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EXPAT AUTHOR GAME: Apple Gidley’s algorithm for “Fireburn” (1/2)


Welcome to the fourth round of our Expat Author Game, in which global creative Apple Gidley has agreed to be the participant. For some of you, Apple requires no introduction. She has been on our site before, when Displaced Nation co-founder Kate Allison reviewed her memoir, Expat Life: Slice by Slice.

Apple also fits right in at the Displaced Nation. On her author site, Apple brands herself as Nomad | Author. That “nomad” comes first reflects the way she has lived almost since birth. Her Anglo-Australian family moved to Nigeria when she was just one month old. After that Apple assumed the mantle of global itinerant: she has lived and worked in countries as diverse as Papua New Guinea, Thailand, The Netherlands and nine others. She currently divides her time between downtown Houston and St. Croix.

Spending time in St. Croix, which is now part of the U.S. Virgin Islands, fired up, so to speak, Apple’s imagination. She recently produced her debut novel, Fireburn, a book that readers say transports you completely and totally to another place and another time: to Caribbean life in the 1870s. The book’s name derives from an actual event that took place in 1878, when St. Croix was part of the Danish West Indies. Fireburn was the name given to a slave uprising that was led by three Crucian women, who are today considered heroines throughout the islands. Houses, fields, sugar mills and stores on nearly fifty St. Croix plantations were set ablaze. Over half the city of Frederiksted was left in ruins.

But if the book takes place against the backdrop of a slave revolt playing out in acts of arson—in fact, Fireburn came out on October 1, 2017, to commemorate Fireburn’s anniversary—it is also a love story. The protagonist, Anna, an Anglo-Dane, returns to her beloved home, a plantation called Anna’s Fancy, after her mother dies, only to find that her father has let it go to seed. She makes a disastrous marriage to her neighbor, Carl Pederson, after which she realizes that the man she truly loves is her black foreman, Sampson. As one reader says of Anna and Sampson: “They are oceans apart not just in status but in cultures too.”

Now let’s play Part One of the Expat Author Game and see what Apple comes up with as an algorithm for her novel, for its burning story of passion and rebellion.

* * *

If we like Fireburn, which movie/musical/play/TV series would we also like?

Jean Rhys’s wonderful book about the first Mrs Rochester, Wide Sargasso Sea, was made into a BBC movie about ten years ago. Although it was based in Jamaica, the sultry setting would give readers a feel reminiscent to 1870s St Croix where Fireburn takes places. Add inappropriate relationships (for the time), the sights and sounds and tastes of the Caribbean, the relief when the Trade Winds return after the brooding heat of mid-hurricane season and you’ll be right in the mood for …


What meal or dish would go well with reading your book?

A cassava chicken croquette (a dish Emiline, Anna’s black servant-cum-cook, makes)—but remember, if not cooked properly cassava, known in the US as tapioca, can produce cyanide. Here’s the recipe:

Ingredients:
1 egg, beaten
2 cups well cooked then mashed cassava
1 cup cooked, diced chicken
1/2 cup finely diced onion
1 tsp salt
pinch of pepper
1 tbsp chopped parsley
1/2 cup milk (or you can use coconut milk)
1 cup breadcrumbs
oil for frying

Method
Mix egg, cassava, chicken, onion, salt & pepper, parsley and a little milk to make the mixture firm but not soggy. Make croquettes, then dip in remaining milk and roll in breadcrumbs. Fry until golden. Drain well. Croquettes can either be “meal” sized or finger food…


If your book had a signature cocktail, what would it be?

It should be washed down with a rum punch—preferably Cruzan Rum!


Are there any special clothes/headgear/costumes/accessories we could wear to put us in the mood for reading your book?

Emiline is fond of wearing colourful scarves wrapped around her head—she often matches the cushion covers and curtains as she tends to use left-over bits of fabric!


If we wanted to take a mini-trip to understand your story better, where would you recommend we travel and which sights should we take in?

Well that’s easy—you must come to St Croix! Though now part of the US Virgin Islands, it used to be owned by Denmark and formed part of the Danish West Indies, as you explained in your introduction. Much of the Danish architecture lines the streets of Christiansted—foot-thick walls, shuttered windows, galleries and inner courtyards. Frederiksted, on the west end of the island, has some buildings left—but much was burnt in “fireburn”. As you mentioned, Fireburn was the name given to the 1878 slave uprising that took place in the Danish West Indies. You can also visit Fort Christiansvaern and Fort Frederik, both of which were constructed between the mid-1700s and mid-1800s to protect Christiansted and Frederiksted from smugglers, pirates, and European invaders; to collect taxes on exports and imports; and to deter slave rebellions. Both forts are open to the public and give a real feel of what it was like to serve in the military then—a hard life for the common soldier/sailor. Then you absolutely must take a maxi-taxi to St George Village Botanical Garden—recovering after damage sustained from Hurricane Maria—where you will get an idea of the layout for the plantation at Anna’s Fancy.

* * *

So, readers, tell us: Has Apple come up with a winning algorithm? Does the thought of sipping rum punch while munching on chicken croquettes, your head wrapped in scarves, in a sultry setting akin to one depicted by West Indian novelist Jean Rhys, make you want to hold Apple’s book in your hands—or are you afraid your palms might burn? Can you almost feel the heat of the fires burning, both outside and in your heart, as you make your way down the streets of Christiansted, lined with Danish buildings?

Assuming that by now you’re burning with curiosity about the history of the Caribbean and the contents of Apple Gidley’s book, I suggest you check out her author site. You can also follow her on Twitter, where she announces her next book readings.

And STAY TUNED for Part Two next week!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

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Photo credits: Book cover and other photos (supplied).

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EXPAT AUTHOR GAME: What score does Chandi Wyant earn on the “international creative” scale? (2/2)


Readers, I’m happy to report that Chandi Wyant came up with a winning algorithm for her new memoir, Return to Glow: A Pilgrimage of Transformation in Italy. She is therefore proceeding to the second round of the Expat Author Game.

During this round, we’ll be trying to see how closely she measures up to the Displaced Nation’s (admittedly somewhat quirky) notion of an “international creative.”

On the face of it, Chandi has a solid claim to being “international.” Not only has she lived in Europe (Italy, Switzerland, and England) but also in South Asia (India) and the Middle East (Qatar).

That said, she recently confessed to one interviewer that after spending so much of her life abroad, she developed a huge appreciation for her native California:

I see it now as one of the most beautiful and healthy places in the world to live. Not only does it have every kind of stunning landscape you could want, it has an abundance of organic food, and an abundance of educated people who know how to think critically. I’m not too impressed with the US right now—but if I look at California just on its own, it’s a darn close second to Italy.

Furthermore, I think it’s fair to call Chandi “creative”. She was encouraged from a young age to paint and draw a lot, with the result that she often “sees photographs” in the world around her. (Notably, she shares one of her actual photos below.) Writing is also important to her. While in Qatar, she taught history at a local college and got to know a lot of young Qataris. She conducted interviews with some of them and some day hopes to turn those interviews into a book. That’s in addition to the memoir she just produced about her pilgrimage along the Via Francegena.

Even the title of her personal Website is creative: Paradise of Exiles, which is what the Romantic English poet Shelley called Italy.

But now it’s time to see how Chandi manages Round Two, where points are scored for intangible indicators of an expansive, global outlook and the ability to take a creative approach to exploring the world.

Welcome back, Chandi, and now let’s get started. Many residents of the Displaced Nation have had a moment or two when they’ve felt like a character in Lewis Carroll’s Alice in Wonderland, myself included. How about you? Or if you’d prefer, you can use a quote from another children’s book.

I’ll choose this quote from Dr. Seuss:

“You have brains in your head.
You have feet in your shoes.
You can steer yourself
any direction you choose.”

The feet in the shoes and any direction you choose reminds me of the time I got lost on my solo pilgrimage in Italy. My feet in my shoes were not doing well. I had developed plantar fasciitis and had bought arch supports but they were sliding around in my shoes. It was super hot, it felt like there was a gremlin in my shoes stabbing my heals, and I was lost in stark wheat fields somewhere south of Siena. Then I simply chose a direction, and by making a choice, I was able to stop being anxious about how to find my way.

Moving on to the next literature-related challenge: According to George Elliot’s Maggie Tulliver, the best reason to leave her native village of St. Ogg’s would be to see other creatures like the elephant. What’s the most exotic animal you’ve observed in its native setting?

An oryx in Qatar. It’s a large species of antelope that is native to the Arabian Peninsula. It nearly went extinct due to poaching but has been reintroduced.

Last but not least on this series of literary challenges: We’re curious about whether you’ve had any Wizard of Oz moments when venturing across borders. Again, please use a quote or two.

GOOD WITCH GLINDA TO DOROTHY: “You are capable of more than you know.” Definitely the capability thing comes up a lot when I travel alone (or move alone) to far flung places, both of which I seem to do. I didn’t necessarily set out to travel alone and move abroad alone so many times in my adult life. It all started when I was 19 (that was in the 80s), when I did a budget backpacking trip in Europe with a friend. After four months of travel together, we split up in Istanbul. In my first 24 hours of solo travel, all kinds of crazy things happened and I quickly learned that as soon as you cut through the fear and embrace the world, that it embraces you back. (These stories are recounted in more detail in my book.)

Moving on to another dimension of creativity: telling tales of one’s travels through photos. Can you share with us a favorite photo you’ve taken recently that in some way relates to your creative life, and tell us why it has meaning for you?


This one I took recently in Lucca, Italy (where I now live). It has meaning because doorways like these symbolize for me an opening of consciousness, and an invitation to step into mystery.

And now for our interplanetary challenge: Can you envision taking your exploration of other modes of being beyond Planet Earth? How about a trip to Mars?

I don’t want to offend anyone who is super into Mars but I have no interest in going to Mars or any other planet. I am awed by the planet we have and how special it is, and it’s an enormous shame that we’ve not learned to respect it and take care of it. I am much more interested in how we can better appreciate and take care of planet Earth, rather than attempt to get to Mars, which clearly is vastly inferior to Earth, as far as sustaining life.

* * *

Congratulations, Chandi! Just as I suspected, you easily rose to the challenge of Part Two of our Expat Authors Game. Personally, I found your Dr. Suess citation inspired! Readers, are you ready to score Chandi’s performance on Part Two? How did she do with her literary references? And what about that animal of hers: rather unusual! And don’t you like that photo of her up top, looking so joyful in an Italian setting? She says she hasn’t mastered the technical side of photography, but that photo of the doors in Lucca suggests otherwise…

Finally please note: If you want to keep cultivating your inner glow under Chandi’s influence, be sure to check out her author site and its companion Facebook and Instagram pages.

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

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Photo credits: Photo of Paul and the ocean supplied; all other photos from Pixabay.

EXPAT AUTHOR GAME: Chandi Wyant’s algorithm for “Return to Glow: A Pilgrimage of Transformation in Italy” (1/2)


Hello, Displaced Nationers—or should I say ciao in honor of our special guest, Chandi Wyant, player number three in our Expat Author Game?

Born in California, Chandi has lived in Qatar, India, Italy, Switzerland, and England, but of these, Italy easily stands out as her favorite. Her passion for the boot-shaped country began when she lived there in her late teens, a commitment that has only deepened over the years. Having learned Italian, she went on to earn a master’s degree in Florentine Renaissance history (giving her an excuse for plenty more visits).

And now she’s living in Italy again! Back in America for a while, Chandi relocated to Lucca a few months ago, a city on the Serchio river in Italy’s Tuscany region.

I ask you, who wouldn’t want to be displaced in Lucca? As Lonely Planet puts it:

“Lovely Lucca endears itself to everyone who visits.”

But life for Chandi hasn’t always been an Italian idyll. When she reached her early forties, her marriage of 10 years imploded, and she was struck by a debilitating illness from which she nearly died (in an Italian hospital!).

Her solution to this mid-life crisis? To take a 40-day-long walk along Via Francigena, the historic pilgrimage route that runs from France to Italy. She reasoned that, although she had been weakened by illness, she could still walk. And, like pilgrims of long ago, she hoped that trekking over the Apennines, through the valleys of Tuscany until reaching Rome, would help to restore her in body and spirit.

To find out what happened on her solo adventure, I urge you to read her newly published memoir, Return to Glow: A Pilgrimage of Transformation in Italy.

Hm, for an author who has withstood so much pain, including having to do most of her epic walk while suffering from plantar fasciitis (that’s what walking on asphalt for several days, with a pack on one’s back, will do to the feet), I wonder if Chandi might find our Expat Author Game a bit of cake walk?

In any event, let’s see how she handles Part One: namely, developing an algorithm for her new book. (Part Two is available here.)

If we like Return to Glow, which movie/musical/play/TV series would we also like?

The first two movies that come to mind are Wild and The Way. In Wild you’ve got a single woman on a long-distance walk, so that’s the same as my book, although mine takes place in Italy and is on an ancient pilgrimage route. So then The Way comes in because it is on a European pilgrimage route—albeit in Spain, not Italy, and the protagonist is a man. Now, to add a movie that honors the sensuality of Italy, I would choose Stealing Beauty. It’s about an American girl’s summer in Tuscany and it’s very visually lush. Bertolucci is masterful at bringing alive a sensual and sybaritic Tuscan summer. My pilgrimage was not at all sensual or sybaritic, but what Bertolucci captures in this film is also what captured my heart when I first fell in love with Italy at age 19, and what kept me returning there for the past 30 years.

What meal or dish would go well with reading your book?

If I may, I like to reference a post I wrote for my blog, Paradise of Exiles, about the three best dishes I ate in Florence last year:
1) Arista di maiale con salvia e rosmarino (roasted pork loin with sage and rosemary)
2) Tagliatelle con porcini e nepitella (pasta with porcini mushrooms and calamint, aka basil thyme)
3) Pizza bianca con asparagi, cipolloti primaverili, fiordilatte, e pecorino Romano (pizza with asparagus, spring onions, fresh mozzarella, and pecorino cheese)

Any of these three dishes would go wonderfully when reading my book!

If your book had a signature cocktail, what would it be?

Vin Santo, Tuscany’s dessert wine.

Are there any special clothes/headgear/costumes/accessories we could wear to put us in the mood for reading your book?

In a museum on the pilgrimage route I saw a replica of what a pilgrim from the middle ages wore, including the long staff that was carried with a gourd tied to it (the medieval Nalgene bottle!). You need a cloak, a seashell hanging around your neck, and a long staff with a gourd.

If we wanted to take a mini-trip to understand your story better, where would you recommend we travel and which one or two sights should we take in?

Pick any location on the Via Francigena in Italy! Or take my suggestions in this post of four small places found along the route, that are perhaps less familiar to tourists, and that contain historic sites worth discovering:
1) Pontremoli, a town at the base of the Apennines, on the Magra River.
2) Bagno Vignoni, a town in southern Tuscany where the main piazza is a pool of steaming thermal water!
3) Bolsena, a town in the region of Lazio, near the shores of Lake Bolsena.
4) Sutri, a town in northern Lazio that was one of the last strongholds of the Etruscans.

* * *

So, readers, tell us: Has Chandi come up with a winning algorithm? Does the thought of slipping into a medieval travel cloak and taking a swig of Vin Santo from your gourd while trekking along the Via Francigena make you want to buy Chandi’s book? How about supping on pizza bianca while recalling the excitement of reading/watching Cheryl Strayed’s Wild and/or imagining yourself immersed in the relaxing thermal baths at Bagno Vignoni?

If by now you’re starting to feel your inner glow, be sure to check out Chandi’s author site and its companion Facebook and Instagram pages.

And STAY TUNED for Part Two next week!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

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Photo credits: Book cover and other photos (supplied).

EXPAT AUTHOR GAME: What score does Paul Shore earn on the “international creative” scale? (2/2)


Readers, I’m happy to report that Paul Shore passed the algorithm test for his memoir, Uncorked, with flying colors. He will therefore be throwing out the jack (so to speak) for the second round of the Expat Author Game.

I am, of course, using this terminology because of Paul’s affection for the quintessentially French game of pétanque, as reported in his book and as illustrated above.

During this round, we’ll be trying to see how closely he measures up to the Displaced Nation’s (admittedly somewhat quirky) notion of an “international creative.”

On the face of it, Paul’s claim to be “international” rests on having spent a single year in Provence. Can 12 months be long enough to qualify as displaced? On the other hand, it was an important, life-changing year. The book in fact came about at his wife’s suggestion, when he was immobile after a recent surgery (hm, is that the reward for all those sports?). Why not dust off his notes from that period of living in in Saint-Paul de Vence, she said, and write about how much it meant to him, a kind of Bildungsroman.

Furthermore, I think it’s fair to call Paul “creative”. After all, it’s not every day we hear of a computer geek charming their way into an ancient French village. Plus he has received compliments on his writing style as a “wry cross between Bill Bryson and Dave Bidini“. (Dave who? He’s a Canadian musician and author of Around the World in 57 1/2 Gigs, among other travel works.)

So let’s see how Paul does with this round, where points are scored for intangible indicators of an expansive, global outlook and the ability to take a creative approach to exploring the world.

Welcome back, Paul, and now let’s get started. Many residents of the Displaced Nation have had a moment or two when they’ve felt like a character in Lewis Carroll’s Alice in Wonderland, myself included. How about you? Please illustrate, if possible, with a quote.

QUEEN OF HEARTS TO ALICE: ”Why, sometimes I’ve believed as many as six impossible things before breakfast.” Breaking into a foreign culture may seem impossible, though with persistence and respect it is very possible. Now, my experience was back in ’99, at just the very start of the digital age and before mass Internet interconnection; but even with enhancements to communication, I suspect it is just about as difficult still today to break into French life in a small town, as it was then. I spoke only terrible elementary school French when I arrived, which I’d learned growing up in Ottawa, Canada, so it didn’t endear me much to locals, at least not until I improved after several months of working with a tutor.

Moving on: According to George Elliot’s Maggie Tulliver, the best reason to leave her native village of St. Ogg’s would be to see other creatures like the elephant. What’s the most exotic animal you’ve observed in its native setting?

A polar bear on Baffin Island in the arctic of Canada. Some indigenous guides were taking us on a boat tour. As we travelled near the shoreline, we spotted it. It was awe inspiring to see such a beautiful, rare, and dangerous animal from a safe, yet close, distance.

Last but not least on this series of literary challenges: We’re curious about whether you’ve had any Wizard of Oz moments when venturing across borders. Again, please use a quote or two.

GOOD WITCH GLINDA TO DOROTHY: “You are capable of more than you know.” I tend to live by a “why not try?” attitude and truly believe that we are all capable of so much more than we typically are willing to attempt. Thus, when I was told that I couldn’t learn pétanque because “you aren’t French”, I didn’t take “no” for an answer and persisted. Eventually I convinced a neighbour to teach me—though he only agreed to do by in the darkness of night, so as not to embarrass himself or his culture. I had to earn my stripes over several weeks of play in the dark before I was invited to play in broad daylight. And eventually I became quite good and was accepted playing with locals and even complimented and invited to join the local private club…a very high compliment.

Moving on to another dimension of creativity: telling tales of one’s travels through photos. Can you offer an example?

I like this photo of a green light moving on the calm ocean water at sunset…telling me to move ahead in a calm manner, while recognizing that so many aspects of life are circular in nature. It was taken in Lund, where we have a vacation rental home—we’ve been there quite frequently in recent years. It is an extremely peaceful, ruggedly beautiful, remote part of Canada that is relatively accessible from Vancouver.

And now for our interplanetary challenge: Can you envision taking your exploration of other modes of being beyond Planet Earth? How about a trip to Mars?

Only if I could take my family and friends. If I can’t take them along, I’d prefer to remain on earth, where I have more things to explore and share with the people who are special to me.

* * *

Congratulations, Paul! You have reached 13 points (hahaha) so may declare yourself the victor of our Expat Authors Game. I for one appreciated your jovial style in playing it, which I imagine you picked up from all those pétanque matches. Readers, are you ready to score Paul Shore’s performance on Part Two? How did he do with his literary references? And what about that animal of his: rather magnificent! And don’t you like that black-and-white photo of him up top, on the pétanque grounds of Saint-Paul? What’s more, as that photo of Lund suggests, his creative talents appear to extend to photography!

Finally please note: If you’ve given Paul Shore a high score on international creativity, we urge you to check out his author site. You can also follow him on Twitter.

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

Related posts:

Photo credits: Photo of Paul and the ocean supplied; all other photos from Pixabay.

EXPAT AUTHOR GAME: Paul Shore’s algorithm for “Uncorked: My year in Provence studying Pétanque, discovering Chagall, drinking Pastis, and mangling French” (1/2)


Hello, Displaced Nationers. When I introduced our Expat Author Game series last October, I had no idea it would take until June to play another round. I have no excuse except to say the Game of Life intervened.

In any event, I am thrilled we are picking up the series again this month and I can introduce you to the next player, Paul Shore. He recently published a memoir, Uncorked, about the year he spent living in southern France, in a quaint place called Saint-Paul de Vence.

Just how did he, a Canadian techie, end up landing in a medieval walled village in Provence, you may wonder? Back in the late 1990s, he was working for a start-up software company in Vancouver, and the founder asked if he would move to Nice to open their European sales and marketing office. He agreed. And being an adventuresome sort, with a “Why not try?” attitude, he eschewed the idea of living in an expat enclave, opting instead to be the rare outsider within a Provençal village.

When Paul readily agreed to play the Displaced Nation’s Expat Author Game, I was pleased and flattered…that is, until it dawned on me he has yet to encounter a game he wasn’t eager to play.

My goodness, he even learned how to play pétanque, an obscure (at least to me) form of boules (you’d think boules would be obscure enough!) while living in Saint-Paul. In fact, that’s one of the principle ways he “uncorked” traditional French culture—the other ways being working on his French, navigating a sporty car through roundabouts with the confidence of a Grand Prix driver, and drinking pastis at 9:00 a.m.

Pourquoi ne pas essayer? Time to roll the boule so to speak and see how he does…first, with the task of creating an algorithm for his book. Please note that while Paul may seem like the archetypal nice Canadian, he’s a fierce competitor. Pétanque is just one of many sports he has played to win. And, although he says he originally wrote his book for his kids, it recently hit #1 on Amazon in travel books about Provence!

If we like Uncorked, which movie/musical/play/TV series would we also like?

The film Under the Tuscan Sun, based on the memoir by Frances Mayes of that name, because it is also an evocative, heart-warming story based in Southern Europe. Although I wasn’t escaping a cheating spouse and I didn’t fix up a house, I did achieve a breakthrough into the traditions and culture associated with living in an ancient village in south Europe by learning how to play the game of pétanque. This adventure proved to be both humorous and life-changing.

What meal or dish would go well with reading your book?

Tarte Tatin (French upside down apple tart), a sweet, delicious, comfort food that I first ate in Saint-Paul in a small cafe that I came to frequent. As my book explains, not only did I indulge in this upside-down pastry while living in Saint-Paul, but as a result of living in this ancient village, I began to see that flipping the priorities of work-life balance more towards the “life” side of the ledger leads to a more fulfilling lifestyle and general level of happiness.

If your book had a signature cocktail, what would it be?

Given the subtitle of the book, that one’s easy: Pastis on ice.  It’s the go-to drink of the region and tastes refreshing on hot, humid summer days.  When the anise-flavored liquor mixes with the ice water, it becomes cloudy…much like I found the process of finding my way within local French culture.

Are there any special clothes/headgear/costumes/accessories we could wear to put us in the mood for reading your book?

You might think about donning a pair of open-toed leather sandals, especially as summer is now approaching. Sandals are popular footwear in Provence on hot summer days.

If we wanted to take a mini-trip to understand your story better, where would you recommend we travel and which one or two sights should we take in?

In Saint-Paul de Vence, you cannot miss Le Café de la Place. At the foot of the village ramparts, it has a terrace overlooking Place du Jeu de Boules. You can watch locals play pétanque and absorb the French culture all around you. The other must-see is Fondation Marguerite and Aimé Maeght. Here you can take in the French modernist works of displaced Russian-French artist Marc Chagall (he settled in St. Paul for the remainder of his life after returning from New York) and those of other famous local artists.

* * *

So, readers, tell us: Has Paul come up with a winning algorithm? Does the thought of slipping into a pair of open-toed leather sandals and sipping pastis on ice while watching a rousing game of pétanque make you want to buy Paul’s book? How about feasting on some freshly made tarte Tatin while recalling the joys of reading/watching Under the Tuscan Sun and/or contemplating Marc Chagall’s Saint-Paul years (most of his paintings from that period were vibrant odes to love)? If so, be sure to check out his author site. You can also follow him on Twitter. And be sure to tell us: do you want to see Paul move on in the Expat Author Game?

STAY TUNED for next week’s fab posts. Hm, but will they include Paul’s next test?

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

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Photo credits: Book cover (supplied); sandals from Pixabay; other photos from Flickr creative commons.

EXPAT AUTHOR GAME: What score does Lisa Morrow earn on the “international creative” scale? (2/2)


Readers, I’m happy to report that Lisa Morrow aced the algorithm test for her latest book, Waiting for the Tulips to Bloom: Adrift in Istanbul, and will therefore be advancing to the second half of the Expat Author Game.

For this second round, we’ll be looking to see how closely she measures up to the Displaced Nation’s (admittedly somewhat quirky) notion of an “international creative.”

On the face of it, Lisa most certainly qualifies as “international”. Originally from Australia, she nurtured a passion for Turkey for many years, to the point where she and her husband finally took the leap to become full-time expats in Istanbul (they live in Göztepe, on the Asian side—extra points, Lisa, for that!).

Likewise, I think it is fair to call her “creative”. In addition to her latest book, recounting the couple’s permanent move to Istanbul, she has produced two books of essays:

But let’s see how Lisa does with this series of challenges on less tangible, but equally important, indicators of international creativity. Is she truly, madly, deeply “displaced”?

Welcome back, Lisa, and now let’s get started. Many residents of the Displaced Nation have had a moment or two when they’ve felt like a character in Lewis Carroll’s Alice in Wonderland, myself included. How about you? Please illustrate, if possible, with quotes.

Sure, I welcome this new series of challenges. Here are my top two picks for Alice quotes, with explanations:

1) ALICE TO CHESHIRE CAT: “But I don’t want to go among mad people.” What is madness anyway? Some people might define it as packing up all your personal belongings and moving to the other side of the world where you don’t speak the language, share the religion or properly understand the culture. A lot of my family and friends certainly thought my move to Turkey was risky, but if I’d stayed put in suburbia, where I’ve never ever felt at home, I’d have slowly wilted under the burden of trying to conform and eventually drowned in a rule-bound, limited life, before succumbing most definitely to madness.

2) ALICE TO MOCK TURTLE & GRYPHON: “…it’s no use going back to yesterday, because I was a different person then.” I’ve met more people in six years living in Istanbul than I’ve met in the whole of the last twenty years. The majority of them have been Turkish, and as I worked through the cultural differences to develop close friendships with some, I’ve had to question who I am, how I relate to people, and what I want in all my relationships much more intensely than at any other time in my life. I did the same when I struck up friendships with foreigners. Such ties are equally fraught because you have to push past the tendency to think you have a common bond just because you all live in a particular country and aren’t natives of that country. Along the way, I’ve had some of my beliefs, in particular my tendency to think everyone is naturally generous and supportive, rather painfully disproved. That said, it’s been a positive experience overall because by being exposed to so many different people, beliefs, behaviours and lifestyles, I’m a very different person now than when I first came to Turkey, much more confident in my judgements of people—and that makes me happy. Nonetheless I’ll always be a work in progress. Feel free to ask me this question again in ten years’ time!

Moving on: According to George Elliot’s Maggie Tulliver, the best reason to leave her native village of St. Ogg’s would be to see other creatures like the elephant. What’s the most exotic animal you’ve observed in its native setting?

muffin-of-istanbulThat’s easy: Muffin the Street Cat. Part untamed domestic tabby, part savage cheetah, Muffin prowled our Istanbul neighbourhood in search of prey. Whenever I came back from doing the shopping he’d be waiting for me, drawn by the rustling of my plastic bags. Brought up never to feed wild animals, I’d fend off his ferocious claws before running for the front door. (That’s him in the photo: it’s as close as the beast ever allowed me to get. A very camera shy breed!) Even more spectacular than Muffin was his former pack mate Son of Satan, last seen struggling to get through the front gate after eating too much kibble. They breed them tough in Istanbul.

Last but not least on this series of literary challenges: We’re curious about whether you’ve had any Wizard of Oz moments when venturing across borders. Again, please use a quote or two.

For this challenge, there’s really only one quote I can use:

DOROTHY (WHILE CLICKING HEELS): “There is no place like home.” As well as being a writer I’ve worked as an ESL/EFL English teacher for many years and know how to teach the difference between the word ‘house’ and the word ‘home’. I teach that the former is a concrete structure of bricks and mortar and wood, while home is a conceptual idea of place and belonging. I can say that one gives solid, quantifiable shelter and protection, while the other gives, what? This is where I come unstuck because I have no meaningful comprehension of the idea of home. I can list what it’s not. It’s not my country of birth, it’s not the place where I spent my childhood, it’s not a house, apartment, flat or condo I’ve lived in. My furniture and belongings give me comfort but they aren’t home. Of all my possessions, my private library that packs up into 30 boxes and spans more than thirty years of my life, is the one thing I can’t imagine doing without. And yet I am still at home when my beloved books are in storage and I only have a poorly stocked public library for sustenance. I have to conclude that home—be it in me, a person or a place—is where I am most myself.

Moving on to another dimension of creativity: telling tales of one’s travels through photos. Can you offer a couple of examples?

My writing is fueled by the desire to examine the way tradition and modernity clash in Turkey, and meld to form something new. I’m also keen to dig behind the popular tourist images of mosques and beaches, to show the little everyday oddities that make Istanbul in particular such a fascinating place—like these goats I took a photo of in the Eminönü neighborhood:
goatsin-eminonu_lisamorrow

The photo below is from a street in Paris, which seemed unremarkable from the pavement but when I looked up I was rewarded by finding something extraordinary in the ordinary—another theme I explore in my writing.
parisstreetart_lisamorrow

And now for our interplanetary challenge: Can you envision taking your exploration of other modes of being beyond Planet Earth? How about a trip to Mars?

To answer this I’m going to borrow a line from Wendy Fox’s new novel The Pull of It, which is set in Turkey. She writes, “What kind of person doesn’t wonder about other people’s lives?”—and I have to say too many kinds of people. The two types that bother me most are those who run the world and don’t seem to care what others suffer, and those who write, vlog, tweet and Instagram their travels as lists of countries they’ve ‘done’, devoid of any reference to the actual inhabitants of whatever city or place they proclaim themselves expert. If ever our planet is left with just these two types of people—and no one is writing, thinking, exploring, documenting, experimenting, painting, and creating work based on wondering about other people’s lives—then I’ll go to Mars. My only caveat being that non-wonderers aren’t welcome.

* * *

Congratulations, Lisa! You have reached the end of the Expat Authors Game. I like the way you played it, not always giving us the obvious answers. Readers, it’s time to score Lisa Morrow’s performance on Part Two. How do you think she did with the three literary references? That was an interesting comment she made, about preferring the madness of Istanbul to the Sydney ‘burbs, and she even came out with her own non-definition of “home”! And what about that animal of hers, did you find it exotic enough? (Are we sure there aren’t any cats like Muffin in Sydney?) Still, that photo of the Istanbul goats more than makes up for it…!

Finally please note: If you’ve given Lisa Morrow a high score and her formula for international creativity appeals, we urge you to check out her author site. You can also follow her on Facebook (she adds photos, tips and vignettes about Istanbul and Turkey to the page nearly every day) and let’s not forget Twitter.

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

Related posts:

Photo credits: Photo of Lisa supplied; her comment: “Although I look happy in this photo taken in Bayonne, France, I don’t speak a word of French. It’s like being two years old and no one can understand you, but because you’re an adult you can’t throw a temper tantrum to get what you want.” All other photos from Pixabay.

EXPAT AUTHOR GAME: Lisa Morrow’s algorithm for “Waiting for the Tulips to Bloom: Adrift in Istanbul” (1/2)


This month I am delighted to welcome Lisa Morrow to the Displaced Nation as the very first guest in our new author interview series, which, in my inimitable style, I’ve devised as a kind of game expat authors can play.

I told Lisa that her first challenge would be to supply an algorithm for her latest book rather than leaving it up to Amazon: if we like Waiting for the Tulips to Bloom: Adrift in Istanbul, what would we also like?

Then, assuming she comes up with the goods, her next challenge would be to take the Displaced Nation’s “test” to measure how well she qualifies as an “international creative”—the results of which will be published in a second post.

It’s to Lisa’s everlasting credit that she was “game” to be the first to take on these considerable challenges. For those who haven’t read it yet, her most recent book, Waiting for Tulips to Bloom, tells the story of what prompted Lisa and her husband to pick up and move from their native Australia to Göztepe, on the Asian side of Istanbul, in 2010. Now, Lisa’s decision to move to Turkey was a long time in coming. She’d first developed a passion for the country and its people when living and working in London many years before. She’d visited Turkey for the first time as a tourist and somehow found her way to Göreme, a town in Cappadocia (central Turkey), where she’d ended up staying for three months. That first stay marked the start of a period of traveling back and forth between Sydney and Istanbul, living between both places, culminating in the “permanent” move almost seven years ago.

Given Lisa’s long exposure to Turkey, the transition to full-time expat life in Istanbul wasn’t as smooth as expected, and her new book recounts both the “drama and the joy involved,” to use Lisa’s words.

And now let’s roll out Lisa’s algorithm, beginning with…

algorithm_entertainment

If we like Waiting for the Tulips to Bloom, which movie/musical/play/TV series would we also like?

One film that closely mirrors some of the major themes in my book is The Dressmaker, based on the novel by Rosalie Ham, directed by Jocelyn Moorhouse and starring Kate Winslet. After making herself into everything her mother wasn’t and escaping the stifling norms of Australian society, Tilly Dunnage (Kate) returns to her hometown. Once there she’s tested by living in a community bound by strict rules governing social intercourse and an unquestioned social hierarchy. Although The Dressmaker is set in Australia, with a main character who’s a native speaker born into the culture, Tilly is as displaced in the fictional town of Dungatar as I have often been in the real world of Turkey. Though a long ways away from 1950s small-town Australia, Turkey is equally rigid about social interactions and power structures. To live here I’ve had to get a handle on them or risk forever being ostracised. However, in order to be comfortable in both my new home and myself, I’ve had to learn to what I’m capable of, and what principles I’m not prepared to relinquish. I’ve also had to be flexible enough to incorporate different ways of seeing and living into my own perspective and daily practices. In both The Dressmaker and my book Waiting for the Tulips to Bloom: Adrift in Istanbul, belonging, and feeling happy as a result, isn’t predicated on living in your place of birth. It’s about understanding that being displaced is a point of reference from which to start living, regardless of where you find yourself, and not a condition to be cured.

What meal or dish would go well with reading your book?

The dish that would go best with reading my book is Çerkez Tavuğu, or Circassian Chicken as it’s known in English. This dish doesn’t require infinite culinary skill, just a lot of time and patience to prepare it. What results is a cultural and historical delight harking back to the complexity of Turkey’s multicultural past. It reflects my experience of coming to live in Turkey, where I learnt that what I thought was important to know wasn’t helpful, and only by being patient would I ever get what I wanted. I particularly like the inclusion of walnuts in the sauce because they’re a symbol of strength and power. I’ve come to realise I have a lot more of both than I ever knew.

The recipe is quite long so here is a link to the website that gives the closest version of the one I cook. Naturally I make it using a whole chicken because if I’m going to this much trouble, I want to share the results with all my friends. I also add bay leaves to the chicken when I cook it, and freeze any leftover stock to use in soups and casseroles later on. (You never know when you’ll need it!)

drink-algorithm

If your book had a signature cocktail, what would it be?

It would have to be a champagne cocktail. According to the International Bar Association:

“A champagne cocktail is an alcoholic drink made with sugar, Angostura bitters, champagne, brandy and a maraschino cherry as a garnish.”

I prefer mine with just a sugar cube at the bottom of a chilled champagne flute, two or three drops Angostura Bitters or cognac when available and then filled to the top with brut champagne. It’s the perfect signature drink for my book because like the champagne cocktail, Turkish culture, although bound by regulations, is extremely versatile and adaptable. Few people actually follow the rules and when things go wrong, which they often do, they’re very good at finding alternative ways of doing things. As a person prone to getting hung up on details and subsequently unable to creatively problem-solve, living in Istanbul and constantly having to re-negotiate ways of being stops me falling back into old habits.

fashion-algorithm

Are there any special clothes/headgear/costumes/accessories we could wear to put us in the mood for reading your book?

Definitely a scarf. Not because I live in a predominantly Muslim country, although I do cover my head to show respect when I enter a mosque, but because I’m never without one. For the early chapters of my book a light cotton number in strong summer colours will put you in the mood for my optimism and enthusiasm as I pounded the pavements in Istanbul in search of a new home. As autumn sets in and things start to go pear-shaped, you’ll need something with a bit of body to wind around your neck and shoulders to give comfort when none is on offer. Winter brings biting cold and overwhelming stress, so wrap up tight in a shawl that covers the outfit you’re likely to wear day after day as you battle your fears and doubts. Spring passes in a minute so when summer comes around again choose something to wrap around your hips. Make sure it’s sewn with coins, so you jingle with delight when you join me as I dance for joy.

travel-algorithm

If we wanted to take a mini-trip to understand your story better, where would you recommend we travel and which one or two sights should we take in?

It would have to be to Istanbul, because it’s a city without substitute. Come on a Friday and head straight to Kadıköy, on the Asian side of the city. It’s a place to experience rather than see, so plunge straight into the crisscross of streets and make your way through the crowds of Friday shoppers, skirt the overflow of devout congregants praying on rugs rolled out onto the sidewalks, take in the scents, sight and sounds of Fish Street, and eat spicy lahmacun with parsley and lemon at Borsam. You’ll see plenty you want to photograph but first just stop, look and feel the energy swirling around you. Living in a city with so many people can be overwhelming, so I always try to balance the mania with more peaceful days out along the shores of the Bosphorus. Two of my favourite neighbourhoods are Kuruçeşme and Arnavutköy, because they offer a glimpse into Turkey’s multicultural past under Ottoman rule. You can find out more about these neighbourhoods in the Discover Istanbul section of my blog, Inside Out Istanbul, and from my book of travel essays with that title, recently updated.

* * *

So, readers, tell us: Has Lisa come up with a winning algorithm? Does the thought of wearing a jingly scarf, sipping a champagne cocktail and feasting on Circassian Chicken, watching Aussie flicks, and traveling to the Asian side of Istanbul (at least from your armchair!) make you want to buy Lisa’s book? At the very least, does it make you want to keep in touch with Lisa and her adventures? If so, be sure to check out her author site You can also follow her on Facebook (she adds photos, tips and vignettes about Istanbul and Turkey to the page nearly every day) and let’s not forget Twitter. And please leave any questions for Lisa in the comments.

STAY TUNED for next week’s fab posts. Will they include Lisa’s next test? (You tell us: do you want to see her move on in the Expat Author Game?)

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

Related posts:

  • LOCATION, LOCUTION: An expat life in Istanbul frees Oliver Tidy to write crime novels set in places he knows well (and Turkey, too!)
  • Ten years after “Expat Harem,” foreign women will have another say on expat life in Turkey
  • BOOK REVIEW: “Perking the Pansies — Jack and Liam move to Turkey,” by Jack Scott
  • Photo credits: All photos from Pixabay; book cover (supplied).

    TCK TALENT: Rahul Gandotra, Oscar-shortlisted filmmaker

    Rahul Gandotra CollageElizabeth (Lisa) Liang is back with her column featuring interviews with Adult Third Culture Kids (ATCKs) who work in creative fields. Lisa herself is a prime example. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she has developed her own one-woman show about growing up as a TCK, which receives rave reviews wherever it goes.

    —ML Awanohara

    Hello again, dear readers. Today’s interviewee is filmmaker Rahul Gandotra, whose short film, The Road Home, has played in over 60 festivals around the world and won over 20 awards, including the Student Film Academy Award and British Independent Film Award, and was shortlisted for the 2012 Oscar nominations.

    The film beautifully depicts a Third Culture Kid story; it also catapulted Rahul into the shortlist of up-and-coming filmmakers.

    RoadHome_posterHere is the film synopsis:

    Growing up in England, ten-year old Pico never wanted to go to boarding school in the Himalayas, and despite the beauty there, he struggles to fit in. When he’s bullied for insisting he’s British in spite of his Indian heritage, he runs away, determined to return to his home in London. As he journeys through a country foreign to him, Pico encounters others who mistake him for an Indian boy, forcing him to face the painful truth that the world does not see him the way he sees himself.

    * * *

    Welcome to The Displaced Nation, Rahul. I understand that you were born in Belfast, Northern Ireland, and grew up in eight countries across Europe, the Middle East, Asia, and the Americas. Why did your family move so much, and to which countries?
    A lot of my moving around happened because of my father’s job—he was a doctor looking for new opportunities in different parts of the world. While it gets complicated with all the cities I’ve lived in, the general overview is: after being born in Belfast, I spent the first six years of my life in all four parts of the UK (England, Northern Ireland, Scotland, Wales). Then we moved to Saudi Arabia, where I spent three years before attending a boarding school in the Himalayas (in Northern India) for seven years.

    How about college and beyond?
    I received my undergraduate degree in the United States, where I lived for eleven years. After that I was in the Czech Republic for one year. Since moving to London for my graduate degree, I’ve been in England for the last ten years.

    “If you want to see the Himalayas, they’re that way.” —Pico to a British couple touring India

    Were you happiest in a certain place at a certain time, and if so, why?
    Tough question. My happiest memories stem from when I was living in Saudi Arabia from age 6 to 9. Perhaps it was because I was a child? Perhaps it was because I was still with my parents (my mum was a homemaker) before I went to the boarding school in the Himalayas?

    I just remember having happy memories in Saudi Arabia. I think my time at my boarding school was also quite enjoyable after I adjusted to life there.

    Come to think about it, I’ve had good memories in places where there was a TCK-like / international environment. The more monocultural the environment was, the less I enjoyed the place.

    What led you to become a filmmaker, and did it have anything to do with your peripatetic upbringing?
    I don’t know if my moving around pushed me into filmmaking. I think the moving around has given me many gifts that I use in filmmaking. The ability to see things from different points of view, for example, helps me in seeing an actor’s point of view—especially when it’s different from mine.

    Looking back, I learned a lot of my storytelling from my mother with all the stories she told me. I guess the patterns and rhythms of storytelling just seeped into me, as she recounted one story after the other!

    At what point did you pick up the technical skills that turned you into a filmmaker?
    That came from a combination of “doing it myself,” formal education, and a lot of reading!

    “But I don’t feel Indian inside!” —Pico to an Indian taxi driver

    Have you found that “your people” tend to be other Adult TCKs in creative fields or does it really depend on the individual and what s/he evokes in you, whether it’s a resonance that’s artistic or political or personality-related or life-experience related, etc.?
    I seem to gravitate to people who are either TCKs or people who have done a significant amount of traveling. They don’t necessarily have to be in the creative fields though.

    Congratulations on all the accolades your short film, The Road Home, has won! What inspired you to tell this story?
    The plot was a fiction but the themes were autobiographical in nature. The idea of looking like you belong to a particular region because of your skin colour but feeling inside that you belong somewhere else is something that I wanted to illuminate in the short film.

    Here is the trailer:

    And if your readers would like to watch The Road Home, they may do so here.

    I understand you are now making a feature-length version of The Road Home. Where are you in the pre-production phase?  
    I’m in the financing stage where I’m hoping all the investments will be in place so I can shoot the feature film soon. (If there are any interested investors, please do contact me!)

    “Why not speaking Hindi, huh? Important your knowing your mother tongue.” —Taxi driver to Pico

    Are you working on other projects?
    My screenwriting partner and I have been writing other screenplays but those are bigger in scope, and we’ll present those to the world when I’ve completed my first feature.

    You’ve been directing commercials. Where are they airing and can we see them online?
    I’ve just started directing commercials. Some of them have aired in the UK, while others have aired in India. The funny thing is that the commercial that was shot in the UK aired in India. And the commercial shot in India aired only in the UK! Here is one that was shot in India, for Rajah’s garam masala:


    You can see more here.

    Congratulations again, Rahul, on the success of The Road Home, all of the commercial work you’ve been doing, and the screenplays you’ve been writing. You’re a true “ATCK creative” and we’re hereby nominating you as Best Up-and-Coming Director for our Displaced Oscars!

    Readers, please leave questions or comments for Rahul below.

    STAY TUNED for next week’s fab posts!

    If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, and so much more! Register for The Displaced Dispatch by clicking here!

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    LOCATION, LOCUTION: Kiwi-Brit author team produce first in eco-thriller series spanning continents where they’ve lived

    JJ LN Collage

    Columnist JJ Marsh (left) talks to Lambert Nagle, Kiwi/Brit co-writers of international thrillers.

    Today we welcome JJ Marsh back to the Displaced Nation for this month’s “Location, Locution.” If you are new to the site, JJ, who is a crime series writer (see her bio below), talks to fellow fiction writers about their methods for portraying place in their works. We’re excited that her guest today is the better half of a husband-wife team who have composed an eco-thriller that takes place all over the world, including places where they’ve been expats.

    —ML Awanohara

    Lambert Nagle is the pen name of co-authors Alison Ripley Cubitt and Sean Cubitt. They write thrillers set in sunny climes.

    Sean’s day job is Professor of Film and Television, Goldsmiths, University of London. He has been published by leading academic publishers.

    Alison worked in TV and film production for companies including the BBC and Walt Disney but her passion has always been for writing. She is an author, screenwriter and novelist.

    Serial expats, Lambert Nagle have lived in Malaysia, Canada, New Zealand, Australia and are now based in leafy Hampshire.

    Now let’s find out how they perceived the connection between location and locution for their debut novel, Revolution Earth. (Alison is answering for the pair.)

    * * *

    Which comes first, story or location?

    We knew that Revolution Earth had to have a circular structure as one of the themes is that an event in one part of the world will have an impact in another. We needed a major global city for the inciting incident as well as the conclusion and we chose the one we know best—London. Sean was once a bicycle courier and he knew what it was like to have to dodge potholes and taxis in Soho and still get the delivery there on time.

    We wrote the New Zealand section after we’d reluctantly left my native land and moved to Melbourne. It was a bit of a love letter to a place we adored but needed to leave in order to pursue professional opportunities abroad. In southeast Australia we were thrilled to find that there was an oil refinery—identical to one we had driven past in Cheshire years ago, which inspired the story.

    What’s your technique for evoking the atmosphere of a place?

    For the Antarctica portion of the story, Sean had spent four years in Canada as a post-graduate student. The memory of cold is something that never leaves you, so we drew on that, starting from the physical experience and expanding out into the visual side of things.

    Photo credits (clockwise from top left): Kakadu in the Australian outback, by Muireann Ní Cheallacháin via Flickr; book cover with photo of Snowy Mountain region of New South Wales, Australia, taken by Alison Ripley Cubitt; lady bicyclist in London, by Danica via Flickr; Alberta, Canada, by davebloggs007 via Flickr (all Flickr photos CC BY 2.0).

    How well do you need to know the place before using it as a setting?

    Revolution Earth was originally a screenplay. As a screenwriter you have to know a place extremely well before you’d dare use it as a setting. Film is a literal medium and your job is to give very clear instructions about an actual place—as a camera has to be able to film the location exactly as you’ve described it. So we went to extremes: including a trip to a uranium mine in the Outback, thousands of miles from where we lived in Australia.

    Eventually we realised we needed to write a novel first, before we could interest film-makers. But by then, we knew we couldn’t get to every location and would have to inhabit some places purely through imagination. The important thing is that the imagined places have to be just as detailed, just as carefully tuned to the physical experience of being there, as the real ones. Something really familiar like a dusty, disorganised office in a backstreet in the East End of London should be as deeply felt as battling a storm in a leaky boat in the Southern Ocean encircling Antarctica. As someone who goes green at the mention of the phrase “rough seas,” this is where the imagination comes in as well.

    The liberation of cresting the top of a hill on a bicycle before swooping down towards the valley is the same everywhere, but knowing the twists of the road, the steepness of it, how it burns up your lungs before filling them with joy, is all the richer if you can take your reader into what is special about this road, this time of year, for this character.

    Which particular features create a sense of location: landscape, culture, food?

    Whether it’s real or imagined, a place comes as a feeling first. Then you identify the elements of that feeling: what can you hear, smell, see, taste. How do people talk? Hot, cold, windy or still? What plants and animals, how personal or impersonal, what sense of the past, ancient or recent, does it communicate and what are the things that carry that sense—things like the absence of birdsong or the sound of a kettle boiling. Sometimes you reach out to the reader to share an experience, but sometimes you have to lead them into an experience they have never had, and then it’s often the emotion of the characters and scene that drive the description rather than its physical elements.

    Can you give an example from Revolution Earth that illustrates place?

    Great mountains of blue-white floating in a sea caught between the colour of the sky and the fresh green of young pine forests under mid-summer sun. Between them, smaller floes drifted about aimlessly, as though in some kind of trance. On the horizon she saw, thanks to Novak, a steep rise of endless white cliffs. This must be where the glaciers came down to the sea, where the icebergs calved. It was as alien a place as she had ever seen, more alien even than a science fiction film because it was right there, illuminated for her in the startling clarity of dazzling sunshine.

    Which writers do you admire for the way they use location?

    For Sean, Dickens immediately comes to mind: hardly a scene goes by that isn’t redolent of a life lived in it—stuffy banqueting rooms, Essex marshes, debtors’ prison… I admire Tim Winton who writes about his home state of Western Australia in such a way that I just want to jump on a plane and go there. He’s as comfortable describing what life’s like for the struggling poor living in beachside shacks as he is showing the reader what the inside of a wave looks like from a surfer’s point-of-view.

    * * *

    Readers, if this interview has piqued your curiosity about Lambert Nagle and the Cubitts, we encourage you to visit their author site.

    JJ Marsh grew up in Wales, Africa and the Middle East, where her curiosity for culture took root and triggered an urge to write. After living in Hong Kong, Nigeria, Dubai, Portugal and France, JJ finally settled in Switzerland, where she is currently halfway through her European crime series, set in compelling locations all over the continent and featuring detective inspector Beatrice Stubbs.

    STAY TUNED for next month’s Location, Locution, with Carl Plummer, who lives in China and writes comic thrillers as Robert E. Towsie.

    If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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    TCK TALENT: Alaine Handa’s fringe fest dance performance immortalized on the big screen

    One year later (August 2014), Alaine Handa finds herself dancing in Spain. (Photo credit: Alaine Handa)

    One year after her Edinburgh Fringe adventure, Alaine Handa finds herself in the land of flamenco: Valencia, Spain to be precise. (Photo credit: Eveline Chang, July 2014)

    Elizabeth (Lisa) Liang started up this column in summer 2013 with a two-part conversation with today’s guest, fellow TCK performing artist Alaine Handa. By the end, I for one had come to believe in the truth of Martha Graham’s assertion: “The body says what words cannot.”

    —ML Awanohara

    Welcome back, readers! It’s a pleasure to have choreographer/dancer and adult third culture kid Alaine Handa back with us at the Displaced Nation. As ML says, Alaine was my very first interviewee when this column made its debut last year.

    I am circling back to Alaine to see what happened with her dance performance at the Edinburgh Fringe and also because, rumor has it, one of the performers has made a short documentary about this artistic adventure.

    Dance and film: that’s quite a pas de deux!

    * * *

    Welcome back, Alaine! When we spoke to you last year you were about to premiere your newest show, Habitat, at the Edinburgh Festival Fringe. The piece “shows how different people from different backgrounds change the way they behave around others and when they are alone.” How was it received at the fest?
    The Fringe is the largest arts festival in the world, so we worked very hard to get the word out about our production. We blasted out press releases, distributed physical flyers everywhere (and befriended some local shopkeepers!), and performed excerpts at the venue. All of these promotional efforts starting paying off in audience numbers as the festival progressed. The feedback from audience members was mostly positive—the stories portrayed on stage were relatable. Our negative feedback was that the performance should be longer! I guess that isn’t really a bad thing: to have the audience wanting to see more.

    As I recall, the members of your multicultural ensemble lived in different countries during rehearsals, so you relied on Skype, YouTube, and email a lot. What was it like to finally rehearse and perform the piece together at Edinburgh?
    I rented a studio from Dance Base in Edinburgh a week before we opened for intensive rehearsals. We also lived together for the duration of the festival run so got more comfortable with each other. The rehearsal process through the 2-D medium of video was frustrating, to be quite honest. The time difference of 12 hours between New York and Singapore meant that feedback via email would be received hours later. The rare moments when we Skyped during rehearsal, we would run into problems with connectivity. I rehearsed weekly with another dancer based in Singapore and videotaped everything to send to the other dancers in New York. By the time we came together physically, it was a dream come true but also a whirlwind. We had to fit together all the puzzle pieces and find the missing links. It proved a bit of a challenge.

    One of your dancers, Laura Lamp, is also a filmmaker who made a documentary short, Dreaming to Escape, about taking Habitat to Edinburgh while also exploring your philosophical and aesthetic approach to dance. Please tell us what it was like to be the subject of a documentary when you were in the middle of premiering a new work.
    Laura partnered with Kevin Tadge, who runs the film company Nesby Darbfield, to make the film. They shot a lot of their material on stage, backstage, in rehearsal, at warm-ups before the performances, during dinners, in taped interviews, and everything in between. I was a bit self-conscious at first, but after a while, I just learnt to ignore the camera like a reality TV star! Upon seeing the short, I realized I should’ve cared a bit more about my appearance during rehearsals!

    Where is Dreaming to Escape being screened?
    Here’s what Laura reports:

    “We hope to take it to documentary and dance film festivals around the world. It would be great if it screens at the Singapore Film Festival later this year. We’ve really only begun to send it out… It’s a bit of a slow process, but we’re excited to share it with everyone.”

    Alaine, I understand you have relocated back to Singapore, where you were born and spent your adolescence. What has been the best part, the worst part, and the biggest surprise about living in Singapore again?
    Reverse culture shock has been hitting me hard, living back in Southeast Asia. It’s been a little over two years now and I still go through culture shock every single day I am here. Singapore has changed so much in the 2000s. I barely recognized the country when I returned. The biggest surprise is how expensive it’s gotten to live here. The cost of living has gone up tremendously!

    I know one of the things you’ve been doing in Singapore is teaching dance. Please tell us where prospective students can find your classes.
    Yes, I’ve been teaching at multiple locations around the island. The best way to learn more is to join my mailing list by sending me an email at ahdancecompany@gmail.com and/or join my Facebook group.

    Thanks, Alaine! Readers, here is a tiny taste of what you might see in Laura Lamp’s short documentary, the trailer created last year for Habitat:

    Questions or comments for Alaine? Be sure to leave them in the comments section!

    STAY TUNED for Thursday’s fab post.

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