The Displaced Nation

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Tag Archives: fantasy writers

Thanksgiving, the ultimate holiday of the displaced—and still going strong

The Displaced Nation feels a special kinship to Thanksgiving. It strikes us as being, when all is said and done, the holiday of the displaced.

Quite a lot is being said about Thanksgiving these days. But before we get into that (actually, we may not have much time to get into it), let’s quickly review what we know to be true about the holiday’s origins:

  • The Pilgrims sailed to North America from Plymouth, England, on the Mayflower in 1620, disembarking at what is now known as Plymouth, Massachusetts.
  • A year later, in 1621, they celebrated a successful harvest with a three-day gathering that was attended by members of the Wampanoag tribe.

What we haven’t been able to establish, however, is how both Native Americans and settlers came to be at the same feast. Did the Pilgrims invite the Wambanoah out of gratitude for their assistance in planting corn and showing them where to fish? We simply don’t know. What we do know, of course, is that the Native Americans were eventually displaced from their lands.

It is hardly surprising, then, that some now see Thanksgiving as a story of a displaced people thanking the about-to-be displaced natives.

Hmmm… Does that story make the United States the closest thing the world has to a Displaced Nation?

But I digress. Returning to the topic at hand: no matter how you slice or dice it (hm, an appropriate Thanksgiving metaphor?), Thanksgiving remains a tradition of a shared harvest feast, one that started up in North America (yes, the Canadians celebrate it, too) around four centuries ago and is still going strong today. In fact, many of us continue to add layers of displacement to our Thanksgiving meals, as the following round-up of food-oriented posts will attest.

No longer exclusively a North American holiday

As Fodor’s Travel points out in a recent post, you can now have your turkey (with all the trimmings) in…Turkey! Also in France, Argentina, Australia, China…

Of the menus described in the Fodors post, I would pick the one offered by the Restaurant at Brown’s, in London. Admittedly, I’m biased because of having lived in England for quite a few years (my first displacement). How I wish I’d been able to have Thanksgiving in a restaurant then!

England may not be known for its food, but something the English do superbly well are desserts, aka puddings. And for dessert on its special Thanksgiving menu, Restaurant at Brown’s offers pumpkin and Peruvian gold chocolate pie. Sounds scrummy.

Something else the Brits do well are vegetarian dishes. Now I’m not a vegetarian, but I almost became one during my expat years because Brits are so creative with veggies.

Were I to indulge in the Thanksgiving meal at the Restaurant at Brown’s, I might be tempted to order the Montgomery’s cheddar pie instead of turkey. One reason is that I’m not a great fan of roast turkey. Another is that I’m tempted to eat cheddar any time I’m in the Birthplace of Cheddar Cheese, it being one of my all-time favorites (apologies to France).

The traditional menu keeps being tweaked

But we don’t have to travel all the way across the pond, let alone to China or Australia, to find updates on the traditional Thanksgiving menu. New immigrants to the United States are constantly re-interpreting traditional Thanksgiving ingredients—I have to assume because many of them, like me, are not great fans of roast turkey.

Take, for example, food blogger Eugenia George, a Salvadorian married to an American and living in Southern California. “No one else does turkey like we do,” she declares in her post Salvadorian Holiday Turkey. She uses her mother’s recipe, which involves roasting and then braising the turkey in a tomato-based sauce that’s packed with flavor and spices. “Dry turkey? Nope. Not this one,” she writes.” It’s juicy, succulent, and the meat just falls off the bones.”

Another good example is scifi and fantasy writer Brenda Clough, the daughter of a Chinese immigrant to the United States and a Third Culture Kid (she spent much of her childhood overseas). Like George, she credits her mother with making Thanksgiving more delicious. She says her mother figured out how to make the Thanksgiving turkey Chinese by stuffing it with sweet, glutinous Japanese short-grain rice that had been combined with shiitake mushrooms, dried shrimp, onion, celery, water chestnuts and dried Chinese sausage. Even though the family is now spread across the country, Clough, who lives in the D.C. area, says that every one of their Thanksgiving tables will feature some version of this sticky-rice stuffing (recipe here).

It is frequently said that the best part of Thanksgiving is the leftovers—and for those of us who’ve lived or traveled abroad for significant periods, the morning after Thanksgiving has become an occasion to innovate. Not your plain old turkey sandwiches for us!

Some years ago on the Displaced Nation, I reported I’d created a dish for turkey leftovers: chirashi-turkey-zushi, inspired by my second displacement (in Tokyo). Basically you substitute turkey pieces for the raw fish.

This year I noticed that Stephanie of i am a food blog provides a recipe for turkey curry udon, which, in addition to providing a quick and satisfying way to use turkey leftovers is also “guaranteed to take you straight into the streets of Tokyo, at least in your mind,” she writes.

The story itself keeps getting rewritten

Just as fairy tales need updating for a new generation, so too does the Thanksgiving story.

New York-based writer Robert Sullivan recently produced a piece for Vogue on a group of six indigenous chefs, members of tribes from around North America. They met together in New York for the first time during Thanksgiving week to launch a new indigenous activist group, called the I-Collective, a kind of platform to showcase Native American food. On Thanksgiving evening itself, they hosted a dinner with some of their dishes. In effect, Sullivan says, they were rewriting Thanksgiving history.

They weren’t the only professional cooks doing something creative. Chef José Andrés, a displaced Spaniard (he recently became an American citizen), spent the weeks before Thanksgiving mobilizing a massive team of chefs and volunteers in Puerto Rico to produce 30,000+ Thanksgiving meals—”what may be the island’s biggest-ever Thanksgiving dinner”—for those displaced by Hurricane Maria.

Thanksgiving, after all, should belong to the chefs—and the fact that some of them are joining the national conversation about the meaning of this holiday of the displaced, bodes well for its future. While there will always be those of us—for instance, the Vietnamese American novelist Viet Thanh Nguyen—with misgivings about celebrating displacement, maybe the best, the only(?) solution is simply to make the party bigger?

ML Awanohara, one of the Displaced Nation’s founders and its current editor, often composes pieces of this kind for the biweekly Displaced Dispatch. In fact she will be doing something on a related theme for the upcoming issue. Why not subscribe and brighten up your global creative life every couple of weeks?

Photo credit: Thanksgiving postcard via Pixabay.

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DIARY OF AN EXPAT WRITER: A summer of unwinding, recharging & charging ahead

Diary of an Expat Writer
American expat in Hong Kong Shannon Young has been updating us on her quest to become a full-time writer since her first post in October 2014, nearly three years ago. As her summer 2017 update shows, she’s come a very long way!

Dear Displaced Diary,

It’s a bright, sunny day in Hong Kong, and summer is in full swing. This is the time of year when even the tourists are hesitant to go out and brave the muggy weather here in the sub-tropics. I’m already back at work in my usual Starbucks after my own summer travels.

Since my last update in the spring, I’ve been busy finishing the fifth and final book in my young adult fantasy adventure series, Steel & Fire. Night of Flame launched on May 20th, wrapping up my second major series under my Jordan Rivet pen name. (The first is the Seabound trilogy.)

I think it’s safe to say that the Jordan Rivet name is here to stay.

The end of May also marked the first full year in which my writing income matched or exceeded what I earned in my previous day job.

It seemed like a good time to go on holiday!

JUNE: Something of a writing break

In June, I spent four weeks with my family in Arizona. My fellow members of the Displaced Nation know what this entails: catching up on a year’s worth of quality time, eating at all your favorite places, and noticing all your home country’s idiosyncrasies.

One thing that always surprises me when I go home is the sheer number of choices in the grocery stores. You can buy anything you want in Hong Kong, but in the United States there seem to be infinite variations of each thing. (For example: I counted eleven different types of M&Ms in a single convenience store.) I also notice how much strangers make small talk. There’s usually an adjustment period where I stare blankly at cashiers who ask about my day. I can no longer tell how much people actually want to know when they strike up a conversation.

Since I’d just wrapped up my fantasy series, I decided not to set any serious writing goals for this summer. I made a few final edits to the side project I wrote while working on Night of Flame. This book, a post-apocalyptic story in a different vein than my Seabound series, is my tenth Jordan Rivet novel, and I think it’s the best yet. I’m currently exploring the possibility of going hybrid with it (i.e., finding a traditional publisher for some books while continuing to self-publish others). I’ll keep you posted on how it goes, Diary.

Of course, I can’t stay away from writing completely. My mom and my 15-year-old sister both enjoy writing, and we had a few great work sessions at cafés around Arizona. I even got to read the first chapter of my sister’s novel-in-progress (it’s awesome). Being an expat means it’s especially noticeable when younger family members grow up in leaps and bounds while you’re away. I’m coming up on my seven-year anniversary in Hong Kong, and it’s nice that my youngest sister and I have started connecting over this shared passion.

During those sessions with my family, I worked on the worldbuilding and outlines for my shiny new fantasy series. This trilogy will be set in a different world than my Steel & Fire series, which means I get to invent a new magic system and figure out new hierarchies and political systems.

My goal for this series is to appeal to the same readers who enjoyed Steel & Fire while also being able to try all kinds of different things. The books will follow a single point-of-view character, and I’m going for a tight, tense plot rather than something sweeping and epic.

I ended up outlining all three books for the new trilogy while I was in Arizona, though I’m sure the details will change as I get into it.

JULY: Indie author reunion in London & a week in Iceland

From Arizona I flew to London to meet up with my husband, who was finishing up a business trip. While there, I met with a group of indie authors who have been a huge part of my writing life over the past two years. We are all members of the same Facebook group, and these writers have taught me many of the strategies that have contributed to my self-publishing success.

Though nervous about meeting Internet friends in real life, I found it even better than expected. The author life can be lonely, and it’s good to talk shop with people who are building their careers in the same way I am. All of us are trying to figure things out, often through trial and error. It’s been wonderful to share the journey.

From London, my husband and I flew to Iceland for a week-long trip we’d been talking about taking since we met, almost ten years ago. I know it’s a trendy place to visit right now—and it completely lives up to the hype!

Iceland also proved the perfect place to visit while the worldbuilding for my new series was kicking around in my head. Many of the places in that world aren’t set in stone yet, and I ended up adding a bit of Icelandic flavor to my mental images.

END-JULY TO AUGUST: Glad to be back in the writing saddle!

By the time I returned to Hong Kong, I was chomping at the bit to get started on the new series. After a day to recover from jet lag, I hit the ground running on the first book. After thinking about it all summer I had a pretty clear idea of how it was going to turn out. Of course, there are always surprises in the writing process, and this book was no exception.

Though the beginning went slower than anticipated as I got to know the new characters and started filling out their world, I finished the rough draft in just under three weeks. As always, I’m sure it’s going to need a lot more work. Coming in at less than 60,000 words, I think it’s missing a few chapters that will help bring the world to life.

I’ve printed out the draft, and it’s burning a hole in my bag right now, just waiting for me to open it up and start reading.

Even though summer is not yet officially over, I’m happy to be back to work. It’s always nice to get out of Hong Kong, but it’s good to be home, too.

I first started writing when I moved to Hong Kong, and this is still where I do it best. In a few weeks, I will be able to apply for permanent residency, another step along the road to establishing a lasting place for myself here.

I think I’ll always feel like an expat, a little displaced, a little homesick. But the baristas at my Starbucks seem happy to see me, and for now at least, this is home.

As always, Displaced Diary, thank you for listening.

Yours,

Shannon Young
AKA Jordan Rivet
www.shannonyoungwriter.com
www.jordanrivet.com

* * *

Shannon, I can still remember clearly when you started this column. You weren’t at all sure you could make this full-time writing gig work. And now look at where you are. Amazing! And you’re even applying to become a permanent full-time resident of Hong Kong? Wow! The displaced writer’s life clearly suits you. Keep on keeping on, that’s all I can say! ~ML

STAY TUNED for next week’s fab posts!

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Photo credits:
Author photo and book covers supplied.
Strawberry peanut butter M&Ms?! What?! by Heather via Flickr (CC BY 2.0).
Iceland photo via Pixabay.

DIARY OF AN EXPAT WRITER: How to generate more writing ideas than you can handle (expats, you have an advantage!)

Diary of an Expat Writer
It’s been much too long since we’ve heard from Shannon Young, an American expat in Hong Kong who recently achieved her dream of becoming a full-time writerThose who have been following her diary from the beginning won’t be surprised to learn that she’s been extremely productive in the interim. About to finish her five-book fantasy adventure series and begin the next, she shares some proven methods of generating story ideas.

Dear Displaced Diary,

Forgive me for letting so much time pass since my last entry. As you can probably guess from my previous entries, I’ve been busy! Nearly a year ago—on April 1, 2016—I published the first book, Duel of Fire, in my second fantasy series, called Steel and Fire. It’s a five-book series, whereas my first series, Seabound. was a trilogy. As the title suggests, I’ve been writing an adventure series; the Seabound books are dystopian fantasy. Also, from the start, the Steel and Fire novels have done much better than my first set, which I hope can be taken as a measure of my success as a budding writer.

The last time I wrote you, I was about to finish Book Three in Steel and Fire. I’d also set myself the goal of launching Book Four by the end of 2016: achieved! Then in January I wrote the rough draft of the fifth and final Steel and Fire novel.

As I wrap up this series and gear up for the next, I thought it might be an opportune moment to tell you about how I get my writing ideas—something we haven’t really gone over before.

Here are my four main techniques for generating story lines:

1) Draw on life experience to build a new world.

As a science fiction and fantasy author, I am challenged over and over again to build a world that is different to everyday reality.

Expats like you and me have a serious advantage. We have literally transplanted ourselves into a new world already. Viewing people, customs, vocabulary, clothing, and architecture as a newcomer or outsider already puts us in the mindset for developing a compelling world for our stories.

The more you work with a world, the more you can push the boundaries beyond what you already know about it. It’s not so much creating a world as it is excavating one—an idea I lifted directly from Stephen King’s On Writing. As King says, it’s easier to expand upon and discover ideas than to think them up cold. Build outward from an initial concept, and the ideas almost write themselves.

In my dystopian Seabound series, for example, I chose a post-apocalyptic ocean setting and developed my ideas from there. I gave the characters entire vocabularies that revolve around nautical terms. All of my similes had to be relatable for people who have lived on the ocean for sixteen years. “Salt” and “rust” became swear words. I created an oil rig that is a central meeting place, versus a market.

2) Don’t forget about the story—and the power of contrast in telling it.

As anyone who’s written fantasy will know, it’s easy to get so bogged down in the details of a world that you forget about the actual story. Travel writers know this, too: it’s not enough to describe a cool place. You have to take your readers on a journey through it.

One way to come up with a story idea is to set up an inherent contrast. Two characters from different social classes fall in love. A by-the-book detective has to work with a rogue. A normal girl teams up with a paranormal being/secret agent/feisty old woman to defeat a bad guy. Use the built-in tension of contrasting characters to help figure out what your conflict should be. Again, starting with the seed of an idea and building outward is easier than thinking up a whole story from scratch.

3) Read other books for inspiration.

Another way to think up story ideas is to seek inspiration in other books. You shouldn’t copy another author’s ideas, but reading an engaging story can be a great way to get the juices flowing in your own mind. For example, you might be sitting by the fire enjoying the school antics of Harry Potter when—BAM!—you think to yourself: what would it be like if the whole thing took place at a boarding school in space? There’s your idea. Bonus points if you can bring an old idea into a new setting— think Firefly’s country western in space or iZombie’s murder mystery series with a zombie sleuth.

You can also get fiction ideas from reading non-fiction. You might be enjoying the latest expat memoir about your soon-to-be adopted home when it occurs to you things could get really interesting if someone got murdered or an EMP destroyed the electrical grid in the middle of the expat author’s adventures. Don’t be afraid to take someone else’s plot and add a new twist. Just run with it!

4) Live with a cold idea for a while, until it heats up.

I come up with my very best ideas while I’m working on other projects; but what happens when you have a general idea of what you want to write about, and you’re not sure how to move forward? How do you get more specific ideas on which to build a story? My favorite method is to walk around with the idea for a while. It helps if you can give yourself some parameters, such as “I want to write about a murder in the city where I live.” Don’t think too hard about it; just go about your daily life occasionally remembering that you’re looking for a particular story line. You may find that you see or overhear something that connects with the question in your head and hits you straight between the eyes with a great story idea!

This method works for problems within stories as well. Often the necessary solutions will come to you when you least expect them, but only after you give yourself an initial question to mull over. (This is why getting ideas in the shower is common among writers.) Don’t forget to keep a notebook handy so you can capture those ideas the moment they arrive.

Okay, your turn!

In closing, I’d like to pose a question to the readers of this diary entry. What are your tried-and-true methods of coming up with story ideas? Do you usually start out knowing what you’re going to write or discover it along the way?

Happy writing in either case!

And thank you, Displaced Diary, for your continuing encouragement!

Yours,

Shannon Young
AKA Jordan Rivet
www.shannonyoungwriter.com
www.jordanrivet.com

* * *

Shannon, it’s great to have you back at the Displaced Nation, and once again, I’m impressed by your ability to convey so many helpful ideas for the rest of us would-be book writers. You are what the Japanese side of myself would call a sensei, a compliment rarely bestowed on one so young! ~ML

STAY TUNED for next week’s fab posts!

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DIARY OF AN EXPAT WRITER: Taking time off to look backwards on how far I’ve come…and forwards to the next goals

Diary of an Expat Writer
It’s been a while since we’ve heard from American expat in Hong Kong and aspiring writer Shannon Young. She actually gave herself a break this summer—and as soon as she came back at it, pieces started falling into place…

Dear Displaced Diary,

Did you have a nice summer? Mine was a great mix of family time and travel. Highlights included hanging out with my adorable nephew in Arizona, visiting my grandparents in Oregon, catching up with old friends in New York City, and riding a moped around Bermuda with my husband.

After the intensive work of the previous six months, it was a much-needed chance to clear my head and remember how to be a human being again.

As I shared at the start of the year, I needed to kick into high gear in the first part of 2016 or else start searching for a new day job.

As a consequence, I barely looked up from my computer for six months, during which I wrote and launched the first two books in my new YA Steel of Fire fantasy series, within six weeks of each other.

After the intensity of the winter and spring, the summer break gave me a chance to step back and take stock of how far I’ve come along the journey into a writing career.

From travel writer…to fantasy author

I started my career writing about Hong Kong. I envisioned myself as a travel writer because that seemed like the natural path for an American girl abroad. But the more I’ve written, the more it has become clear that my interests and skills are better suited for fantasy and science fiction. Those early projects were important practice for the kind of work I’m doing now.

It’s common for writers to draw inspiration from the world around them even if they’re not travel writers. I’m sure you expats know what I’m talking about. You encounter a natural wonder or a style of clothing or a cadence of speech. It works its way into your brain, whether you write it down in that moment or not. Eventually it comes back. It may not be in the same form. You change it to align with the needs of your story world, or you remember it a bit differently than it was in reality. In fiction, you get to write from the inspiration rather than describing exactly what you saw—and that’s what makes it so much fun.

Living abroad has helped me to write fantasy because I get to see so many different places and meet people from all over the world, even if none of them wield magic or ride dragons (so far). It has also helped me look at the place I came from with fresh eyes.

MAGICAL HONG KONG: Inspiration for fantasy writing?

MAGICAL HONG KONG: Inspiration for Shannon’s swashbuckling fantasies?

From teacher in Arizona…to writer in Hong Kong

While I was in the States, I took a few days to finish the second draft of Dance of Steel, which will be the third book in my five-book Steel and Fire series. I completed the draft on my 28th birthday in my favorite coffee shop in my hometown, Gilbert, Arizona. I used to spend hours grading essays at that very coffee shop during my first year as a teacher.

At the time I was applying for jobs in Hong Kong, both at schools and with publishers, and it hadn’t even occurred to me to try writing books.

It was fun to mark my progress in a place where I could see how far I’d traveled, both physically and in my career as a writer.

MARK OF PROGRESS: From the coffee shops of Arizona to the Starbucks of Hong Kong

MARK OF PROGRESS: No longer grading papers in an Arizona coffee shop, Shannon is drafting fantasy novels in a Starbucks in Hong Kong.

From vacation mode…back to the grind

I’m writing a five-book series, so I’m always thinking about where my story is going. A long project requires stamina and a steady course, but sometimes moving out of your usual routine can help to get the creative juices flowing again. Having already planned to finish the final draft of Dance of Steel upon my return to Hong Kong after a month off, I was already thinking about what would happen in the next book.

My husband and I took a meandering road trip through Oregon and California before catching our flight to New York. Whenever it was my turn to drive, I’d pass the time on the road thinking through what would happen in the fourth book. I’d write notes in the evenings, but it was helpful to let the story unfold like a movie as I drove. It made me appreciate how much writing you can do when you’re not actually writing. You have to let those ideas develop and see if they really have legs. (Not to worry, I didn’t crash into anything!)

Once we were back in Hong Kong, I hit the ground running to make my editor deadline for the final draft of Dance of Steel. After a month away from the computer, I spent about 100 hours at Starbucks over the course of 12 days.

Hong Kong cooperated by being furiously rainy and dreary for all 12 days.

At 136,145 words, Dance of Steel has ended up being my longest book by 40,000 words.

It was a great way to get back into my routine—and it warned me to budget more time for each draft now that my books are getting longer. Finishing a book is a always a marathon, but I need to continue to work on my pacing.

From aspiring…to official full-time author!

The good news is, six years after I left Arizona, I’m officially making a living as a writer(!!). The month of May was the tipping point, when I published the second book in my Steel and Fire series, Duel of Fire, and my sales began to take off. This series has done exponentially better than my previous (Seabound) fantasy series.

Dance of Steel is the sixth novel I have published under my Jordan Rivet pen name. In the four months since, I’ve met or exceeded my previous day-job income.

And one more exciting piece of news: I signed with a literary agent to represent the auxiliary rights to the series and have now secured a three-book audio deal!

I will have to keep working hard and publishing often to maintain this momentum, but for now, it’s an exciting milestone to celebrate.

steel-and-fire-series_sept-2016

Onwards and upwards…

It’s good to be back at work after the time off. I’m now 80,000 words into the fourth book in the series (not counting thousands of words of notes).

My goal is to finish in time for a Christmas or New Year launch. I’m also working on getting out to writing and social events more often and establishing a sustainable working pace that allows me to put out a book every three or four months.

I’m in this for the long haul now. I want to keep learning, stay excited about the process, and make each book better than the last one:

Thank you, my dear Displaced Diary, for all your help and encouragement along the way!

Yours,

Shannon Young
AKA Jordan Rivet
www.shannonyoungwriter.com
www.jordanrivet.com

* * *

Shannon, I was watching an interview with the playwright Edward Albee, aired to commemorate his death earlier in the month, and he said that whenever he was writing a play, he would “see and hear” the characters in his mind and wait for them to tell him where his story was going. Your road-trip method sounds a little like his! Thanks once again for sharing your latest news. It’s uplifting! ~ML

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BOOKLUST, WANDERLUST: Expat creatives recommend books for the (not quite) end of summer

End of Summer 2016 Reads

Attention displaced bookworms! Our book review columnist, Beth Green, has canvassed several international creatives for some recommendations of books that suit the various end-of-summer scenarios those of us who live in the Northern Hemisphere will soon be in (if we aren’t already!).

Hello Displaced Nationers!

I’ve traveled quite a bit this summer, and now I’m wondering what I can do, as summer slides into autumn here in Prague, to bask in those prized last few moments of glory before the days get shorter and a chill enters the air.

I decided to canvas fellow international creatives about the books they would recommend for those of us who are:

  • Striving for one last beach read;
  • Stranded at an airport on our way “home”; and/or
  • Getting back to work/school/reality as autumn sets in.

There was just one catch: I asked if they would please recommend books that qualify as “displaced” reads, meaning they are for, by, or about expats or other internationals and so speak to members of our “tribe” (see ML Awanohara’s contribution below).

And now let’s check out their picks (correction: I should say “our” as I’m a contributor this time)—it’s an eclectic mix, but I predict you’ll be tempted by quite a few!

* * *

JENNIFER ALDERSON, expat and writer

TheGoodThiefsGuidetoParis_coverWhen I read on the beach, the story’s got to be light and quirky or it goes back in my tote bag. The Good Thief’s Guide to Paris (2009), by Chris Ewan—or really any of the other four books in Ewan’s popular series of mysteries about a globetrotting thief-for-hire—fits the bill perfectly. I actually dislike the much-displaced Charlie Howard immensely—yet somehow end up rooting for him along the way. An Englishman, he doesn’t feel at home anywhere and travels the world to get inspired to write his next novel—and then ends up involved in criminal activities that mirror his fictitious plots. Each novel revolves around Charlie’s bungled robbery of an artwork or antiquity in yet another famous tourist destination: Amsterdam, Paris, Venice, Las Vegas, Berlin… Ewan’s descriptions of each city are spot on and quite beautiful, in contrast to the wonderfully sarcastic tone of the novels themselves. The capers are silly, absurd constructions involving the shadiest of characters, which inevitably leave a smile on my face. I’ve already finished Paris and Amsterdam. The Good Thief’s Guide to Venice is next.

The City of Falling Angels_coverI actually have two suggestions for books I wish I’d had in my carry-on when stranded en route, both set in one of my favorite countries in the world: Italy! A few days before my husband and I set off for a week-long holiday in Venice, I popped into a local secondhand bookstore and spotted John Berendt’s The City of Falling Angels (2005). I absolutely loved Midnight in the Garden of Good and Evil, so I bought it without even reading the description on the back. Imagine my surprise when I pulled it out of my suitcase and realized it was all about the same magical city I’d just arrived in! It is an absorbing, magnificent novel that effortlessly blends fact and fiction. (Berendt moved to Venice in 1997, just three days after the city’s Fenice opera house burned down during a restoration—accident or arson?) The fabled city and many of her more eccentric residents form the soul of this book; art, opera and architecture are the main ingredients. Let yourself get lost in Berendt’s unique, almost conversational prose and follow along on his deliciously slow journey through one of the prettiest (and most mysterious) places on the planet.

BridgeofSighs_coverMy other pick is the captivating historical novel, Bridge of Sighs and Dreams (2015), by former expat Pamela Allegretto. The story follows one Italian family through the 1930s and 1940s, when Mussolini and later Hitler ruled the land. It is a sometimes gritty, sometimes romantic, tale of betrayal, intrigue and—above all—survival. The author’s beautiful yet compact descriptions of the landscape, people and culture effortlessly transport the reader to this fascinating and complex period in Italian (and European) history. I highly recommend it.

Whichever of these two books you choose, you’ll wish your flight was delayed indefinitely.

The Disobedient Wife_coverI’ve only read the first two chapters of The Disobedient Wife (2015), by Annika Milisic-Stanley, yet I’m already hooked—and would recommend it for anyone trying to get back into work/school mode. It’s such an eloquent description of the expat experience; from the first sentence I felt as if I was reading a soulmate’s description of how it feels to move on to a new destination after building up a life in a foreign country: we say goodbye while wondering what, if any, lasting impact we’ve had on our temporary homes. [Editor’s note: This book also made the Displaced Nation’s “best of expat fiction” list for 2015.]

The official synopsis reads:

The Disobedient Wife intertwines the narratives of a naïve, British expatriate, Harriet, and that of her maid, Nargis, who possesses an inner strength that Harriet comes to admire as their lives begin to unravel against a backdrop of violence and betrayal.

In the first chapter, Harriet is thinking back to her last post in Tajikistan: about the friends she’d willingly left behind and about her home, inhabited by another family only days after her own departure:

“All traces will be erased until the Dutch tulips I laid last September rise above the earth to bloom in April and pronounce that I really was there. The language, learned and badly spoken, is already fading from my dreams…”

These sentences stirred up so many memories for me of people left behind and as well as adventures past. I sometimes wish I could go back—even for a moment—to all of the places I’ve been in this crazy world and just say hello to the people I once knew there and remind them that I’m still around and do think of them once in a while. I cannot wait to finish this book. [Beth’s note: I did NOT mention to Jennifer that Annika is also participating in this column’s roundup—quite a coincidence!]

Jennifer S. Alderson has published two novels, the recently released A Lover’s Portrait: An Art Mystery and Down and Out in Kathmandu (2015), which cover the adventures of traveler and culture lover Zelda Richardson. An American, Jennifer lives in the Netherlands with her Dutch husband and young son.


ML AWANOHARA, Displaced Nation founding editor and former expat

Inspired by the new BBC One TV miniseries, at the beginning of the summer I downloaded War and Peace (new translation by Richard Pevear and Larissa Volokhonsky) onto my Kindle. And, reader, I finished it! And now I’m having trouble finding any novels that hold my attention. By comparison to Tolstoy’s masterwork, they all seem too narrow in scope, and their characters aren’t as beautifully developed. Sigh!

Tribe_coverI’m thinking I should turn to nonfiction until the W&P spell wears off. Right now I have my eye on Sebastian Junger’s latest work, Tribe: On Homecoming and Belonging—which I think could serve any of the purposes Beth has outlined above, though perhaps is best applied to the third condition (getting back to reality). Junger has been compared to Hemingway for his adventure non-fiction and war reporting, but this book is more of an anthropological look at the very human need to belong to a tribe. Though we expats have left our original tribes, I don’t think that this decision eradicates our tribal instincts. On the contrary, we are attracted to tribes of fellow expats; and some of us even find new homes in cultures more tribal than ours—where the people value qualities like loyalty and belonging more than we do in the West.

Junger provides an example to which I can personally relate. Recounting the history of 18th-century America, he says that no native Americans defected to join colonial society even though it was richer, whereas many colonials defected to live with the Indian tribes. They apparently appreciated the communal, caring lifestyle of the latter. That’s how I felt after I’d lived in Japan for several years. I really didn’t fancy returning to my native society, which I’d come to see as overly individualistic and centered on self to the exclusion of little else. To this day (and especially during election years like this one!) I struggle with America’s you’re-on-your-own ethos. Wealth doesn’t necessarily translate into well-being: why can’t my compatriots see that? It’s something I can feel in my bones because of the more tribal life I had in Asia. Could this book help me understand the roots of my displacement?

ML Awanohara, who has lived for extended periods in the UK and Japan, has been running the Displaced Nation site for five years. She works in communications in New York City.


BETH GREEN, Displaced Nation columnist and writer

Hotel_Kerobokan_coverI tend to pick beach books by the setting. So if I am going to the Caribbean, I’ll pick something set in the Caribbean. My last beach destination was Bali, and the book I wish I’d taken with me was Hotel Kerobokan: The Shocking Inside Story of Bali’s Most Notorious Jail (2009), a sharply observed account of life inside Indonesia’s most notorious prison, by Australian journalist Kathryn Bonella. Also great is her subsequent nonfiction title, Snowing in Bali (2012), a graphic look at Bali’s cocaine traffickers. Stories that depict true-life crime in unexpected settings (isn’t Bali supposed to be paradise?) automatically go on my to-read list—but I forgot to pick up Bonella’s book when we were at the airport and then wasn’t able to find in the area around my hotel. I know, most people go to the beach for good weather and strong cocktails; but for me, a holiday isn’t a holiday until I can peel back the veneer and peer at something darker underneath.

The Bat_coverWhat I actually ended up reading was in fact very good—Jo Nesbo’s thriller The Bat, in which he introduces his hard-headed detective Harry Hole and sends him to Australia to pursue a serial killer—but I wish I’d planned ahead and got something that blended with the scenery.

It’s a terrible feeling to get to the boarding gate and realize you don’t have enough chapters left in your book to get you through takeoff. (This is one reason I love my e-reader and try to have it loaded with dozens of books at all times.) For air travel especially, I look for the fattest, longest reads possible.

The Mountain Shadow_coverFor my next long flight, I’m hoping to read Gregory David Robert’s The Mountain Shadow, which came out last year and is the sequel to his equally weighty Shantaram (2003). At 880 pages, this book will take even a fast reader like me a while! Set in Mumbai, India, it continues the story of an escaped Australian prisoner who finds a new niche as a passport forger—but also a better self—in the underbelly of the South Asian crime world. Engrossing and beautifully written, I think it’s the perfect companion for marathon flights. Even if you did manage to finish it mid-flight, you can spend the rest of the trip wondering how close the story is to the author’s real-life history as an escaped convict. Roberts spent 10 years in India as a fugitive after escaping a maximum security prison in Australia, and his first novel, at least, is rumored to be autobiographical.

CatKingofHavana_coverFor the goal of channeling our more serious selves as autumn approaches, how about a fun read by the peripatetic Latvian author Tom Crosshill (he spent several years studying and working in the United States, as well as a year learning traditional dances in Cuba). Crosshill will release The Cat King of Havana (2016) this month. The eponymous Cat King is a half-Cuban American teenager who gets his nicknames from the cat videos he posts online. When he invites his crush to Havana to learn about his heritage and take salsa lessons, he discovers Cuba’s darker side…

Beth Green is the Booklust, Wanderlust columnist for the Displaced Nation. Her bio blurb appears below.


HELENA HALME, novelist and expat

Murder in Aix_coverFor a last hurrah on the beach, I’d recommend Murder in Aix (2013), Book 5 in a mystery series by Susan Kiernan-Lewis, an ex-military dependent who is passionate about France, travel and writing. One of my secret pleasures in life is to settle down with a cozy murder mystery; I also have a passion for the South of France. So when I found The Maggie Newberry Mystery Series, consisting of nine books that featured an expat protagonist-sleuth who solves mysteries in and around Aix-en-Provence, I couldn’t wait to download the whole series onto my Kindle. In the fifth book, Maggie Newberry is heavily pregnant but that doesn’t stop her as she finds herself scrambling to prove the innocence of a dear friend arrested for the murder of an abusive ex-boyfriend. Her partner, a ruggedly handsome French winemaker, doesn’t approve of Maggie’s involvement in the case. “It’s too dangerous,” he tells her.

The novel is pure bliss—a feeling enhanced if you can read it by a pool or on a beach, preferably accompanied by a glass of chilled rosé!

TheBreathofNight_coverFor those inevitable airport delays, I’d recommend The Breath of Night (2013), by Michael Arditti, a much-neglected English author. The first book I read by him, Jubilate, said to be the first serious novel about Lourdes since Zola’s, is one of my all-time favorites, so I was delighted when The Breath of Night came out soon after. This is a story of the murder of one Julian Tremayne, a Catholic priest from England who was working as a missionary in the Philippines in the 1970s. Since their son’s tragic death, Julian’s parents have pursued a campaign to have him declared a saint. The story is told partly through letters from Julian to his parents and partly through an account by a friend of the family, Philip Seward, who has gone to Manila 30 years later to find out the truth about the miracles he is said to have performed. Did Julian lead “a holy life of heroic virtue”—one of the conditions for canonization? While telling an intriguing and captivating tale of life in the Philippines, the book provides a broader commentary on love and faith.

TheParisWife_coverWhen the time comes to settle back into your routine, I would suggest a read of The Paris Wife, by Paula McLain (2011). It’s a fictionalized story of Hemingway’s first years as a struggling writer in Paris in the 1920s, told from the point of view of his first wife, Hadley, a naive Southern girl who suddenly finds herself suddenly plunged into a life of drunken debauchery in the French capital. McLain’s writing is precise and beautiful; her background as a poet comes through in her careful choice of words. Her descriptions of Hemingway when Hadley first meets him are particularly ingenious:

“He smiles with everything he’s got…”

“I can tell he likes being in his body…”

“He seemed to do happiness all the way up and through.”

It’s a brilliant read that will take you somewhere completely different and keep the challenges (boredom?) of work or school at bay a little longer.

Helena Halme is a Finnish author of Nordic women’s and romantic fiction. She lives with her English husband in London. Her works include the best-selling autobiographical novel The Englishman (reviewed on the Displaced Nation), its sequel The Navy Wife, Coffee and Vodka (about which she wrote a guest post for us) and The Red King of Helsinki (for which she won one of our Alice Awards). The Finnish Girl, her latest novella, is the prequel to The Englishman.


MATT KRAUSE, writer and expat

A Time of Gifts_coverFor any of those circumstances, I would recommend A Time of Gifts, by Patrick Leigh Fermor (1977; reissued in 2011 with an introduction by Jan Morris). At the age of 18, Fermor dropped out of school to walk from the heart of London to Constantinople, and his account of that journey—which started in December 1933, not long after Hitler has come to power in Germany, and ended just over two years later—is hailed as a classic of British travel writing. Hitler’s abuses were not yet evident, and Fermor describes drinking beers with Nazis once he reaches Germany. But I particularly enjoyed his account of a luxurious extended weekend in Geneva (or some city, I don’t remember) with a couple of girls he met along the way. I read this book as part of my research before walking across Turkey in 2012–2013, and really liked it.

Matt Krause is a communications coach based in Istanbul. He is the author of the memoir A Tight Wide-Open Space (reviewed on the Displaced Nation) and is working on a book about his walk across Turkey.


ANNIKA MILISIC-STANLEY, ATCK, expat, painter, campaigner and writer

two more book picks_Aug2016When I am on the beach, I get no longer than half an hour of uninterrupted reading time. For that reason, I took a book of short stories with me this year: Angela Readman’s Don’t Try This At Home (2015), which has stories set in the UK, USA, France and elsewhere. Brilliantly engaging, with an amazing use of language, alternately fun and fantastical, this debut, award-winning collection is well worth a read.

Some of you may not be short story fans, in which case I’d recommend The White Tiger (2008), by Aravind Adiga. The “white tiger” of the book’s title is a Bangalore chauffeur, who guides us through his experience of the poverty and corruption of modern India’s caste society. two book picks_Aug2016_515xThe novel won the 2008 Booker, but don’t let that put you off. It is surprisingly accessible and a real page-turner: funny, horrifying and brilliant.

For an agonizing airport wait, I have two suggestions: Atticus Lish’s Preparation for the Next Life (2015) and Sanjeev Sahota’s The Year of the Runaways (also 2015). Both feature immigrants describing their former lives, their motive for departure from their countries of origin, and the harshness of life in a new country as illegals.

CentresofCataclysm_coverAnd once you’re back at the desk, I would recommend giving Centres of Cataclysm (2016, Bloodaxe Books) a try. Edited by Sasha Dugdale and David and Helen Constantine, it’s an anthology celebrating fifty years of modern poetry in translation—full of beautiful gems from poets from around the world. Profits go to refugee charities.

Raised in Britain by Swedish and Anglo-German parents, Annika Milisic-Stanley has worked on humanitarian aid projects in Nepal, Kenya, Somalia, South Sudan, India, Burundi and Egypt as well as living in Tajikistan for several years. She currently lives in Rome with her family. In addition to writing and painting, she works as a campaigner to raise awareness on the plight of refugees in Southern Europe. The Disobedient Wife, about expatriate and local life in Tajikistan, is her debut novel and was named the Cinnamon Press 2015 Novel of the Year. Annika invites you to like her book page on Facebook and follow her on Twitter.


PAMELA JANE ROGERS, expat and artist/author

Saving Fish from Drowning_coverFor that last trip to the beach, I’d recommend Amy Tan’s Saving Fish from Drowning (2005). A group of California travelers decide to go on their planned trip to the Burma (its southern Shan State) without their (deceased) travel director, and in their total ignorance of the customs and religion of that part of the world, create havoc—and commit what is considered a heinous crime. I was directing a travel group in Greece when I read it, which may be why it seemed quite plausible, as well as darkly hilarious.

If you haven’t read it yet (though most on this site probably have), an absorbing read for when you get stuck in an airport is Barbara Kingsolver’s The Poisonwood Bible (1998)The Poisonwood Bible_cover, about a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. Between the evangelical Christian father wanting his converts to “gather by the river” in Africa for their baptisms, to the chapters written by his wife and daughters at different ages—the reader is in for a rollicking, sometimes absurd, sometimes sad and sobering, ride.

And when it’s time to face work again, I recommend the book I’m reading now: Passage of the Stork, Delivering the Soul (Springtime Books, 2015), by Madeleine LenaghPassage of the Stork_cover, an American who has lived in the Netherlands since 1970. This is her life story. [Editor’s note: Madeleine Lenagh and her photography have been featured on the Displaced Nation.]

Pamela Jane Rogers is an American artist who has adopted the Greek island of Poros as her home. She has written a memoir of her adventures, which she recently re-published with a hundred of her paintings as illustrations: GREEKSCAPES: Illustrated Journeys with an Artist.


JASMINE SILVERA, former expat and writer

The Best of All Possible Worlds_coverFor the beach I would recommend The Best of All Possible Worlds (2013), by Barbadian author Karen Lord. It’s what many people call “social science fiction” because the story is less obsessed with technological advances than with their interpersonal ramifications. The book opens after a cataclysmic event destroys the home planet of an entire civilization, rendering everyone who managed to be off-world at the time of destruction displaced. It follows the journey of a leader of a group of survivors, who decides to team up with an “assistant biotechnician” to find a suitable replacement home on a colony planet. I know what you’re thinking: it doesn’t sound like a rollicking good time! But it reads a bit like a “he said, she said” travelogue; and one of the two narrators has delightfully funny moments (I’ll let you decide which one). There is humor and sweetness, a bit of intrigue, and a satisfyingly happy ending.

The Pilgrimage_coverFor an absorbing read suitable for a long wait in an airport lounge, try The Pilgrimage (1987), by Brazilian writer Paulo Coelho. [Editor’s note: He was once featured on the Displaced Nation’s Location, Locution column.] I’ll be honest, my experience of the Camino de Santiago was nothing like the one depicted in this book (more technical fabrics and guidebooks, less overt mysticism); but I still find Coelho’s account evocative and moving. Like the work considered to be his masterpiece, The Alchemist, it’s part engaging adventure, part allegory—and a wonderful story. It’s a good one to transport you elsewhere when you’re “stuck” in a place you don’t want to be in.

Committed_coverIf the Way of St. James isn’t your thing, then I might recommend Elizabeth Gilbert’s Committed (2010) for an absorbing read. I can’t imagine what it would be like to attempt a follow-up to a book that was a huge commercial success, let alone a direct “sequel.” But that’s what Gilbert did with Committed. People love or hate the book for all sorts of reasons. But it’s a good one to stick with, IMHO, because it explores not only the byzantine banalities of bureaucratic regulations (something all displaced persons deal with at some point in their adventures) but also the innermost workings of one’s heart as you navigate knowing when to go and when to, well, commit. And while Gilbert occasionally allows herself to navel gaze in less charming a fashion than in Eat, Pray, Love, overall this book is an honest, thoughtful exploration of what marriage and commitment means in a world of divorce, infidelity, and the “best friending” of one’s partner. The book starts out with a decision made and then backtracks through the process—but it’s the journey that counts, after all. [Editor’s note: Hmmm… Will she write a sequel now that she is divorcing her husband of 12 years?]

Kinky Gazpacho_coverFor getting back into your groove at work, I’d recommend Kinky Gazpacho: Life, Love & Spain (2008), by Lori Tharps. There are relatively few travel memoirs written by people of color, so a book full of observations around how race is experienced in different cultures is a rare treasure. As a black woman from the United States, I have found race to be an intrinsic part of my experience in traveling and living abroad. From being stared at, to being touched, to stumbling on some unexpected bit of exported racism where I least expect it, I would say it’s an oversimplification to think that race is something we only struggle with in the land of my birth (that said, I’ve known a few African Americans whose decision to live abroad was based in no small part on the gravity of the struggle for racial equality in America). Nowhere is perfect, and Tharp explores what happens when the fantasy and the reality collide during her year of study abroad in Spain, as she attempts to reconcile that country’s problematic past with its present. She also extends her adventures beyond those of a traveler to become an expat (this is not a spoiler: she marries a Spaniard). I enjoyed Eat, Pray, Love, but this book resonated with my personal experience of travel and life abroad much more deeply.

A world traveler and former expat who remains a California girl at heart, Jasmine Silvera will release her debut, Prague-inspired novel Death’s Dancer in October (it was recently selected for publication by Kindle Press). Follow her on Facebook and Instagram.

* * *

Thanks, everyone, for participating! Readers, what books would you recommend? Let us know in the comments!

Till next time and happy reading!

As always, please let me or ML know if you have any suggestions for books you’d like to see reviewed here! And I urge you to sign up for the DISPLACED DISPATCH, which has at least one Recommended Read every week.

STAY TUNED for next week’s fab posts!

Beth Green is an American writer living in Prague, Czech Republic. She grew up on a sailboat and, though now a landlubber, continues to lead a peripatetic life, having lived in Asia as well as Europe. Her personal Web site is Beth Green Writes. She has also launched the site Everyday Travel Stories. To keep in touch with her in between columns, try following her on Facebook and Twitter. She’s a social media nut!

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LOCATION, LOCUTION: Writing in Finnish and English, expat novelist Emmi Itäranta creates fantasy worlds that feel palpably real

Location Locution Emmi Itaranta
Tracey Warr is here with a Finnish-born writer Emmi Itäranta, for whom displacement means living in another country (England) and writing dual-language dystopian novels. As a special note to long-time Displaced Nation readers, the book that had the greatest impact on Emmi as a child was Alice in Wonderland—until she discovered science fiction and fantasy.

Greetings, Displaced Nationers. My guest this month is Emmi Itäranta, who grew up in Tampere, a city surrounded by two lakes in southern Finland.

And if her childhood was spent in a territory located between Lakes Näsijärvi and Pyhäjärvi, she has chosen to spend her adulthood afloat between two languages, Finnish and English.

After earning an MA in Drama from the University of Finland and temping for a few years in jobs ranging from scriptwriter to press officer, she challenged herself to do an MA in Creative Writing in English at the University of Kent in the UK. As part of that course, she began writing her first novel, Memory of Water, working in English and Finnish simultaneously. As that title suggests, it’s set in a dystopian future where fresh water is scarce.

MoW US cover

England is now Emmi’s home: she has lived in Canterbury since 2007. But she continues to write fiction in both English and Finnish. (She speaks English at home with her Spanish husband.) Emmi feels that her books would be different altogether if she wrote them in only one language. In answer to an interviewer’s questions about the dual-language process that produced Memory of Water, she had the following to say:

I began writing the book in English because part of it formed my creative writing dissertation at the University of Kent, but early on I realised that drafting it in Finnish at the same time helped me polish the writing. The two languages seemed to support and inform each other. You get very, very close to the text when you work in two languages; translators often spot details that the author and editor may have missed. It is a slow process, and hard work, but ultimately I find it rewarding.

Emmi has now come out with her second novel. Published in Finnish in 2015, it has just now made its English-language debut in the UK with Harper Voyager, under the title The City of Woven Streets. The U.S. edition, to be published later this year, will be called The Weaver.
The Woven Streets The Weaver

The City of Woven Streets / The Weaver is a story about an island that is slowly sinking into the sea (if Emmi’s first book had too little water, this one has too much), and where dreaming is forbidden. It has elements of urban fantasy but its world has a feel of the past, rather than present or future. In a city where human life has little value, you must practice a craft if you want to stay alive.

Now let’s talk to Emmi about she gets her readers to experience these extraordinary settings.

* * *

Welcome, Emmi, to Location, Locution. Which comes first in your novels, story or location?

For my second novel, The Weaver / The City of Woven Streets, the location came first. I saw an imaginary city with its strange own internal laws and spent months writing scenes that simply explored the setting but were not yet connected by a story. This surprised me because in my first book, Memory of Water, the story and location were intertwined from the beginning. For that book, the first image that came to me was a young woman preparing tea in a dry future world. The story called for a specific location—far north, near the Arctic—and the location shaped the story.

For those who haven’t read Emmi’s first novel yet: The main character, Noria, lives near present-day Kuusamo, northern Finland, where she is learning to become a tea master in her father’s footsteps. By then Finland is ruled by an Asian superpower, and water for tea is a rare treasure.

Emmi, your novels have a strong sense of place. Can you tell us what techniques you use for evoking those feelings in your readers?

I try to imagine how the characters would experience the place through their senses. What are the shapes and colours surrounding them? How does the air smell and taste? How does the ground feel under their feet, what sounds does it make as they walk? What do they notice, what is relevant to them individually, but also as part of the community that inhabits this setting?

Which particular features create a sense of location? Landscape, culture, food?

All of those, but I would also add things like weather and seasons. Furthermore, I think a sense of history is important, in fiction just as it is in real life. Even if we don’t know the history of a location in detail, the feeling that there is one helps make it more plausible and gives it depth.

Did you have any real cities in mine when you created the city in The Weaver / The City of Woven Streets?

Yes, The Weaver / The City of Woven Streets is set in a fantasy world but to make it feel tangibly real, I used my knowledge and impressions of old European cities I have visited, mainly Prague, Venice and Dubrovnik.

Cities that inspired The Weaver

Three of the European cities that inspired Emmi Itäranta’s city in her latest novel: Venice (center); Prague (bottom right); and Dubrovnik (other three photos).

Can you give a brief example from your writing that illustrates place?

I’d like to share a passage from the first chapter of The Weaver / The City of Woven Streets. It aims to create a sense of the surroundings my main character, Eliana, lives in, a world that is unfamiliar and recognisable at once:

I like the air gondola port because you cannot see the Tower from there: its tall, dark figure is concealed behind the wall and the buildings of the House of Webs. Here I can imagine for a moment that I am beyond the reach of the Council’s gaze. I like the port best at this hour, when the cables have not yet started creaking. The vessels are still, their weight hanging mid-air, or resting at the dock, or floating in the water of the canals. The gate cracks open without a sound. The wrought iron is cold against my skin, and the humidity gathered on its surface clings to my palms. The cable of the air route dives into the precipice, which begins at the rock landing of the port, and the city opens below. I walk along the landing close to the brink. It is steep as a broken bridge. Far below, the sharp edges of Halfway Canal cut through the guts of the island, outlining waters that always run dark, even in brightest summer light.

The sky has begun to fade into the colours of smoke and roses. The first light already clings to the rooftops and windows, to the glint of the Glass Grove a distance away. The flood has finally ceased to rise, and down in the city the water rests on streets and squares. Its surface is smooth and unbroken in the calm closeness of dawn: a strange mirror, like a dark sheet of glass enclosing a shadow double of the city.
The Weaver_quote

In general, how well do you think you need to know a place before using it as a setting?

My stories tend to be set in the future or entirely fictional worlds, so you could say the settings are imaginary for the most part. However, I do use real places as inspiration and find that visiting them where possible really helps bring the fictional setting to life. For The Weaver / The City of Woven Streets, I looked at photographs and journals from my visits to different cities, particularly those with a long history. I’m always interested in trying to understand how different eras have shaped a place. So the end result becomes a mixture of imagination, history, memory and subjective experience.

Which writers do you admire for the way they use location?

There are so many, but the first one that comes to mind is China Miéville and the strange geography of his novel The City and the City. It portrays two fictional cities that overlap, yet are distinct from each other with their own unique and recognisable features, cultures and complex unspoken agreements that define the border between the two. The setting almost becomes a character in its own right.

China Mieville The City and The City

Emmi Itäranta’s pick for a novelist who has mastered the art of writing about place

Thanks so much, Emmi, for your answers.

* * *

Readers, any questions for Emmi? Please leave them in the comments below.

And if you would like to discover more about her, I suggest that you visit her author site. You can also follow her on Facebook and Twitter.

À bientôt! Till next time…

* * *

Thank you so much, Tracey! I loved hearing about the way Emmi’s imagination works, feeding on everything from linguistic differences to her travels within Europe. —ML Awanohara

Tracey Warr is an English writer living mostly in France. She has published two medieval novels with Impress Books. She just now published, in English and French, a future fiction novella, Meanda, set on a watery exoplanet, as an Amazon Kindle ebook. Her new historical novel, Conquest: Daughter of the Last King, set in 12th century Wales and England, will be published by Impress Books in September.

STAY TUNED for next week’s fab posts!

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Photo credits: Top of page: The World Book (1920), by Eric Fischer via Flickr (CC BY 2.0); “Writing? Yeah.” by Caleb Roenigk via Flickr (CC BY 2.0). Emmi’s author bio photo is by Heini Lehväslaiho. All other photos were supplied by the author or downloaded from Pixabay except for 1) in top collage: Cherub (Canterbury, England), by Upupa4me via Flickr (CC BY-SA 2.0); and 2) in bottom collage: Author China Mieville at Utopiales 2010 (France), self-photographed, via Wikimedia Commons (CC BY 3.0).

DIARY OF AN EXPAT WRITER: How to swashbuckle your way into productivity (whether you’re a writer or not)

Diary of an Expat Writer
American expat in Hong Kong and aspiring writer Shannon Young officially met her monthly income target in April, and in May had already achieved that target in 20 days. How did she get so productive?

Dear Displaced Diary,

It’s hard to believe it has already been two months since my last entry. The past five months have been exceptionally productive. As I mentioned in a previous entry, I wanted to get my new fantasy series off the ground by publishing the first two books within two months of each other. At that time, the first book, Duel of Fire, had just come out.

Well, I’m happy to report that Book 2, King of Mist, launched this past week!

First two steel and fire books

For this entry I thought I’d take a step back to tell you about how I stay focused now that I am self-employed and my deadlines are generally self-imposed. (Even if you’re not a writer but are one of those expats with a side-gig or remote career—I suspect many trailing partners fall into this category—my strategies may be useful to you as well.)

The other reason I want to talk about this is that I’ve had a rather unproductive week—at least from a writing standpoint. The weeks when I release a book, it’s way too tempting to spend all my time refreshing my sales graph. So I also want to remind myself what I do to stay productive in hopes that it will get me back in the groove.

So here it is: Shannon’s Productivity Plan or, given that I’m now writing swashbuckling fantasy: How to Swashbuckle Your Way into Productivity.

Keep regular hours.

I go to Starbucks every day at 11:00 a.m. and stay until 6:00 or 7:00 p.m. My mood and feelings on any given morning do not dictate whether or not I show up for work. I’ve tried going in earlier, but I find that I don’t usually get in the zone until 11:00 anyway, so I don’t force it. (Between you and me, not having to get up early is the best part of being a writer!) I catch up on news and social media, read emails, and check sales stats over breakfast before I leave the apartment, so I won’t be distracted by those things when it’s time to get to work.

Don’t take weekdays off.

It’s all too easy to reward yourself with days off when you work for yourself. I honestly think the biggest key to my productivity is that I don’t take days off except on extremely rare occasions. If I finish a book or draft on Wednesday, I start the next one on Thursday. Starting a new project is hard. If you simply roll right into it, you get to keep your momentum, and don’t have time to feel daunted by the challenges a new project presents.

Do take weekends off.

Burnout is real. I want to sustain this career for the long haul, so I don’t work weekends unless I’m on a serious roll or approaching a big deadline. I’ll sometimes go to a café for a few hours on a weekend afternoon—but I treat that as a bonus (as I quite enjoy writing), rather than a necessity.

Use the chunky method.

I block out my to-do lists by week rather than by day. I find it’s a lot more effective to set a word-count goal of, say, 15,000 in a week versus 3,000 per day. That way if you have a rough day, you’ll have a chance to make it up. Feeling like you’ve failed or haven’t lived up to your expectations for yourself can kill your productivity.

This method is especially helpful for edits, which are much harder to divide up by word count. One day you might edit 20,000 words and the next you might only get through 10,000 with the same amount of time and effort. If you plan to finish a draft within a given two-week period, you have some leeway on your day-to-day progress.

This method also makes it easier to figure out when a book will be finished so I can reserve my editor and cover designer at the right time. I also often group related tasks and tackle them all at once. Don’t feel bad if you miss a task on any given day. And if you finish your tasks early in the week, you can get more writing done!

Use breaks strategically

I’m now at the point where I can write for 6–8 hours in a single day, but I do usually hit a wall around the 4- or 5-hour mark. This is when I eat a late lunch and sometimes switch to another task (like email) for a little while before jumping back into the book. I don’t need to tell you how important it is to control your Internet and phone usage. Keep it confined to your lunch breaks! I’ve written before about the importance of sustaining writing focus: it’s a muscle you have to exercise.

What if you get stuck?

I’m definitely in the “writer’s block is a myth” camp. I believe if you show up and keep working, you will eventually break through the wall. No existential angst required! However, sometimes you have days where it’s harder to get in the zone. When this happens I have three tactics that usually work:

1 – Stay in the chair.
Keep your usual working hours, even if you’re not getting much done. Chances are you will find your groove a lot sooner than if you give up and go home.

2 – Work on something else.
You’re writing more than one book, right? Switch to a different one. Work on your outline by hand. Do a different essential task. Make sure you’re still in your chair. Checking something else off your to-do list is a great way to get back the motivation you need to keep writing. This is the strategy I’ve been using this week. I prepared an audition script for the forthcoming Seabound audio book and listened to samples from dozens of narrators. It was really exciting to wake up to a handful of completed auditions this morning!

3 – Read something good.
This is the method for when all else fails. Nothing helps to get the juices flowing in your head like reading a good, fast-paced novel. Make sure you choose a story you can get lost in without your writer or editor brain getting in the way. I have a few trusted authors who I know will give me a satisfying reading experience, including Lindsay Buroker and Sarah J. Maas. This isn’t a time to try a new writer. Stick to your favorites when you’re stuck.

Set big goals.

I’ve written before about what keeps me motivated. I want to build a career that I can sustain indefinitely without having to get piecemeal teaching work. The thought of that keeps the fire alive, even when work becomes a slog. I’ve barely looked up from my computer for the past five months. But I’ve also finished and published three novels in that time, one of which I hadn’t even started before the beginning of 2016.

In April of this year, I officially met the monthly income target I established as a signifier of whether I was going to make it or not. In May I passed that milestone in 20 days. So I guess this is my job!

Thanks for staying with me, diary. Reaching this target has taken longer than I expected at first, but it has been a great journey. I still feel like I’m just getting started!

Readers, I hope some of these tips will be useful in your own writing or self-employment journey. Do you have any other productivity strategies you’d like to share?

Now it’s time to jump back in to Steel and Fire Book 3!

Yours,

Shannon Young
AKA Jordan Rivet
www.shannonyoungwriter.com
www.jordanrivet.com

* * *

Shannon, I am definitely one of those people who needs to swashbuckle my way into  self-discipline, particularly when it comes to writing. I can always think of an excuse to procrastinate! I really value your advice, and am sure other readers will as well. Thank you, as always! ~ML

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Photo credit: The swashbuckler was downloaded from Pixabay.

DIARY OF AN EXPAT WRITER: A tale of two names, Shannon Young (expat writer) and Jordan Rivet (hipster expat writer)

Diary of an Expat Writer
The last time we heard from American expat in Hong Kong and aspiring writer Shannon Young, she was hatching some big plans for 2016. So, how many books has she managed to crank out since? Prepare to be amazed…!

Dear Displaced Diary,

As you may recall, two months ago I laid out my goals for the beginning of 2016:

  1. Finish and publish Ferry Tale, a love story set in Hong Kong, under the name Shannon Young.
  2. Compile and publish a box set of the Seabound trilogy.
  3. Finish and publish Duel of Fire, the first book in my new fantasy series, under the name Jordan Rivet.

I’m happy to report I’m right on track:

#1 Ferry Tale launched in ebook and paperback just in time for Valentine’s Day. It’s a classic romantic comedy with a modern twist, featuring an American woman and a Chinese Canadian man. Here’s the cover, designed by James at GoOnWrite.com:

Ferry Tale_cover

#2 The Complete Seabound Trilogy Box Set launched in March, along with one of my most successful promotions to date. This is a compilation of the post-apocalyptic adventure set at sea that I released over the course of 13 months, starting in November 2014. (I’ve reported about my progress on this in previous diary entries.)

#3 Duel of Fire is finished, edited, polished, and formatted. It went on sale last Friday, April 1st, right on schedule (no fooling!). Here is the cover from Deranged Doctor Design. PLEASE NOTE: It costs $0.99 for the first week, so definitely pick up a copy SOON if you like sword fights, magic, adventure, and a hint of romance!
Duel Of Fire - Jordan Rivet_cover

I’m currently hard at work on the sequel, King of Mist, which will come out in May.

What’s in a (pen) name, really?

You might notice that these books are published under two different names. Shannon Young is the name given to me at birth, and I picked my pseudonym, Jordan Rivet, myself.

Have you ever wondered about that, Dear Diary? Were you thinking I might have a dual personality?

The simple answer as to why I write under two names is branding. Looking at those two book covers, which hopefully communicate their genres at a glance, you’d never know the same person wrote the books. They are not similar in any way, so you would never scan past Duel of Fire in a listing of books on Amazon and think: “It’s another Shannon Young book! I have to stop and click!”

Ferry and Fire covers

You probably wouldn’t even be looking at the same lists. Although some readers enjoy both epic fantasies and romantic comedies (I like to read both, after all), for the most part these books are targeted to distinct groups.

To some, I am known as Shannon Young

The Shannon Young “brand” is already quite eclectic. It includes a bit of travel, a bit of romance, some stuff about being an expat, and some stuff about being a millennial. These bits and pieces are a reflection of my writing journey—and myself as a person. However, they haven’t established me as a type of author in the way that, say Nicholas Sparks, Jodi Picoult, or Malcolm Gladwell are understood to represent a particular type of book.

Indeed, although my Shannon Young work represents me as a growing and changing person, my first love as a reader has always been fantasy and science fiction.

Diary, I seem to be evolving in the direction of a Nora Roberts. Roberts is of course known for one type of fiction (romance), whereas her pseudonym, JD Robb, is famous for another type (futuristic scifi police procedurals). Except that I’m approaching it the other way around: building a brand around my pseudonym first, as my Jordan Rivet books outsell my Shannon Young books by a significant margin. Launching the Jordan Rivet name meant launching an income-generating career.

Enter: Jordan Rivet

When I started the Seabound Chronicles, a post-apocalyptic adventure set at sea, I already knew it wouldn’t match my existing books. My readers wouldn’t necessarily follow me quite that far across a genre divide. I also knew I’d likely write some high fantasy when I became a good enough writer to try my hand at my very favorite genre of all. Since I’d be starting from scratch with my readership, I figured I’d go the whole way and create a new Science Fiction & Fantasy (SFF) brand.

The Jordan Rivet name has never been a secret identity (unlike JK Rowling’s Robert Galbraith), but I had fun choosing the name and thinking about how to present the brand. It was a creative exercise just like developing a character for a novel. I wanted a name that was:

  • gender ambiguous (hello, scifi readers!)
  • uncommon enough that I’d no longer be confused with all the other Youngs out there (they are legion).

And the name I settled on even pays homage to one of my favorite fantasy writers (RIP Robert Jordan).

I like to think of Jordan Rivet as the cooler, sexier version of myself. She works harder, writes faster, is better at writing dialogue, and takes more risks than the more introspective Shannon Young.

Shannon meet Jordan

You expats will likely recognize this split-personality complex. You probably feel like a different version of yourself depending on which country you are in at any given time. And you know what it’s like to resume an old role when you return to your home country for a visit and pick up right where you left off as soon as the holiday ends.

Surprisingly, it’s possible to do this as a writer as well.

Two publishing paths diverged in a narrow . . . hipster neighborhood?

Diary, as you may have gleaned from my previous entries, there’s a further way Shannon Young and Jordan Rivet differ: in their publishing paths. I’ve only ever queried agents and publishers and signed traditional book deals as Shannon Young. It’s very much a hybrid name and includes some small press titles, an audiobook deal, a Kindle Single, and some self-published work. As Shannon Young, I’ve been able to speak at the Hong Kong International Literary Festival and present the traditionally published “stamp of legitimacy” that some outlets still require.

But Jordan Rivet is an indie name all the way. I’ve never submitted a Jordan Rivet story to an agent. I publish the books when they are edited and ready, not when someone tells me I can. It has been incredibly empowering to take this path, and it has prompted me to improve my writing and to pay more attention to the market.

And you know something, Diary, I have a good feeling about Duel of Fire, a book that wouldn’t exist yet if I were still waiting for the Seabound series to make its way through the traditional pipeline.

Obviously, different methods are right for different books and different types of writers. But indie publishing has allowed me to take my work to the next level, and I can’t wait to see the outcome of the launch that began this past weekend. Don’t forget to pick up your discounted copy pronto!
Duel April 1

So, Diary, that is the story of why I write under two different names. When people ask me what I write in real life, small talk gets a bit complicated—a bit like when a Third Culture Kid being asked where they’re from! (My author pages on Amazon make a lot more sense!)

Until next time,

Shannon Young
AKA Jordan Rivet

p.s. to Diary Readers: Do you have experiences you can share where you’ve adopted different personas in different situations? Do these personas come with different names too?

* * *

To answer your question, Shannon, I definitely think we expats and former expats are candidates for multiple names. We’re after all the kind of people who like to live out our fantasies, and some of us even write about them. Thanks for being one of them, Jordan! 🙂 ~ML

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Photo credits: Photos of Shannon and her books were supplied.

TCK TALENT: Sezín Koehler, multimedia artist, tatoo collector, editor and prodigious writer

Columnist Elizabeth (Lisa) Liang starts off 2016 with a guest who has been to the Displaced Nation before, albeit in different guises: as Alice, as film critic, as featured novelist, as repatriate…though never as a TCK Talent.

Happy 2016, readers! I hope your January has been splendid thus far. Today’s interviewee is writer, editor, tattoo collector, and Huffington Post contributor Sezín Koehler, who also calls herself Zuzu (a nickname she picked up when living in Prague). Sezín may already be familiar to some Displaced Nation readers as an early contributor, including a two-part series listing films that depict the horrors of being abroad, or otherwise displaced; a much-commented upon post called “The Accidental Repatriate”; and an Alice-in-Wonderland-themed post on her life in Prague (that was after she had received one of the Displaced Nation’s very first “Alice” awards).

But what some of you may not know is that Sezín is a Third Culture Kid. She was born in Colombo, Sri Lanka, to a Sri Lankan dad and Lithuanian-American mom. Her mom’s job with UNICEF moved the family from Sri Lanka to Zambia, Thailand, Pakistan, and India.

Sezín went to college in California—and then returned to her family, who were living in Switzerland and then in France (the move again being due to her mom’s job).

Next Sezín moved alone to Spain, where she met her husband, who is American. After living as expats in Turkey, Czech Republic, and Germany, the couple now call Lighthouse Point, Florida, home.

* * *

Welcome, Sezín. What a truly peripatetic life you’ve had! What made you decide to “repatriate” to the USA and come to Lighthouse Point? 
This area is where my husband grew up and has family, although his family moved further north just this year. Economics and a series of unfortunate events are what brought me back to the US—my husband and I returned with literally 15 euros between us.

Sounds like a tough reentry. While living as a nomad can also be tough, were you happiest in a certain place?
That’s a surprisingly difficult question! There was a lot of conflict in my family when I was growing up because of the tension between my American mum and conservative Sri Lankan dad—and all the cultural, social, etc., issues that come with having a multicultural and multiracial family before that became something of the norm. Plus, moving all the time was not a lifestyle that worked for me, and it created uncomfortable cycles of depression that were then compounded by having post-traumatic stress disorder (PTSD) after witnessing the murder of one of my best friends in our final year of university. The repatriation to Florida was one of the more miserable moves—especially since I had never planned to move back to the United States until they sort out more effective gun-control laws.

That sounds terribly painful. How have you coped since your return to the US?
My first two years back made me completely despondent, and then one day I just decided to make the best of the situation. It was time to choose happiness; otherwise I wasn’t going to survive. So now every day I wake up and I find something—big or small—to be happy about and I focus on that for the day. In that sense, and in a strange reversal, I suppose Florida is where I find myself happiest because this is where I learned that happiness isn’t something that happens to me passively because life is perfect. Happiness is a daily choice. And I actively make the choice to be happy however difficult my surroundings.

“That feeling of being an outsider never quite leaves you…”

Do you identify most with a particular culture or cultures, including the very broad “TCK culture”? 
You know, I think I identify with aspects of pretty much every culture under the sun—even ones where I didn’t actually live or visit. Being highly sensitive, coupled with having a TCK upbringing, has made it so I can identify with just about anyone who isn’t a bigot or misogynist, even if our backgrounds are nothing alike. I do find myself particularly drawn to other TCKs because, even if we didn’t live in the same places, there is something about the “universal” TCK personality that resonates with me, and it’s far easier to start on the same page rather than having to work hard to build bridges of understanding between myself and people who haven’t traveled or grown up abroad. I also find that many TCKs understand that just because growing up abroad sounds exciting, it might not have actually felt that way when we were getting yanked from place to place, leaving friends and family behind in those pre-social-media Dark Ages.

Did your TCK upbringing inform your career path as a writer?
To be honest, with all the moving around plus PTSD, it’s been hard to develop a career track other than writing. Being a writer means you take your passion with you wherever you go, and no matter where you are, there is always something new to write about. Writing has been my longest-standing support system and therapy through the variety of traumas that ended up shaping my life, and any day now I hope I’ll start being able to make a living doing it. 🙂

Did growing up as a TCK also influence your career as an editor?
As an editor I focus on academic writing by non-native English speakers, and having lived in so many places has definitely helped me understand all the different (incorrect) ways people use English and help them to get published in English-language publications where English fluency is a requirement.

“As a Third Culture Kid, I always related with monsters more than ‘norms.'”

Tell us about your tattoo collection. Any TCK connections there?
Other than my husband, tattoos are one of the great loves of my life. Tattoos for me have been a way to not just express myself creatively, but have also been a way to re-claim my own body after so many traumas. I have a hybrid identity that I often express in fantastical ways. Sometimes when people ask me where I’m from and I don’t feel like having an intimate conversation about my life I’ll say I’m a mermaid and I’m visiting from the ocean. I have a huge jellyfish on my right thigh and I say, “Meet my pet jelly.” Now that my hair is in a pixie cut, I might introduce myself as a fairy and since I actually have tattooed wings on my shoulders as well as often literally leaving a trail of glitter in my wake, I find it easier than getting into my TCK identity—especially when the person I’m talking to might have never left this corner of Florida.

Keep Calm & Be a Mermaid

So in a way, the tattoos serve as both explanation and protection.
For my entire life I’ve operated under an assumption of otherness—when I’m in the US people ask me where I’m from, and when I’m in Sri Lanka people ask me where I’m from. Being mixed race can be really complicated—and I get a lot of aggression from strangers who try to figure out “what” I am. In a way tattoos are a shield between me and curious eyes, as is much of my performance-of-the-fantastical-self art and being.

Have any of these careers/interests helped you to process your nomadic upbringing?
Writing, definitely! Writing has been my most effective and longest-standing therapeutic tool. Not just my non-fiction, but also my short stories and my novels have most certainly helped me situate my cultural self in lots of different ways that have been helpful and healing. As a writer I’m also an avid reader, and reading is another huge help in figuring out where my strange background and I fit in the grander scheme of culture and society.

“I revel in my boundaryless self…”

As an ATCK, do you have “itchy feet,” or would you prefer to have a home base and only travel for pleasure?
I have always hated moving and I might be the only TCK to say I have never had itchy feet. Ever since I was a little girl all I wanted was to stay in one place and even now at 36 I feel that way. But because of how I grew up moving around, I’ve also come to a point where everywhere seems pretty much the same—I always see the same kinds of people in disparate places, it’s weird—and yet nowhere ever feels like home. So now my concept of home has shifted and simply means being somewhere with people I love.

Moving is one thing, but how do you feel about traveling in general, including for pleasure?
After a lifetime spent on airplanes and traveling, I absolutely hate traveling now. I have crippling aerophobia, and if I’m forced to travel somewhere by plane, everything about the experience is miserable and I end up getting really ill before, during, and after. I find going to new places more stressful than enjoyable. My dream is one day to have a house with a beautiful view and some rescue dogs and never go anywhere ever again. Except through books, of course.

Speaking of books, you published your first novel, American Monsters, four years ago, and I understand the sequel has just come out!
Yes indeed! My second novel, Crime Rave, came out in October 2015, and I don’t think I’ve ever been prouder of one of my creations in my life. Going back to your question about how being a TCK has shaped my writing, this book is a perfect example. The story itself defies genres—it has crime noir, supernatural, horror, and feminist themes just to name a few—and most of my characters are either mixed race or people of color who are not only TCKs themselves or ethno-cultural hybrids, but they’ve all gone through traumas that resulted in superpowers. If there was a label of Third Culture Fiction, my book would totally fit the bill.

The number of novels you have in progress, on top of what you’ve had published, is wildly impressive! Please tell us about them.
Thank you so much, Lisa. I’m currently working on my third, fourth, fifth, and potentially sixth novels—the third is a zombie tale set in Prague, the fourth will find recurring Crime Rave characters on Pine Ridge Reservation in South Dakota, Lighthouse Terror will be a grindhouse horror novel set in a gated community in southeast Florida, and finally I’m toying with the idea of an entire novel about Marilyn Monroe.

Yes, I know you are a big Marilyn fan. I believe she makes an appearance in Crime Rave?
Yes, in Crime Rave she not only lives but has a daughter.
Crime Rave Marilyn
What else are you working on?
As a HuffPost freelancer I’m working on a number of pieces featuring interviews with some badass individuals—authors, activists, artists, scientists, and more. I’m also in the process of starting my own publishing label that will focus on works by women and other marginalized writers who create genre-bending works in which women play all the major roles.

You’re so prodigious!
The one benefit of being an accidental shut-in who works from home here in Lighthouse Point is that I have nothing but time to work on all the creative projects I want, which is another dream come true.

Where can we find your work and follow your progress?
At sezin.org, my HuffPost column, my American Monsters site, and sezinkoehler.com. I’ve also recently revamped my Etsy store, Zuzu Art, with its gallery of sparkly-strange multimedia Alice in Wonderland and Frida Kahlo-inspired pieces. I have a Tumblr cabinet of curiosities called Hybrid/Monster that I continue to update with oddities of the visual nature, and I am rather fond of my Instagram account, where I post pics of my own art, my performance art, and snapshots of life in the tropics. Whew! I didn’t realize how much I produce online until this very moment.

* * *

Thank you so much, Sezín! I’m inspired to know that your artistic path has led to your healing, and that you’ve found daily happiness since the painful reentry to the United States. Congratulations on your many creative, career, and personal accomplishments! Readers, please leave questions or comments for Sezín below.

Editor’s note: All photos are from Koehler’s Hybrid Monsters site (apart from her book cover and the photo of one of her Etsy works) or from Pixabay. The quotes are from her “About the Curatrix” page.

Elizabeth (Lisa) Liang is a prime example of what she writes about in this column: an Adult Third Culture working in a creative field. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she is an actor, writer, and producer who created the solo show Alien Citizen: an earth odyssey, which has been touring internationally. And now she is working on another show, which we hope to hear more about soon! To keep up with Lisa’s progress in between her columns, be sure to visit her blog, Suitcasefactory. You can also follow her on Twitter and on Facebook.

STAY TUNED for next week’s fab posts!

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DIARY OF AN EXPAT WRITER: Back in full-time writing mode and full of resolution(s) for 2016!

Diary of an Expat Writer
We haven’t heard from American expat in Hong Kong and aspiring writer Shannon Young for a while. Does that mean she’s thrown in the towel on the full-time writing gig? Read on to find out…

Dear Displaced Diary,

It has been a few months since my last entry. When we left off, I had just completed the final book in my post-apocalyptic Seabound Chronicles, and I was working a part-time job that had me trekking to a different corner of Hong Kong each week to teach a reading program in local schools.

Well, it’s a new year, Dear Diary, and I’m starting fresh in a big way. The four titles in the Seabound Chronicles are now out in ebook and paperback, and they are being read by an ever-growing number of people. I’m back to full-time writing, with an even greater appreciation for the beauty of uninterrupted time. My sales ranks and income are trending in a decidedly positive direction.

My New Year’s resolution is to continue writing in a full-time capacity without needing to take piecemeal teaching work. If my calculations are correct, another two strategically positioned novels and a box set of the Seabound Chronicles will put me firmly into “don’t need to get a new job” territory.

Seabound Chronicles Collage

It’s more than a resolution: it’s my mission.

I’ve planned ahead a bit, so I already had rough drafts of the two novels in question when the year started.

Here’s the game plan for 2016:

  1. Finish and publish Ferry Tale, a love story set in Hong Kong, under the name Shannon Young.
  2. Compile and publish a box set of the Seabound trilogy.
  3. Finish and publish Duel of Fire, the first book in my new fantasy series, under the name Jordan Rivet.

There’s just one catch: I need to do all of these things by April!

I have three months before I may need to start looking at job openings again, and I don’t intend to waste them. Having limited time throughout the fall has given me new motivation to make the most of every hour.

So the challenge is there, and the stakes are set.

Here’s how it’s going to happen:

January is a serious writing and revision month. That means 7-8 hours a day at Starbucks for the writing, and more time at home for research and publishing miscellany. That means eating, sleeping, and breathing my stories. That means working some weekends. That means staying focused.

It has been awesome so far. I finished up the second draft and polished off the third draft of Duel of Fire and sent it my first round of readers in the first week of January. I did the same with the first and second drafts of Ferry Tale in the second week (it’s much shorter, in all fairness).

While my diligent and self-sacrificing beta readers are going through Duel of Fire and Ferry Tale, I started the sequel to Duel of Fire, which is tentatively titled King of Mist.

In Week 3, I wrote 50,000 words. That is one full NaNoWriMo.

I know the characters, used an outline, and spent a minimum of eight hours writing each day, which is the only way I could manage to reach that word count. I expect to complete the rough draft in the first half of the fourth week in January, around the time you are reading this.

One thing I learned from the Seabound Chronicles is that sales increase exponentially with multiple books out in a series and quick releases, so I’m aiming to have the sequel ready for publication by May.

But back to my game plan:

February, the month for love, is the month for Ferry Tale. The plan is to finish the final draft and publish in time for Valentine’s Day.

The Seabound box set will launch in March, three months after the publication of the final book in the series. Hopefully this will give it a nice boost while I prepare for the launch of the new Jordan Rivet series.

Meanwhile, work on Duel of Fire and its sequel will continue throughout February and March. I’ve booked an editor for March 9th, leaving no room to mess around. (The cover should be coming back from the designer around then as well, and it’s going to be wicked cool!) Pub Day should happen around April 1st—no fooling! I’m hoping that by the time the sequel launches I’ll have earned another few months in No-Day-Job Land.

Shannons Game Plan 2016

Doing whatever it takes.

It may sound like I’m rushing these books. But the honest truth is I’m still going to end up doing four to five drafts of each one, just like for the Seabound series. I’m simply spending more hours in the chair. It’s a far sight better than writing on a minibus as it swerves all over the New Territories, which is what I did during my teaching contract!

I’ve also found that—shockingly—I’m getting better at this. The more I write the easier it is. I’m creating increasingly detailed outlines for my books in advance, which makes the writing itself faster and the books better. My prose needs less polishing because it’s getting down on the page in better shape. And the knowledge that I am capable of completing books makes completing books less daunting.

So the plan for 2016 is to work harder, work smarter, work for more hours each day, and get these stories out into the world. I’m excited about the possibilities.

2015 was the warm-up. 2016 is going to be big.

By the way, Diary, if you see me at Starbucks too long after dark, you should probably tell me to go home.

Shannon go home

Yours,

Shannon Young
AKA Jordan Rivet

* * *

Wow, Shannon, I’m inspired! In fact, though I know your game plan reflects how indie book sales work, it makes me think of Victorian times, when novels appeared not all at once but in parts or installments, over a space of time. All of Charles Dickens’s novels were published that way, most of them in stand-alone monthly parts. Are we going back to the era of serial fiction? In which case, may you keep up your Dickensian pace. That said, when you’re burning too much of the midnight oil, please remember Dickens slept from midnight until seven in the morning every day. Readers, any more advice or words of encouragement for Shannon in achieving her ambitious goals of 2016? ~ML

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