maids and househusbands, who are, in the author’s words, “all trying to find their way through the space in which loneliness and alienation intersect.”
How we heard about: From Tarvdas’s personal essay in Quill & Quire.
Why we recommend: Tarvdas has used fiction to channel the intense feelings that come up when you’re an expat, particularly a trailing spouse, in Southeast Asia, including dislocation, loneliness, alienation, and even sexual redundancy.


from-pavlova-to-pork-pies_coverFrom Pavlova to Pork Pies: From New Zealand to England searching for love, laughs, and the way home (Writer’s Cat, October 2, 2016)
Author: Vicki Jeffels
Expat credentials: Jeffels has lived in four countries, both hemispheres and has travelled around the world only to end up back where she started, in Auckland, New Zealand.
Synopsis: Based on a true story and an award-winning blog, the plot concerns a divorced mother-of-three from New Zealand who goes on a European tour and meets the man of her dreams, an Englishman, in the City of Light; starts a long-distance relationship with him; and then moves with her family to live with him in the UK, only to have disaster strike when she and her kids are threatened with deportation.
How we heard about: We have known Jeffels back in the day when she was blogging about being an expat in Britain, married to a Brit she met in Paris—she was one of our early Random Nomad interviewees.
Why we recommend: Jeffels has a droll sense of humour and loves travel, chocolate, food, and wine. You can’t go wrong with an author like that.


conquest_coverConquest: Daughter of the Last King (Impress Books, October 1, 2016)
Author: Tracey Warr
Expat credentials: Warr was born in London and lives in the UK and France.
Synopsis: The first in Warr’s new Conquest trilogy, the book is set in the early middle ages when Britain was invaded by William the Conqueror. It concerns the fate of Nest ferch Rhys, the daughter of the last independent Welsh king, after she is captured by the Normans following their assault on her lands, taken to their lair in Cardiff, imprisoned in the motte, and forced to learn Norman.
How we heard about: Warr is our Location, Locution columnist.
Why we recommend: With so many people being displaced by war in the present era, it seems strange to think that this kind of thing was going in the 12th century as well. Is forced displacement an inevitable part of the human condition?


cartes-postales-from-greece_coverCarte Postales from Greece (Hodder, September 22, 2016)
Author: Victoria Hislop
Expat credentials: Hislop has nurtured a passion for Greece for more than three decades. She speaks Greek and keeps a second home in Crete, where she spends several months of every year.
Synopsis: Englishwoman Ellie mistakenly receives a series of tantalizing postcards from Greece. Once the cards stop coming, she spontaneously organizes her own trip to Greece and, with the help of a mysterious notebook she receives just before her departure, discovers a wonderful world of tradition, folklore, love and betrayal—a world not usually accessible to first-time visitors.
How we heard about: TripFiction’s interview with the author
Why we recommend: Hislop traveled in Greece with a Greek photographer and has used his photos to illustrate the book. In some cases, the stories developed because of the photos; in other cases, it was the other way around. The idea was to have the words and pictures work very closely together. The idea sounds super creative, and we’re curious how it turned out.

Summer 2016

the-pull-of-it_coverThe Pull of It (Underground Voices, September 21, 2016)
Author: Wendy J. Fox
Expat credentials: Fox was raised in rural Washington state, and lived in Turkey in the early 2000s. She was still living in Turkey when she started the manuscript. She now lives in Seattle.
Synopsis: The story of a young wife and mother who takes a solo vacation in Turkey to recharge, and ends up diving into a new culture. She skips her flight home and boards a bus to the interior of the country, where she will stay for another six months, until her previous life pulls her home and she must confront her demons.
How we heard about: Writer Lisa Morrow quotes from Fox’s novel in Part One of her interview with us, published in November of last year.
Why we recommend: The premise of the story sounds interesting. As Fox told reviewer Mark Stevens, she thought her protagonist would need to be immersed in a “realm that was totally foreign” as only then could she “get down to the core of herself and understand what she wants.”


the-other-side-of-the-world_coverThe Other Side of the World (Atria Books, September 20, 2016)
Author: Stephanie Bishop
Expat credentials: Her grandparents migrated from England to Australia in the 1960s. Although her grandmother lived more than half her life in Australia she still thought of England as home and Bishop grew up listening to her complain about how much she missed Britain. As a young adult, Bishop herself experienced “dual homesickness” as she moved back and forth between England and Australia for her education (she got her Ph.D. from Cambridge and will soon have a visiting fellowship at Oxford).
Synopsis: A novel set in England, Australia, and India in the early 1960s. Charlotte is struggling with motherhood, with the changes brought on by marriage and parenthood, and with never having the time or energy to paint. Her husband, Henry, an Anglo-Indian, cannot face the thought of another English winter. A brochure slipped through the mailbox—Australia brings out the best in you—gives him an idea. Charlotte is too worn out to resist, and before she knows it they are traveling to the other side of the world. But upon their arrival in Perth, the southern sun shines a harsh light on the couple and gradually reveals that their new life is not the answer either was hoping for.
How we heard about: Nina Sichel promoted it on the Writing Out of Limbo Facebook page.
Why we recommend: The novel explores Bishop’s fascination with a dual sense of longing and nostalgia about two places one considers to be “home.”


him-me-muhammed-ali_coverHim, Me, Muhammad Ali (Sarabande Books, September 19, 2016)
Author: Randa Jarrar
Expat credentials: Jarrar grew up in Kuwait and Egypt. She moved to the United States after the first Gulf War, at the age of 13.
Synopsis: Stories about Middle Eastern women much like Jarrar herself, strong girls and women who’ve somehow landed in the United States, interlaced at times with magic. We travel from Cairo to Yonkers, from the West Bank to Wyoming.
How we heard about: From a tweet by M. Lynx Qualey (@arablit).
Why we recommend: This is Jarrar’s first story collection, following the debut of her first novel, A Map of Home, which won an Arab-American Book Award. As one critic writes, the anthology reflects Jarrar’s own experience of moving between continents and cultures through characters that always seem to be searching for that one place where they fit in: “Often, they don’t, so it’s the nebulous in-between space where their lives unravel.”


tea-planters-wife_coverThe Tea Planter’s Wife (Random House Broadway Books, September 13, 2016)
Author: Dinah Jefferies
Expat credentials: Jefferies was born in Malaysia and moved to England at the age of nine. Her idyllic childhood always held a special place in her imagination, and when she began writing novels in her 60s, she was able to return there—first in her fiction and then on annual research trips for each new novel.
Synopsis: An historical family drama set in Ceylon in the 1920s. Gwendoline, a young Engliah woman, fresh off the boat who has come to join her new husband at his tea plantation. She faces a big culture shock and then a mystery surrounding this man.
How we heard about: Tracey Warr’s interview with Jefferies in her Location, Locution column (published 3 December 2016).
Why we recommend: One of Warr’s other interviewees, Hazel Gaynor, chose this book by Jefferies for its “wonderful sense of location.”


singapore-love-stories_coverSingapore Love Stories (Monsoon Books, September 2016)
Author/Editor: Verena Tay (she contributed “Ex” )
Coordinator/Compiler: Raelee Chapman (she contributed “The Gardener”)
Expat credentials: Tay is based in Singapore but was educated internationally. Chapman is an Australian writer living in Singapore.
Synopsis: Leading Singaporean and Singapore-based writers explore the best and worst of the human condition called love, including grief, duplicity and revenge, self-love, filial love, homesickness and tragic past relationships.
How we heard about: Valentine’s Day post by Trip Fiction, replete with travel tips and giveaway
Why we recommend: The writers are a diverse group, including Singaporeans and expats, both Western expats and expats from within Asia, and also established writers and those published for the first time.


behold-the-dreamers_coverBehold the Dreamers (Penguin/Random House, August 23, 2016)
Author: Imbolo Mbue
Expat credentials: Mbue moved from Cameroon to New York City ten years ago.
Synopsis: The story of a Cameroonian couple and their son who settle in Harlem hoping to capture their piece of the American dream amidst the 2008 financial and housing market crisis.
How we heard about: New York Times Sunday Book Review
Why we recommend: Inspired by Toni Morrison’s novel Song of Solomon, Heinemann’s African Writers Series and British classics she read growing up, Mbue told one interviewer that she decided to write about what she knows best: the Cameroonian immigrant experience.


monsoon-summer_coverMonsoon Summer (Simon and Schuster, August 9, 2016)
Author: Julia Gregson
Expat credentials: Gregson has worked as a journalist and foreign correspondent in the UK, Australia, and the US. She grew up a military brat as her father was in the Royal Air Force. She has worked as a jillaroo in the Australian outback as well as a model for Hardy Amies in London.
Synopsis: An epic postwar love story moving from England to India. English nurse Kit meets Anto, a young Indian doctor finishing up his training at Oxford. They secretly marry and set off for South India—where Kit plans to run the maternity hospital she has already been helping from afar. But life in India does not turn out as she imagined.
How we heard about: From Tracey Warr’s Location Locution interview with Dinah Jefferies, who said she loved Gregson’s East of the Sun for the way it evokes a particular time in India,
Why we recommend: Critics praise Gregson for understanding both the harshness and beauty of India, its land, culture, and history. When researching this novel, Gregson went to Kerala and lived with an Indian family. She traveled in a rice boat up many of the back waters she describes in the book.


still-here_coverStill Here (Hogarth Random House, Aug 2, 2016)
Author: Lara Vapnyar
Expat credentials: Russian-born author Lara Vapnyar moved from Moscow to Brooklyn in 1994 as an adult, picked up English quickly, and started publishing short stories about the daily-life concerns of Russian émigrés like herself.
Synopsis: Vica, Vadik, Sergey and Regina met in Russia in their college days but remained in touch. They now have very different, yet intertwined, lives as immigrants in New York City. The story follows them as they grapple with love and tumult, the challenges of a new home, and the absurdities of the digital age.
How we heard about: New York Times Sunday Book Review
Why we recommend: One reviewer has praised it as “minutely observed, razor funny and wholly wonderful.” That’s a spectacularly high endorsement!


this-must-be-the-place_coverThis Must Be the Place (Knopf, July 19, 2016)
Author: Maggie O’Farrell
Expat credentials: O’Farrell is a domestic expat of sorts. Born in Northern Ireland, she was brought up in Wales and Scotland, and now lives in Edinburgh.
Synopsis: A New Yorker living in the wilds of Ireland, Daniel Sullivan has children he never sees in California, a father he loathes in Brooklyn, and a wife, Claudette, who is a reclusive French-English ex–film star given to pulling a gun on anyone who ventures up their driveway. Once the most glamorous and infamous woman in cinema, she orchestrated her own disappearance, retreating to the seclusion of an Irish farmhouse. All seems well enough until the couple must struggle to hold things together in the face of a secret from Daniel’s past.
How we heard about: New York Times Book Review
Why we recommend: As one Amazon reviewer says, O’Farrell has created a set of “misplaced and lost characters, searching for an authentic place within themselves.” She notes that their “searching leads to external travels and internal jaunts. They are searching: for love, for connection, for identity, for affirmation, for understanding.”


dancingwiththetiger-_coverDancing with the Tiger (Putnam, July 12, 2016)
Author: Lili Wright
Expat credentials: A former journalist who has lived a year in Paris, a year in Italy and two years in Mexico, Wright, who recently earned an MFA, is now a professor at DePaul University in Indiana. During her many trips to Mexico, she has studied Spanish, lived with Mexican families, and had many adventures including watching dancing tigers parade down the streets.
Synopsis: Anna flees her dead-end life in New York City (she has just broken up with her fiancé) to hunt down what her father, a mask collector, believes to be the death mask of Aztec King Montezuma, from an American looter in Mexico.
How we heard about: A press release
Why we recommend: Wright says she tends to mix French, Italian, and Spanish together, but critics say she gets her cultural references just right in her debut novel, set in Mexico.


intrusion_coverIntrusion (Little A, July 1, 2016)
Author: Mary McCluskey
Expat credentials: Born in Warwickshire, McCluskey lived and worked in a number of cities in Europe—London, Brighton, Vienna, Munich, Athens—before finding a home in Los Angeles, California, where she married and gave birth to two sons. She now lives in Stratford-upon-Avon, twenty miles from where she was born, though still spends time in LA. She considers both LA and Stratford “home.”
Synopsis: A psychological drama about a couple dealing with the hardest of losses: the death of their only child, set against the backgrounds of Southern California and Sussex, UK. The marriage is thrown into a tailspin when the wife’s old schoolmate from England shows up, ostensibly to help the couple get over their grief.
How we heard about: TripFiction interview with the author
Why we recommend: McCluskey has lost a child (an experience a couple of authors on our site have had) and knows how it feels. She also has a nuanced view of the differences between the UK and the US.


the-lovers-portrait_coverThe Lover’s Portrait: An Art Mystery (Traveling Life Press, June 22, 2016)
Author: Jennifer S. Alderson
Expat credentials: After traveling extensively around Asia and Central America, Alderson moved to Darwin, Australia, before finally settling in the Netherlands with her Dutch husband and their son.
Synopsis: In the second of a series following the adventures of traveler and culture lover, Zelda Richardson, Zelda scores an internship at the prestigious Amsterdam Museum, where she works on an exhibition of paintings and sculptures once stolen by the Nazis, When two women claim the same portrait of a young girl entitled Irises, Zelda is tasked with investigating the painting’s history.
How we heard about: Alderson’s first Zelda Richardson novel, Down and Out in Kathmandu, was one of Booklust Wanderlust columnist Beth Green’s three book picks in honor of Mother’s Day this past year. (Notably, Alderson also contributed to Green’s column canvassing several writers on their recommended reads for the not-quite end of summer.)
Why we recommend: The novel draws on the author’s experiences gained while studying art history in the Netherlands and working for several Dutch museums.

Spring 2016

the-girl-and-the-sunbird_coverThe Girl and the Sunbird: A beautiful, epic story of love, loss and hope (Bookouture, June 17, 2016)
Author: Rebecca Stonehill
Expat credentials: Stonehill is from London but currently lives in Nairobi with her husband and three children where she teaches creative writing to school children. Synopsis: East Africa 1903: When 18-year-old Iris Johnson is forced to choose between marrying the frightful Lord Sidcup or a faceless stranger, Jeremy Lawrence, in a far-off land, she bravely decides on the latter. But when Iris meets Jeremy, she realizes in a heartbeat that they will never be compatible. Determined to make the best of her new life, she begins to adjust to her surroundings; the windswept plains of Nairobi and the delightful sunbirds that visit her window every day. And when she meets Kamau, a school teacher, Iris finds her calling, assisting him to teach the local children English.
How we heard about: TripFiction’s interview with Stonehill about her adopted home city of Nairobi
Why we recommend: Many readers compare Stonehill with Victoria Hislop, who has also made our list. Her first book, The Poet’s Wife—based on the 18 months she spent living in Granada—was a big hit with readers.


i-promise-you-this_coverI Promise You This: Book Three in the Love in Provence Series (Lake Union Publishing, May 17, 2016)
Author: Patricia Sands
Expat credentials: A Canadian, Patricia Sands lives in Toronto, but her heart’s other home is the South of France. An avid traveler, she spends part of each year on the Côte d’Azur and occasionally leads groups of women on tours of the Riviera and Provence.
Synopsis: The series follows the adventures of Katherine Price, a sensible Canadian woman who is undergoing a midlife crisis, a symptom of which is falling for a Frenchman named Philippe. She follows Philippe to his idyllic home in Provence but worries it’s a fantasy life. So, is Katherine ready to leave everything behind for an unknown life abroad? We find out in the conclusion to this trilogy about second chances.
How we heard about: TripFiction’s giveaway of Sands’s trilogy
Why we recommend: Sands herself is a good example of second chances, having taken up writing in her 60s. She chose a theme close to her heart: France, which she first fell in love with when she backpacked around the country for a year when she was 21, a love affair that has only grown throughout her life. She considers herself to be a “possibilatarian” and encourages the rest of us to do the same.


the-mirror-thief_coverThe Mirror Thief (Penguin Random House, May 10, 2016)
Author: Martin Seay
Expat credentials: As Seay put it in an interview, one of the sparks that led to the book was his memory of “a couple of misty Lenten backpacker days” in Venice: “at the time and still today the strangest place I’ve ever been.” He now lives in Wheeling, Illinois.
Synopsis: The novel consists of a series of nested stories telling of three Venices in three locations and eras: the Venetian casino in Las Vegas in 2003; Venice Beach, CA, in 1958; and the original city-state, in 1592, the time when its mirror-making industry was at its peak. Seay weaves all three stories together in a tour-de-force.
How we heard about: Made the Publishers Weekly list of most anticipated debut novels of Spring 2016
Why we recommend: The book came out to huge critical praise and has been called, among other things, a “masterpiece,” a “startling gem,” a “beautifully plotted potboiler,” and a “true delight.”


back-to-moscow_coverBack to Moscow (Farrar, Straus and Giroux, May 3, 2016)
Author: Guillermo Erades
Expat credentials: Guillermo Erades was born in Málaga, Spain. As a career diplomat for the European Union, he has held posts in Moscow, Berlin, Baghdad and Brussels, where he is currently based. He has also lived in Leeds, Amsterdam, and Luxembourg. He wrote this book, his first novel, during a two-year posting high-security compound in Baghdad, where there were few distractions.
Synopsis: Martin came to Moscow at the turn of the millennium hoping to discover the country of Dostoyevsky, Tolstoy, and his beloved Chekhov. Instead he found a city turned on its head, where the grimmest vestiges of Soviet life exist side by side with the nonstop hedonism of the newly rich. Along with his hard-living expat friends, Martin spends less and less time on his studies, choosing to learn about the Mysterious Russian Soul from the city’s unhinged nightlife scene. But as Martin’s research becomes a quest for existential meaning, love affairs and literature lead to the same hard-won lessons. Russians know: There is more to life than happiness.
How we heard about: Made the Publishers Weekly list of most anticipated debut novels of Spring 2016
Why we recommend: The novel draws on Erades’s life in Moscow at the beginning of the Putin years. It was his first EU posting, and he was in his twenties. He found it to be a special time: “There was a lot of fun and adventure and a Wild West feeling.” His book is the expat version of a Bildungsroman. He intended it as an ode to the city of his (mis?)spent, as well as displaced, youth, a motive that those of us who spent our formative years in foreign countries can well understand.


amotherssecret_coverA Mother’s Secret: A beautiful, heartbreaking novel of love, loss and hidden tragedy (Bookouture, April 6, 2016)
Author: Renita D’Silva
Expat credentials: Now living in the UK, D’Silva grew up in a coastal village in South India.
Synopsis: Jaya, the British-born daughter of immigrants, struggles with the unexpected death of her mother, Durga, followed by the loss of her baby son in a tragic cot death. Looking through her mother’s belongings, Jaya finds diaries that unlock the secrets of her mother’s unhappy past, before she emigrated to England. Part of the story is told by Durga, through diary excerpts, and part by Kali, a mad old lady who, like Durga, was doing her best to survive and succeed in traditional Indian culture.
How we heard about: D’Silva’s latest novel was featured in Beth Green’s Booklust, Wanderlust post last May, celebrating displaced female protagonists in honor of Mother’s Day
Why we recommend: D’Silva’s debut novel, Monsoon Memories, about an Indian woman who’d been exiled for more than a decade and is living in London, was a Displaced Nation pick for 2014.


reader-i-married-him_coverReader, I Married Him: Stories Inspired by Jane Eyre (HarperCollins, March 22, 2016)
Author: Tracy Chevalier
Expat credentials: American by birth, British by geography, Chevalier lives in London with her husband and son. Her first novel, which made her famous, was The Girl with a Pearl Earring.
Synopsis: A collection of short stories by writers across the globe whom she’d asked to respond to the famous opening line of Jane Eyre: “Reader, I married him.” Turkish author Elif Şafak, for instance, contributed a story about an Islamic woman who becomes infatuated with a young Dutchman who has arrived in her town to learn Turkish. Hm, but does she marry him? Linda Grant’s “The Mash-Up” tells of a disastrous wedding between a Jewish woman and a Persian man. (Yes, she did, unfortunately!)
How we heard about: The book release was commissioned as part of the commemorations for Charlotte Brontë’s 200th birthday, for which Chevalier also curated an exhibition at the Brontë Parsonage Museum.
Why we recommend: It’s one of literature’s best-known lines, and we love the idea of having it interpreted by a group of global creatives.

Winter 2016

shelter_coverShelter (Picador, March 15, 2016)
Author: Jung Yun
Expat credentials: Yun was born in South Korea, grew up in North Dakota, and was educated at Vassar College, the University of Pennsylvania, and the University of Massachusetts at Amherst. She now lives in western Massachusetts.
Synopsis: The story of young Korean American professor Kyung Cho and his Irish-American wife, which leads to the story of the complicated relationship that Kyung has with his wealthy parents. Kyung’s parents immigrated from Korea to the US as his father went to graduate school in engineering. Growing up, they gave him every possible advantage—private tutors, expensive hobbies—but they never showed him kindness.
How we heard about: New York Times Sunday Book Review
Why we recommend: It’s a family drama with a cross-cultural dimension: Kyung chose a white woman in part to distance himself from the rules of his own Korean upbringing, but can he make all of these relationships work?


forty-rooms_coverForty Rooms (Penguin, Feb 16, 2016)
Author: Olga Grushin
Expat credentials: Grushin was born in Moscow but is now based in the United States. She is an American citizen but retains Russian citizenship.
Synopsis: A Russian-born woman aspires to be a poet but ends up becoming Mrs. Caldwell, a housewife and mother in suburban America.
How we heard about: New York Times Sunday Book Review
Why we recommend: Displaced writer Alexandra Fuller, who made my own list for 2015, was favorably impressed.


ways-to-disappear_coverWays to Disappear (Little, Brown and Company, Feb 9. 2016)
Author: Idra Novey
Expat credentials: Born in western Pennsylvania, Novey has lived in Chile, Brazil, and New York.
Synopsis: A noirish literary mystery with a translator at its center. Deep in gambling debt, the celebrated Brazilian writer Beatriz Yagoda is last seen holding a suitcase and a cigar and climbing into an almond tree. She abruptly vanishes. In snowy Pittsburgh, her American translator Emma hears the news and, against the wishes of her boyfriend and Beatriz’s two grown children, flies immediately to Brazil and tries to unravel the mystery.
How we heard about: Made the Publishers Weekly list of most anticipated debut novels of Spring 2016
Why we recommend: Novey is an award-winning poet. This is her first novel and it draws on her experience of working as a translator of Spanish and Portuguese literature.


the-photographers-wife_coverThe Photographer’s Wife (February 2, 2016)
Author: Suzanne Joinson
Expat credentials: For ten years Joinson worked part-time in the literature department of the British Council, traveling regularly in the Middle East, China, Russia, and Eastern and Western Europe. She has worked in and explored Yemen, Egypt, Syrian, Greece, and many other countries.
Synopsis: The casually glamorous Eleanora Ashton scandalizes the British expatriate community in Jerusalem by marrying a famous Arab photographer. But then she falls for William Harrington, a British pilot who is working for the architect Charles Ashton. The affair threatens her marriage, particularly when William discovers that her husband is part of an underground nationalist group intent on removing the British. Years later, in 1937, Ashton’s daughter Prue is an artist living a reclusive life in Shoreham, Sussex, with her son. Harrington arrives and what he reveals unravels her world.
How we heard about: New York Times Sunday Book Review
Why we recommend: Like Joinson’s first novel, A Lady ­Cyclist’s Guide to Kashgar, set in Central Asia, the book is concerned with people who feel displaced; as the New York Times reviewer puts it, “they are looking for a guide, a map, some thread to lead them through the maze of their own lives.”


black-deutschland_coverBlack Deutschland (Farrar, Straus and Giroux, February 2, 2016)
Author: Darryl Pinckney
Expat credentials: A black writer from Indiana, Pinkney somehow ended up in the divided Berlin of the seventies and eighties and fell in love with it. Currently he divides his time between New York City, and Oxfordshire, UK.
Synopsis: It’s the early 1980s, and Jed, a young gay black American from Chicago who suffers from an addiction problem, has just finished reading Christopher Isherwood’s Berlin Stories. He is inspired to flee to Berlin in the tradition of other black writers and musicians: he hopes to escape American racism and homophobia.
How we heard about: New York Times Sunday Book Review
Why we recommend: For black writers and musicians in the postwar era, Europe’s cultural capitals provided a space for people like Richard Wright, James Baldwin, Dexter Gordon, Nina Simone and many others to practice and be appreciated first and foremost as artists, rather than be caught up in America’s race tragedy. Pinkney’s second novel imparts an appreciation for this history.


what-belongs-to-you_coverWhat Belongs to You (Farrar, Straus and Giroux, January 19)
Author: Garth Greenwell
Expat credentials: Greenwell moved to Bulgaria to teach at the American College of Sofia in 2009. Because of his non-fluency in Bulgarian, he lived “between languages” but claims to have liked that experience.
Synopsis: An American teacher in Sofia, Bulgaria is barely able to keep up a conversation in Bulgarian or ascribe concrete value to the leva and stotinki he keeps in his wallet. But then he enters into a transactional romance with a handsome and enigmatic Bulgarian male hustler named Mitko. His love for Mitko remains unrequited, but the relationship forces him to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in.
How we heard about: Made the Publishers Weekly list of most anticipated debut novels of Spring 2016
Why we recommend: As Jeffery Zuckerman puts it in his review for The New Republic:

“Garth Greenwell’s writing is alive to the foreign and the unknown; he opens our eyes to worlds we had not realized existed alongside our own. Even the landscape of Bulgaria, one of the poorest and least-known countries in Europe, is made vivid and vibrant.”


the-expatriates_coverThe Expatriates (Penguin Books, January 12, 2016)
Author: Janice Y. K. Lee
Expat credentials: Janice Y. K. Lee was born and raised in Hong Kong. She received a BA in English and American Literature and Language from Harvard College. A former editor at Elle magazine, Lee lives in New York with her husband and four children.
Synopsis: Lee explores with devastating poignancy the emotions, identities, and relationships of three very different American women living in the same small expat community in Hong Kong.
How we heard about: From the special “Border Crossings” edition of the New York Times Sunday Book Review, focusing on books about global migration.
Why we recommend: As novelist Maggie Pouncey put it in her review of the book, Janice Y.K. Lee is a “female, funny Henry James in Asia.”

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And so we have it: our top picks for displaced fiction that came out in 2016. What do you think, dear reader? Are we missing something you think deserves to be on the list? Kindly let us know in the comments!

ML Awanohara, one of the Displaced Nation’s founders and its current editor, has a section in the weekly Displaced Dispatch where she mentions the latest expat books. Why not subscribe as a treat to yourself during the winter doldrums?

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, and much, much more. Register for The Displaced Dispatch by clicking here!

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Photo credits: All photos via Pixabay or Morguefiles.

TCK TALENT: Educational theatre specialist Guleraana Mir uses drama to coax out and channel TCK & immigrant stories

mir-tck-talent
Columnist Dounia Bertuccelli is back with her first Adult Third Culture Kid guest of the new year.

Hello again, fair readers! In this month of dramatic change here in the United States, perhaps you’d like to switch to another kind of drama. My guest this month is writer and educational theatre specialist Guleraana Mir. Among other projects, she has been working on Home Is Where…, an experimental theatre project based on the stories of Third Culture Kids, with Amy Clare Tasker, my very first guest.

Born in London to Pakistani immigrant parents, Guleraana spent the first five years of her life moving between Pakistan, Saudi Arabia and the UK. She recounts her family’s decision to settle back in the UK with humor, explaining:

“There’s a family joke that I returned home from the American nursery in Riyadh with a mixed-up accent, and my dad, proud of his broad Yorkshire twang, said something along the lines of: ‘No child of mine will grow up speaking like that!’ So we immediately made plans to return to the UK so my brother and I could be educated in England.”

As an adult, Guleraana continues to expand her horizons, traveling around and working in South America for a year and then spending two-and-a-half years in the United States. Currently based in London, she engages in a variety of creative endeavors, from leading theatre and creative writing workshops in community settings and schools in the UK, to developing scripts, to producing content for a London-based digital marketing agency, to writing poetry. Her first full-length play was long listed by the BBC Writersroom team in 2014, which seeks out new writers for possible BBC broadcast.

* * *

Welcome, Guleraana, to the Displaced Nation! Let’s start by hearing a little more about your path once you became an adult. What and where did you choose to study at university, and why?
I completed my BA in English and Creative Studies at the University of Portsmouth, in the south of England. I chose that location because it was far away enough to not be in the immediate vicinity of my parents, but close enough to hop on a train home to London. Four years later I chose to study for an MA in Educational Theatre at New York University’s Steinhart School instead of a comparable course in the UK because the dollar was two to the pound, making the cost of studying in the USA was almost affordable. Plus, I was obsessed with New York after visiting the year before. I would have done anything to be able to return for an extended period.

What made you so obsessed with New York, and how does it compare to London?
I can’t tell you how hard I’ve tried to answer these questions in a succinct and tangible way, but it always comes back to this: my obsession with New York is visceral, not something I can rationalize. New York has an energy that inspires and motivates me. London is wonderful, steeped in history and tradition, but its energy is different. In my first semester at New York University, I found myself on the 7th floor of the Student Union Building. I looked out of the window and realized I could see past Washington Square Park all the way up Fifth Avenue. All the way up! It was so long and straight and brightly lit; it seemed infinite and vast, full of magic and possibilities. In London the streets are small and cobbled and windy and you don’t get that sense of size, even though it is a very big city.

Do you think your love for New York also has to do with going to graduate school in that city?
Yes, my passion for New York ultimately has to do with the fact that I first visited at an extremely pivotal moment in my life. I have since written an essay about becoming a woman and an artist, and I attribute 100% of my current confidence to NYC mostly because of all the empowering experiences I had whilst living there. London is my childhood, my safety net, my current state of success. New York sits in the middle of those two states. It’s the place I ran away to and discovered myself, the place I finally felt comfortable being who I am. Whilst I know that London is the right place for me because I could never really live in the USA, every time I think of New York my heart breaks. It’s like the lover you can never let go of, the one that got away.

torn-between-ny-and-london

“Theatre is the art of looking at ourselves” —Brazilian theatre director Augusto Boal

Did growing up as a TCK influence your decision to go into theatre?
I grew up not only as a TCK, meaning I spent my early childhood outside my parents’ culture–but also as a CCK, or cross-cultural kid, as I spent the next portion of my childhood living in England with Pakistani parents. These experiences moved me to want to become a human rights lawyer or a journalist, or else pursue European Studies. All I can ever really remember being passionate about was traveling the world and writing, with a heavy emphasis on “changing the world.” While working on my BA, I explored creative and journalistic writing, but ultimately graduated without a concrete career path. I’ve ended up working in educational theatre because it is a combination of things I am good at, and love. I honestly couldn’t see myself doing anything else. 

Has theatre helped you process your TCK upbringing?
As a playwright I can process my mixed-up identity through my characters. Having the opportunity to explore things I’ve experienced on stage is both triggering and cathartic. Luckily I am surrounded by amazing people who also happen to be extraordinarily talented artists, so working with them makes the whole process easier.

You’re currently based in London—are you settled or do you get “itchy feet”?
I will always dream of New York, and Rio, and all the other places I’ve felt “at home”; but London occupies a special place in my heart. It’s where parents and family are, so as long as they’re here, I’m here. Sort of. The itchy feet are constant—but I hate packing. So, we shall see!

“The worst part of holding the memories is the loneliness of it. Memories need to be shared.” —ATCK writer Lois Lowry

You’ve been collaborating with Amy Clare Tasker on Home Is Where…, weaving together the true stories of TCKs with a fictional narrative inspired by our post-Brexit political landscape. What has working with other TCKs meant to you?
Meeting Amy and discovering the term “Third Culture Kid (TCK)” for the first time felt like getting into bed after an exciting night out. Through our work on Home Is Where…, I’ve engaged with so many more TCKs. As they say, truth is stranger than fiction and hearing some of the stories that make up Home Is Where… you realize how true this saying is. Some people have been on such great adventures! Also, as our actors are also TCKs, watching them bring a piece of themselves to the project is very humbling. Each of the stories the drama tells is like a special gift.

I know you and Amy have been experimenting with verbatim theatre. I want to ask you the same question I asked her: how has that process been?
Verbatim theatre is an interesting art form. As Amy explained in her interview, the actors listen to the audio recordings of TCK interviews on stage via headphones—and then repeat exactly what they hear. There’s something so raw and honest about it, but there is also the potential for it to be very static and boring. At the moment Amy and I are working on a way to revamp the piece so the interviews take center stage without the audience getting distracted by all the other things we feel we need to add to create an exciting theatrical experience. Watch this space for updates!

Are you working on anything else at the moment?
I am. My play Coconut is about a British-born Pakistani woman called Rumi who identifies as a “coconut”—a derogatory term for someone who is brown on the outside and white on the inside, i.e., who isn’t deemed culturally Asian enough by the community. The play explores Rumi’s relationship with her heritage and her religion, and we see how far she will go to appease her family. The play has been supported on its development journey by the Park Theatre and New Diorama.

coconut-play

Congratulations on that and on being selected as a Pollock Scholar and a speaker for the 2017 FIGT conference, which takes place March 23-25 in The Hague. Is connecting with global communities important for you on a personal and professional level? What do you hope to gain from this experience?
Thank you, Dounia! Amy and I will be doing a short presentation on Home Is Where… followed by an interactive workshop, something that I’m very passionate about. My expertise is in applied-theatre and I want to show the global community that the creative arts are the perfect way to explore the theme of this year’s FIGT conference: “Creating Your Tribe on the Move.” My hope is that everyone who attends our session will be moved to find a way to bring theatre into the way they work with families and individuals who are experiencing, or have recently experienced, migration.

Thank you so much, Guleraana, for sharing your story of how you got started as an international creative. You have so many exciting irons in the fire, it’s a true inspiration!

* * *

Readers, please leave questions or comments for Guleraana below. Also be sure to visit her Website and connect with her on Twitter, where she likes to tweet about theater, global politics and gifs (tweet her your favorites!). And if you’re headed to the FIGT event in March, be sure to attend her workshop on Friday, March 24.

Born in Nicosia, Cyprus, to Lebanese parents, Dounia Bertuccelli has lived in France, UK, Australia, Philippines, Mexico, and the USA—but never in Lebanon. She writes about her experiences growing up as a TCK and adjusting as an adult TCK on her blog Next Stop, which is a collection of prose, poetry and photography. She also serves as the managing editor of The Black Expat; Expat Resource Manager for Global Living Magazine; co-host of the monthly twitter chat #TCKchat; and TCKchat columnist for Among Worlds magazine. Currently based on the East Coast of the United States, she is happily married to a fellow TCK who shares her love for travel, music and good food. To learn more about Dounia, please read her interview with former TCK Talent columnist Lisa Liang. You can also follow her on Twitter.

STAY TUNED for next week’s fab posts!

If you enjoyed this post, we invite you to register for the biweekly Displaced Dispatch, a round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

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Photo credits:
Top visual: (clockwise from top left) Guleraana Mir photo, supplied; New Routemaster at Clapton, Hackney, London [mosque in background], by Sludge G via Flickr (CC BY-SA 2.0); “Home Is Where…” performance photo, supplied; and New York University Waverly building, by Benjamin KRAFT via Flickr (CC BY-SA 2.0).
New York vs London visual: “Looking across Washington Square Park at Midtown Manhattan, up 5th Avenue,” by Doc Searls via Flickr (CC BY-SA 2.0); and Back Lane, Hampstead, by Dun.can via Flickr (CC BY-SA 2.0).
Bottom visual: Coconut rehearsal, performance and promo piece, all supplied.

LOCATION, LOCUTION: For acclaimed British novelist Simon Mawer, not feeling at home anywhere fires creativity


Tracey Warr is here with the extraordinary Simon Mawer, whose work is on a par with Australian-born, U.S.-based Peter Carey and Sri Lankan-born Canadian Michael Ondaatje. Like them, he has used his displacement to produce an award-winning body of fiction.

Greetings, Displaced Nationers.

My guest this month is world-class novelist Simon Mawer.

As ML implied, Mawer is a natural fit for the Displaced Nation. Though British, he has lived in Italy for many years and to this day finds his imagination fired by the extraordinary and the unfamiliar.

He also had a peripatetic upbringing. His father served in the Royal Air Force, and his family spent three years on the island of Cyprus—an experience that informed his novel Swimming to Ithaca (2006)—and a total of five years in Malta.

About his childhood spent in other cultures, Mawer has this to say:

These experiences planted in me a love of the Mediterranean world which has lasted my whole life. They also gave me a taste for exile which I have never lost. When people ask me where I come from I am still unable to reply. I have lived in Italy for more than three decades, but Italy is not home. Home is where the mind is, perhaps.

Returning to the UK for boarding school, Mawer attended Oxford University where he earned a degree in zoology. He spent three years teaching biology at the secondary-school level in the Channel Islands, two years in Scotland, and two in Malta, before moving to Rome where he has lived ever since, teaching biology for over thirty years at St George’s British International School in Rome (he retired in 2010). Because teaching took up so much of his time, he didn’t publish his first novel, Chimera, until age 40, when he sold it to Hamish Hamilton.

Mawer’s ten novels are imbued with a compelling sense of time and place. His characters grapple with their own fraught and hybrid identities. The Bitter Cross (1992) is the only one set in the distant past: taking place in the 16th-century Mediterranean, it explores the theme of exile and belonging through the eyes of one of the last of the English knights, from the vantage point of retirement on the fortress island of Malta.

But the rest of Mawer’s novels take place in the early 20th century, with settings ranging through 1930s Czechoslovakia, 1940s occupied France, wartime Rome, 1950s London during the Cold War, Cyprus, Israel and Palestine.

The following six have won high accolades:

  • Mawer’s first novel, the aforementioned Chimera (1989), tells the story of a part-Italian, part-English archeologist who is haunted by his own past. On an archeological dig in central Italy, he recalls being parachuted into wartime Italy as a Special Operations Executive (SOE) agent. It won the McKitterick Prize for First Novels.
  • Mendel’s Dwarf (1997), described by the New Yorker as “furious, tender and wittily erudite,” blends fact and fiction by telling the story of the fictional Benedict Lambert, a distant descendant of real-life founder of the modern science of genetics, Gregor Mendel. Like Mendel, Lambert struggles to unlock the secrets of heredity and genetic determinism. However, Benedict’s mission is particularly urgent—he was born a dwarf. The book reached the last ten of the Booker Prize and was a New York Times “Book to Remember”.
  • Set partly in wartime Britain and partly in the anarchic world of British rock-climbing in the early seventies, The Fall (2003) is about many kinds of falling: off mountains, into love, out of love, from grace. It was the winner of the 2003 Boardman Tasker Prize for Mountain Literature.
  • The Glass Room (2009) centers on a couple who who live in a modernist house that resembles the real-life Villa Tugendhat, which the German-American architect Ludwig Mies van der Rohe designed for a wealthy Jewish man and his gentile wife in Brno (now in the Czech Republic). But then the storm clouds of World War II gather and the family flees through Switzerland to the United States. This work was shortlisted for the Man Booker Prize, the Walter Scott Prize for Historical Fiction and the Wingate Prize, and was a bestseller in the US and the UK. The Guardian described it as “a thing of extraordinary beauty and symmetry,” and the Washington Post found it “eerily erotic and tremendously exciting.” The Glass Room was adapted for the stage from the book’s Czech translation for a performance in the city of Brno (which, incidentally, is the seat of the priory where Mendel performed his experiments).
  • Mawer’s ninth novel, The Girl Who Fell From The Sky (Trapeze in the US) (2012) was described by the Daily Telegraph as “an absorbing novel full of treachery, twilight and terror.” Set during World War II, the novel follows the path of the half-English half-French diplomat’s daughter Marian Sutro. Her hybrid status is an advantage in wartime, and she ends up serving as an agent in occupied Europe. The Guardian once described Sutro as “perhaps the closest thing to a female James Bond in English literature.”
  • Mawer must have enjoyed the company of this complex female protagonist as Marian Sutro returns again in his most recent novel, Tightrope (2015), a cold war thriller set in 1950s London. One of a handful of surviving agents of the Special Operations Executive, Sutro tries to cast off her identity as heroine of the resistance, but the memories of torture, heartbreak and betrayal won’t leave her—nor will the longing for adventure. Tightrope was described by the Sunday Times as “a sophisticated, deviously constructed story,” and by the Mail on Sunday as “gripping stuff, with a sinuous plot and some haunting bedroom scenes.” It won the 2016 Walter Scott Prize for Historical Fiction and was Waterstones Novel of the Month (March 2016).

Mawer has also written two nonfiction books:

* * *

Welcome, Simon, to Location, Locution. Which tends to come first when you get an idea for a new book: story or location?

This very much depends on the book. Most begin with an idea—for example my last pair of novels, The Girl Who Fell From The Sky (Trapeze, in the US) and Tightrope, began with the idea of a young woman—a mere 19 years old—being recruited into a clandestine warfare outfit in the middle of the Second World War. Everything else followed from that. Similarly The Fall began with a literal fall, in this case the fall of a climber from a mountain wall. But once I’d got a mountain involved it was pretty obvious that location was going to become important. Indeed the Sunday Times reviewer drew attention to precisely this:

“What makes The Fall truly valuable, and truly unusual is its sense of landscape. Much British writing these days seems to be self-consciously urban. Mawer’s novel, distinguished by its keen descriptive sense of rock-face, crag, lake, snow and stone, bucks that trend beautifully.”

However, two novels later The Glass Room most definitely began with a location—the mesmerising Tugendhat House in the Czech Republic that I first visited in 1994. Standing in rooms that seemed to have barely changed from the 1930s, in a building that to this day remains a touchstone for modernist design, it was obvious for me to think, “There’s a story here.” I’m a writer of fiction so the subsequent story had to be my own creation rather than the true story of the family that built the house; but there is no doubt that location came first.

the-glass-room-collage-w-quote

What is your technique for evoking the atmosphere of the various places where you’ve set your four novels?

If there were only one technique it would be easy (and dull). There are many techniques but for me underlying everything is the idea that the reader must do some work. The writer’s task is to stir the imagination not replace it. So you evoke place with small hints, little details, small observations, and you rely on the intelligence of the reader to create the whole picture in his or her head. Don’t underestimate the literary intelligence of the reader—the ones without it are probably watching TV anyway. At best they’ll only be reading Dan Brown.

Which particular features create a sense of location: landscape, culture, food?

It depends on the location. For landscape one tends to resort to descriptive devices, leavened with metaphor of course. But it’s important not to overdo it and to restrain yourself from indulging in purple prose. Description should be brushed into the narrative with rapid, impressionist strokes. Urban locations, on the other hand, lend themselves to cultural references (see the example below).

Can you give a brief example from your writing that illustrates place?

How about Paris immediately after the war, as described in Tightrope:

Her first visit to the city since the war. Paris with a superficial gloss to it, like a piece of silver plate that has been polished up but is still worn away in places to show the base metal beneath: the drab buildings in need of cleaning, the broken pavements, the impoverished shops. But Paris with a strange, febrile vitality, Paris that was home to the theatre of the absurd and was itself a kind of theatre with people performing on its various stages, writers in the cafés of the Left Bank, politicians treading the boards of the National Assembly or berating crowds in place de la Bastille, black jazzmen from America sounding off in basements and cellars, models strutting on catwalks wearing clothes that outraged the poor of Saint-Denis and Belleville, tarts and pimps on the pavements of Pigalle. Paris canaille.

Paris canaille? Coarse, tawdry, crooked Paris. It’s the title of a song of the time written by Léo Ferré and first made popular by Catherine Sauvage. If the readers get that, great. If not, it doesn’t matter. But give them the opportunity to find out if they want to. You’ll find it here.

In general, how well do you think you need to know a place before using it as a setting?

It is possible to know a place too well. I have lived in Italy for about 40 years and have written very little that is set in this country. It is too familiar to me (yes, Italy can become too familiar!). What fires my imagination is the extraordinary and the unfamiliar—so I’ve set novels in Israel/Palestine, Czechoslovakia, World War II London, Cyprus, 16th-century Malta. Of course once your imagination has been lit, then it is necessary to get to know the place sufficiently to write about it with conviction without ever losing the sense of newness and discovery.

Which writers do you admire for the way they use location?

Perhaps one writer above all: Graham Greene. He was a master at location, so much so that critics even bestowed his name on the world that his characters inhabit: Greeneland. You know it. It’s hot, arid, run down, plagued with dust and corruption and lost faith. That’s the ultimate achievement, to create a world so vivid that it transcends any real location and instead belongs entirely to you, the creator.

So true! I should tell you that my last guest, the novelist Dinah Jefferies, chose one of your books—The Girl Who Fell from the Sky—in answer to this question.

Thanks so much, Simon, for joining us. It’s been a pleasure, as always.

* * *

Readers, any questions for Simon? Please leave them in the comments below.

Meanwhile, if you would like to discover more about Simon Mawer and his novels, I suggest you visit his author site. You can also follow him on Facebook and Twitter.

À bientôt! Till next time…

* * *

Thank you so much, Tracey and Simon! I have to say I’m particularly intrigued by Simon’s statement that he’s written very little in Italy despite (because of?) having lived 40 years in the country. That suggests that we international creatives should get started sooner rather than later if we decide to write about our adopted homes! —ML Awanohara

Tracey Warr is an English writer living mostly in France. She has published two medieval novels with Impress Books. She recently published, in English and French, a future fiction novella, Meanda, set on a watery exoplanet, as an Amazon Kindle ebook. Her latest medieval novel, Conquest: Daughter of the Last King, set in 12th-century Wales and England, came out in October.

STAY TUNED for next week’s fab posts!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of biweekly posts from The Displaced Nation and much, much more. Register for The Displaced Dispatch by clicking here!

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Photo credits:
Top visual: The World Book (1920), by Eric Fischer via Flickr (CC BY 2.0); “Writing? Yeah.” by Caleb Roenigk via Flickr (CC BY 2.0); author photo, supplied; Roman scene via Pixabay; Cyprus. Nicosia 1969 – 70, by Brian Harrington Spier via Flickr (CC BY-SA 2.0); and Street and Glastonbury Tor taken from Walton Hill, by Edwin Graham via Wikimedia Commons (CC BY-SA 2.0).
“Glass Room” visual: (top) Mies van Der Rohe- Tugendhat House, 1930, by Rory Hyde via Flickr (CC BY-SA 2.0); (bottom left) The Glass Room on stage at the City Theatre, Brn (Pavla Vitázková as Liesel, Svetlana Jantová as Kata), supplied; and Simon Mawer relaxing in the living room of the Tugendhat House, with the director of the house, Iveta Černá looking on, supplied.
“Paris as theatre” visual: (clockwise from top left): Acetate fabrics by Robert Perrier, 1951 Autumn-Winter via Wikimedia Commons (CC BY-SA 3.0); Screenshot from Catherine Sauvage “Paris Canaille” (live official), Archive INA; Waiting for Godot (cover detail) via Wikimedia Commons (CC BY-SA 4.0); and Zsa Zsa Gabor playing Jane Avril in the film Moulin Rouge (1952) via Wikimedia Commons (Public Domain 1.0).

Are we expats on an eightfold path? Poet Robert Peake investigates…

THE DHARMA WHEEL OF EXPAT LIFE

THE DHARMA WHEEL OF EXPAT LIFE

American-born UK-based poet Robert Peake is back, this time with a poem he wrote for HSBC in response to its annual survey of expats.

This year as in years past, HSBC’s Expat Explorer surveyed 16,000 expats about their experience of expat life. But in 2016 they added a new twist: they invited three international creatives to draw on their own expat experiences in interpreting the data.

One of the trio is displaced American poet Robert Peake, who has been on our site before, when we published “Smoke Ring,” one of his poems related to expat life.

Today we are publishing the poem that he wrote for Expat Explorer, with their permission. It’s called “Eightfold Expat” and has eight sections, each of which explores a word that many survey respondents used to describe their lives:

  • great
  • challenging
  • interesting
  • exciting
  • rewarding
  • difficult
  • better
  • different

Notably Robert chose the term “eightfold” for the poem’s title—an allusion to the Buddhist’s eightfold path to nirvana, comprising eight aspects in which the aspirant must become practiced.

This allusion suggests that as we move along the expat path, we are challenged to move beyond conditioned responses, to unlearn what we have learned—and that only then might we reach the “nirvana” of the displaced life.

I like the allusion very much—and am curious to hear what you think!

* * *

Eightfold Expat

I. [Great, the Expanse of an Opened Mind]

selfie-stick_quote_500xWith both hands, take it, this piece
of mind, a gift to yourself, a selfie
taken on a stick that extends into space.
Wave at the dot that was you, a seedling
on the prairie, allotment, or balcony pot,
bursting from husk to sapling, grappling
up, and spreading two leaf-shaped hands
out in the simplest prayer: to grow—
and so you water the one thing depending
on you in this world that was humming
before you arrived, and will hum the day
you depart, planting out and patting down,
packing out a greater part of you in you,
edging grains of dirt from your nails.

II. [A Challenging Chrysalis]

sliding-doors-with-quote_500xThe doors slide open as you pass, the doors
slide shut. Do not take this lightly.
Do not take this personally—the doors
do not know who you are, but who you will
become. Sealed in glass, your beating heart
apparent as your accent, veined to stimulate
the nerve-goo forming its scribbled blueprint,
tunnelling down the spine’s mine shaft,
reclaiming what you thought you knew,
in light, in heat, the gear work whirring
deep inside the leaf-perched skyscraper,
where already cracks are scaling the sides.
You blink. The winds pursue you at this height.
You flex to find your wings are dry now. Go

III. [A Most Interesting Spy]

flat-white-foam-with-quote_500xOrdinary is overrated. But you carry a secret
through the ubiquitous coffee shops, giving
them one of your names to mispronounce
over the hissed disapproval of frothing milk.
You could be one of them; they could be you.
A film as thin as the sheen on your flat white
separates you from the camera-clad throng,
standing like bowling pins on the thoroughfare.
They will ask directions in your native tongue,
and you will pretend that you don’t understand,
the way a lens misunderstands the surface
of places you now inhabit, as if ordinary
could describe the burning pleasure of a sip
that used to scald you, cooling in your mouth.

IV. [Exciting, the Strapped-In Ride]

tuk-tuk-with-quote_500xYou never saw it coming—the pothole, cobble,
pavement crack that sends you to the roof
of the clattering rickshaw. Can you remember
the word for aspirin? How much to tip?
Remember to duck when the lights go amber,
wear your backpack, like armour, on front.
This will force you to be flexible, if your bones
can take it and the frame (yours, its) holds up,
adapting to vibration, mole in an earthquake,
fish in tsunami’s wake-wall, you are the whirl
in whirlpool now, swirling whatever way it goes
this part of the grid-parted, shrinking globe.
Close your eyes, clutch both hands in your lap.
Press down, tuck in, and mind the closing gap.

V. [Rewarding Yourself with Yourself]

martini-with-quote_500xWho wants to be just whelmed? Who wants
to find the golden ticket in the wrapper
whipping down pavement strewn with trash?
Late, over drinks, in a clean and crowded
metropolitan hide, you’ll strain your eyes
in the black-glossed window, trying to make
out anything besides your own reflection,
freckled with lights from the harbour.
What the hell are you doing here?, you’d
like someone to ask above the clink
and chit-chat, emphasising you as if
familiar. And so, you ask, and ask yourself.
In the glint of your martini, constellation.
You’ve come so far to find out who you’re not.

VI. [Difficult Beauty]

airport-lounge-daisies-with-quote_500xIf it were easy, we would all be doing it—
hauling up on a humid red-eye, surrendering
to the body scans and stale sandwiches,
slumping deeper into a crumpled suit at signs
of a fourth delay, getting it wrong, then wrong-
er, our knuckles out for the endless raps,
unwitting child in a full-grown body, stepping
on every hidden crack, and yet—no-one else
can see the daisies growing there, hear music
in the language stripped of meaning, take in
what’s taken, like spare change to a stranger,
for granted, for grounded, given like air.
Notice the air. How it wants to fill your lungs.
Invisible, pervasive. A second world un-sung.

VII. [Better, with a Catch]

mail-flap-with-quote_500xThe stairs have flattened, the step
beneath you precisely that, how could
you have been that other person,
narrow enough to fit a mail flap?
Home is a stream you can never two-
step in. Home is a rain-washed flat.
This is more than a phase, this is
the new you, smiling benignly
at the new recruits, hazing them gently
with your song, a medley of tales
in which you finally see unclouded light,
changeling having shed your winter coat.
And yet, a phrase on Skype, familiar
and remote—catches in your throat.

VIII. [Different Like Narnia]

girl-on-bed-with-quote_500xNot this dust, but a different dust
clung to the sides of your shoes,
and the light in the sky was different—
more yellow, more pale, more or less
savagely warm to the skin. More or
less is not the same as same, degrees
quicker, more shallow the currents,
more guarded or friendly, the streams,
passers-by, and you a passer among—
chin-up to the skyline, jagged or flat
by comparison, and when you undress,
the light switch flipped, the sounds
of the room gently restless, you sleep
halfway between this world and home.

* * *

So tell me, readers: are the eight “folds” Robert suggests in his poem the tools the expat needs to construct a raft that moves them to a more enlightened place? I for one appreciate that Robert catches so many of the nuances of the expat life.

On the one hand, there’s the raw excitement of being in a brand new place, along with the burgeoning self-knowledge that perhaps can only come from being so far away from the familiar. On the other, there’s the realization that living somewhere different isn’t always better, and that one can easily fall victim to arrogance. In other words, the path to enlightenment doesn’t simply come from the thrill and the novelty of being elsewhere; it also comes from an awareness of the limits on how much one can grow in a foreign environment. We expats will only ever be halfway between our new worlds and home…

But the brilliance of Robert’s writing is that it’s open to interpretation. What was your reading of his poem? Do tell in the comments!

The Displaced Nation would like to thank HSBC Expat Explorer for granting permission to republish Robert Peake’s poem here. Please note: You can also listen to Robert reading the poem on the HSBC site.

Robert Peake grew up on the U.S.–Mexico border, in the small desert farming town of El Centro, California. He is now living near London. He created the Transatlantic Poetry series, bringing poets together from around the world for live online poetry readings and conversations. He also collaborates with other artists on film-poems, which have been widely screened in the US and Europe. Robert is a tutor for the UK Poetry Society and writes reviews for Huffington Post. A computer programmer by training, his current pet project is Poet Tips—a crowd-sourced poetry recommendations website designed to help you find your next favourite poet. Robert’s collection, The Knowledge, deals with expat themes and is available from Nine Arches Press.

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and much, much more! NOTE: Robert Peake is a Dispatch subscriber: that’s how we met!! Register for The Displaced Dispatch by clicking here!

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Photo credits:
Opening visual: Created using Dharma Wheel, courtesy Wikimedia Commons (CC BY-SA 3.0).
Visuals for poem:
I. Selfie Stick in Rome[https://www.flickr.com/photos/30478819@N08/23950053839], by Marco Verch via Flickr (CC BY 2.0).
II. Departures at Midway, by Daniel X. O’Neil via Flickr (CC BY 2.0).
III. Fractal coffee/milk, by Nick Ludlam via Flickr (CC BY 2.0).
IV. Motor Rickshaw, by Jeff Warren via Flickr (CC BY-SA 2.0).
V. Martini, by Robert Couse-Baker via Flickr (CC BY 2.0).
VI. Airport lounge via Pixabay. Insert: Flowers via Pixabay.
VII. E5 colored glass, by Sludge G via Flickr (CC BY-SA 2.0).
VIII. Sleeping woman via Pixabay.

BOOKLUST, WANDERLUST: From Hong Kong’s dreamy harbour to Dublin’s gritty streets—Displaced Reads for the end of autumn!

booklust-wanderlust-2015

Attention displaced bookworms! For this month’s column, Beth Green —perhaps understandably given the political turbulence in the United States (where she’s from) and Europe (where she lives)—is having an escapist moment.

Hello again, Displaced Nationers!

It’s the most beautiful time of year in Prague—the golden peak of autumn. The trees outside my window have turned various shades of yellow and red, and the air brings a nice crisp bite that has me reaching for gloves and a scarf while also relishing the thought of an afternoon or weekend morning spent reading!

Now, I’m one of those readers who picks a different book for every mood, meaning I usually have more than one book on the go at a time. Lately, I guess I’ve been feeling romantic—or perhaps escapist, as ML out it in her intro—because I kept coming back to, and finally finished, two books by fellow Displaced Nationers that focus not only on wanderlust but, ahem, other lusts.

Both are books I’ve had on my reading list for months, and shame on me for not getting to them sooner!

shannon-young-ferry-tale

Ferry Tale, published by our own columnist Shannon Young in February, invites the reader to a meet-cute in Hong Kong, one of my all-time favorite cities.

The story follows the fate of American singer Katrina. She has fled all the way to Hong Kong to get away from an embarrassing incident that unfortunately was videoed and went viral on YouTube. In her heart of hearts, she knows that she can’t run away from the Internet, but her desire to shed her past compels her to lie to the handsome Canadian-Hong Konger banker she meets on the city’s iconic Star Ferry. To throw him off her track, she gives him the name of a local Instagram star, whom she closely resembles. It’s a tale of mistaken identities and misplaced hurt that resolves itself in a satisfyingly sweet finish.

I loved how Ferry Tale lets us explore Hong Kong through the eyes of newcomer Katrina while also providing an insider’s perspective through the characters she encounters. Author Shannon lives in Hong Kong, and her love for her adopted home shines through in her writing.

And do I even have to say that I enjoyed the romance, which was tender, funny and charming? Three cheers for true love found on a ferry! (Shannon, I know you have a dashing half-Chinese husband. How much of this was based on your own experience?!)

alli-sinclair-midnight-serenade

Meanwhile, Alli Sinclair‘s Midnight Serenade, which I mentioned in a previous column under its Australian title Luna Tango, was released worldwide this summer. Part of Alli’s Dance Card series (another title, Under the Spanish Stars, launches in December), Midnight Serenade whisks the reader off to the late-night dance halls of Argentina in a story line that alternates between the present and post-WWII.

Australian journalist Dani is getting over her recent heartbreak by immersing herself in research about Argentine tango—the dance that stole her mother, Iris, away from her when she was small. Iris ran away to Argentina, leaving Dani in the care of her grandmother, and subsequently became one of the country’s most famous professional dancers. Once in Argentina—and with the help of smoldering Carlos— Dani learns to love the dance she has always hated—and in the process uncovers a deadly family history.

Before reading this book, I didn’t know much about tango or about Argentina, but Alli provides enough context to give the reader both a sense of the most passionate of ballroom dances and what is like to live in this part of the world—not only in Buenos Aires but also in the country’s rural areas. Alli has the travel creds to pull this off: now living back home in Australia, she used to work in South America as a mountain and tour guide.

shamini-flint-inspector-singh

But, readers, by now you should know that, although I enjoy reading the occasional romance, in fiction I generally turn to mysteries and detective novels for slightly darker escapes. One of my recent reads has some of both: Singapore-based author Shamini Flint‘s Inspector Singh Investigates: A Frightfully English Execution, which came out in April. This is the seventh of Flint’s books featuring the dour Sikh Singaporean detective, Singh. As I mentioned in a previous post, our hero Singh travels in almost every book (each book takes place in another international locale), and this time he is being sent to dreary old London (his very first visit) as part of an international officer exchange. Oh, and one more new twist: his wife is determined to accompany him! She says she wants to come along to shop for souvenirs and visit previously unknown relatives, but she also decides to serve as his sidekick!

Inspector and Mrs. Singh, we learn, are not the most romantic of couples. Like most South Asians, they had an arranged marriage and fell into their traditional roles, with each spouse inhabiting completely separate spheres.

Inspector Singh’s assignment is to provide a cultural bridge for the Metropolitan Police to better investigate a cold case involving the murder of a young Asian woman. While he works the case, he thinks his wife is out shopping at Harrod’s and meeting her cousins for tea. And she is—but she’s also determined to help him in the investigation, whether he wants her to (or knows she’s doing it) or not. Their adventures infuriate each other—while also drawing them closer together.

Mrs. Singh’s antics, along with the inspector’s Poirot-esque point-of-view chapters, provide a comical overlay to the rest of the well-planned plot, which is comfortably dark, touching as it does not just on murder but also on home-grown terrorism and stalking. Another feature of the book I very much enjoyed was the portrayal of London through the eyes of the sardonic Singaporean inspector.

tana-french-the-trespasser

And, seeing as we’ve just passed Halloween season, which never fails to put me in the mood for a psychological thriller or two, I’d like to share one more book that I was able to tick off my to-be-read list recently—by my favorite Irish author (and fellow ATCK) Tana French (I wrote my very first column about her!). As mentioned earlier this year, I couldn’t wait to get ahold of the sixth book in her Dublin Murder Squad series, The Trespasser, which came out this month.

All of the books in French’s series follow the squad of murder detectives serving the Irish capital, but each book picks a different protagonist, with a similar but slightly rotating cast of secondary characters. The Trespasser is told from the point of view of Antoinette Conway, now the squad’s only female detective. She and her partner (we’ve met them both in other books as minor characters), Stephen Moran, are called out to investigate a domestic violence case, but then it turns into such a tangled mess, they’re not sure they’ll be able to stay on the squad when it’s finished.

The book plays with different variations on the theme of trespass. Conway feels like an outsider at work, and Conway’s own family history involves boundaries she isn’t sure how to—or if she wants to—trespass herself. Likewise, the victim and the culprit both trespassed on each other’s lives in different ways before the murder.

Like French’s other books, this one is deeply atmospheric. Dublin in January is one of the best places I can think of to set a mystery. I tried something different with this novel—I listened to the audiobook version instead of reading a paper or e-book. I don’t think I’ll continue getting audiobooks, but for this title in particular it was a nice experience. The narration was done by an Irish voice actor, and the accents did bring the setting to life.

* * *

Before I bow out, a quick peek at some of the displaced reads on my Kindle now:

A Lover’s Portrait, by Jennifer S. Alderson: Gripping so far—and when can I plan my next trip to Amsterdam?!)
Waiting for the Tulips to Bloom: Adrift in Istanbul, by Lisa Morrow: I’m excited to get this deep look into Istanbul, a city I’ve visited only briefly. And I enjoyed the two interviews with Lisa that appeared on this site recently.
Coins in the Fountain: A Midlife Escape to Rome, by Judith Works: It just got a great review from Kirkus—“Armchair-travel books are rarely as good as this one”.
Murder in G Major, by Alexia Gordon: After The Trespasser I craved another mystery set in Ireland—I can’t get enough!

How about you, Displaced Nationers? What’s on your Kindles for late fall? And do you have an opinion to add to the Kindle/old-fashioned print debate that ML raised in the last Displaced Dispatch? Plus let’s add audio books to the mix! We’d love to hear from you in the comments…

As always, please let me or ML know if you have any suggestions for books you’d like to see reviewed here! And I urge you to sign up for the DISPLACED DISPATCH, which has at least one Recommended Read every week.

STAY TUNED for next week’s fab posts!

Beth Green is an American writer living in Prague, Czech Republic. She grew up on a sailboat and, though now a landlubber, continues to lead a peripatetic life, having lived in Asia as well as Europe. Her personal Web site is Beth Green Writes. She has also launched the site Everyday Travel Stories. To keep in touch with her in between columns, try following her on Facebook and Twitter. She’s a social media nut!

If you enjoyed this post, we invite you to subscribe to The Displaced Dispatch, a weekly round up of posts from The Displaced Nation and much, much more. Sign up for The Displaced Dispatch by clicking here!

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TCK TALENT: Amy Clare Tasker finds a home, and a place to explore concepts of home, in the theater/re

tck-talent-amy-c-tasker
New TCK columnist Dounia Bertuccelli is here with her first guest, another Adult Third Culture Kid who, like Dounia’s predecessor, Lisa Liang, has a passion for theater.

Hello readers! I’m thrilled to be contributing the TCK Talent column and thought it fitting that my first interviewee, Amy Clare Tasker, works in the performing arts—like my predecessor, Lisa Liang. I had the pleasure of meeting Amy at this year’s 2016 Families in Global Transition Conference, where she was one of the 2016 Pollock Scholars.

Amy is a theater director, writer, producer and performer. Born in Britain, Amy moved to California (the Bay Area) with her family at a young age, where they settled and eventually became US citizens, leading her to initially “identify more as an immigrant than as a TCK.” She pursued a drama degree at the University of California, Irvine, with a year abroad at the University of Manchester, her father’s alma mater and about 20 minutes from where she was born.

In 2013, Amy moved to London, “repatriating” after many years “abroad”. She is now exploring TCK/CCK identity through theater.

* * *

Did growing up as a TCK influence your decision to go into theater, and how has it helped you process your TCK upbringing?
For my thesis project at UC Irvine, I wrote a play called Hyphenated. It was the first time I used theater to explore my British-Americanness—it’s a collection of autobiographical vignettes about my family, strung together with narration from an “Amy” character. I had the idea I could go back to where I was born and find the piece of myself that was missing—and finish my degree while I was at it.

How long ago was that?
This was nearly a decade ago, when I was just beginning to process my dual identity. I hadn’t yet embraced the concept of the Third Culture Kid, or TCK, as I wasn’t able to identify any real-life TCKs beyond myself and my sisters—and we’re not a perfect fit for the academic definition. I was still looking for the right word for who I was, when my confusion finally led me to the community of TCKs and CCKs (Cross-Cultural Kids). I’ve found a remarkable sense of kinship with people who have lived in those same liminal spaces. We recognize that shared emotional geography, even if we’ve never set foot on the same patches of earth. Since moving to London I’ve really embraced being part of the TCK/CCK community—and theater has been a big part of that, with the development of my own performance lab and a new piece, Home Is Where.

“You know where a lot of my family lives? England!”

I understand you’ve been in London for just over three years. What led to your decision to move eight time zones away from where your immediate family lives?
The decision to move came like a bolt of lightning at the end of Directors Lab West—a one-week intensive workshop I attended in 2012. The experience inspired and challenged me and got me thinking about my career. I have a habit of making major decisions through powerful gut instinct (and then rationalizing them at length afterwards, as I did in this blog post). Besides, I have grandparents, aunts, uncles and cousins in this part of the world.

Since making the move, have you ever gotten “itchy feet”?
I don’t think I get “itchy feet”. Unlike many of my fellow TCKs, I didn’t grow up with high mobility. I never developed that internal clock telling me it’s time to move on again. But still, I often wonder what my life would be like somewhere else in the world, what friends I haven’t met because I’m still here, what opportunities I’m missing out on, what other languages I might know if I hadn’t settled in English-speaking places all my life… But I also want roots.

Is London “home”?
London could be home. I accept I will never be as English as a person who grew up in England, but at least my accent doesn’t stick out here because everyone sounds different. It’s a great base for visiting and working in other European cities… I can see myself staying.

“Directing collaboratively is ‘upholding something with an open hand.’”

Tell me about Home Is Where. What led you to create this particular theater piece?
Whereas Hyphenated was motivated by finding my personal sense of self and cultural identity, Home Is Where is about trying to find a sense of belonging in the context of a global community. It’s also about reaching out to non-TCKs who are curious about these people who move around and get their cultures all mixed up.

I understand the creative process for Home Is Where has involved extensive collaboration?
The process started with identifying fellow TCK and CCK collaborators, and interviewing dozens of people about their cross-cultural experiences. Both the cast and the creative team have contributed ideas for the story, characters, and performance style. Collaboration on this scale is a challenging way to work—but it’s also exhilarating, and creates something unique to this group of people. All twelve of us bring our own cultural identities and diverse artistic backgrounds to the performance, be it music, movement, multimedia, or other styles of theater. The actors weave together their own international experiences with verbatim interviews from fellow cultural hybrids.

It sounds exciting but also a little daunting.
It’s the largest team I’ve ever led, and also the most technically ambitious project I’ve ever attempted. We’re using a technique called headphone verbatim: the actors are listening to the audio recordings of the interviews on stage, and repeating exactly what they hear. That way, the audience can hear exactly what TCKs told us in their interviews. We’re also extending our storytelling outside of the theater. Clips from all our interviews are available on our Online Oral History Library.

What are your hopes and plans for Home Is Where?
We’re still developing the play, finding the best structure to showcase the TCK stories we’ve gathered. At the start of last month we presented a work-in-progress performance in a space in London’s East End; it was set in a futuristic anti-immigration dystopia, inspired by the Brexit vote here in the UK. In an earlier version, we set the interviews in a fictional TCK Embassy—riffing off the idea of the Global Citizen. Right now, we’re in a new script development phase. Hopefully early next year we’ll be back in rehearsal to create the next version of the piece. Ultimately, we’re aiming for a full production in London and then touring around the UK (and maybe even further afield—stay tuned!).

scenes-from-home-is-where

“Five Helens look into a mirror, asking: ‘Is this the face that launched a thousand ships?’”

Are you working on anything else?
I’ve been working on a project about Helen of Troy since 2010, when I started writing with my friend Megan Cohen, a brilliant playwright based in San Francisco. The Helen Project consists of fragments of monologue exploring the myth, icon, and real life of Helen of Troy. We’ve produced a few different “editions” with five actors in both San Francisco and London. I’m currently reshaping it into a solo show, with the idea of directing an immersive performance installation version at some point…

The story of Helen of Troy sounds a far cry removed from the TCK scene.
You know, about two years after we started writing it, I realized it’s also a TCK story. At the end of the Trojan War, our Helen says:

I came home to Sparta. Sparta, where you call me Helen of Troy. In Troy, they called me Helen of Sparta. Or just “the Greek woman”. No one will own me. I don’t belong anywhere.

the-helen-project-2

* * *

Thank you so much, Amy!

Readers, please leave questions or comments for Amy below. You can follow her progress on her Performance Lab site, Facebook and Twitter, where she uses two handles: @AmyClareTasker and @wearehyphenated. Interested in Home Is Where? Read more about it here, and don’t forget you can listen to the TCK interviews at the Online Oral History Library.

Editor’s note: The subheds were taken from Amy Clare Tasker’s blog posts. 

Born in Nicosia, Cyprus, to Lebanese parents, Dounia Bertuccelli has lived in France, UK, Australia, Philippines, Mexico, and the USA—but never in Lebanon. She writes about her experiences growing up as a TCK and adjusting as an adult TCK on her blog Next Stop, which is a collection of prose, poetry and photography. She also serves as the managing editor of The Black Expat; Expat Resource Manager for Global Living Magazine; co-host of the monthly twitter chat #TCKchat; and TCKchat columnist for Among Worlds magazine. Currently based on the East Coast of the United States, she is happily married to a fellow TCK who shares her love for travel, music and good food. To learn more about Dounia, please read her interview with former TCK Talent columnist Lisa Liang. You can also follow her on Twitter.

STAY TUNED for next week’s fab posts!

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Photo credits: Top visual: (top row) London Bridge, Golden Gate Bridge and tragedy/comedy photos are from Pixabay; and photo of Amy Clare Tasker (supplied). Middle visual: Scenes from Home Is Where and flyer for September performance (supplied). Bottom visual: Bust of Helen of Troy by Antonio Canova at Victoria and Albert Museum, uploaded to Wikimedia Commons by Yair Haklai (CC BY-SA 3.0); and scene from The Helen Project (supplied).

LOCATION, LOCUTION: Charles Lambert draws on his displaced life to produce psychological thrillers

location-locution-charles-lambert
Tracey Warr is here with fellow displaced Brit Charles Lambert, a master writer of literary thrillers. He was born in England, lives in Italy, and describes himself as deeply enjoying the status of being a foreigner.

Greetings, Displaced Nationers.

My guest this month is the writer Charles Lambert, who was born in Lichfield, UK, a cathedral city in the Midlands, but who has lived in Italy for most of his adult life. After graduating from Cambridge, Charles worked as an EFL teacher in Milan and Turin in the mid-1970s—one of the most tumultuous periods in post-war Italian history, which he has written about in his psychological thriller, The View from the Tower.

After two years, he moved to Setúbal, Portugal, a smallish town south of Lisbon—and found himself, once again, at the heart of a political situation he struggled to understand (see his novella, The Slave House). After six months and a disastrous love affair, he returned to the UK to “get a proper job.” He ended up working as an assistant editor at a medical publisher’s on Euston Road.

Fifteen months later, desperately unhappy, he turned down a promotion and headed back to Italy, where he has lived ever since—initially in Modena (northern Italy) and then in Fondi, about halfway between Rome and Naples.

As I’ve already indicated, all of these backings and forthings have provided rich fodder for Charles’s imagination. Even his current work, as a language teacher in Italian universities, a job he has done since 1982, “makes up in the endless variety of human contact what it lacks, signally, in career opportunities,” as he puts it. Charles has also worked as a journalist for the news agency ANSA, translated for academic presses in the UK and the USA, edited for international agencies, and written critical essays on, among other things, George R. R. Martin’s epic fantasy series, A Song of Ice and Fire, in which he confesses a unashamedly nerdish interest.

But his true passion is fiction writing—in particular, the psychological literary thriller. In addition to his many blog posts, the afore-mentioned novella, The Slave House, the occasional poem, and his acclaimed short story collection, The Scent of Cinnamon (for which he won an O. Henry prize), he has written four novels:

  • The Children’s Home (Scribner, 2016): An inversion of a modern fairytale, the story centers on a disfigured recluse living on his family estate, with a housekeeper as his only companion. His solitude is disrupted when stray children start showing up on his doorstep.
  • The View from the Tower (Penguin Random House, 2013): A psychological thriller and second in a planned trilogy about the darker side of Rome, the story centers on Helen, who has been having an affair with her husband’s best friend, Giacomo, an ex-terrorist, for 30 years. She is in a hotel room in Rome with Giacomo when she receives the news that her husband, a high-level politician, has been murdered. She simultaneously becomes a suspect and suspicious of everyone around her—forcing her to examine her own past and peel back the years of secrets and lies.
  • Any Human Face (Picador, 2011): The first in a planned trilogy about the seamier side of Rome, the story concerns what happens when Andrew, a quirky gay bookstore owner and sometime art/antiquity dealer in Rome, stumbles into a political vipers’ nest involving high-level politicians and Vatican officials while also struggling to overcome heartbreak from his past and learning to love again. When the book first came out, the Guardian called it a “sophisticated literary thriller set on the seamier fringe of Rome’s gay scene, a magnet for the lonely and displaced located a long way off the tourist trail.”
  • Little Monsters (Picador, 2008): Lambert’s début novel and the first of his books set in modern Italy, this is the story of Carol, a young teenager who, having witnessed her father killing her mother, is put into the care of her aunt, who hates and resents her, and her uncle, whom she eventually marries. The story is told in two time frames: Carol as ward and Carol as an adult, when she finds herself drawn to a boat-refugee child in Italy (the child reminds her of her unwanted teenaged self).

charles-lambert-oeuvre-525x
He also recently produced a fictionalized memoir, With a Zero at Its Heart, capturing moments from his life in a unique, experimental format.

Charles says he has no plans to return to the UK, and Brexit is unlikely to persuade him to change his mind:

I don’t define myself as an expat. If I had to define myself, I’d probably go for “economic migrant” or, more simply, “foreigner”, a status I deeply enjoy.

For entirely pragmatic reasons, he is currently in the process of becoming an Italian citizen.

And now let’s hear from Charles about what techniques she uses to conjure up the Italy he knows so well as a long-time resident while also cherishing his status of outsider.

* * *

Welcome, Charles, to Location, Locution. Which tends to come first when you get an idea for a new book: story or location?

Every book is different. My first novel, Little Monsters, began with a sentence and, within seconds, the sentence had found a home in the Peak District, where I spent most of my adolescence. That place, and my memories of it, dictated much of the narrative. The other half of the book was set in contemporary Italy, where I live, although the story took me to a part of Italy I didn’t know that well and I had to use my imagination. So, one novel, half story-led, half place-led. The next two novels I published were both set in Rome, and I can’t imagine them being set in any other city. Rome’s a city with a uniquely composted history of beauty and blood-letting, high ideals and dirty low-down dealings, and the novels dig into that humus with relish. My most recent novel, on the other hand, The Children’s Home, is set in an undefined place and time and the lack of temporal and geographical definition is an integral part of the story.

What is your technique for evoking the atmosphere of these places?

When I’m writing I have a strong sense of where I am. It’s in my mind’s eye, so to speak, so all I need to do is look around and report on what I see. If the place is a real place, then memory is involved. If it isn’t, the details come as I need them. A shop, a street, a tree… As a general rule, though, I’d say less is more. It’s what I call the “Bakelite-ashtray fallacy”—the idea that obsessively name-checking historical materials and brands gives a sense of period. It doesn’t. It gives a sense of working too hard to create a sense of period, and is inevitably counter-productive. The same is true with a sense of place. Too much description draws attention to itself and to the writer’s eagerness to be believed, not to the place it’s supposed to be describing.

Which particular features create a sense of location? Landscape, culture, food?

All three, to a greater or lesser degree, and I’d add language to the list—but, as I said above, with parsimony. It can be hard to resist the temptation to describe in detail every dish your characters are eating—especially if you love food as much as I do and the scene is set in Italy, as scenes in my work often are—but if the purpose of the scene is, well, non-gastronomic, you just need to do your best to keep the detail pared down. My agent, with exemplary dedication, once counted the number of bottles of red wine consumed in one of my novels (Any Human Face, if you’re curious). It was frighteningly high but, we both agreed, integral to the narrative, although it may have contributed to creating, for my characters at least, a serious sense of dislocation!
red-wine-bottles
More seriously, I think descriptions of place need to serve a double purpose. They provide a location, but that location must also give the reader something else, something about the characters’ relationship with that place, for example, or about the way the place might have shaped the characters, who they are, what they think, why they behave the way they do. Without that, it’s window dressing.

Can you give a brief example from your writing that illustrates place?

From Any Human Face (Picador, 2010):

Thirty years ago, Andrew lived just round the corner from Campo de’Fiori, in a two-room garret above the latteria. The latteria still sells its large white bowls of caffelatte and rusk-like biscuits, but Andrew moved on when the intensifying effect of a picturesque tiled roof on winter cold and summer heat became too much for him. Since then, like some bobbing object impelled by a centrifugal force he can neither understand nor halt, he has lived in a series of rented flats, each one a half-mile further from the centre than the one before. By an equally mysterious process, his worldly goods have accumulated as their worth has diminished; each time he moves, the boxes and plastic sacks into which he has stuffed his life seem more forbidding, more intractable. He shuttles between the old flat and the new in whichever car he has borrowed, just one step above a bag lady pushing an overloaded supermarket trolley, front wheel askew, his whole world teetering on a metaphorical wonky castor. He used to think corridors were wasted space. He doesn’t think that now.
roman-roof-tiles

In general, how well do you think you need to know a place before using it as a setting?

Intimately, fairly well, hardly at all. Once again, in other words, it depends. In the passage above, I’m describing a part of Rome I lived in for many years. I had breakfast in that latteria, I ate those biscuits, I sweated and shivered in the kind of garret Andrew lived in. In another novel, on the other hand, long sections are set in a town I spent four days in some years ago and have never revisited. I’m hoping no one will notice. I need to have “felt” the place in some way but that doesn’t necessarily require years of research (although Google Street View can come in handy) or lived, physical presence. Sometimes, a single word might be enough to evoke what’s needed. One of the most potent descriptions of place for me comes at the beginning of Kafka’s The Metamorphosis: “His room, a proper human room although a little too small…”, where the two words “proper” and “human” are enough to mark out the extraordinariness of what’s occurred. His room becomes our room, and yet not our room.

Which writers do you admire for the way they use location?

In their very different ways, Cormac McCarthy and Penelope Fitzgerald. In works like the Border Trilogy, McCarthy’s vision of the world and of the lives of its inhabitants (both human and animal) make up a single vision: harsh, numinous, both indifferent and interwoven, a wonder of observation and lyricism. The settings in Fitzgerald’s last four novels range from 1950s Italy to pre-revolutionary Moscow, and there isn’t a moment when the world of the novel isn’t entirely believable. Once again, the trick is to reduce the detail to a bare—and convincing—minimum. There’s a moment in Innocence where children go to Upim (an Italian Woolworth’s) before school starts to buy their exercise books. I don’t know how Fitzgerald knew this, but it was all that was needed to persuade me of the authenticity of the novel’s world.

a-few-of-cls-fave-books

Charles Lambert’s picks for novelists who have mastered the art of writing about place

Thanks so much, Charles, for your answers. It’s been a great pleasure.

* * *

Readers, any questions for Charles? Please leave them in the comments below.

Meanwhile, if you would like to discover more about Charles Lambert and his body of work, I suggest you visit his author site. You can also follow him on Twitter.

À bientôt! Till next time…

* * *

Thank you so much, Tracey and Charles! I found this discussion fascinating. —ML Awanohara

Tracey Warr is an English writer living mostly in France. She has published two medieval novels with Impress Books. She just now published, in English and French, a future fiction novella, Meanda, set on a watery exoplanet, as an Amazon Kindle ebook. Her new historical novel, Conquest: Daughter of the Last King, set in 12th century Wales and England, will be published by Impress Books in October.

STAY TUNED for next week’s fab posts!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with weekly updates and much, much more. Register for The Displaced Dispatch by clicking here!

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Photo credits: Top visual: The World Book (1920), by Eric Fischer via Flickr (CC BY 2.0); “Writing? Yeah.” by Caleb Roenigk via Flickr (CC BY 2.0); author photo, photo of Setúbal graffiti and of Italian cafe scene were supplied by Charles Lambert; A view of Lichfield Cathedral from the north West, by Roger Robinson via Wikimedia (CC BY-SA 3.0). Visuals that accompany the two quotations: Empty wine bottles via Pixabay; Roof Tiles (Rome), by Stewart Butterfield via Flickr (CC BY 2.0).

LOCATION, LOCUTION: Novelist Hazel Gaynor illuminates the lives of early 20th-century women with an adventuresome streak

location-locution-hazel-gaynor
Tracey Warr is here with fellow historical novelist Hazel Gaynor. As it happens, I recently read her book Memories of Violets, which makes me think we’re in for a treat!

Greetings, Displaced Nationers.

My guest this month is Hazel Gaynor. Originally from North Yorkshire, England, Hazel moved to Kildare, Ireland, in 2001, where she has lived since with her husband and two children. Both her place of origin, England, and her adoptive country, Ireland, feature in her fiction writing, and travel, along with adventure and displacement, is a recurring trope in her work, which thus far has to do with the lives of women of bygone eras whose stories have never been fully told.

This summer Hazel published her third novel, The Girl from the Savoy, which conjures up a vivid picture of London and social change in the 1920s. It tells the story of two women from very different backgrounds. Dolly is a new chambermaid at London’s iconic Savoy Hotel and longs for a better life. Loretta is a famous actress in the West End. Both are struggling in the aftermath of the Great War. The book came out in June and is already an Irish Times and Globe & Mail Canada bestseller.

I suspect that like ML, some of you are familiar with Hazel’s previous two novels:

  • A Memory of Violets: A Novel of London’s Flower Sellers (2015), based on the lives of London’s flower sellers. The book grew out of Hazel’s love of the plays Pygmalion and My Fair Lady. She decided she wanted to write about the real Eliza Doolittles—the women who sold flowers and watercress on the streets of London. The book has been a New York Times and USA Today bestseller.
  • The Girl Who Came Home, the story of a group of Irish emigrants aboard RMS Initially self-published, the book was published again in 2014, when HarperCollins picked it up along with A Memory of Violets—it went on to win the 2015 RNA Historical Novel of the Year award.

Hazel is also one of nine authors to contribute a short story to the World War I anthology Fall of Poppies: Stories of Love and the Great War (2016). Her story, “Hush,” shows midwife Annie Rawlins doing everything she can to save an infant’s life, while her son, fighting in France, does everything he can to preserve his life in hopes of making it to the end of the war. Hazel’s work has been translated into several languages and she is represented by Michelle Brower of Kuhn Projects/Zachary Shuster Harmsworth, New York.

hazel-gaynor-works

And now let’s hear from Hazel about what techniques she uses to conjure up the lives of women in the early 20th century who, like you and me, opted not to stay put in the place where they were born and sought a more adventuresome life.

* * *

Welcome, Hazel, to Location, Locution. Obviously, as a historical novelist, you are inspired by the past. But which tends to come first when you get an idea for a new book: story or location?

The idea for The Girl from the Savoy initially developed from a conversation with my editor and our mutual love of the 1920s. This was a period of real social change—especially for women—and that always allows for a great story. I knew I wanted to set the story in London, and that it would revolve around an ordinary working girl who had access to the glamorous women she admired and aspired to be like. The social scene of London’s iconic hotels during this era was the perfect setting. When I started researching the history of The Savoy I found so many fascinating accounts of famous people who had dined and stayed there. I imagined the young chambermaids gossiping about the hotel guests in their room late at night, and the story developed from there.

What was your technique for evoking the atmosphere of 1920s London and the Savoy Hotel?

It starts with lots of research so that I understand both the location and the historical era I’m writing in. I love the process of discovery and research and I’m always surprised by what I learn. In researching The Girl from the Savoy I spent an amazing afternoon with the archivist at The Savoy hotel. Sitting in the stunning foyer, talking through the hotel’s rich history was really special. I also spent several afternoons at the Victoria and Albert Museum’s Theatre and Performance Archives, reading through scrapbooks of famous actresses and theatrical producers of the 1920s, which was incredibly inspiring. To help recreate the atmosphere of a particular time and place for the modern reader, I make ample use of the five senses, sound and smell especially, as well as visual description.

savoy-inspirations

Which particular features create a sense of location? Landscape, culture, food?

It depends on the novel. In The Girl Who Came Home, my novel about Irish emigrants on the Titanic, it was partly about depicting the simplicity of the rural Irish landscape and Irish culture, but also about recreating for the reader the sheer scale of The Titanic, and the chaos of the sinking. The central present-day character in A Memory of Violets is Tilly Harper, who leaves the sweeping landscape of the Lake District for the claustrophobic bustle and noise of Victorian London, to take up the job of assistant housemother at Mr. Shaw’s Home for Watercress and Flower Girls (based on the real-life story of John Groom’s Flower Mission). In The Girl from the Savoy my main locations are London and The Savoy, so I focused on capturing the contrast between the glamour of the hotel guests with the simplicity of my character Dolly’s life “downstairs” at the hotel. Culture—especially fashion and music—was also important in creating a real sense of era and location and really capturing that 1920s vibe.

Can you give a brief example from your writing that illustrates place?

From the opening chapter of The Girl from the Savoy:

I pass bicycle shops and tobacconists, wine merchants drapers and milliners, the rain falling in great curtains around me as I catch my reflection in the shop windows. I dodge newspaper vendors and sidestep a huddle of gentlemen in bowler hats as tramcars and motorcars rattle along the road beside me, clanging their bells and tooting their horns. Cries of the street sellers and the pounding hooves of a dray horse add to the jumble of noise. My stomach tumbles like a butter churn, excited and terrified by the prospect of my new position as a maid at The Savoy hotel.
cries-of-streetsellers

In general, how well do you think you need to know a place before using it as a setting?

I like to know the place very well, and always try to go there, if possible, to understand the shape of the landscape and to absorb the atmosphere. For example, I visited Addergoole in County Mayo, Ireland, which was the setting for the Irish scenes in The Girl Who Came Home. I also visited Covent Garden for A Memory of Violets and I know the Lake District very well, so could easily write the scenes set there.
violets-and-girl-who-came-home-locations
Of course, London and the Savoy Hotel and the Victoria Embankment Gardens (which are behind the Savoy) were essential places to visit for research, and to imagine Dolly’s life there in the 1920s.

Which writers do you admire for the way they use location?

I loved Hannah Kent’s descriptions of Iceland in Burial Rites. [Editor’s note: Kent was born in Adelaide but spent time in Iceland on a Rotary scholarship.] Dinah Jefferies also creates a wonderful sense of location in her novels The Tea Planter’s Wife, set in 1920s Ceylon (Sri Lanka), and The Silk Merchant’s Daughter, which takes place in the turmoil of 1950s Vietnam. [Editor’s note: Jefferies was born in Malaysia and moved to the UK at the age of nine.]

Hazel Gaynor's picks for novelists who have mastered the art of writing about place

Hazel Gaynor’s picks for novelists who have mastered the art of writing about place

Thanks so much, Hazel, for your answers. It’s been a pleasure.

* * *

Readers, any questions for Hazel? Please leave them in the comments below.

Meanwhile, if you would like to discover more about Hazel Gaynor and her books, I suggest you visit her author site. You can also follow her on Facebook and Twitter. And I urge you to check out the blog that she keeps for writing.ie, called Carry on Writing, consisting of interviews with leading novelists, including Philippa Gregory, Sebastian Faulks, Kate Mosse, Jojo Moyes and Cheryl Strayed.

À bientôt! Till next time…

* * *

Thank you so much, Tracey! As I mentioned, I read Hazel Gaynor’s Memories of Violets earlier this year. I was impressed by her ability to re-imagine the lives of London’s flower sellers—of whom most of us have a romanticized image based on movies like Oliver Twist or Pygmalion. I liked that she combed the historical records for details she could use to ensure that her story came close to their everyday reality. In a sense she was helping to write their history but then filling in the gaps with her imagination. And I’m already looking forward to her next book, about the true story of two young cousins who claimed to photograph fairies in their Yorkshire village in the 1920s. The girls’ photos of the so-called Cottingley Fairies captured the public imagination, and Hazel’s version will no doubt capture that of today’s readers! —ML Awanohara

Tracey Warr is an English writer living mostly in France. She has published two medieval novels with Impress Books. She just now published, in English and French, a future fiction novella, Meanda, set on a watery exoplanet, as an Amazon Kindle ebook. Her new historical novel, Conquest: Daughter of the Last King, set in 12th century Wales and England, will be published by Impress Books in October.

STAY TUNED for next week’s fab posts!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with weekly updates and much, much more. Register for The Displaced Dispatch by clicking here!

Related posts:

Photo credits: Top of page: The World Book (1920), by Eric Fischer via Flickr (CC BY 2.0); “Writing? Yeah.” by Caleb Roenigk via Flickr (CC BY 2.0). All other photos were supplied by the author or downloaded from Pixabay.

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