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EXPAT AUTHOR GAME: What score does Apple Gidley earn on the “international creative” scale? (2/2)


Readers, we had a long pause in this episode of the Expat Author Game, for which I heartily apologize. Christmas and New Year’s intervened, and the Displaced Nation has been hibernating during January. But it’s February now and we are back again, in time for Valentine’s Week! It seems appropriate that in this post we will be playing the second round of our Expat Author game with Apply Gidley. Her debut novel, Fireburn, is, at heart, a love story—for a man and an island.

For those who are catching up, in Round One Apple came up with a winning algorithm for Fireburn, her debut novel that takes place in the Danish West Indies in the 1870s. During this round, we’ll be trying to see how closely Apple measures up to the Displaced Nation’s (admittedly somewhat quirky) notion of an “international creative.”

On the face of it, Apple has one of the best claims we’ve ever heard to being “international.” Born to an Australian mother and a British father, she spent her childhood in Nigeria, the UK, Australia, Malaysia, and Papua New Guinea. She met her husband in Papua New Guinea, after which her travels continued as his career in oil took them all over the world. Their two children were born in the Netherlands and Thailand, and nowadays the couple calls two places home: downtown Houston and the US Virgin Islands: specifically, the island of St Croix, where the action of Fireburn takes place. Apple says she enjoys the contrast between the vibrancy of city life and the relaxed pace of the Islands.

Furthermore, I think it’s fair to call Apple “creative”. You can read about the many roles she has played on her author site, but what I’m most curious about is what caused her to don Kareni headdress in the above photo. Was she paying a visit to the hill tribes of in northern Thailand? Perhaps she’ll enlighten us in the comments.

I am also rather impressed that, although her only formal training was as a secretary (she attended secretarial college in the UK), Apple now serves on the Advisory Board of the University Museum at Texas Southern University, one of the premiere museums celebrating African American art and artifacts in Houston. One should never underestimate Ms. Gidley! No sooner has she landed somewhere but she can be found immersing herself in the local history, community and culture.

Without further ado, let’s resume the Expat Author Game and see how Apple manages Round Two, where points are scored for intangible indicators of an expansive, global outlook and the ability to take a creative approach to exploring the world.

Welcome back to the Displaced Nation, Apple. As you may know, many of our residents, myself included, have confessed that the expat life has made them feel like a character in Lewis Carroll’s Alice in Wonderland. How about you? Are there any lines from this classic work that resonate with you?

Having lived in 12 countries, relocated 26 times and now living between two places, I’d have to pick

“Who in the world am I? Ah, THAT’S the great puzzle.”

One of the joys of global mobility as an accompanying spouse is the opportunity to reinvent oneself—something I have done many times, as you mentioned in your introduction. I’ve sold diving equipment in Texas, edited a magazine for an international charity in Singapore and Thailand, sprung Brits from jail in Equatorial Guinea and decorated pubs in Aberdeen—and now I’m a writer! I have occasionally wondered which hat I am meant to be wearing at any given time.

Which leads onto the next quote:

“..it’s no use going back to yesterday, because I was a different person then.”

One of the hardest relocations is the final one—repatriation. Perhaps that why I live in two places.


Moving on to the next literature-related challenge: According to George Elliot’s Maggie Tulliver, the best reason to leave her native village of St. Ogg’s would be to see other creatures like the elephant. What’s the most exotic animal you’ve observed in its native setting?

In South Africa, at Mala Mala, I watched a leopard prowl around the base of a tree. Her kill—an impala she had hauled up into the fork of the tree—was being eyed by a hyena lying nearby ready to pounce if any part of the mutilated antelope fell. The leopard’s strength and perseverance was humbling, as was her beauty.


Last but not least in this series of literary challenges: We’re curious about whether you’ve had any “Wizard of Oz” moments when venturing across borders. Again, please use a quote or two. You can also pick quotes from other literary works if you like…

Saying goodbye is one of the most underrated things in a nomadic life but if we don’t say “goodbye” well, it is hard to open our hearts to saying “hello” to new people, new cultures, new adventures. The Wizard of Oz got it right:

“It’s not where you go but who you meet along the way.”

It’s always about the people, both local and other expatriates. It is they who make the place, who share their customs (some of which we might not like but of which we must always be respectful even if trying to make changes to long held traditions), their foods, their belief. And some of those people we will, inevitably, lose touch with even in the age of the internet. That’s okay, because we have had the pleasure of knowing them in a certain time and place.

And secondly, I love the following quote from The Magic Pudding, an Australian children’s classic (it was first published in 1918), by the wonderful author and illustrator, Norman Lindsay. It is a story about how Bunyip Bluegum, a koala bear, meets a grumpy pudding called Albert. My mother was Australian, and this is one of the books I remember her reading to me as a child. This is quite long but it says it all, even if I have lugged around a great deal more than suggested!

“The fact is,” said the Bunyip, “I have decided to see the world, and I cannot make up my mind whether to be a Traveller or a Swagman. Which would you advise?”

Then said the Poet,

“As you have no bags it’s plain to see
A traveller you cannot be;
And as a swag you haven’t either
You cannot be a swagman neither.
For travellers must carry bags,
And swagmen have to hump their swags
Like bottle-ohs or ragmen.
As you have neither swag nor bag
You must remain a simple wag,
And not a swag or bagman.”

“Dear me,” said Bunyip Bluegum, “I never thought of that. What must I do in order to see the world without carrying swags or bags?”

The Poet thought deeply, put on his eyeglass, and said impressively,

“Take my advice, don’t carry bags,
For bags are just as bad as swags;
They’re never made to measure.
To see the world, your simple trick
Is but to take a walking stick
Assume an air of pleasure,
And tell the people near and far
You stroll about because you are
A Gentleman of Leisure.”

“You have solved the problem,” said Bunyip Bluegum, and, wringing his friend’s hand, he ran straight home, took his Uncle’s walking stick, and assuming an air of pleasure, set off to see the world.


Moving on to another dimension of creativity: telling tales of one’s travels through photos. Can you share with us a favorite photo or two you’ve taken recently that in some way relate to your creative life, and tell us why these photos have meaning for you?

Here is a view of Christiansted Wharf today. Christiansted was the capital of the Danish West Indies. Apart from a couple of new buildings in the background, this scene has not changed much since the 1870s when Anna arrived back on St Croix from her ten-year exile in London. It was the history all around me—the Danish architecture, the ruins of sugar mills, the skeletons of plantation houses and slave quarters—that helped me formulate the background for Fireburn.

My second photo shows my desk in Houston. It has all my favourite books within grasp, and my favourite photos on view. My excuse for a cluttered desk is that I am a firm believer in Einstein’s theory that a clean desk represents an empty mind.


And now for our interplanetary challenge: Can you envision taking your exploration of other modes of being beyond Planet Earth? How about a trip to Mars?

I wouldn’t! I’m rather fond of planet earth and think we need to concentrate on saving it before readying ourselves to destroy a new one.

* * *

Congratulations, Apple! As anticipated, you aced Part Two of the Expat Authors Game. I absolutely love the idea of a magic pudding named Albert telling a koala bear named Bunyip Bluegum that if he wants to see the world, he should carry a walking stick and assume an air of pleasure.

Readers, are you ready to score Apple’s performance on Part Two? How did she do with her literary references? And what about that animal of hers, of which she even supplied a photo! Speaking of photos, that photo of her in a headdress is quite something, and I have to say, I agree with her about having a messy desk: writers need to create nests!

Finally please note: If you are burning (so to speak) to explore the world Apple conjures up in her novel (which her other photo, of Christiansted Wharf in St. Croix, illustrates), be sure to visit her author site. You can also follow her on Twitter, where she announces her next book readings.

STAY TUNED for more fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, an occasional round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

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Photo credits: All photos supplied by Apple Gidley; photos in section heads are from Pixabay.

EXPAT AUTHOR GAME: What score does Chandi Wyant earn on the “international creative” scale? (2/2)


Readers, I’m happy to report that Chandi Wyant came up with a winning algorithm for her new memoir, Return to Glow: A Pilgrimage of Transformation in Italy. She is therefore proceeding to the second round of the Expat Author Game.

During this round, we’ll be trying to see how closely she measures up to the Displaced Nation’s (admittedly somewhat quirky) notion of an “international creative.”

On the face of it, Chandi has a solid claim to being “international.” Not only has she lived in Europe (Italy, Switzerland, and England) but also in South Asia (India) and the Middle East (Qatar).

That said, she recently confessed to one interviewer that after spending so much of her life abroad, she developed a huge appreciation for her native California:

I see it now as one of the most beautiful and healthy places in the world to live. Not only does it have every kind of stunning landscape you could want, it has an abundance of organic food, and an abundance of educated people who know how to think critically. I’m not too impressed with the US right now—but if I look at California just on its own, it’s a darn close second to Italy.

Furthermore, I think it’s fair to call Chandi “creative”. She was encouraged from a young age to paint and draw a lot, with the result that she often “sees photographs” in the world around her. (Notably, she shares one of her actual photos below.) Writing is also important to her. While in Qatar, she taught history at a local college and got to know a lot of young Qataris. She conducted interviews with some of them and some day hopes to turn those interviews into a book. That’s in addition to the memoir she just produced about her pilgrimage along the Via Francegena.

Even the title of her personal Website is creative: Paradise of Exiles, which is what the Romantic English poet Shelley called Italy.

But now it’s time to see how Chandi manages Round Two, where points are scored for intangible indicators of an expansive, global outlook and the ability to take a creative approach to exploring the world.

Welcome back, Chandi, and now let’s get started. Many residents of the Displaced Nation have had a moment or two when they’ve felt like a character in Lewis Carroll’s Alice in Wonderland, myself included. How about you? Or if you’d prefer, you can use a quote from another children’s book.

I’ll choose this quote from Dr. Seuss:

“You have brains in your head.
You have feet in your shoes.
You can steer yourself
any direction you choose.”

The feet in the shoes and any direction you choose reminds me of the time I got lost on my solo pilgrimage in Italy. My feet in my shoes were not doing well. I had developed plantar fasciitis and had bought arch supports but they were sliding around in my shoes. It was super hot, it felt like there was a gremlin in my shoes stabbing my heals, and I was lost in stark wheat fields somewhere south of Siena. Then I simply chose a direction, and by making a choice, I was able to stop being anxious about how to find my way.

Moving on to the next literature-related challenge: According to George Elliot’s Maggie Tulliver, the best reason to leave her native village of St. Ogg’s would be to see other creatures like the elephant. What’s the most exotic animal you’ve observed in its native setting?

An oryx in Qatar. It’s a large species of antelope that is native to the Arabian Peninsula. It nearly went extinct due to poaching but has been reintroduced.

Last but not least on this series of literary challenges: We’re curious about whether you’ve had any Wizard of Oz moments when venturing across borders. Again, please use a quote or two.

GOOD WITCH GLINDA TO DOROTHY: “You are capable of more than you know.” Definitely the capability thing comes up a lot when I travel alone (or move alone) to far flung places, both of which I seem to do. I didn’t necessarily set out to travel alone and move abroad alone so many times in my adult life. It all started when I was 19 (that was in the 80s), when I did a budget backpacking trip in Europe with a friend. After four months of travel together, we split up in Istanbul. In my first 24 hours of solo travel, all kinds of crazy things happened and I quickly learned that as soon as you cut through the fear and embrace the world, that it embraces you back. (These stories are recounted in more detail in my book.)

Moving on to another dimension of creativity: telling tales of one’s travels through photos. Can you share with us a favorite photo you’ve taken recently that in some way relates to your creative life, and tell us why it has meaning for you?


This one I took recently in Lucca, Italy (where I now live). It has meaning because doorways like these symbolize for me an opening of consciousness, and an invitation to step into mystery.

And now for our interplanetary challenge: Can you envision taking your exploration of other modes of being beyond Planet Earth? How about a trip to Mars?

I don’t want to offend anyone who is super into Mars but I have no interest in going to Mars or any other planet. I am awed by the planet we have and how special it is, and it’s an enormous shame that we’ve not learned to respect it and take care of it. I am much more interested in how we can better appreciate and take care of planet Earth, rather than attempt to get to Mars, which clearly is vastly inferior to Earth, as far as sustaining life.

* * *

Congratulations, Chandi! Just as I suspected, you easily rose to the challenge of Part Two of our Expat Authors Game. Personally, I found your Dr. Suess citation inspired! Readers, are you ready to score Chandi’s performance on Part Two? How did she do with her literary references? And what about that animal of hers: rather unusual! And don’t you like that photo of her up top, looking so joyful in an Italian setting? She says she hasn’t mastered the technical side of photography, but that photo of the doors in Lucca suggests otherwise…

Finally please note: If you want to keep cultivating your inner glow under Chandi’s influence, be sure to check out her author site and its companion Facebook and Instagram pages.

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

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Photo credits: Photo of Paul and the ocean supplied; all other photos from Pixabay.

EXPAT AUTHOR GAME: What score does Paul Shore earn on the “international creative” scale? (2/2)


Readers, I’m happy to report that Paul Shore passed the algorithm test for his memoir, Uncorked, with flying colors. He will therefore be throwing out the jack (so to speak) for the second round of the Expat Author Game.

I am, of course, using this terminology because of Paul’s affection for the quintessentially French game of pétanque, as reported in his book and as illustrated above.

During this round, we’ll be trying to see how closely he measures up to the Displaced Nation’s (admittedly somewhat quirky) notion of an “international creative.”

On the face of it, Paul’s claim to be “international” rests on having spent a single year in Provence. Can 12 months be long enough to qualify as displaced? On the other hand, it was an important, life-changing year. The book in fact came about at his wife’s suggestion, when he was immobile after a recent surgery (hm, is that the reward for all those sports?). Why not dust off his notes from that period of living in in Saint-Paul de Vence, she said, and write about how much it meant to him, a kind of Bildungsroman.

Furthermore, I think it’s fair to call Paul “creative”. After all, it’s not every day we hear of a computer geek charming their way into an ancient French village. Plus he has received compliments on his writing style as a “wry cross between Bill Bryson and Dave Bidini“. (Dave who? He’s a Canadian musician and author of Around the World in 57 1/2 Gigs, among other travel works.)

So let’s see how Paul does with this round, where points are scored for intangible indicators of an expansive, global outlook and the ability to take a creative approach to exploring the world.

Welcome back, Paul, and now let’s get started. Many residents of the Displaced Nation have had a moment or two when they’ve felt like a character in Lewis Carroll’s Alice in Wonderland, myself included. How about you? Please illustrate, if possible, with a quote.

QUEEN OF HEARTS TO ALICE: ”Why, sometimes I’ve believed as many as six impossible things before breakfast.” Breaking into a foreign culture may seem impossible, though with persistence and respect it is very possible. Now, my experience was back in ’99, at just the very start of the digital age and before mass Internet interconnection; but even with enhancements to communication, I suspect it is just about as difficult still today to break into French life in a small town, as it was then. I spoke only terrible elementary school French when I arrived, which I’d learned growing up in Ottawa, Canada, so it didn’t endear me much to locals, at least not until I improved after several months of working with a tutor.

Moving on: According to George Elliot’s Maggie Tulliver, the best reason to leave her native village of St. Ogg’s would be to see other creatures like the elephant. What’s the most exotic animal you’ve observed in its native setting?

A polar bear on Baffin Island in the arctic of Canada. Some indigenous guides were taking us on a boat tour. As we travelled near the shoreline, we spotted it. It was awe inspiring to see such a beautiful, rare, and dangerous animal from a safe, yet close, distance.

Last but not least on this series of literary challenges: We’re curious about whether you’ve had any Wizard of Oz moments when venturing across borders. Again, please use a quote or two.

GOOD WITCH GLINDA TO DOROTHY: “You are capable of more than you know.” I tend to live by a “why not try?” attitude and truly believe that we are all capable of so much more than we typically are willing to attempt. Thus, when I was told that I couldn’t learn pétanque because “you aren’t French”, I didn’t take “no” for an answer and persisted. Eventually I convinced a neighbour to teach me—though he only agreed to do by in the darkness of night, so as not to embarrass himself or his culture. I had to earn my stripes over several weeks of play in the dark before I was invited to play in broad daylight. And eventually I became quite good and was accepted playing with locals and even complimented and invited to join the local private club…a very high compliment.

Moving on to another dimension of creativity: telling tales of one’s travels through photos. Can you offer an example?

I like this photo of a green light moving on the calm ocean water at sunset…telling me to move ahead in a calm manner, while recognizing that so many aspects of life are circular in nature. It was taken in Lund, where we have a vacation rental home—we’ve been there quite frequently in recent years. It is an extremely peaceful, ruggedly beautiful, remote part of Canada that is relatively accessible from Vancouver.

And now for our interplanetary challenge: Can you envision taking your exploration of other modes of being beyond Planet Earth? How about a trip to Mars?

Only if I could take my family and friends. If I can’t take them along, I’d prefer to remain on earth, where I have more things to explore and share with the people who are special to me.

* * *

Congratulations, Paul! You have reached 13 points (hahaha) so may declare yourself the victor of our Expat Authors Game. I for one appreciated your jovial style in playing it, which I imagine you picked up from all those pétanque matches. Readers, are you ready to score Paul Shore’s performance on Part Two? How did he do with his literary references? And what about that animal of his: rather magnificent! And don’t you like that black-and-white photo of him up top, on the pétanque grounds of Saint-Paul? What’s more, as that photo of Lund suggests, his creative talents appear to extend to photography!

Finally please note: If you’ve given Paul Shore a high score on international creativity, we urge you to check out his author site. You can also follow him on Twitter.

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

Related posts:

Photo credits: Photo of Paul and the ocean supplied; all other photos from Pixabay.

THE ACCIDENTAL EXPAT: As an expat spouse, I had a ticket to explore life’s infinite possibilities

THE ACCIDENTAL EXPAT
With this post, Indra Chopra wraps up her account of life as a privileged expat spouse, which she found just as enriching in Asia as she did in the Middle East. Hm, can a memoir be far off?ML Awanohara

To continue where I left off in my last installment: Expat life in Hong Kong spoiled me. There was such a range of things and experiences to try, whether it was the cuisine, from street food to sumptuous banquets; apparel, from local brands to top designers; or sightseeing, from standard to offbeat adventures.

My one regret was that I was at least a decade late to the party. Hong Kong feels like a young person’s habitat. It’s a land of opportunity and, when it comes to activities, one is spoilt for choice.

My old stomping—or is it dawdling?—grounds in Hong Kong

While I’m not exactly a doddering dowager, over the years my priorities have changed to something more staid. In the initial months following our arrival, I would dawdle away several hours along Nathan Road, Kowloon’s main thoroughfare. I would start at the iconic Peninsula Hotel, which flaunts its large fleet of customized Rolls-Royce Phantoms (painted “Peninsula green”) and an afternoon tea that is served in the aristocratic ambience of colonial times—features that have earned it the epithet “Grande Dame of the Far East”.

I studiously avoided the blatant commercialism of the shopping arcades and new malls, the ubiquitous sellers of “genuine fake” watches, the touristy gift shops, and the crowded dai pai dongs (open-air food stalls).

Instead I would meander towards the quirky neighborhood of Yau Ma Tei and then would move on to Jordan, an area full of countless small shops, which also has a seedier side. One can sometimes glimpse dimly lit stairways to massage parlors or off-limits clubs with bouncers ready to bounce you back into the neon-lit pavement and the dense pedestrian and vehicular traffic, not to mention the continuous projection of entertainment, things for sale, and cultural attractions constantly trying to lure you in.

Indra’s stomping—or is it dawdling?—grounds in Hong Kong

Getting from A to B has never been easier!

We soon acquired our Permanent IDs and Hong Kong driver’s licenses, which provided a feeling of security. Every six months or so, we would review our plans to purchase a car, only to be dissuaded by well-meaning friends, who would point to the traffic and exorbitant parking fees.

As it turned out, our flat didn’t come with a parking space—or maybe it did but the landlord rented it separately.

Another reason for dithering was that Hong Kong’s public transport system is convenient, reliable and always-on time. I still feel embarrassed thinking back to an occasion when I was meeting with some friends for a day out. New to Hong Kong, I gave myself a margin of one hour only to arrive in 20 minutes flat (and that was after a couple of changes, from the hotel shuttle to the Mass Transit Railway, or MTR, and from one subway line to another). My friends were surprised to hear I’d set out so early. I was calculating by Indian Standard Time, a euphemistic expression that acknowledges we Indians are always late.

Another advantage of public transport was that it helped me hone my pronunciation skills, providing a chance to reify such fuzzy place names as Fung Yuen, Ting Kok, Tai Mei Tuk, Sha Tau Kok, Wo Keng Shan, Yuen Po Street, Yuen Ngai Street, Yim Po Fong Street, Hak Po Street, etc. I would jot down these names in my iPhone but the words would soon fade.

For a long time I thought Pok Fu Lam was a pork dish until someone pointed out it is one of Hong Kong’s high-end areas! Landmarks were easier to remember except on the occasions when the store/café/cha chaan teng (tea houses)/dai pai dong/fish stall in question had disappeared overnight.

Knowing that one could rely on the MTR (or other public transport) for my escape was a welcome thought whenever I would become overwhelmed by Hong Kong’s busy cafes, book stores, convenience stores, posh shops, popular hiking spots, beaches…

The joys of riding the MTR

Exploring to my heart’s content

As an expat, I am more inquisitive than acquisitive. I did not want to waste energy in “keeping up with Joneses” and relished my anonymity, a status that permitted me to explore to my heart’s content. I would amble through neighborhoods, mysterious alleys, busy and deserted city streets, temples and pubs, the promenades (Tsim Sha Tsui, West Kowloon), Central Hong Kong, Aberdeen, the outlying islands, mountain paths… I would hop on to ferries/MTR/buses in search of the unfiltered and unlisted.

I never felt self-conscious venturing out on my own, nor did I look over my shoulder. It felt safe and normal to be a solo female in pursuit of my own little adventures.

At the beginning I would seek advice from friends, but in due course I could plan a day’s outing by using guides and maps. I would select a destination that was manageable for my walking level, from the crowded to the remote. Hong Kong is blessed with hundreds of islands, and I wanted to cover as much as I could.

So much territory to cover, so little time!

In the expat life, wonders never cease

Life was a kind of party for me until 2013, when we decided to move back to our home base: Gurgaon, India. After that we had a life of reverse travel, staying in Hong Kong for stretches in furnished apartments. I missed the continuity of expat life and the opportunity it provides for participating in local events and other activities only insiders would hear about.

Some say that a major limitation of expat life is that feeling of dépaysement, the sense of disorientation that can come from being outside of your home country. To be honest, I never experienced this feeling in my long stays in Hong Kong or Oman, simply because to me home is, as my favorite travel chronicler, displaced Indian writer Pico Iyer has said, “not just the place where you happen to be born. It’s the place where you become yourself.”

In fact I often wonder how my personality would have developed had I stayed at home in the place of my birth/marriage and missed out on interactions with different nationalities and sensibilities, and been denied all the knowledge I obtained from other countries, all the many learning opportunities. There were times when I felt frazzled with the packing and unpacking and would envy friends and family living in their family homes and mansions, going for vacations and shopping abroad for a few months in a year. For them, “worldly possessions” always meant luxury.

But, then I would recall chance encounters I would have missed out on—for instance:

  • My encounters with a fellow walker in the Qurum Natural Park Rose Garden, located in the heart of Muscat (Oman’s capital city). The lady would stop me to gush about my “luck” in speaking English, the idea being that English-speaking Indians were India’s biggest export, and about how she wanted her children to study the English language. After several such encounters, I stopped going to the park as I knew where it was headed…to an invitation to coach her children.
  • The time in Salalah, Oman, when an acquaintance patted my stomach in show of remorse that I have “only two children” when she was expecting her sixth. I felt like telling her: “Lady, I am fortunate”; but desisted as we were her guests. Different countries and different takes…
  • The time in New York when a giant (to me) 6+-feet-tall African American jogger stopped in his tracks and exclaimed: “But you are so small!”
  • Countless times In Hong Kong when the super slim sales girls made me feel fat, even though I am considered “petite” in the western world and my country.

Like many of us expats, Indra sometimes felt as though she’d fallen down the rabbit hole

My husband and I have also encountered hostile reactions to our presence in foreign lands. That has been its own kind of learning process. Those who’ve taught us harsher lessons have included:

  • A churlish waitress in Shanghai who insisted on serving us beef despite our telling her we do not eat beef—my friend even drew a chicken and made flapping sounds.
  • The impassive adults in Mainland China and Hong Kong who refused to sit next to us on public transport.
  • Salespeople in a watch/perfume or brand apparel showrooms in Hong Kong who made sarcastic “no cheepo” comments simply because we happened to be from the subcontinent.
  • Someone in San Francisco who responded to my presence with a racial slur…

We travelers need to have resilience, and I’ve always been able to brush aside these unfriendly receptions. To quote Pico Iyer again:

“…I’ve always felt that the beauty of being surrounded by the foreign is that it slaps you awake.”

Repatriated, for now

For the past five months we have been living in our home city, Gurgaon. The reason: my husband is helping a friend from Mainland China set up a business in India. I am in my own house and can hire full-time help 365 days a year or have an army of part-timers doing specific tasks. I have opted for the latter: they return when they see the doors ajar.

We are back to where we ended/started. I see the shift as an opportunity to conclude my the travelogue I’ve been writing for the past four years. Whenever I tell myself “this is the last entry,” fresh new flashbacks wait to be uploaded.

In spring, the gardens here are in full bloom: mango blossoms and frangipani flowers. It’s also the time when we have the Holi festival of colors. Whenever I hear the warbling of a koel, it transports me to my hometown of Allahabad: I am surrounded by mango trees, taking an early morning dip in the River Ganges.

In short this is the best season to be in India. It is also the season for flu and since I was late in getting my flu shot, I’ve had a scratchy throat, hacking cough and fever these past couple of weeks(!).

Spring has sprung in India

Some parting thoughts

I’ve reconnected with my book club, and somewhat to my surprise, this month’s book is A Long Way Home, by Saroo Brierley, which as you probably know, has been turned into the movie Lion. The story tells of five-year-old Saroo’s harrowing train journey from somewhere in Central India across the plains to end in Kolkata on the Eastern shores. He saves himself from hunger, rape, murder and the adoption home in this story of grit and ingenuity.

I fully empathized with Saroo as I find Kolkata (Calcutta) the filthiest city in India. (I first visited Kolkata in 1979, and that was my last because I refused to set foot in the city despite its historical and literary past.)

Saroo is adopted by an Australian couple and taken to Tasmania. But eventually he is consumed by the desire to find his real family and, using Google Earth, tracks the place of his birth and early childhood. Twenty-five years after his departure from India, he returns to his hometown and is reunited with his biological mother and sister. The story has a fairy-tale ending: the two families are united and everyone lives happily ever after.

Reading this novel has rekindled another memory—of an afternoon spent with a friend in Guangzhou, China, in 2011. My friend had taken me to a city park and I was surprised to see nearly a dozen Caucasian parents with identical prams containing Chinese infants. I had read about the adoption process being a large-scale industry in China; but I found I had mixed emotions at the sight of these innocent babies, oblivious about their soon-to-be-taken journeys to far-away lands. On the one hand, it’s a blessing for these children to find homes where they’ll be loved and cared for. On the other, I wondered whether these children would someday seek closure like Saroo did.

The picture of these prams comes to mind whenever I read about adopted children returning to their “homes” to find their real parents. It must be a good thing that China has now ended its famous one-child policy that made so many parents opt to keep the boys or “Little Buddhas” and give away the girls for adoption or to relatives.

And speaking of adoption, I now look back on the life that I led in my adoptive city, Hong Kong, through the privileged eyes of a global citizen. True, the island country has problems with increasing population, pollution, traffic and rampant materialism. But for me it will always be a rainbow land, where I was able to lead a charmed existence.

Reading about an adopted Indian child in A Long Way Home, Indra’s first association takes her back to her adopted homeland…

* * *

Thank you, Indra! I appreciate your ability to see the bigger picture in all of this. Despite setbacks, despite coming to the party a little late, as you put it, you made the most of your expat opportunities and always understood how privileged you were to have places like Muscat and Hong Kong as your personal playgrounds. I also really appreciate your story about reading A Long Way Home with your book club back in India. It often strikes me that one of the biggest legacies of expat life is having a different set of associations to most people in your homeland! I take these instances as little reminders of the enriched life I have led, and I suspect you do as well… —ML Awanohara

Indra Chopra is a writer/blogger passionate about travel and curious about cultures and people. Her present status is that of an accidental expat writing to relive moments in countries wherever she sets home with her husband. With over twenty years of writing experience Indra has contributed to Indian, Middle Eastern publications and online media. She blogs at TravTrails

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Photo credits: Opening visual: Airplane photo and India photo via Pixabay. Other photos supplied or else downloaded from Pixabay.

6 wishes for the Displaced Nation’s birthday number 6


Readers, new and old, I’m thrilled to announce we have just now embarked on our seventh year as a “nation”—the very first Displaced Nation post having been made on April 1, 2011.

Why did we choose April Fool’s Day, you may wonder? The other two founders and I were aware of the irony but thought it appropriate at some level.

Wasn’t it all a bit of a lark?

Since Year Two, I’ve insisted upon doing birthday posts on the site. One of my favorites was the time I likened the Displaced Nation team of writers to a tango of swashbuckling pirates. Or how about the time I proposed a virtual hot air balloon party, toasting the Displaced Nation Thermal Airship while also pointing out our tendency to be full of hot air?

But by our fourth birthday, I’d run out of metaphors (saying a lot!). Since then I’ve settled into the pattern of delivering as many wishes as the number of years being celebrated.

In keeping with this new tradition, allow me to share my six wishes for the coming year:

1) The inspiration to start up a Displaced Nation Instagram account. Hm, what kinds of pix would we post? If you can answer that question, please email me!

2) More followers on Facebook and Twitter. I enjoy the interaction.

3) More Displaced Dispatch subscribers. That way I’ll get more suggestions for content to feature. (By the way, if you like this post, it’s the kind of thing I share with Displaced Dispatchers on a biweekly basis, along with news on new works by international creatives, recent matters of debate in the expat realm and some surprising discoveries global travelers have made.)

4) More poetry on the site. This past year, it’s been fun to showcase a couple of works by displaced American poet Robert Peake.

5) Continued success for all of our columnists. Note: Two new columnists will be making their debut this month; give it up for them!

6) More humo(u)r. The other two founders, both Brits, have since retired, leaving me, a Yank, on my own to hold up the side for self-deprecating humo(u)r, which, according to the Displaced Nation Charter, works well for handling the vicissitudes of the displaced life: “It soothes personal anxieties and can also build bridges.”

Okay, time to wheel out the chocolate cake (chocolate being another necessity for the displaced life) and to thank you thank you thank you thank you thank you thank you, readers, for being part of this year’s celebrations—no foolin’!

ML Awanohara, one of the Displaced Nation’s founders and its current editor, often composes pieces of this kind for the biweekly Displaced Dispatch. Why not subscribe and brighten up your expat life every couple of weeks?

Photo credit: Happy Birthday, by Daniel Lewis via Flickr (CC BY 2.0).

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EXPAT AUTHOR GAME: What score does Lisa Morrow earn on the “international creative” scale? (2/2)


Readers, I’m happy to report that Lisa Morrow aced the algorithm test for her latest book, Waiting for the Tulips to Bloom: Adrift in Istanbul, and will therefore be advancing to the second half of the Expat Author Game.

For this second round, we’ll be looking to see how closely she measures up to the Displaced Nation’s (admittedly somewhat quirky) notion of an “international creative.”

On the face of it, Lisa most certainly qualifies as “international”. Originally from Australia, she nurtured a passion for Turkey for many years, to the point where she and her husband finally took the leap to become full-time expats in Istanbul (they live in Göztepe, on the Asian side—extra points, Lisa, for that!).

Likewise, I think it is fair to call her “creative”. In addition to her latest book, recounting the couple’s permanent move to Istanbul, she has produced two books of essays:

But let’s see how Lisa does with this series of challenges on less tangible, but equally important, indicators of international creativity. Is she truly, madly, deeply “displaced”?

Welcome back, Lisa, and now let’s get started. Many residents of the Displaced Nation have had a moment or two when they’ve felt like a character in Lewis Carroll’s Alice in Wonderland, myself included. How about you? Please illustrate, if possible, with quotes.

Sure, I welcome this new series of challenges. Here are my top two picks for Alice quotes, with explanations:

1) ALICE TO CHESHIRE CAT: “But I don’t want to go among mad people.” What is madness anyway? Some people might define it as packing up all your personal belongings and moving to the other side of the world where you don’t speak the language, share the religion or properly understand the culture. A lot of my family and friends certainly thought my move to Turkey was risky, but if I’d stayed put in suburbia, where I’ve never ever felt at home, I’d have slowly wilted under the burden of trying to conform and eventually drowned in a rule-bound, limited life, before succumbing most definitely to madness.

2) ALICE TO MOCK TURTLE & GRYPHON: “…it’s no use going back to yesterday, because I was a different person then.” I’ve met more people in six years living in Istanbul than I’ve met in the whole of the last twenty years. The majority of them have been Turkish, and as I worked through the cultural differences to develop close friendships with some, I’ve had to question who I am, how I relate to people, and what I want in all my relationships much more intensely than at any other time in my life. I did the same when I struck up friendships with foreigners. Such ties are equally fraught because you have to push past the tendency to think you have a common bond just because you all live in a particular country and aren’t natives of that country. Along the way, I’ve had some of my beliefs, in particular my tendency to think everyone is naturally generous and supportive, rather painfully disproved. That said, it’s been a positive experience overall because by being exposed to so many different people, beliefs, behaviours and lifestyles, I’m a very different person now than when I first came to Turkey, much more confident in my judgements of people—and that makes me happy. Nonetheless I’ll always be a work in progress. Feel free to ask me this question again in ten years’ time!

Moving on: According to George Elliot’s Maggie Tulliver, the best reason to leave her native village of St. Ogg’s would be to see other creatures like the elephant. What’s the most exotic animal you’ve observed in its native setting?

muffin-of-istanbulThat’s easy: Muffin the Street Cat. Part untamed domestic tabby, part savage cheetah, Muffin prowled our Istanbul neighbourhood in search of prey. Whenever I came back from doing the shopping he’d be waiting for me, drawn by the rustling of my plastic bags. Brought up never to feed wild animals, I’d fend off his ferocious claws before running for the front door. (That’s him in the photo: it’s as close as the beast ever allowed me to get. A very camera shy breed!) Even more spectacular than Muffin was his former pack mate Son of Satan, last seen struggling to get through the front gate after eating too much kibble. They breed them tough in Istanbul.

Last but not least on this series of literary challenges: We’re curious about whether you’ve had any Wizard of Oz moments when venturing across borders. Again, please use a quote or two.

For this challenge, there’s really only one quote I can use:

DOROTHY (WHILE CLICKING HEELS): “There is no place like home.” As well as being a writer I’ve worked as an ESL/EFL English teacher for many years and know how to teach the difference between the word ‘house’ and the word ‘home’. I teach that the former is a concrete structure of bricks and mortar and wood, while home is a conceptual idea of place and belonging. I can say that one gives solid, quantifiable shelter and protection, while the other gives, what? This is where I come unstuck because I have no meaningful comprehension of the idea of home. I can list what it’s not. It’s not my country of birth, it’s not the place where I spent my childhood, it’s not a house, apartment, flat or condo I’ve lived in. My furniture and belongings give me comfort but they aren’t home. Of all my possessions, my private library that packs up into 30 boxes and spans more than thirty years of my life, is the one thing I can’t imagine doing without. And yet I am still at home when my beloved books are in storage and I only have a poorly stocked public library for sustenance. I have to conclude that home—be it in me, a person or a place—is where I am most myself.

Moving on to another dimension of creativity: telling tales of one’s travels through photos. Can you offer a couple of examples?

My writing is fueled by the desire to examine the way tradition and modernity clash in Turkey, and meld to form something new. I’m also keen to dig behind the popular tourist images of mosques and beaches, to show the little everyday oddities that make Istanbul in particular such a fascinating place—like these goats I took a photo of in the Eminönü neighborhood:
goatsin-eminonu_lisamorrow

The photo below is from a street in Paris, which seemed unremarkable from the pavement but when I looked up I was rewarded by finding something extraordinary in the ordinary—another theme I explore in my writing.
parisstreetart_lisamorrow

And now for our interplanetary challenge: Can you envision taking your exploration of other modes of being beyond Planet Earth? How about a trip to Mars?

To answer this I’m going to borrow a line from Wendy Fox’s new novel The Pull of It, which is set in Turkey. She writes, “What kind of person doesn’t wonder about other people’s lives?”—and I have to say too many kinds of people. The two types that bother me most are those who run the world and don’t seem to care what others suffer, and those who write, vlog, tweet and Instagram their travels as lists of countries they’ve ‘done’, devoid of any reference to the actual inhabitants of whatever city or place they proclaim themselves expert. If ever our planet is left with just these two types of people—and no one is writing, thinking, exploring, documenting, experimenting, painting, and creating work based on wondering about other people’s lives—then I’ll go to Mars. My only caveat being that non-wonderers aren’t welcome.

* * *

Congratulations, Lisa! You have reached the end of the Expat Authors Game. I like the way you played it, not always giving us the obvious answers. Readers, it’s time to score Lisa Morrow’s performance on Part Two. How do you think she did with the three literary references? That was an interesting comment she made, about preferring the madness of Istanbul to the Sydney ‘burbs, and she even came out with her own non-definition of “home”! And what about that animal of hers, did you find it exotic enough? (Are we sure there aren’t any cats like Muffin in Sydney?) Still, that photo of the Istanbul goats more than makes up for it…!

Finally please note: If you’ve given Lisa Morrow a high score and her formula for international creativity appeals, we urge you to check out her author site. You can also follow her on Facebook (she adds photos, tips and vignettes about Istanbul and Turkey to the page nearly every day) and let’s not forget Twitter.

STAY TUNED for next week’s fab posts.

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Photo credits: Photo of Lisa supplied; her comment: “Although I look happy in this photo taken in Bayonne, France, I don’t speak a word of French. It’s like being two years old and no one can understand you, but because you’re an adult you can’t throw a temper tantrum to get what you want.” All other photos from Pixabay.

THE PERIPATETIC EXPAT: Against the wind, becoming a repatriate

Displaced creative Sally Rose

When Sally Rose first started this column, her most perplexing issue was where to go next after five years of being based in Santiago, Chile. But then a devastating personal tragedy struck and she had no choice but to return to the United States. In this month’s post, she reports on her transition. —ML Awanohara

I’ve been back in the United States for not quite two months. Back in New Mexico, where I’d lived twice before.

I’ve owned a condo here for the past two years, but I didn’t expect to actually live in it. It was supposed to be my pied-à-terre, my escape hatch, an occasional break from my real life, that of a perpetually perplexed peripatetic expat. Now, everything is topsy-turvy and, at least for the foreseeable future, it will be home.

It wasn’t supposed to be like this.

“Life is what happens to you while you’re busy making other plans.” (mistakenly attributed to John Lennon)

Repatriating wasn’t part of the plan, but circumstances change. In my case, death happened. As I wrote about in my last column, my son, Phillip, passed away in May. Instead of visiting with him, it’s all business now, taking care of whatever has to be done.

It’s a month on and I still haven’t seen Phillip’s fiancee. She’s working at a summer camp for children, out in the New Mexico wilderness. Our reunion will have to wait a while longer.

Am I glad to have a little hidey-hole to come back to? Maybe, but I’m hoping it will be a temporary measure in an otherwise peripatetic life.

Phillip would have understood. “If I wanted to just hang out with ‘Americans,’ I would stay in the United States.” I used to say that often, long before Phillip encouraged me to follow my dream and move to Chile.

In our first conversation about my going overseas, Phillip told me, “I’ve been wondering what’s taking you so long.” He knew, even before I’d decided, that I would become an expat.

The expat life is a kind of calling

A few months ago, I read an article about a woman who’d grown up in Portugal. As an adult, she moved to London and assumed the expat life. As I recall, she didn’t stay there very long, maybe a year, before moving back to Portugal.

She commented that she felt like a failure because her expat life in London didn’t work out.

Maybe failure is the wrong word. Being an expat isn’t for everyone. For me it was a kind of calling. When I went to Chile, I learned Spanish, taught many students, learned from many students, and created a family-like circle of friends.

Before I left Chile, the Universe brought several people, whom I hadn’t seen in a long time, back around to say goodbye.

The neighbor, whom I had met in the laundry room when I was a newbie to Chile. She was the one who introduced me to Chilean sopaipillas, which are very different from Mexican sopaipillas.

Even after I moved out of my apartment in the Bellas Artes neighborhood of Santiago, I ran into the drum-and-flute band. In the late afternoons, they used to wander through the neighborhoods of Bellas Artes and LaStarria, busking for donations. I felt like they had come to tell me goodbye.

I ran into my original landlord, the famous Sr. A from my memoir, A Million Sticky Kisses, three times in the two weeks before I left.

Coincidence? Could have been, if you believe in it, which I don’t.

At my despedida, my farewell party before leaving Santiago, I looked at the faces of my guests and realized that two-thirds of them were Chilean faces. I smiled. I had created another life in another part of the world. Mission accomplished.
adios chile

Against the wind, becoming a repatriate

Once I arrived back here in New Mexico, it took two weeks for me to unpack. I was exhausted, physically and emotionally, and unpacking didn’t seem important.

By now, I’ve tackled everything except the three boxes that I had mailed back to myself. I threw them into my storage locker here at the condo complex. I wonder what’s in them, what part of my other life I considered important enough to save.

I’m struggling to get into a routine, some semblance of normalcy. No exercise regimen, no writing routine, no Pisco Sour debriefs with a bestie once a week. Not yet.

I’ve tried Pilates, my preferred form of exercise, but it’s different here. Instead of being a relaxed, gentle atmosphere of breath-work and stretching, like in Chile, it’s hut-hut-hut, military style. I don’t like it.

Pilates Now and Then

I’m taking the stairs to my fourth floor apartment, whenever I don’t have my hands full. It gives me a little cardio workout once or twice a day, but it’s not the same as doing Pilates. I miss it.

And don’t get me started on how I have to drive everywhere, or how much I dislike hot weather, or how difficult it is to make new friends in an old place.

Sandia Mountains vista

 

As I wrote about on my own blog, I feel like I’ve been yanked out of a familiar and beloved garden, leaving torn roots behind.

Last year, when I visited Scotland, I spotted this graffiti on the side of a building.

“The things I love are not at home.”

I wondered who wrote that and what that meant to them.
What were they thinking
I’m not sure where “home” is, but I know that the things that are most important to me didn’t get packed into those boxes that I shipped back to Albuquerque.

The things I love most aren’t “things.”

Let me leave you with this thought:
TrustthatanEnding

Signed~
Perpetually Perplexed, and Now Grieving

* * *

Sally, Thank you for updating us. I know from personal experience how hard it is to repatriate but your circumstances make it even harder. I’m rooting for you! I’m also imagining that your restless, roaming spirit will not allow you to remain home for very long…but we shall see. —ML Awanohara

Born and raised in the piney woods of East Texas, Sally Rose has lived in the Cajun Country of Louisiana, the plains of Oklahoma, the “enchanted” land of New Mexico, and the Big Apple, New York City. Then she fell in love with Santiago de Chile and entertained herself (and us) by “telling tall tales” from that long, skinny country, where she made her home for five years. Where will her next act take her? The author of a memoir and a children’s book, Sally has an author site where she keeps a blog, and is active on Facebook and Twitter.

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LOCATION, LOCUTION: Writing in Finnish and English, expat novelist Emmi Itäranta creates fantasy worlds that feel palpably real

Location Locution Emmi Itaranta
Tracey Warr is here with a Finnish-born writer Emmi Itäranta, for whom displacement means living in another country (England) and writing dual-language dystopian novels. As a special note to long-time Displaced Nation readers, the book that had the greatest impact on Emmi as a child was Alice in Wonderland—until she discovered science fiction and fantasy.

Greetings, Displaced Nationers. My guest this month is Emmi Itäranta, who grew up in Tampere, a city surrounded by two lakes in southern Finland.

And if her childhood was spent in a territory located between Lakes Näsijärvi and Pyhäjärvi, she has chosen to spend her adulthood afloat between two languages, Finnish and English.

After earning an MA in Drama from the University of Finland and temping for a few years in jobs ranging from scriptwriter to press officer, she challenged herself to do an MA in Creative Writing in English at the University of Kent in the UK. As part of that course, she began writing her first novel, Memory of Water, working in English and Finnish simultaneously. As that title suggests, it’s set in a dystopian future where fresh water is scarce.

MoW US cover

England is now Emmi’s home: she has lived in Canterbury since 2007. But she continues to write fiction in both English and Finnish. (She speaks English at home with her Spanish husband.) Emmi feels that her books would be different altogether if she wrote them in only one language. In answer to an interviewer’s questions about the dual-language process that produced Memory of Water, she had the following to say:

I began writing the book in English because part of it formed my creative writing dissertation at the University of Kent, but early on I realised that drafting it in Finnish at the same time helped me polish the writing. The two languages seemed to support and inform each other. You get very, very close to the text when you work in two languages; translators often spot details that the author and editor may have missed. It is a slow process, and hard work, but ultimately I find it rewarding.

Emmi has now come out with her second novel. Published in Finnish in 2015, it has just now made its English-language debut in the UK with Harper Voyager, under the title The City of Woven Streets. The U.S. edition, to be published later this year, will be called The Weaver.
The Woven Streets The Weaver

The City of Woven Streets / The Weaver is a story about an island that is slowly sinking into the sea (if Emmi’s first book had too little water, this one has too much), and where dreaming is forbidden. It has elements of urban fantasy but its world has a feel of the past, rather than present or future. In a city where human life has little value, you must practice a craft if you want to stay alive.

Now let’s talk to Emmi about she gets her readers to experience these extraordinary settings.

* * *

Welcome, Emmi, to Location, Locution. Which comes first in your novels, story or location?

For my second novel, The Weaver / The City of Woven Streets, the location came first. I saw an imaginary city with its strange own internal laws and spent months writing scenes that simply explored the setting but were not yet connected by a story. This surprised me because in my first book, Memory of Water, the story and location were intertwined from the beginning. For that book, the first image that came to me was a young woman preparing tea in a dry future world. The story called for a specific location—far north, near the Arctic—and the location shaped the story.

For those who haven’t read Emmi’s first novel yet: The main character, Noria, lives near present-day Kuusamo, northern Finland, where she is learning to become a tea master in her father’s footsteps. By then Finland is ruled by an Asian superpower, and water for tea is a rare treasure.

Emmi, your novels have a strong sense of place. Can you tell us what techniques you use for evoking those feelings in your readers?

I try to imagine how the characters would experience the place through their senses. What are the shapes and colours surrounding them? How does the air smell and taste? How does the ground feel under their feet, what sounds does it make as they walk? What do they notice, what is relevant to them individually, but also as part of the community that inhabits this setting?

Which particular features create a sense of location? Landscape, culture, food?

All of those, but I would also add things like weather and seasons. Furthermore, I think a sense of history is important, in fiction just as it is in real life. Even if we don’t know the history of a location in detail, the feeling that there is one helps make it more plausible and gives it depth.

Did you have any real cities in mine when you created the city in The Weaver / The City of Woven Streets?

Yes, The Weaver / The City of Woven Streets is set in a fantasy world but to make it feel tangibly real, I used my knowledge and impressions of old European cities I have visited, mainly Prague, Venice and Dubrovnik.

Cities that inspired The Weaver

Three of the European cities that inspired Emmi Itäranta’s city in her latest novel: Venice (center); Prague (bottom right); and Dubrovnik (other three photos).

Can you give a brief example from your writing that illustrates place?

I’d like to share a passage from the first chapter of The Weaver / The City of Woven Streets. It aims to create a sense of the surroundings my main character, Eliana, lives in, a world that is unfamiliar and recognisable at once:

I like the air gondola port because you cannot see the Tower from there: its tall, dark figure is concealed behind the wall and the buildings of the House of Webs. Here I can imagine for a moment that I am beyond the reach of the Council’s gaze. I like the port best at this hour, when the cables have not yet started creaking. The vessels are still, their weight hanging mid-air, or resting at the dock, or floating in the water of the canals. The gate cracks open without a sound. The wrought iron is cold against my skin, and the humidity gathered on its surface clings to my palms. The cable of the air route dives into the precipice, which begins at the rock landing of the port, and the city opens below. I walk along the landing close to the brink. It is steep as a broken bridge. Far below, the sharp edges of Halfway Canal cut through the guts of the island, outlining waters that always run dark, even in brightest summer light.

The sky has begun to fade into the colours of smoke and roses. The first light already clings to the rooftops and windows, to the glint of the Glass Grove a distance away. The flood has finally ceased to rise, and down in the city the water rests on streets and squares. Its surface is smooth and unbroken in the calm closeness of dawn: a strange mirror, like a dark sheet of glass enclosing a shadow double of the city.
The Weaver_quote

In general, how well do you think you need to know a place before using it as a setting?

My stories tend to be set in the future or entirely fictional worlds, so you could say the settings are imaginary for the most part. However, I do use real places as inspiration and find that visiting them where possible really helps bring the fictional setting to life. For The Weaver / The City of Woven Streets, I looked at photographs and journals from my visits to different cities, particularly those with a long history. I’m always interested in trying to understand how different eras have shaped a place. So the end result becomes a mixture of imagination, history, memory and subjective experience.

Which writers do you admire for the way they use location?

There are so many, but the first one that comes to mind is China Miéville and the strange geography of his novel The City and the City. It portrays two fictional cities that overlap, yet are distinct from each other with their own unique and recognisable features, cultures and complex unspoken agreements that define the border between the two. The setting almost becomes a character in its own right.

China Mieville The City and The City

Emmi Itäranta’s pick for a novelist who has mastered the art of writing about place

Thanks so much, Emmi, for your answers.

* * *

Readers, any questions for Emmi? Please leave them in the comments below.

And if you would like to discover more about her, I suggest that you visit her author site. You can also follow her on Facebook and Twitter.

À bientôt! Till next time…

* * *

Thank you so much, Tracey! I loved hearing about the way Emmi’s imagination works, feeding on everything from linguistic differences to her travels within Europe. —ML Awanohara

Tracey Warr is an English writer living mostly in France. She has published two medieval novels with Impress Books. She just now published, in English and French, a future fiction novella, Meanda, set on a watery exoplanet, as an Amazon Kindle ebook. Her new historical novel, Conquest: Daughter of the Last King, set in 12th century Wales and England, will be published by Impress Books in September.

STAY TUNED for next week’s fab posts!

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Photo credits: Top of page: The World Book (1920), by Eric Fischer via Flickr (CC BY 2.0); “Writing? Yeah.” by Caleb Roenigk via Flickr (CC BY 2.0). Emmi’s author bio photo is by Heini Lehväslaiho. All other photos were supplied by the author or downloaded from Pixabay except for 1) in top collage: Cherub (Canterbury, England), by Upupa4me via Flickr (CC BY-SA 2.0); and 2) in bottom collage: Author China Mieville at Utopiales 2010 (France), self-photographed, via Wikimedia Commons (CC BY 3.0).

THE ACCIDENTAL EXPAT: Globetrotting between overseas assignments

THE ACCIDENTAL EXPAT
Columnist Indra Chopra is back. Born in India, Indra embraced the life of a trailing spouse to become a globetrotter. She also conforms to the image I have a “lovepat.” Because she is such a curious and creative person, the expat life (both the international and the domestic kind) suits her down to the ground, as I think you will see in this post. ML Awanohara

For an accidental expat like me, adventure is not so much reaching out for unknown as it is changing residences, and countries, every so often.

In my last post, I described my family’s move to Oman for my husband’s job. We returned to India at the end of 2000. Eight years later, we would have another country binge—but in this post I want to share with you what we did from 2000 to 2008, a time when our friends were constantly grumbling about needing an exclusive telephone diary for the Chopras’ constantly changing telephone numbers and area codes.

Within a year of our return to India, we were planning an extended trip to United States. My first visit had been in 1975 when, fresh out of college, I attended summer school in journalism at Stanford University, in Palo Alto. It was the era of the “Fs”: Flower power, Frisbee, Freedom…

Twenty-six years later, I headed to America again at an equally momentous time: the aftermath of the horrendous carnage of 9/11/01. My husband and I were visiting our daughter, who, having completed her undergraduate studies at UMass, Amherst, had enrolled in UMass Medical School, which is located in Worcester.

Grey and gloomy Worcester

Our port of entry was Boston’s Logan Airport. From there we made a two-hour train journey past New England landscapes to an unknown territory whose name is pronounced “Wuss-tur,” as in Worcestershire sauce (which originated in the English midlands town of Worcester).

Our brusque reception by the immigration authorities at Logan Airport had put us in a somber mood, which grey and gloomy Worcester—a “city created by and for the middle class,” as Adam Davidson put it in a recent article for the New York Times Magazine—did little to dispel.

During the late 19th century and after, Worcester had attracted fresh-off-the-boat migrants from Europe, Asia, and Africa who had left behind unwelcoming Boston to look for work in the cotton mills and steel works, some of them starting their own enterprises. The proximity to Boston helped industries to flourish, but World War II and rise of other industrial bases across the country led to the greyness we now saw all around us.

I recalled having read Daoma Winson’s novel The Fall River Line, a 90-year saga about the family of a New England matriarch who owns a Massachusetts-based steamship line running between New York and Boston in the late 19th century. But the city I saw before me was a mix of new and old three-decker rectangular homes alongside newer constructions of colleges and hospitals.

Imagine my surprise when, researching the city further, I discovered that out of its gloom had emerged something pink, lacy and romantic. Esther Howland of Worcester started up a business making valentines in 1857, the success of which earned her the epithet of “the mother of the American valentine”; you can see a large collection of her creations at the American Antiquarian Society in Worcester.

Worcester can also claim the “Smiley” face, created by Worcester-born-and-bred graphic artist Harvey Ross Ball—another seeming contradiction; and there are many other firsts to the city’s credit:

  • the largest female workforce in the USA;
  • the first woman Secretary of Labor, Frances Perkins (she served in President Franklin Delano Roosevelt’s cabinet and had grown up in Worcester);
  • the first Bible and first dictionary printed in America (by one Isaiah Thomas, in the 18th century);
  • the first public reading of the Declaration of Independence, also by Isaiah Thomas;
  • the first monkey wrench, invented by Loring and Aury Coes in 1840 (just thought I’d throw that in!);
  • the first commercially successful envelope-producing machine, invented by Russell Hawes in 1853; and
  • WORC, the first radio station to play a Beatles song in the United States.

I suppose adversity bred innovation and, as far as the Beatles went, a “thumbs-down” to the Boston Brahmins.

Once settled, we walked around Worcester Commons and past the Burnside Fountain with its Turtle Boy statue; along the crowded downtown streets including Shrewsbury Street (where can be found Little Italy) and the tree-lined avenues where there are many houses dating back to the late 19th-century; all over the “modern” UMass Medical School campus; and even out to the suburban Auburn Mall (I had to shop in Filene’s). We also ventured out to the shores of Quinsigamond and Indian Lakes.

Lake Quinsigamond (or the Long Pond) reflects the sensibilities of the city. Though a favored destination for water sports, rowing and boating regattas, it misses out on aqua “vitality”.

Worcester Mass Collage 2

Bustling Boston (& vicinity)

Worcester’s saving grace, for me, is that it’s only a step away from Boston and its famous landmarks…no, I would not be one of those people who prefers Worcester’s slower pace!

My favorite Boston spots include Faneuil Hall/Marketplace, incorporating Quincy Market, the Freedom Trail, Harvard University, and, further afield: Cape Cod, Martha’s Vineyard and Nantucket the latter two accessible by ferry and good spots for celeb watching. I liked walking down Nantucket’s cobblestoned Main Street and gawking at the tony lifestyle and the boutique shops.

Boston and beach collage

There have been other visits to Worcester since then, in various seasons, as we continue our effort to appreciate small-town living. But on this first occasion, 15 days were sufficient, and from Worcester we jetted across to San Francisco to visit family. In this sense, we were conforming to the distinctive Indian habit of tagging family and friends across the globe to ensure hassle free board and lodging. (Thankfully, at least for the people doing much of the hosting, that concept is changing with Indian tourism opening up and more people traveling on their own.)

San Francisco, here we come!

San Francisco lived up to my “Alice in Wonderland” memories. Our days were devoted dawdling on Fisherman’s Wharf, trundling down Nob Hill in the cable car, watching the sunset from Golden Gate Bridge, driving around Palo Alto.

The quintessential university town had changed: there were more residences and start-up communities, shortening the distance between University and town. The path from Escondido Village (where I lived) to the journalism department (where I studied) did not appear intimidating as when I had first cycled on it.

San Fran Collage

The re-discovery journey had been pleasant except for an interaction with immigration officer on our return to Boston’s Logan International Airport. Having been assured by the travel agent of no extra charges, we had extended our return flight from San Francisco to Boston by two days. Hence our surprise when we were asked to pay $200 and, as we attempted to explain, the airline official countered with a complete dossier of our movements, the number of times we had cancelled our arrival to USA, the change we’d made to our flight schedule from San Francisco, etc., etc.

It was a case of pay the said amount or be barred from boarding the flight back to India. The disbelief came when I told my husband, in Hindi, to ask the name of the official or demand that we speak to her senior. She caught on and told us that we are most welcome, promptly giving us her name and declaring it would not change anything.

Left with no alternative, we promptly paid the contested amount and exited the country. Talk about “parochial” and “paranoid”! I suddenly remembered my Media and Broadcasting Prof. at Stanford, who, upon seeing me sit alone on the patio (I was finishing an assignment), apologised for the “parochial” attitude of my fellow students. (I told him I was fine.)

We did not stop visiting USA but, on the next occasions, we were prepared for the pat downs, security checks and x-rays. No hair sprays, body cremes, etc., and no loose talk. So, now when I am told “You have been selected,” I know it is not for a seat upgrade but for the body scanner.

Becoming Punekars

In 2004 we made another “small city” visit and, this time, a change of residence. There is no connection between Worcester and Pune, except that both are stress busters for concrete jungles: Boston and Mumbai, respectively.

Pune is an emerging “mega-city” said to epitomize the New India. It is also the cultural capital of the state of Maharashtra, celebrating Maratha arts and crafts, music, and theatre. It has a proud history as the seat of the Peshwas, who were the ruling figures within the Maratha Empire, which was established by the legendary Shivaji, the Hindu leader who challenged the mighty Mughals. He was later held up as a hero during the rebellion against English rule and bid for Indian independence.

But returning to the Pune of today: it is very much a city on the go, with mushrooming high-rises, malls, and hotels. Its already congested labyrinth of shops, roadside stalls, and disintegrating colonial architecture is constantly expanding, with new enterprises such as education centers cropping up, and more and more “steel ants” (mopeds and two wheelers) running along its narrow lanes and arteries. (Public transport leaves something to be desired.)

The one constant between former eras and today are the majestic banyan trees, with their nebbish roots adding a spidery effect.

The city is being invaded by professionals and tourists from neighboring cities and states. A true Punekar (aka Punaite) will argue that, despite the onslaught of so many people, their city has retained its elegance and charm typified by the “dragonfly” energy and the attitude of the female residents who cover their faces with a scarf and slice through the traffic. (For me, this unique sartorial style is a silent tribute to “girl power”!)

Upon our arrival, we visited the famous landmarks including:

Pune is the city for seeing Alphonso mangoes piled high on roadside carts and market stalls. The mango mania does not stop at simply eating the fruit but has invaded thalis (food platters), desserts, ice creams and shakes, literally adding color to the local cuisine.

What I relish most is the ubiquitous Vada Pav, a vegetarian fast food consisting of a potato fritter. I often purchase one from a roadside stall that, according to my friend’s driver, is the “best Vada Pav in town.”

The mesmeric effect of life in this part of the world culminated in our purchasing a property up in the hills, on NIBM Road in Kondhwa, a fast-growing suburb of Pune.

And now here I sit on our lawn, under blue skies, a rarity in the part of India where I’m from. Later I will watch the sun descend deeper into the surrounding hills while dreaming of new places where we might be based in near future.

Pune India Collage

Not surprisingly, the seven-year itch surfaced and in summer of 2008 we jetted our way to Hong Kong, another country and another accidental expat experience. The Sultanate of Oman and Hong Kong are on different trajectories: one a traditional nation and the other a place full of glitz, glamor and restlessness. Hong Kong’s mishmash of lingering British influences and Chinese opportunism must be what lures so many visitors, us included, to its crowded streets.

We came for a year and found ourselves queuing at the Immigration office to get extensions stamped for two, three, seven years—and then permanent residency.

But more on that experience in my next post…

* * *

Thank you, Indra, for sharing this continuation of your story. It was refreshing to hear about the United States from an outsider’s perspective, and to learn all about Pune. And now I am eager to hear what you make of Hong Kong! —ML Awanohara

Indra Chopra is a writer/blogger passionate about travel and curious about cultures and people. Her present status is that of an accidental expat writing to relive moments in countries wherever she sets home with her husband. With over twenty years of writing experience Indra has contributed to Indian, Middle Eastern publications and online media. She blogs at TravTrails

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Photo credits: Opening visual: Airplane photo and India photo via Pixabay. Second visual: (top row) Worcester, Massachusetts, by Doug Kerr via Flickr (CC BY-SA 2.0); photo of the Beatles and of Worcester’s buildings via Pixabay; (bottom row) Turtle Boy, by Joe Shlabotnik via Flickr (CC BY 2.0); Harvey Ball, by Michael Carroll courtesy Worcester Historical Museum; and Daoma Winston book cover. Third visual: Nantucket – Main St, by thisisbossi via Flickr (CC BY-SA 2.0); Quincy Market, by Smart Destinations via Flickr (CC BY-SA 2.0); Boston – Freedom Trail, by David Ohmer via Flickr (CC BY 2.0); Cape Cod scene via Pixabay. Fourth visual: Cable car, Stanford U & Golden Gate sunset photos all via Pixabay; Fisherman’s Wharf – San Francisco, California, by Doug Kerr via Flickr (CC BY-SA 2.0). Last visual: (top row) Mangoes for sale in Crawford Market, Mumbai, by Anuradha Sengupta via Flickr (CC BY 2.0); warrior statue via Pixabay; A Crowd Gathers – Pune, India, by Ian D. Keating via Flickr (CC BY 2.0) (same as bottom-row middle photo); Sunset at Sinhagarh, by Abhijit Kar Gupta via Flickr (CC BY 2.0); (bottom row) Sukhadia’s open vada pav, by Krista via Flickr (CC BY 2.0); [untitled – Banyan tree in Pune], by ptwo via Flickr (CC BY 2.0); and Osho Ashram, aka Osho International Meditation Resort, by fraboof via Flickr (CC BY-SA 2.0).

THE PERIPATETIC EXPAT: Going home again due to a devastating personal loss

Displaced creative Sally Rose

We expats may sound like we’re living in a dream or fairy tale, but many of us have lived through nightmares, too. Last time we heard from Sally, her story was running along the lines of her wonderlanded interview for this site. Having spent five years in Santiago, Chile, she was in need of new thrills and was trying to figure out where to go next. But then, one day, just as she felt her plans were coming together, her entire world came crashing down. Sally, I commend you for her honesty in telling this part of your story. Readers, I hope you will join me in offering your condolences for Sally’s heart-breaking loss. —ML Awanohara

I went to church today. Just stopped in, as I’ve often done over the past five years. I’m not Catholic, but I like to sit and look at the statue of the Virgin Mary at the Basilica de la Merced in downtown Santiago.

It’s cool and peaceful inside, painted to resemble pink marble. There’s a center aisle and the pews are lined up on either side, in two sections, before and after the hanging pulpit.

The statue of the Virgin Mary is set into a niche behind the altar. The back of the niche is painted royal blue. She’s wearing a flowing, white cape and a silver crown.

I read somewhere that she protects the innocent by bringing them close and covering them with her cape. I love that idea.

Virgin Mary with Cape

The basilica always smells of floor polish and candle wax. The first three years that I lived in Chile, there was a caretaker who, every time I went in, was there, polishing the wooden floor with a buffing machine.

Nowadays, I still see him from time to time. Today he recognizes me and greets me cordially. I find out his name for the first time: Fabián. He agrees to let me take his photo.

Fabian floor polisher

At noon, on weekdays, the church chimes ring out, just after the cañonazo, the firing of the cannon at Cerro Santa Lucia.

For five years, at straight-up twelve o’clock, I heard “Boom!” And then, the sweet notes of a recognizable song. I don’t know what its title is, but like an old friend, it became familiar to me over time. I will miss it.

Everything is falling into place…

I arrived back in Santiago on April 1. My apartment lease was expiring on June 4, and I had decided not to renew it. Since, for the past couple of years, I’ve been traveling a lot and spending as much time outside of Chile as I have in Chile, it no longer makes sense to maintain a year-round apartment here.

My goal was to turn myself into a global nomad and visit several places every year, spending a few months in each one. Hyper-organized nerd that I am, I immediately went to work, selling off furniture and clearing out my apartment. Within two weeks, every stick of furniture had been sold. I felt like Wile E. Coyote in the old cartoons, left spinning around after the roadrunner whizzed by me.

Everything was falling into place, as if the Universe were whispering, “Yes, yes. This is the right move for you.”

Cleared apartment nostalgia

Nostalgia kicked in. And sadness, a sort of grief. I started missing Santiago, even though I’m still here. I started thinking of all the places I’d meant to visit, all the things that I didn’t get around to doing since I’ve been here. Wishing I had more time. Wishing I weren’t leaving. Wondering if I were doing the right thing, wondering where I’m going next, wondering whether I’ll ever be back.

I found an apart-hotel and got halfway moved in, expecting to be in Santiago until my usual “can’t-stand-the-heat” date of mid-September. Then, I would go back to the US to sort out some business and to spend time with my son and his fiancée, before heading out again to Parts Unknown.

…until the phone call no parent should get

That’s when the phone call came. That most horribly personal phone call that no parent should ever have to receive.

My son had died in the early morning of May 4. He was 34 years old. The coroner took his body away for an autopsy because why does a 34-year old die? He hadn’t been sick. Or had he?

He had been, but he had not told me. Because I was so far away, I wasn’t aware of his physical condition. Not that I could have prevented his death had I been closer. But if I had known, I would have tried.

In tribute to Phillip

In tribute to Phillip

So began another grief. Deep, heavy waves of shock and sadness and guilt that left me with almost no energy to continue doing what I needed to do. To finish moving out, packing up, and getting myself back to the States for an indefinite period of time.

Sooner now than I had expected. Not to see my son. The best I’ll be able to do is memorialize him. His fiancée and I will be getting to know each other without him, and I will be a “repat,” at least for awhile.

My suitcases are already bulging, but I will be taking back a small replica of this Virgin Mary, Virgen de la Merced. I hope that she brings me as much comfort from afar as she has in the church that’s named after her.

Signed~
Perpetually Perplexed, and Now Devastated

* * *

Sally, I honestly can’t imagine the grief you must be feeling. You were planning where to go next, only to land on the dark side of the moon. Thank you for taking us on this part of your journey as well. If it helps to know, we are all here for you. We are privileged to share in your heart-felt tribute to your son, whom I feel certain was as remarkable a human being as his mother. —ML Awanohara

Born and raised in the piney woods of East Texas, Sally Rose has lived in the Cajun Country of Louisiana, the plains of Oklahoma, the “enchanted” land of New Mexico, and the Big Apple, New York City. Then she fell in love with Santiago de Chile and has been “telling tall tales” from that long, skinny country since 2009, and living in that city for the past five years. But where will her next act take her? The author of a memoir and a children’s book, Sally has an author site where she keeps a blog, and is active on Facebook and Twitter.

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