The Displaced Nation

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TCK TALENT: The “Where are you from?” question evokes poetic sentiments in this third group of TCKs

Columnist Dounia Bertuccelli is back with a third round of poems composed by Third Culture Kids in answer to that vexed “where are you from?” question.

Hello again, fellow Displaced Nationers, global nomads, expats, Third Culture Kids and other curious travelers! As March comes in like a lion (here on the U.S. East Coast, where Winter Storm Riley has become a strong nor’easter, hitting us with wind, snow and rain), I’d like to present the third post in my series of TCK poetry. If you missed the first two, be sure to check out Part 1 and Part 2.

The poems are the work of a group of 11th and 12th graders at an international school in Malta. Their teacher wanted them to think more deeply about what “home” means for them, given that they are all growing up in more than one country.

Before we leave the topic of the weather: We in the Western Hemisphere may be growing tired of winter at this point (the so-called Beast from the East has just swept across Europe). But it’s interesting to note that although all three of the young people featured below are from colder countries than Malta, which enjoys mild winters and warm-to-hot summers, two of them recall the winter season in their poetry. Hm, does absence make the heart grow fonder?

* * *

Where I’m From
By Yoana Tsekova

I’m from the Southeast,
from the Black Sea,
from aromatic rose oil and healing rivers
From weddings and divorces
surrounded by cave paintings.

I’m from movement to fill space,
from applauses and projectors and sleepless nights.
From the ashes of the campfire,
from shaking heads for ‘yes’,
and nodding for ‘no’.

I’m from here and from there
From water balloon gaffes
From white lies to protect friends,
From moments and laughs.

There is a small country that no one knows about.
And there is a small girl that everyone teaches how.
I’m from there—
from gold and rust
And easy trust.

Yoana is Bulgarian and she lived in Malta from 2015 to 2017.

Where I’m From
By Ivan Orlav

I can see a lot of cars
but few people from the window
I can smell the kitchen scents
mixed with the paint from my porch—
Sweet and chemical.

I feel the heat inside the house
and the cold outside the door
I shiver during winter
and feel refreshed during summer.

I’m from the white wool
falling from the sky,
cooling the ground,
for two thirds of the year.


Editor’s Note: We are checking on Ivan Orlav’s country of origin but suspect it is Russia.

Where I’m From
By Judith Smit

I am from Napoleon Bonaparte’s bronze soil,
I am from the silver trust in the eyes of a horse.
I am from the blonde country’s golden hair.

I am from surviving
And winning over the lower levels.
From creativity and freedom
And the possibilities that create dreams.
I am from diversity
And from sharing stroopwafels.

I am from the red
Blood flowing on an ancient stone wall,
From the white
Belly of a Burmese mountain dog,
From the blue
wavy water that never ceases.

I am the fiery clean energy,
The air scented by tulips,
And the unexpected weather.

Judith is from the Netherlands; she has lived in Malta and Holland.

* * *

We love to hear from our readers, so please leave any thoughts, questions, suggestions—and yes, poetry—in the comments! During the last round, it was great to get a poem from Cinda MacKinnon, an Adult Third Culture Kid and novelist whose work has been featured on the Displaced Nation. You can read it here.

Born in Nicosia, Cyprus, to Lebanese parents, Dounia Bertuccelli has lived in France, UK, Australia, Philippines, Mexico, and the USA—but never in Lebanon. She writes about her experiences growing up as a TCK and adjusting as an adult TCK on her blog Next Stop, which is a collection of prose, poetry and photography. She also serves as the managing editor of The Black Expat; Expat Resource Manager for Global Living Magazine; and is a freelance writer and editor. Currently based on the East Coast of the United States, she is happily married to a fellow TCK who shares her love for travel, music and good food. To learn more about Dounia, please read her interview with former TCK Talent columnist Lisa Liang. You can also follow her on Twitter.

STAY TUNED for more fab posts!

If you enjoyed this post, we invite you to register for the biweekly Displaced Dispatch, a round up of posts from The Displaced Nation—and much much more! Register for The Displaced Dispatch by clicking here!

Related posts:

Photo credits:
– Photo of Bulgaria by Alexandr Bormotin on Unsplash
– Photo of Russian snow by Anton Scherbakov on Unsplash
– Photo of stroopwafels from Pixabay.

FAR FROM THE MADDING CROWD: Cristina Baldan’s creative life as serial expat


Columnist Doreen Brett is back. Having introduced herself to us in her opening column, she will use this second post to interview serial expat Cristina Baldan, about the impact of her various “homes” on her creative output. Did she appreciate living far from the madding crowd, or is it crowds that give her inspiration? Or perhaps a bit of both? —ML Awanohara

Hello, Displaced Nationers! As ML mentioned, I’m excited to welcome my first guest to the Displaced Nation: photographer, graphic designer and serial expat Cristina Baldan. A native of Italy, Cristina has lived in eight different countries in the past 16 years. Her present abode is in Maastricht, the southernmost point of the Netherlands, spanning the border with Belgium. On the creative side: she was involved in the creation of the site Expatclic, a multilingual platform that supports expat women, and is currently developing the site What Expats Can Do. It’s a new kind of initiative, and she’ll tell us about it below.

* * *

Welcome, Cristina, to the Displaced Nation! I understand you grew up in Italy but have lived on five continents and eight different locations. How did that come about?

I grew up and lived in the same town in Italy for 30 years, but then things started to change: I found a better job in a bigger city, and I got married and had my first child. My husband’s career then brought us to eight different locations in 16 years: Saudi Arabia, Nigeria (two different cities), France, Australia, Italy again, Canada, and now Maastricht. In the meantime, my family grew to five members plus one dog and, without completely realizing it, I was the living embodiment of the trailing spouse who would never be able to go back to her career in finance. Nowadays I am more aware of the richness that this kind of lifestyle has brought to my personal identity, and I am starting to find ways to rebuild my purpose and contribute something of worth to the wider world.

Those of us who have been Third Culture Kids or repeat expats tend to gravitate towards global cities as that’s where we think we’ll find work and our “tribe.” Have you found this to be the case?

I enjoy living in big cities. The anonymity allows you to move around and explore the location despite cultural, social, linguistic or even physical constraints. It is easier to open yourself to new experiences, meet people at your own pace, and navigate the cultural challenges. When I was living in more isolated places, I found life much harder. In those places, locals can identify you immediately as a foreigner and this can be difficult to manage. Getting in touch with the local culture is not an easy process, and in rural or small-town environments it may require a huge amount of time—time that an expat like me doesn’t have, as the next move is always approaching. In cities, by contrast, people are more used to people coming and going, and the settling-in process is accelerated. Big cities also offer activities as ways to meet other internationals. An expat spouse who cannot work because of being home with kids and/or for visa reasons risks staying at home too much and never really facing up to culture shock.

So would you say that cities nurture your creativity more than rural environments?

All the places I lived in as an expat have nurtured my creativity in different ways. The nomadic way of life opened my mind: there was an entire world out there I had not been aware of, and I was eager to share it with others. My first hosting country was Saudi Arabia, where tradition and culture are fascinating but also difficult to explore. As a woman I was not allowed to be alone in public, walk alone in the street, drive, or indulge in conversations with men who weren’t relatives. Logistically this meant being confined mostly at home or in “Western adapted” locations. I had very few contacts with locals and few possibilities to get to know the local culture. Writing was the first thing I tried to do; it began mostly as a way to tell stories to the family and friends left behind: letters, emails, blogs… But then when I moved to Africa, writing became insufficient. There were so many new colours, situations, people: words were not enough any more. At that point I discovered documentary photography. Then, as I was gaining more and more knowledge about connections among cultures—and found myself particularly interested in the visual effects of those connections—I began to study graphic design and visual communication.

Can you give us a concrete illustration of a work of yours that was nurtured out of the places you have been to?

The images you see here were selected for, and displayed at, the first LagosPhoto Festival (in 2010). They belong to my photo series “Streets Economics – Lagos through and behind windows”.

all rights reserved © Cristina Baldan – the above four images cannot be copied, downloaded, or used in any way without the express, written permission of the photographer.

You’ve lived in so many places, but have referred to just two of them, Saudi Arabia and Nigeria (Lagos), in this conversation. What was it about these two locations that stimulated your creativity?

For me, it wasn’t the remoteness of these two places on the map that I found stimulating; rather, it was the remoteness of their cultures, which I wanted to get to know but there were so many constraints. Creativity grows when you’re facing external constraints, at least that’s been my experience. In Saudi Arabia, my freedom was restricted in various ways, so I turned to writing. In Nigeria, I tended to take photographs through the windows of my car, as this was least intrusive. And in Nigeria, photography was also the answer for me as I couldn’t get the requisite materials and colors from the market for painting pictures.

What’s next for you, travel-wise and creativity-wise: will you stay put where you are or are other cities/artistic activities on your horizon?

I am currently organizing our move back to Canada: it is time for us to settle down in one place after so many years of nomadic life. As soon as I get there, I am planning to open my freelance business as an intercultural graphic designer and photographer. Meanwhile, I am nurturing my new project, which was launched a few months ago (we presented it at FIGT 2017): whatexpatscando.com. We are trying to engage as many expats as possible in working toward a better world by leveraging our experiences and skills in managing cultural diversity. Please join us!

Thank you, Cristina!

* * *

Readers, any further questions for Cristina on on her thoughts about place, displacement, and the connection between the community you live in and creativity? Any authors or other international creatives you’d like to see her interview in future posts? Please leave your suggestions in the comments.

STAY TUNED for this coming week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

Related posts:

Photo credits:
Opening collage: All images are from Pixabay.
The four photos of Lagos were taken by Cristina Baldan and supplied by her for this post.

FAR FROM THE MADDING CROWD: Doreen Brett’s creative life as an expat in Holland


At a moment when I feel far from the madding crowd myself despite being in a big city—it’s Memorial Day weekend in the United States, when most New Yorkers flock to the beach—it’s my pleasure to welcome new columnist Doreen Brett to the Displaced Nation. She was introduced to me by former Culture Shock Toolbox columnist Hélène (“H.E.”) Rybol: they met in Singapore, where they were roommates for a while.

Like Hélène, Doreen grew up among several different cultures. Her grandparents emigrated from India to Malaysia, and the family spoke English as their first language. While based in Malaysia, she attended school in Singapore.

Doreen’s horizons widened still more once she reached adulthood. A few years ago, she moved to the UK with her British husband; they now make their home in the Netherlands.

Doreen loves exploring wild, remote places—and it’s this passion of hers that has inspired her column, “Far from the Madding Crowd.” From next month, she will be interviewing expats who have chosen to live in some off-the-beaten-track locations. Did the experience lead to cultural immersion, and in what ways did it foster creativity?

To kick off the series, Doreen has agreed to have me pose to her the same series of questions she plans to ask other international creatives.

* * *

Welcome, Doreen, to the Displaced Nation! I understand you grew up in Malaysia but were educated in Singapore. How did that come about?

I was born in Johor, the Malaysian state on the Straights of Johor, which separates Malaysia from the Republic of Singapore. When I was six years old, my parents decided to send me to school in Singapore, since my family was English speaking and schools in Malaysia tend to teach only in Malay. My parents were influenced by a neighbor of ours, a close family friend, who was the principal of a school in Singapore. She spoke very highly of the city-state’s educational system. In any event, that’s how I came to living in one country while attending school in another! Every morning I would wake up at 5:00 a.m., sit sleepily on a yellow school bus and travel across customs. Once school finished, I would make my way home again, through immigration checks. As a child, it became second nature for me to keep my passport in my pocket, for daily use. It marked the beginning of what has thus far been a life of travel.

What brought you to your current location, the Netherlands?

My husband is British. We moved from Singapore to his native UK to live and work. We lived in his home town, Billericay (a small town in Essex, not far from London), for a few years before moving to London to avoid the commute to work. We only recently moved to a small city in the Netherlands, again for work.

Those of us who have been Third Culture Kids or repeat expats tend to gravitate towards global cities as that’s where we think we’ll find work and our “tribe.” How did you find life in Singapore as compared to in Malaysia?

When I think of Malaysia, there is very much a community feel to the place and the people. You always know your neighbors; family and friends drop by without any notice (and are readily welcomed with a snack–every house always has snacks prepared for impromptu visits); and weddings are celebrated on a large scale–500 people is a small number. In fact, the further you get from the city, the more of a village feel there is and the more you will experience these community bonds. Rather than finding your “tribe”, the tribe will find you and welcome you with open arms! Singapore, by contrast, is very much a global city, with all the conveniences such places have to offer, including a vast variety of food choices available day and night, efficient and safe transport links, and of course, a plethora of cultures living in one space.

Once you moved to the UK, you went from living in a small town to living in London. Which did you prefer?

To be honest, coming from a background that values community, I felt alienated in both locations. If only I had known about the Displaced Nation then, I would have realized there was nothing unusual in my reluctance to head out into what I perceived was an unfriendly environment. Even when I moved to London, a place where virtually everyone is “displaced”—it is very much a global city—I still felt this disconnect. Being in a global city does not guarantee a sense of companionship and belonging. You can be in a room full of people and still feel alone. It was only when I took steps to reach out, and get past cultural differences, that I began to find people I could connect with. And while city life is of course convenient, and there are always things to do, I found that I never got any space to myself, to just BE.

How do you feel about your latest “home”?

Where I live in the Netherlands is much quieter than the flat we had in London. It’s a complete switch in lifestyle. Like a detox of sorts. I absolutely love it. All in all I have to say that I love being outside of global cities. On the surface, cities have more people and hence provide more opportunities to connect with others; but I think that relationships forged in communities outside the city limits will trump this any day.

How do you keep from feeling isolated?

I do not feel isolated, no matter where in the world I am. I always have a small, steady group of friends and family I can turn to—my global tribe.

I understand you enjoy writing. Do you foresee that in your current location you’ll be able to nurture your creativity?

Being in the Netherlands gives me time to pursue my creative interests and the opportunity to develop my writing. Currently I am working on writing a fictional piece, and of course my protagonist travels, and I am embellishing the tale with the flavours of the different cultures I have experienced.

What’s next for you, travel-wise and creativity-wise: will you stay put where you are or are other cities/artistic activities on your horizon?

I’ve only just moved to the Netherlands, so I would like to stay put for a bit. Fingers crossed that this move goes well!

Thank you, Doreen!

* * *

Readers, any further questions for Doreen on her thoughts about place, displacement, and the connection between the community you live in and creativity? Any authors or other international creatives you’d like to see her interview in future posts? Please leave your suggestions in the comments.

STAY TUNED for this coming week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a biweekly round up of posts from The Displaced Nation—and so much more! Register for The Displaced Dispatch by clicking here!

Photo credits:
Opening collage (bottom to top): Sultan Ibrahim Building, Johor, Malaysia, by Bernard Spragg via Flickr (CC0 1.0); Singapore, by Neils de Vries via Flickr (CC BY 2.0); Bellericay High Street, by Steve Hancocks via Flickr (CC BY 2.0); Picadilly Circus, by mrgarethm via Flickr (CC BY-SA 2.0); and Doreen Brett feeling happily displaced in Holland as the sun is shining (supplied). Sea image is from Pixabay.
2nd visual: Madi + Pika // Reception, by Azlan DuPree via Flickr (CC BY 2.0).
3rd visual: Oxford Street in London via Pixabay.

BOOKLUST, WANDERLUST: Expat creatives recommend books for the (not quite) end of summer

End of Summer 2016 Reads

Attention displaced bookworms! Our book review columnist, Beth Green, has canvassed several international creatives for some recommendations of books that suit the various end-of-summer scenarios those of us who live in the Northern Hemisphere will soon be in (if we aren’t already!).

Hello Displaced Nationers!

I’ve traveled quite a bit this summer, and now I’m wondering what I can do, as summer slides into autumn here in Prague, to bask in those prized last few moments of glory before the days get shorter and a chill enters the air.

I decided to canvas fellow international creatives about the books they would recommend for those of us who are:

  • Striving for one last beach read;
  • Stranded at an airport on our way “home”; and/or
  • Getting back to work/school/reality as autumn sets in.

There was just one catch: I asked if they would please recommend books that qualify as “displaced” reads, meaning they are for, by, or about expats or other internationals and so speak to members of our “tribe” (see ML Awanohara’s contribution below).

And now let’s check out their picks (correction: I should say “our” as I’m a contributor this time)—it’s an eclectic mix, but I predict you’ll be tempted by quite a few!

* * *

JENNIFER ALDERSON, expat and writer

TheGoodThiefsGuidetoParis_coverWhen I read on the beach, the story’s got to be light and quirky or it goes back in my tote bag. The Good Thief’s Guide to Paris (2009), by Chris Ewan—or really any of the other four books in Ewan’s popular series of mysteries about a globetrotting thief-for-hire—fits the bill perfectly. I actually dislike the much-displaced Charlie Howard immensely—yet somehow end up rooting for him along the way. An Englishman, he doesn’t feel at home anywhere and travels the world to get inspired to write his next novel—and then ends up involved in criminal activities that mirror his fictitious plots. Each novel revolves around Charlie’s bungled robbery of an artwork or antiquity in yet another famous tourist destination: Amsterdam, Paris, Venice, Las Vegas, Berlin… Ewan’s descriptions of each city are spot on and quite beautiful, in contrast to the wonderfully sarcastic tone of the novels themselves. The capers are silly, absurd constructions involving the shadiest of characters, which inevitably leave a smile on my face. I’ve already finished Paris and Amsterdam. The Good Thief’s Guide to Venice is next.

The City of Falling Angels_coverI actually have two suggestions for books I wish I’d had in my carry-on when stranded en route, both set in one of my favorite countries in the world: Italy! A few days before my husband and I set off for a week-long holiday in Venice, I popped into a local secondhand bookstore and spotted John Berendt’s The City of Falling Angels (2005). I absolutely loved Midnight in the Garden of Good and Evil, so I bought it without even reading the description on the back. Imagine my surprise when I pulled it out of my suitcase and realized it was all about the same magical city I’d just arrived in! It is an absorbing, magnificent novel that effortlessly blends fact and fiction. (Berendt moved to Venice in 1997, just three days after the city’s Fenice opera house burned down during a restoration—accident or arson?) The fabled city and many of her more eccentric residents form the soul of this book; art, opera and architecture are the main ingredients. Let yourself get lost in Berendt’s unique, almost conversational prose and follow along on his deliciously slow journey through one of the prettiest (and most mysterious) places on the planet.

BridgeofSighs_coverMy other pick is the captivating historical novel, Bridge of Sighs and Dreams (2015), by former expat Pamela Allegretto. The story follows one Italian family through the 1930s and 1940s, when Mussolini and later Hitler ruled the land. It is a sometimes gritty, sometimes romantic, tale of betrayal, intrigue and—above all—survival. The author’s beautiful yet compact descriptions of the landscape, people and culture effortlessly transport the reader to this fascinating and complex period in Italian (and European) history. I highly recommend it.

Whichever of these two books you choose, you’ll wish your flight was delayed indefinitely.

The Disobedient Wife_coverI’ve only read the first two chapters of The Disobedient Wife (2015), by Annika Milisic-Stanley, yet I’m already hooked—and would recommend it for anyone trying to get back into work/school mode. It’s such an eloquent description of the expat experience; from the first sentence I felt as if I was reading a soulmate’s description of how it feels to move on to a new destination after building up a life in a foreign country: we say goodbye while wondering what, if any, lasting impact we’ve had on our temporary homes. [Editor’s note: This book also made the Displaced Nation’s “best of expat fiction” list for 2015.]

The official synopsis reads:

The Disobedient Wife intertwines the narratives of a naïve, British expatriate, Harriet, and that of her maid, Nargis, who possesses an inner strength that Harriet comes to admire as their lives begin to unravel against a backdrop of violence and betrayal.

In the first chapter, Harriet is thinking back to her last post in Tajikistan: about the friends she’d willingly left behind and about her home, inhabited by another family only days after her own departure:

“All traces will be erased until the Dutch tulips I laid last September rise above the earth to bloom in April and pronounce that I really was there. The language, learned and badly spoken, is already fading from my dreams…”

These sentences stirred up so many memories for me of people left behind and as well as adventures past. I sometimes wish I could go back—even for a moment—to all of the places I’ve been in this crazy world and just say hello to the people I once knew there and remind them that I’m still around and do think of them once in a while. I cannot wait to finish this book. [Beth’s note: I did NOT mention to Jennifer that Annika is also participating in this column’s roundup—quite a coincidence!]

Jennifer S. Alderson has published two novels, the recently released A Lover’s Portrait: An Art Mystery and Down and Out in Kathmandu (2015), which cover the adventures of traveler and culture lover Zelda Richardson. An American, Jennifer lives in the Netherlands with her Dutch husband and young son.


ML AWANOHARA, Displaced Nation founding editor and former expat

Inspired by the new BBC One TV miniseries, at the beginning of the summer I downloaded War and Peace (new translation by Richard Pevear and Larissa Volokhonsky) onto my Kindle. And, reader, I finished it! And now I’m having trouble finding any novels that hold my attention. By comparison to Tolstoy’s masterwork, they all seem too narrow in scope, and their characters aren’t as beautifully developed. Sigh!

Tribe_coverI’m thinking I should turn to nonfiction until the W&P spell wears off. Right now I have my eye on Sebastian Junger’s latest work, Tribe: On Homecoming and Belonging—which I think could serve any of the purposes Beth has outlined above, though perhaps is best applied to the third condition (getting back to reality). Junger has been compared to Hemingway for his adventure non-fiction and war reporting, but this book is more of an anthropological look at the very human need to belong to a tribe. Though we expats have left our original tribes, I don’t think that this decision eradicates our tribal instincts. On the contrary, we are attracted to tribes of fellow expats; and some of us even find new homes in cultures more tribal than ours—where the people value qualities like loyalty and belonging more than we do in the West.

Junger provides an example to which I can personally relate. Recounting the history of 18th-century America, he says that no native Americans defected to join colonial society even though it was richer, whereas many colonials defected to live with the Indian tribes. They apparently appreciated the communal, caring lifestyle of the latter. That’s how I felt after I’d lived in Japan for several years. I really didn’t fancy returning to my native society, which I’d come to see as overly individualistic and centered on self to the exclusion of little else. To this day (and especially during election years like this one!) I struggle with America’s you’re-on-your-own ethos. Wealth doesn’t necessarily translate into well-being: why can’t my compatriots see that? It’s something I can feel in my bones because of the more tribal life I had in Asia. Could this book help me understand the roots of my displacement?

ML Awanohara, who has lived for extended periods in the UK and Japan, has been running the Displaced Nation site for five years. She works in communications in New York City.


BETH GREEN, Displaced Nation columnist and writer

Hotel_Kerobokan_coverI tend to pick beach books by the setting. So if I am going to the Caribbean, I’ll pick something set in the Caribbean. My last beach destination was Bali, and the book I wish I’d taken with me was Hotel Kerobokan: The Shocking Inside Story of Bali’s Most Notorious Jail (2009), a sharply observed account of life inside Indonesia’s most notorious prison, by Australian journalist Kathryn Bonella. Also great is her subsequent nonfiction title, Snowing in Bali (2012), a graphic look at Bali’s cocaine traffickers. Stories that depict true-life crime in unexpected settings (isn’t Bali supposed to be paradise?) automatically go on my to-read list—but I forgot to pick up Bonella’s book when we were at the airport and then wasn’t able to find in the area around my hotel. I know, most people go to the beach for good weather and strong cocktails; but for me, a holiday isn’t a holiday until I can peel back the veneer and peer at something darker underneath.

The Bat_coverWhat I actually ended up reading was in fact very good—Jo Nesbo’s thriller The Bat, in which he introduces his hard-headed detective Harry Hole and sends him to Australia to pursue a serial killer—but I wish I’d planned ahead and got something that blended with the scenery.

It’s a terrible feeling to get to the boarding gate and realize you don’t have enough chapters left in your book to get you through takeoff. (This is one reason I love my e-reader and try to have it loaded with dozens of books at all times.) For air travel especially, I look for the fattest, longest reads possible.

The Mountain Shadow_coverFor my next long flight, I’m hoping to read Gregory David Robert’s The Mountain Shadow, which came out last year and is the sequel to his equally weighty Shantaram (2003). At 880 pages, this book will take even a fast reader like me a while! Set in Mumbai, India, it continues the story of an escaped Australian prisoner who finds a new niche as a passport forger—but also a better self—in the underbelly of the South Asian crime world. Engrossing and beautifully written, I think it’s the perfect companion for marathon flights. Even if you did manage to finish it mid-flight, you can spend the rest of the trip wondering how close the story is to the author’s real-life history as an escaped convict. Roberts spent 10 years in India as a fugitive after escaping a maximum security prison in Australia, and his first novel, at least, is rumored to be autobiographical.

CatKingofHavana_coverFor the goal of channeling our more serious selves as autumn approaches, how about a fun read by the peripatetic Latvian author Tom Crosshill (he spent several years studying and working in the United States, as well as a year learning traditional dances in Cuba). Crosshill will release The Cat King of Havana (2016) this month. The eponymous Cat King is a half-Cuban American teenager who gets his nicknames from the cat videos he posts online. When he invites his crush to Havana to learn about his heritage and take salsa lessons, he discovers Cuba’s darker side…

Beth Green is the Booklust, Wanderlust columnist for the Displaced Nation. Her bio blurb appears below.


HELENA HALME, novelist and expat

Murder in Aix_coverFor a last hurrah on the beach, I’d recommend Murder in Aix (2013), Book 5 in a mystery series by Susan Kiernan-Lewis, an ex-military dependent who is passionate about France, travel and writing. One of my secret pleasures in life is to settle down with a cozy murder mystery; I also have a passion for the South of France. So when I found The Maggie Newberry Mystery Series, consisting of nine books that featured an expat protagonist-sleuth who solves mysteries in and around Aix-en-Provence, I couldn’t wait to download the whole series onto my Kindle. In the fifth book, Maggie Newberry is heavily pregnant but that doesn’t stop her as she finds herself scrambling to prove the innocence of a dear friend arrested for the murder of an abusive ex-boyfriend. Her partner, a ruggedly handsome French winemaker, doesn’t approve of Maggie’s involvement in the case. “It’s too dangerous,” he tells her.

The novel is pure bliss—a feeling enhanced if you can read it by a pool or on a beach, preferably accompanied by a glass of chilled rosé!

TheBreathofNight_coverFor those inevitable airport delays, I’d recommend The Breath of Night (2013), by Michael Arditti, a much-neglected English author. The first book I read by him, Jubilate, said to be the first serious novel about Lourdes since Zola’s, is one of my all-time favorites, so I was delighted when The Breath of Night came out soon after. This is a story of the murder of one Julian Tremayne, a Catholic priest from England who was working as a missionary in the Philippines in the 1970s. Since their son’s tragic death, Julian’s parents have pursued a campaign to have him declared a saint. The story is told partly through letters from Julian to his parents and partly through an account by a friend of the family, Philip Seward, who has gone to Manila 30 years later to find out the truth about the miracles he is said to have performed. Did Julian lead “a holy life of heroic virtue”—one of the conditions for canonization? While telling an intriguing and captivating tale of life in the Philippines, the book provides a broader commentary on love and faith.

TheParisWife_coverWhen the time comes to settle back into your routine, I would suggest a read of The Paris Wife, by Paula McLain (2011). It’s a fictionalized story of Hemingway’s first years as a struggling writer in Paris in the 1920s, told from the point of view of his first wife, Hadley, a naive Southern girl who suddenly finds herself suddenly plunged into a life of drunken debauchery in the French capital. McLain’s writing is precise and beautiful; her background as a poet comes through in her careful choice of words. Her descriptions of Hemingway when Hadley first meets him are particularly ingenious:

“He smiles with everything he’s got…”

“I can tell he likes being in his body…”

“He seemed to do happiness all the way up and through.”

It’s a brilliant read that will take you somewhere completely different and keep the challenges (boredom?) of work or school at bay a little longer.

Helena Halme is a Finnish author of Nordic women’s and romantic fiction. She lives with her English husband in London. Her works include the best-selling autobiographical novel The Englishman (reviewed on the Displaced Nation), its sequel The Navy Wife, Coffee and Vodka (about which she wrote a guest post for us) and The Red King of Helsinki (for which she won one of our Alice Awards). The Finnish Girl, her latest novella, is the prequel to The Englishman.


MATT KRAUSE, writer and expat

A Time of Gifts_coverFor any of those circumstances, I would recommend A Time of Gifts, by Patrick Leigh Fermor (1977; reissued in 2011 with an introduction by Jan Morris). At the age of 18, Fermor dropped out of school to walk from the heart of London to Constantinople, and his account of that journey—which started in December 1933, not long after Hitler has come to power in Germany, and ended just over two years later—is hailed as a classic of British travel writing. Hitler’s abuses were not yet evident, and Fermor describes drinking beers with Nazis once he reaches Germany. But I particularly enjoyed his account of a luxurious extended weekend in Geneva (or some city, I don’t remember) with a couple of girls he met along the way. I read this book as part of my research before walking across Turkey in 2012–2013, and really liked it.

Matt Krause is a communications coach based in Istanbul. He is the author of the memoir A Tight Wide-Open Space (reviewed on the Displaced Nation) and is working on a book about his walk across Turkey.


ANNIKA MILISIC-STANLEY, ATCK, expat, painter, campaigner and writer

two more book picks_Aug2016When I am on the beach, I get no longer than half an hour of uninterrupted reading time. For that reason, I took a book of short stories with me this year: Angela Readman’s Don’t Try This At Home (2015), which has stories set in the UK, USA, France and elsewhere. Brilliantly engaging, with an amazing use of language, alternately fun and fantastical, this debut, award-winning collection is well worth a read.

Some of you may not be short story fans, in which case I’d recommend The White Tiger (2008), by Aravind Adiga. The “white tiger” of the book’s title is a Bangalore chauffeur, who guides us through his experience of the poverty and corruption of modern India’s caste society. two book picks_Aug2016_515xThe novel won the 2008 Booker, but don’t let that put you off. It is surprisingly accessible and a real page-turner: funny, horrifying and brilliant.

For an agonizing airport wait, I have two suggestions: Atticus Lish’s Preparation for the Next Life (2015) and Sanjeev Sahota’s The Year of the Runaways (also 2015). Both feature immigrants describing their former lives, their motive for departure from their countries of origin, and the harshness of life in a new country as illegals.

CentresofCataclysm_coverAnd once you’re back at the desk, I would recommend giving Centres of Cataclysm (2016, Bloodaxe Books) a try. Edited by Sasha Dugdale and David and Helen Constantine, it’s an anthology celebrating fifty years of modern poetry in translation—full of beautiful gems from poets from around the world. Profits go to refugee charities.

Raised in Britain by Swedish and Anglo-German parents, Annika Milisic-Stanley has worked on humanitarian aid projects in Nepal, Kenya, Somalia, South Sudan, India, Burundi and Egypt as well as living in Tajikistan for several years. She currently lives in Rome with her family. In addition to writing and painting, she works as a campaigner to raise awareness on the plight of refugees in Southern Europe. The Disobedient Wife, about expatriate and local life in Tajikistan, is her debut novel and was named the Cinnamon Press 2015 Novel of the Year. Annika invites you to like her book page on Facebook and follow her on Twitter.


PAMELA JANE ROGERS, expat and artist/author

Saving Fish from Drowning_coverFor that last trip to the beach, I’d recommend Amy Tan’s Saving Fish from Drowning (2005). A group of California travelers decide to go on their planned trip to the Burma (its southern Shan State) without their (deceased) travel director, and in their total ignorance of the customs and religion of that part of the world, create havoc—and commit what is considered a heinous crime. I was directing a travel group in Greece when I read it, which may be why it seemed quite plausible, as well as darkly hilarious.

If you haven’t read it yet (though most on this site probably have), an absorbing read for when you get stuck in an airport is Barbara Kingsolver’s The Poisonwood Bible (1998)The Poisonwood Bible_cover, about a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. Between the evangelical Christian father wanting his converts to “gather by the river” in Africa for their baptisms, to the chapters written by his wife and daughters at different ages—the reader is in for a rollicking, sometimes absurd, sometimes sad and sobering, ride.

And when it’s time to face work again, I recommend the book I’m reading now: Passage of the Stork, Delivering the Soul (Springtime Books, 2015), by Madeleine LenaghPassage of the Stork_cover, an American who has lived in the Netherlands since 1970. This is her life story. [Editor’s note: Madeleine Lenagh and her photography have been featured on the Displaced Nation.]

Pamela Jane Rogers is an American artist who has adopted the Greek island of Poros as her home. She has written a memoir of her adventures, which she recently re-published with a hundred of her paintings as illustrations: GREEKSCAPES: Illustrated Journeys with an Artist.


JASMINE SILVERA, former expat and writer

The Best of All Possible Worlds_coverFor the beach I would recommend The Best of All Possible Worlds (2013), by Barbadian author Karen Lord. It’s what many people call “social science fiction” because the story is less obsessed with technological advances than with their interpersonal ramifications. The book opens after a cataclysmic event destroys the home planet of an entire civilization, rendering everyone who managed to be off-world at the time of destruction displaced. It follows the journey of a leader of a group of survivors, who decides to team up with an “assistant biotechnician” to find a suitable replacement home on a colony planet. I know what you’re thinking: it doesn’t sound like a rollicking good time! But it reads a bit like a “he said, she said” travelogue; and one of the two narrators has delightfully funny moments (I’ll let you decide which one). There is humor and sweetness, a bit of intrigue, and a satisfyingly happy ending.

The Pilgrimage_coverFor an absorbing read suitable for a long wait in an airport lounge, try The Pilgrimage (1987), by Brazilian writer Paulo Coelho. [Editor’s note: He was once featured on the Displaced Nation’s Location, Locution column.] I’ll be honest, my experience of the Camino de Santiago was nothing like the one depicted in this book (more technical fabrics and guidebooks, less overt mysticism); but I still find Coelho’s account evocative and moving. Like the work considered to be his masterpiece, The Alchemist, it’s part engaging adventure, part allegory—and a wonderful story. It’s a good one to transport you elsewhere when you’re “stuck” in a place you don’t want to be in.

Committed_coverIf the Way of St. James isn’t your thing, then I might recommend Elizabeth Gilbert’s Committed (2010) for an absorbing read. I can’t imagine what it would be like to attempt a follow-up to a book that was a huge commercial success, let alone a direct “sequel.” But that’s what Gilbert did with Committed. People love or hate the book for all sorts of reasons. But it’s a good one to stick with, IMHO, because it explores not only the byzantine banalities of bureaucratic regulations (something all displaced persons deal with at some point in their adventures) but also the innermost workings of one’s heart as you navigate knowing when to go and when to, well, commit. And while Gilbert occasionally allows herself to navel gaze in less charming a fashion than in Eat, Pray, Love, overall this book is an honest, thoughtful exploration of what marriage and commitment means in a world of divorce, infidelity, and the “best friending” of one’s partner. The book starts out with a decision made and then backtracks through the process—but it’s the journey that counts, after all. [Editor’s note: Hmmm… Will she write a sequel now that she is divorcing her husband of 12 years?]

Kinky Gazpacho_coverFor getting back into your groove at work, I’d recommend Kinky Gazpacho: Life, Love & Spain (2008), by Lori Tharps. There are relatively few travel memoirs written by people of color, so a book full of observations around how race is experienced in different cultures is a rare treasure. As a black woman from the United States, I have found race to be an intrinsic part of my experience in traveling and living abroad. From being stared at, to being touched, to stumbling on some unexpected bit of exported racism where I least expect it, I would say it’s an oversimplification to think that race is something we only struggle with in the land of my birth (that said, I’ve known a few African Americans whose decision to live abroad was based in no small part on the gravity of the struggle for racial equality in America). Nowhere is perfect, and Tharp explores what happens when the fantasy and the reality collide during her year of study abroad in Spain, as she attempts to reconcile that country’s problematic past with its present. She also extends her adventures beyond those of a traveler to become an expat (this is not a spoiler: she marries a Spaniard). I enjoyed Eat, Pray, Love, but this book resonated with my personal experience of travel and life abroad much more deeply.

A world traveler and former expat who remains a California girl at heart, Jasmine Silvera will release her debut, Prague-inspired novel Death’s Dancer in October (it was recently selected for publication by Kindle Press). Follow her on Facebook and Instagram.

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Thanks, everyone, for participating! Readers, what books would you recommend? Let us know in the comments!

Till next time and happy reading!

As always, please let me or ML know if you have any suggestions for books you’d like to see reviewed here! And I urge you to sign up for the DISPLACED DISPATCH, which has at least one Recommended Read every week.

STAY TUNED for next week’s fab posts!

Beth Green is an American writer living in Prague, Czech Republic. She grew up on a sailboat and, though now a landlubber, continues to lead a peripatetic life, having lived in Asia as well as Europe. Her personal Web site is Beth Green Writes. She has also launched the site Everyday Travel Stories. To keep in touch with her in between columns, try following her on Facebook and Twitter. She’s a social media nut!

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CULTURE SHOCK TOOLBOX: The expat life is a craft you can practice, and there are bandaids, laughter & alone time when it doesn’t go well

Mrs EE Culture Shock Toolbox

This month transitions enthusiast H.E. Rybol consults with a seasoned expat, who like herself is an Adult Third Culture Kid, for some advice on handling culture shock. They also talk reverse culture shock.

Hello, Displaced Nationers!

Today, I’d like you to meet Mrs Ersatz Expat! You might recognize her from her namesake blog where she describes herself as “a 30 something global soul, a perpetual expat” and writes about her life in Saudi Arabia, Malaysia, Kazakhstan (the list goes on…). Her photo of the indoor beach in Astana, Kazakhstan’s capital city, complete with water slides and beach volleyball court, will make you want to experience blizzards in a whole new way!

Mrs EE prefers to remain anonymous online (hence “Mrs EE”), seriously dislikes milky tea and harbors a love for gadgets which, according to her, improve “life disproportionately compared with their actual value.” Her blog even features a series of said useless doodads, with photos! They include washing machine covers, neck rings for babies, double eye-lid tape and chair socks.

Mrs EE was born into a global life. She grew up in several countries, including a stint in a scary-sounding boarding school in the UK. She kindly took the time to share some of her culture shock stories and experiences. Join us as we talk about cringe-worthy boarding school moments (including a close encounter with Marmite!), along with some self-preservation tips such as laughing your head off and remembering to make time for yourself…

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A warm welcome, Mrs EE, to Culture Shock Toolbox. Can you tell us, which countries have you lived in and for how long?

I am an Irish citizen born in the Netherlands to a Dutch (naturalized Irish)/Irish family. We lived in the Netherlands for two years after I was born and returned there for a further three short postings over the following 20 years. I also spent significant periods living with my grandparents in the Netherlands when my mother was very ill and receiving hospital treatment there. I probably had more personal and cultural connections with the Netherlands than any other country up until I was around 14 years old. After the Netherlands my family had postings in Norway, the UK, Nigeria, Turkey and Venezuela.

I was in boarding school in the UK when my family moved to Nigeria and only visited them for school holidays. I subsequently went to university in the UK, where I met my British husband and started my career. Nowadays I have more personal and cultural connections with the UK (my parents retired there and my sister lives there) than any other country, and many people who meet me believe I am British.

A few years after our first child was born my husband and I were offered the opportunity to expatriate, and we moved to Kazakhstan. After that we spent 18 months in Malaysia (both East and West during that period), and we are now in Jeddah, Saudi Arabia. That makes a total of nine countries and I think 11 or 12 postings give or take. I have never lived in my passport country. I last visited Ireland five years ago.

In the context of cultural transitions, did you ever end up with your foot in your mouth?

All the time! The process of handing money over is always fraught. In some countries no one cares as long as they get it. In others, you put the money down and never hand it over. In yet other places you use only your right hand while others expect you to use both. I now have this habit of putting money down on the counter with my right hand—it seems to cover most bases.

handing over money

And I think you have some memorable stories about that British boarding school you attended?

The most cringe-worthy moment I ever had was on the very first day. I was 11 years old, joined mid-year and no one in my family had ever boarded before so I was rather at sea with the whole experience. My mother had dropped me off the night before and was on her way to meet my father in Nigeria. I knew the mail service was so bad I would not hear from them at all before I arrived, alone, in Lagos airport in three months’ time. I was rather scared and, although I had lived in England for the two years leading up to the move and attended an English school, I had lived with my parents so I was not truly culturally immersed in British food and traditions, let alone boarding traditions, which most of the other girls had heard about from their mothers and aunts.

I went down to breakfast and was rather bemused by being offered tea with or without sugar. While there was sugar on the table this was only for sprinkling on cereal (yes really!): we were not allowed to put that sugar in our tea. I asked for it with sugar and noticed with horror that it came with the milk already in. I am not allergic to milk but don’t have it often so it made me gag. At the same time I spread my toast with what I thought was chocolate spread. It turned out to be something called Marmite—a salty British sandwich spread for which the advertising tagline is you either love it or hate it. Well, I hated it.

The matron at the head of our table yelled at me for being greedy, taking food I wasn’t eating and, shaming me in front of all the girls, made me eat and drink every piece of food.

How did you handle that situation?

I finished my food and ran to the loos, when we were released for the five minutes before prayers, to be sick and burst into tears. I could not have a hot drink at breakfast for the entire two years I was in that boarding school, and I retain an abiding hatred for that woman and my time there.

Horrors of British Boarding School

THE HORRORS OF BRITISH BOARDING SCHOOL: Being offered milky tea with no sugar; tasting Marmite when you thought it was chocolate spread; and being shamed by Matron.

Would you handle the situation differently now?

If someone tried to do that to me now I would stand up to them, of course! If I saw someone doing that to a child I would be furious. No amount of cultural sensitivity to host cultures should require a child be shamed by a grown up, particularly when their parents are not around to defend them. Years later when my husband was a deputy house master and we were house parents, I came home from work to find the whole of the youngest year in our flat. They had committed some minor infraction for which they had been punished. They missed their supper and the Matron would not allow them to have any replacement meal. We cooked them bacon sandwiches and put in a formal complaint to the school.

Looking back on your many cultural transitions, can you recall any situations that you handled with surprising finesse?

It’s very hard to say, I moved so many times as a child that adapting to new cultures and expectations has become rather the norm for me. I wouldn’t say I exhibit any particular finesse as such but I do find that the transitions are less of a shock to me than to many of the people I meet because they are an integral part of my life rather than a once–thrice in a lifetime experience. That is not to say that I don’t experience stress, culture shock, bereavement at leaving a posting or any of those feelings that are the bread-and-butter of expat life. It’s just that I know to expect them and I know how they impact me. I also have an insight into how our children are feeling because I lived their life as opposed to just seeing them go through it.

If you had to give advice to new expats, what’s the tool you’d tell them to develop first and why?

Resilience! Expat life is hard, and you don’t become a craftsman overnight. You have to practice and get used to handling the unexpected, which gets thrown at you every day from the moment you get through immigration control and out of the airport. Some days will be unbelievably hard but, once you get through them, put away the toolbox and rest, and then get it out again and have another go. You have to be willing to take the hits, stand up and endure. Eventually, it will get easier.

I like the idea of taking the hits and moving on. Everyone should have Bandaids in their Culture Shock Toolbox.

That’s true, and you also need to know when you’re getting close to the end of your reserves and need some downtime. Whether it’s a holiday or a trip home to see relatives, time on your own or with your spouse and children, or even just a quick coffee with a friend (in person or over Skype), make sure that you get it. And you also have to make time just for yourself.

Finally, I would suggest cultivating a sense of humour. Learn to laugh at your mistakes rather than feel too bad about them. I remember one time, a month or so into our posting in Kazakhstan, we went to a fast food outlet in a food court and ordered four burger meals (we could not read the menu or order anything more complicated at the time). We were given five Danish pastries. I remember we sat there laughing our heads off to stop ourselves crying with frustration. Of course, by the time we left we could read menus, order specific food with variations and send it back if it was not to our liking and then we had to learn the process all over again in a new country!

Bandaids laughter time for self

POSSIBLE REMEDIES/FIXES: Bandaids, laughter, and self-care should be in every expat’s Culture Shock Toolbox.

That seems like sound advice! If you can laugh, your recovery from cultural mishaps will be much quicker, that’s for sure. And now can I ask whether you have any tips for handling reverse culture shock?

I have never gone home as such, but I do get a sense of this when we travel to the Netherlands. Of course we are not moving there to live so it’s not as intense but I do experience a wave of sadness that the country I grew up in effectively no longer exists. People behave differently, the TV programs are different, I no longer speak the language as easily, and many of the people with whom I spent most of my time are now dead. I feel out of time and out of place. I don’t think I would ever go back there to live, it’s too sad. My parents never returned to their native lands, choosing instead to settle in the UK where they had based our education. I think they realised that 30 years of expat life made it too hard for them to return.

How about if you end up back in the UK, where your husband is from and where you think of as “home”?

I am not sure what will help us transition back to life in the UK when we finally end our expat lives. I think a lot will depend on our children. We are currently debating whether or not to send them to boarding school in England when they’re older. If we do we will, of course, be back there far more often than if we don’t, and our children as well as our parents and siblings will help keep us far more grounded than if we had no family around. In the meantime, I make sure that Britain is not a distant country, reading a spread of papers and news magazines every day. The Internet has been a godsend in this regard. I remember as a child Radio 4 was on constantly and people would bring out tapes of CNN and the World Service which would do the rounds; a four-hour snapshot of the news. Papers and magazines were on circulation lists and as my father was promoted we got the papers more quickly. These days I can read the news as soon as it’s published, it’s truly fantastic.

Thank you so much, Mrs EE, for sharing your experiences so openly. What you say about resilience and taking time for ourselves is so true. We just have to look onwards and forwards while managing our own energy resources, and remember that it’s not only OK but necessary to take a break and treat ourselves with a little TLC. Bandaids, laughter and alone time should be in every expat’s culture shock toolbox!

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So, Displaced Nationers, do you have any boarding school horror stories to share? Please leave them in the comments, along with any questions you have for Mrs EE.

Hm, there’s actually a question I forgot to ask her: why does she call herself “ersatz”, which means not genuine or fake? Is it because she is enjoying the expat life so much? On that note, I’ll leave you with her photo of chair socks:
Chair sox-515
(Who knew chairs could get cold feet, too?!)

For more entertainment of this kind, be sure to follow Mrs EE’s blog. She is also on Twitter.

Well, hopefully this has you “fixed” until next month.

Until then. Prost! Santé!

H.E. Rybol is a TCK and the author of Culture Shock: A Practical Guide and Culture Shock Toolbox and the newly published Reverse Culture Shock. She loves animals, piano, yoga and being outdoors. You can find her on Twitter, Linkedin, Goodreads, and, of course, her author site.  

STAY TUNED for next week’s fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation—and much, much more! Register for The Displaced Dispatch by clicking here!

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Photo credits: Top collage: Photos of England, Ireland, Holland and Jeddah from Pixabay; culture shock toolbox branding; and photo of Ersatz Expat and her blog branding (supplied). Next visual: “Money in hand” photo from Pixabay. Second collage: (clockwise from top left) Memories of boarding school, by jinterwas via Flickr (CC BY 2.0); tea service photo via Pixabay; SHAME!, by Mills Baker via Flickr (CC BY 2.0); and Marmite, thickly spread on toasted bread, by Kent Fredric via Flickr (CC BY-SA 2.0). Last collage: Hammer and nail, solitary woman & laughter photos via Pixabay; and 流血後の親指 (Your thumb after an accident), by Hisakazu Watanabe via Flickr (CC BY-SA 2.0). Photo of chair socks is courtesy of Ersatz Expat.

Alice in Expatland: Paying tribute as her 150th anniversary year winds to a close

Alice in Expatland

Curiouser and curiouser.

Once upon a time, I found myself chasing a white rabbit with a gloriously old-fashioned pocket watch and falling
d
o
w
n
a hOle into Aliceland, where people stood about in anoraks and talked about the weather.

I was an expat in the United Kingdom.

Next I stepped through a looking glass into a topsy-turvy wonder-world where commuters in suits sporting high-tech timepieces were dashing about, afraid to be late for apparently important dates.

I was an expat in Japan.

In 2015 the world celebrated the 150th birthday of Lewis Carroll’s first Alice story, Alice’s Adventures in Wonderland, and, although I’m no longer an expat—I repatriated back to East Coast USA some time ago—I have spent the year paying tribute to this Victorian heroine for being my role model, or muse, during the period when I lived abroad.

What drew me so powerfully to the Alice stories? Skeptics may surmise that this Alice obsession of mine comes from some childish need to exoticize the adventures that took place during my time overseas. By comparing myself to Alice, I’m implying that my expat life was even more extraordinary than it actually was.

These critics may also think I’m being condescending in implicitly likening the natives of the UK and Japan to talkative animals or mad people.

For anyone who’s not feeling the thing I have for Alice: My point is, being an expat made me feel like a child again, especially when I found myself struggling to communicate basic points or failing to understand what was happening around me.

At moments like those, if someone had told me lobsters could dance, cats could have grins that fade in and out, and men could be shaped like eggs—I would have believed them. (In fact, I did see a lobster dance. That was at a fish restaurant in Tokyo. It hadn’t mastered the quadrille, though.)

“Who in the world am I? Ah, that’s the great puzzle…”

Alice is a child on the verge of adolescence—and the expat me could relate to that portion of her story as well. Her statement “It’s no use going back to yesterday, because I was a different person then” echoed in my head throughout my expat life—especially towards the end, when I was an American who spoke with a British accent and, similar to Through the Looking Glass Alice, had lost my first name. (As the only foreigner in a Japanese office, I was always referred to by my last name, with the suffix “-san”.)

Psychologist Eve Hemming addresses what it feels like to lose one’s cultural bearings in her recently published Scatterlings: A Tapestry of Afri-expat Tales. As she tells it, her decision to emigrate from her native South Africa to New Zealand was traumatic. Her arrival in “the land of the long white cloud” of Māori legend was akin to “falling through Alice in Wonderland’s looking glass and waking up an extra-terrestrial in an alien landscape.” Not long after, she had the chance to return to her homeland for a brief visit, and felt as though she has “plummeted down the rabbit hole back into Africa.”

These descriptions make me think of the Cheshire Cat’s advice to poor disorientated Alice:

“Then it doesn’t matter which way you go.”

If you stay in the expat world long enough, you feel, and are treated like, an alien wherever you go. I can still recall going home to America and having people refuse to believe I was American because of my credible British accent. They also found it strange I was so apologetic, a trait that had come from working in a Japanese office.

I had become one of those people who are at home everywhere—and nowhere; an adult yet a Third Culture Kid.

“How do you know I’m mad?”

Although I didn’t know it at the time, Lewis Carroll’s wonderland story could be a textbook illustration of the four stages of expat acculturation, as outlined by psychologist Dr. Cathy Tsang-Feign in her manual, Living Abroad.

As soon as she lands at the bottom of the rabbit hole, Alice enters Stage One: Elation. She glimpses a “most fabulous” garden and samples a delightful drink that has “a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast.”

It is not long, however, before she enters Stage Two: Resistance. “It was much pleasanter at home,” thought poor Alice, “when one wasn’t always growing larger and smaller, and being ordered about by mice and rabbits.”

At the same time, though, she shows potential for entering Stage Three: Transformation, when, after saying she almost wishes she hadn’t gone down the rabbit hole, she reflects: ”…and yet—and yet—it’s rather curious, you know, this sort of life!”

And, although Alice never quite reaches Stage Four: Integration (when cultural barriers are bridged)—she leaves Wonderland still feeling a bit displaced—the memories of her adventures clearly have an impact. In the next Alice story, Carroll shows her as being keen for another adventure, why she steps through the looking-glass…

“And yet—and yet—it’s rather curious, you know, this sort of life!”

The quality that Alice develops in spades (and hearts, clubs, diamonds) is resilience—which by many expert accounts is the key on a glass plate that opens the door to a successful expat life.

As Linda Janssen puts it in her book The Emotionally Resilient Expat, to have a successful transition into living in another part of the world, we need to know how to adapt, adjust or simply accept what cannot be changed.

Janssen, an American, called the blog she kept while living in the Hague “Adventures in Expatland.” She said the title perfectly expressed her feelings about an experience that was “incredibly exhilarating, challenging, and occasionally maddening.”

I know what she means. There were several instances during my times in the UK and Japan when I needed to believe six impossible things before breakfast… By the same token, though, I knew that after a fall into expatland, I should think nothing of tumbling down stairs—a thought that kept me going through a second expat assignment, and now repatriation, possibly the curious-est wonderland of them all.

Thank you, Alice, for being my heroine, and I hope you enjoyed your big birthday. Now that you’re 150, you shouldn’t be taking any stuff and nonsense from the March Hare. Tell him to pour you that glass of wine! Cheers, kanpai, bottoms up—from one of your top expat fans xoxoxo

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ML Awanohara, one of the Displaced Nation’s founders and its current editor, has been conducting a series of “wonderlanded” interviews with expat authors whose lives, and works, in some way echo Alice’s adventures. If you find her Alice comparisons amusing or even a bit nonsensical, be sure to subscribe to the weekly Displaced Dispatch, which has an “Alice Obsession” feature.

STAY TUNED for more fab posts.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, and much, much more. Register for The Displaced Dispatch by clicking here!

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Photo credits: Top row: Ann Smith – Sleepy Summers Day – Lobster Quadrille, by sea +; Final Tea Party, by Joe Rice via Flickr; and Float in the Tres Reyes parade (Seville, Spain), by Paul Asman and Jill Lenoble. Bottom row: Night cat, by Raffaele Esposito; The Pool of Tears, by sea +; and Have I gone mad (Berlin), by onnola. All photos via Flickr (CC BY 2.0), except last one, which is via Flickr (CC BY-SA 2.0).

BOOKLUST, WANDERLUST: Giving thanks for expat and repat writers whose novels have an international flavor

booklust-wanderlust-2015

Attention displaced bookworms! Our book review columnist, Beth Green, an American expat in Prague (she is also an Adult Third Culture Kid), is back with several recommended reads!

Hello again, Displaced Nationers!

This week is Thanksgiving in the USA. Many Americans abroad skip this holiday for one reason or another—one main reason being the cost of frozen turkey (a friend in Thailand recently posted a picture of one selling for $200 at the expat grocery store!).

But I always try to do something a little bit special. The way I see it, there can never be enough occasions to sit down with friends to a table full of good food!

In addition to planning for Thanksgiving and the holiday season, I’ve been cruising through the rest of my 2015 To-Be-Read list. This month, I’ve been feasting, so to speak, on three books by current or former expats who write fiction set against international landscapes. Two of them are first-time novels and the other is a thriller. One came out with a small press, and the other two are self-pubbed. Take a look!

1) Summer on the Cold War Planet, by Paula Closson Buck (Fomite, 2015)

Summer Cold War Buck

A first novel about expats in late 1980s Berlin, written by a former Fulbright fellow who has written poems and short stories about her travels? Sounds like a perfect choice for the Displaced Nation! Paula Closson Buck directs the creative writing program at Bucknell University in Pennsylvania, and is currently at work on a novel set in Venice—keep your eyes open for a review of that book, too, when it publishes.

Summer on the Cold War Planet tells the story of Lyddie, a young American woman who is living in Berlin a few years before reunification and studying architecture. She encounters a trio of German artists/activists and also meets her future husband, an American botanist named Phelps.

Most of the action takes place, as the title suggests, the summer before the Berlin Wall falls. At that time, Phelps disappears while conducting botanical research in Kurdistan and so Lyddie, now pregnant, returns to Berlin to examine her feelings for the absent Phelps—and rediscover who she is.

Buck brings the period to life through gorgeous details such as:

In the simple way the young East German at the border touched Lyddie’s face, tipping her chin this way and that as he scrutinized her features in relation to her passport, Lyddie felt she understood the meaning of Cold War. He returned her passport with a hint of a smirk and nodded her release.

But, although I was transported to the intense atmosphere of 1989 Berlin, I often felt at arm’s length from Lyddie, I think because, especially in the flashback scenes, she seemed to be letting others make choices for her.

Later, when the action shifts to the Cycladic Islands in Greece, Lyddie becomes more relatable. My favorite character in the novel, I’d like to add, is another point-of-view character, a Greek painter who learns to paint canvases underwater. A new thing to try next time I go scuba diving!

2) A Decent Bomber, by Alexander McNabb (November 2015)

McNabb Decent Bomber

This book also ticked two boxes for inclusion in this column—an expat author and an internationally relevant plot. Alexander McNabb is a former journalist who has lived abroad—mostly in the Middle East—for about 30 years. He is author of several other international thrillers, including the “Levant Cycle” books, all three of which were featured on the Displaced Nation.

The action of McNabb’s previous international thrillers centers on the Middle East, but he sets A Decent Bomber in Europe, mostly in Ireland.

Now, I find it fun to read thrillers (“fun” in that kind of macabre sense), and this one has an enjoyable premise. A retired, reformed bomb-maker for the Irish Republican Army reluctantly agrees to build new bombs, this time for African terrorists—and then tries to save the day before his bombs explode. McNabb keeps the pacing tight, the action scenes believable, and the violence just on this side of gruesome.

Perhaps because of recent current events, I was also impressed with how delicately he handles the multiculturalism of present-day Ireland, as well as the long, contentious history between the English and Irish. Take, for example, the following scene, set in a mosque in Northern Ireland:

“Welcome. I am Abdelkader Ul-Haq.”

“Hello, Father. My name’s Pat.”

Abdelkader hobbled to behind the desk and lowered himself into the wooden armchair. “I am not your father. May I sit?”

“Of course. I’m not holding you up. And father is we call our priests.”

“I know. I was joking with you. It is always best to joke with men who have guns, I am finding.”

“What gun?”

“I know the shapes guns make in clothes, Mister Pat. I come from a troubled place.’

“Well you’ve certainly hopped out of the frying pan into the fire.”

“Belfast? It is peaceful now. Before, there were troubles. No more. How may I be of assistance to you?”

Lest you be put off by the idea of following the adventures of a lone cowboy (indeed, Pat is such a cowboy that he actually owns cows), I should mention that our hero is rarely alone. He is joined on the chase by his college-student niece along with a group of police officers and politicians from both the Republic of Ireland and Northern Ireland, all of whom provide moments of comic relief. As we know from the Displaced Nation’s previous encounters with McNabb, he has a sense of humo(u)r.

3) I Have Lived Today, by Steven Moore (October 2014)

I have lived today Moore

I included this book in this particular round-up because of the author’s international credentials, and because it has received 130+ five-star reviews on Amazon. Steven Moore is the man behind the visually stunning travel blog, Twenty First Century Nomad (he also has an author site). He has been working and traveling abroad for at least twenty years. He now lives in Mexico, and one suspects his adventures aren’t over yet!

But, now, let’s burrow into the pages of Moore’s book, his first. Although the novel does have scenes both in the UK and in New York City, it is principally a coming-of-age story about a boy whose travels have to do with discovering his own conscience. I Have Lived Today takes place in the 1960s and follows the turbulent journey of Tristan Nancarrow, a boy so badly treated by his alcoholic father that he was never allowed to attend school.

Tristan’s mother is forced to run for her life, and not long after, Tristan makes his escape from the isolated island where the family lives. He spends the bulk of the book trying to reunite with his mother—having plenty of adventures, along with his share of small triumphs and bitter tragedies, along the way.

I especially enjoyed the parts of the novel when Tristan discovers what he was missing out on while under his father’s control. One of the first things he does after escaping is go to a bookstore and buy an atlas:

Tristan turned the pages delicately, as if he was looking at a priceless and ancient manuscript. To him it was an object of beauty, a treasure from a museum, and indeed the musty old store had a museum feel about it, or at least that’s how Tristan imagined a museum would seem, having never been to one.

There are times in I Have Lived Today when the tone takes on a moralistic edge and the pacing becomes steady and unrushed in a manner reminiscent of a Grimm’s fairy tale (though, to be sure, without any witches or other supernatural beings).

Our hero, Tristan, despite his father’s brutal abuse, remains an innocent who chooses to embrace a white-knight moral code even as the world shows him how cruel it can be. Through switches in point of view, Moore lets the reader peek into other characters’ motivations, but the focus is always on Tristan and his choice to reject his personal demons. This hero has resilience—the quality that we expats need—in spades.

* * *

So, Displaced Nationers, if you’re lucky enough to have a few moments to yourself over Thanksgiving or before the holiday season gets into full swing, you might want to check out these three books. They’re as different as the sides at a potluck Thanksgiving, and no less delicious for that!

p.s. And, since it’s Thanksgiving, may I say a hearty thank you to my readers! Please keep in touch and let me or ML know if you have any suggestions for books you’d like to see reviewed here! Last but not least, I urge you to sign up for the DISPLACED DISPATCH, which has at least one Recommended Read every week.

STAY TUNED for next week’s fab posts!

Beth Green is an American writer living in Prague, Czech Republic. She grew up on a sailboat and, though now a landlubber, continues to lead a peripatetic life, having lived in Asia as well as Europe. Her personal Web site is Beth Green Writes. She has also launched the site Everyday Travel Stories. To keep in touch with her in between columns, try following her on Facebook and Twitter. She’s a social media nut!

If you enjoyed this post, we invite you to subscribe to The Displaced Dispatch, a weekly round up of posts from The Displaced Nation and much, much more. Sign up for The Displaced Dispatch by clicking here!

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BOOKLUST, WANDERLUST: In “The Porcelain Thief,” ATCK and expat writer Huan Hsu assembles shards of his Chinese heritage

booklust-wanderlust-2015

Attention displaced bookworms! Our book review columnist, Beth Green, an American expat in Prague (she is also an Adult Third Culture Kid), is back with a new recommended read!

Hello again Displaced Nationers!

After a long absence (in which I got to satisfy some wanderlust, go me!), I’m resuming my column just in time for the crisp autumn weather that is conducive to some serious reading.

This month I’m excited to tell you about one book in particular I uploaded to my Kindle since we last met: The Porcelain Thief: Searching the Middle Kingdom for Buried China—a memoir of a journey through Mainland China and Taiwan by Chinese American journalist Huan Hsu.

Photo credits: Top third of an antique Chinese vase (Pixabay); cover art; Huan Hsu's author portrait by Martijn van Nieuwenhuyzen.

Photo credits: Top third of a Chinese antique porcelain vase (Pixabay); cover art; Huan Hsu’s author portrait, by Martijn van Nieuwenhuyzen.

Hsu currently lives in Amsterdam and teaches creative writing at Amsterdam University College, but he grew up in Utah. His parents had immigrated to the US from China via Taiwan. Hsu had never set foot in Asia until, as an adult, he started investigating the family legend that sparked this book.

I think one of the reasons Hsu’s account of his travels within China resonated with me so much is that I returned to the United States this summer after a two-year absence and, as usual, felt disoriented. In my case, of course, it was reverse culture shock. I just couldn’t get over the novelty of understanding everything. I started eavesdropping on conversations not because I wanted to but just because I could! Sometimes when people asked me questions, I would stare at them blankly before realizing I could understand what they were saying and respond. I found all the signs and labels, which I often tune out in my life in Prague, distracting. Man, counter culture shock can be tiring!

But whereas I was going home again, Hsu was recounting his very first journey to his homeland, another kind of (and more challenging, I think) Through-the-Looking-Glass experience.

Hsu goes to Shanghai ostensibly to work in an uncle’s semiconductor chip business, but really he wants to interview his grandmother to see what she knows about the family tale of his great-great grandfather having buried a vast collection of prized antique porcelain just before he and his family fled the town of Xingang, on the Yangtze River, to escape the Japanese occupation.

In a place he’s never been—but which many people expect him to regard as “home”

In Shanghai, Hsu finds himself in a place he’s never been—but which many people expect him to regard as “home.” Coming to China without fluent Mandarin, he’s just as much at-sea as many other American expats; but the people he encounters treat him differently than they do other foreigners. In fact, they don’t really consider him an “expat”; rather, they see him as “Chinese”—as much as he would have been if his family had never left that part of the world.

Invisible foreigner in Shanghai

Photo credits: “Just a ‘Small Crowd,'” by Kyle Taylor via Flickr (CC BY 2.0); invisible man (via Pixabay); middle third of Chinese antique porcelain vase (via Pixabay).

This honorary insider status frequently works to Hsu’s advantage as he tries to uncover the truth—if any is to be found—about the complicated events that led to his ancestor burying his precious porcelain pots before taking flight and becoming displaced.

To be honest, I would have been perfectly happy if Hsu’s entire book had been about his experiences as an American-born Chinese exploring China. As Hsu himself says in an essay published earlier this year just before The Porcelain Thief came out, “while books about the Chinese-American experience in America are plentiful, … the story of Chinese-Americans in China remains unstudied.”

It is a story that interests me personally as my now-husband, who is half Chinese, and I once lived in China, where he could pass for Chinese as long as he didn’t talk too much, whereas I was the visible foreigner. (Now that we live in Prague, our “visibilites” are reversed.)

Hsu talks about the times he had it easier adjusting to China because of his ancestry (fewer stares, more acceptance in some areas), but I was happy to see him also address the down side of this situation:

“…(F)etishization of Westerners was perhaps the most exasperating part of being an ABC [American-Born Chinese] in China…the Chinese still regarded laowai [foreigner] as an ethnicity, not a nationality, so we lacked the necessary skin tone and hair color.”

Likewise, other expats fail to see him:

“…I felt wounded when a fellow expat’s gaze passed over me without acknowledgment. Non-Chinese foreigners seemed to always notice one another on the street, sharing a knowing, conspiratorial glance, and when I tried to catch their eyes, they probably regarded me as just another impolite, ogling local. Though I stood out to the local Chinese, I was also invisible to many of my countrymen.”

Hsu’s refreshing honesty about the difficulties of living in China

One of the dangers of many travel memoirs (one that I sometimes fall prey to in my own writing) is to only write about the trip’s highlights. But perhaps because of his journalist background, Hsu is refreshingly honest. He calls it as he sees it:

“To face the absurdities of daily life, expats in Shanghai keep a mantra: This is China. The Middle Kingdom was not so much a foreign country as it was a parallel universe that managed to offend all five senses plus one more—common.”

Hmm… As I can attest from my own experience, it’s not only expats in Shanghai who feel that way!

And if he is honest about the difficulties of living in China, Hsu is also honest about the difficulties of studying Chinese. Anyone who has signed up for language classes after a move abroad will identify with this passage:

“Their Mandarin sounded familiar, and their speech didn’t seem fast to me, and sometimes I could even understand a good number of the words. But I couldn’t comprehend a thing because I was missing all the important ones, so I would hear something like, ‘Okay, and now we’re going to talk about [blank] and why you [blank] and [blank] because [blank] [blank] [blank] [blank] [blank] [blank] otherwise [blank] [blank] [blank]. Any questions?’”

Good memoirs are a little raw; this one is. Just as Hsu doesn’t pull any punches when describing China, he is equally blunt about owning up to his family’s quirks and talking about his own difficulties surmounting culture shock. Regarding this last, he writes about people having “the same personal space as puppies” on public transportation, and about his cringing embarrassment when he sees people drying their laundry on telephone poles in less-affluent areas of the city. I think anyone who has been an expat in China has made a similar list of initial observations. I can remember doing so after moving to China in 2006.

So much more than just a TCK-experiencing-Culture-One memoir

But in the end, the book is so much more than just a TCK-experiencing-Culture-One memoir. Tsu also introduces the reader to the art of Chinese porcelain, which serves in turn as a kind of symbol of modern China, a nation of fragments.

Photo credit: Chinese antique porcelain vase (Pixabay).

Photo credit: Chinese antique porcelain vase (Pixabay).

In fact the bulk of the book is devoted to Hsu actively searching for any remaining pieces of the family treasure. He flies to Taiwan and Hong Kong to locate the heart of the old porcelain industry. He finally visits the old family property that his great-greats had fled and in so doing turns up long-forgotten shirttail relations.

In the course of this quest, Hsu pieces together beautifully imagined scenes of his family’s escape from the Japanese into the Chinese diaspora.

I enjoyed The Porcelain Thief on all kinds of levels: as memoir, travelogue, art history, and social history. I’d particularly urge anyone who has lived as an expat in China, or who is thinking of doing so, to give it a try.

* * *

So, readers, have you ever had the experience of being an “invisible” expat or know someone who has felt that way? Let us know in the comments. And if you have ideas for books to review for this column, please leave a comment or let me know on Twitter! Last but not least, I urge you to sign up for the DISPLACED DISPATCH, which has at least one Recommended Read every week.

STAY TUNED for next week’s fab posts!

Beth Green is an American writer living in Prague, Czech Republic. She grew up on a sailboat and, though now a landlubber, continues to lead a peripatetic life, having lived in Asia as well as Europe. Her personal Web site is Beth Green Writes. She has also launched the site Everyday Travel Stories. To keep in touch with her in between columns, try following her on Facebook and Twitter. She’s a social media nut!

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BOOKLUST, WANDERLUST: The story of Jo Parfitt and her expat press, Summertime Publishing

booklust-wanderlust-2015

Attention displaced bookworms! As our book review columnist, Beth Green, an American expat in Prague (she is also an Adult Third Culture Kid), is still honeymooning (literally—congratulations, Beth!), we have loaned her space this month to seasoned expat and freelance writer Ana McGinley, who will tell us the story of a well-known international creative in the expat book world: Jo Parfitt, founder of Summertime Publishing.

Hello, readers, and thanks Displaced Nation for this opportunity to talk about Jo Parfitt. A journalist, editor, writer, speaker and teacher, Jo has lived abroad for 26 years—in France, Dubai, Oman, Norway, the Netherlands, Brunei and now Malaysia. She is the founder of Summertime Publishing, which specializes in publishing books by and for people living abroad.

Eighteen years ago, Jo published A Career in Your Suitcase, her guide to creating a portable career. Now in its 4th edition, the book continues to grow in popularity as the number of expat accompanying partners, mostly women, find themselves seeking new mobile careers to replace the jobs and careers relinquished to embark on a global relocation.

Jo Parfitt and A Career in a Suitcase

Jo Parfitt on Bankastraat, Den Haag, Netherlands, one of many former homes; book cover art for her bestseller, A Career in a Suitcase, now in its 4th edition.

Jo’s own career in a suitcase

The success of that book inspired Jo to set up her own business mentoring expats in search of suitable career opportunities. Having written 31 books herself, Jo decided to extend her training to include writing skills guidance for new authors. Several of them have partnered with her to publish their works, and Summertime Publishing—which she’d first set up to publish her cookbook, Dates, written while living in Oman—took off.

After nearly two decades, Summertime has a catalogue of over 100 publications covering many facets of expat life, including:

Summertime Top Five

Jo recruits her dream team…

A year ago, Jo enlisted the help of former Displaced Nation columnist Jack Scott, he of Jack the Hack fame. Jack had published his book, Perking the Pansies (a memoir based on his popular expat blog of that name), with Jo (he now has a sequel out: Turkey Street).

In addition to Jack, Jo has hired Jane Dean (who was Jack’s editor).

Jo, Jane and Jack have British roots, although Jane is now a US citizen, yet all three are based in different global locations: Jo in Kuala Lumpur; Jack in Norwich, UK; and Jane in The Hague, Netherlands. All three have in common the experience of relinquishing previous careers to accompany their partners—and establishing successful portable careers in the publishing world.

(Left to right) Jo Parfitt, Jack Scott and Jane Dean (supplied).

(Left to right) Jo Parfitt, Jack Scott and Jane Dean (supplied).

Today Jo takes care of sales and marketing, business growth, client intake, big-picture edits and manuscript assessment at Summertime Publishing. Jane is the chief editor and production manager, and Jack is responsible for royalties, administration, digitization and social media.

Business is conducted digitally via computer networking and bi-monthly business meetings on Skype—and regular Skype meetings with their team of designers. The three aim to physically meet each year for the company annual general meeting.

Jo says that the recent expansion of her business is directly related to the growth in the globally mobile workforce. As more people relocate to new locations, the thirst for knowledge about expat issues, both unique and common to specific destinations, increases. Expats tend to be well-educated individuals capable of resettling in unfamiliar places and adjusting to new cultures, without losing their own cultural identity. By necessity expat partners often dive deep into the culture of their new destination, interacting with local people and services daily. These accrued experiences, good and bad, can form a strong basis for a good story.

The summertime—& sunshine—of the expat life

Anyone who is familiar with Jo has noticed a theme running through her life and work having to do with summertime and sunshine. Jo says she named her press “Summertime” after the song by Gershwin, which she sees as her theme tune. “I am a positive person and love the optimism and hope in the lyrics,” she says.

Having spent ten years in the intense sunshine of the Middle East, Jo has also published a novel called Sunshine Soup, about expat life in Dubai, and she currently keeps a blog about the life she leads with her husband in Malaysia, called Sunny Interval, because after postings in Europe they get to enjoy the sunshine again.

Photo credit: A Sunny Interval[http://sunnyinterval.com/2014/11/23/life-ocean-microwave/]

Photo credit: A Sunny Interval.

There is also, of course, Jo’s sunny disposition to consider. “I am an optimist at heart and like to see the good in everyone,” she says, adding that, since setting up her press, “my motto has been Sharing What I Know to Help Others to Grow.”

Further to which, in closing I’d like to share some tips Jo has for expats who dream of writing a book:

• Do your own market research to see whether books covering your topic already exist. Most mainstream bookstores do not have a specified section for expatriate books—so look online.

• Visit Expat Bookshop and Summertime Publishing. (Interested in publishing with us? Send a message via the contact form on the site.)

• Download the free booklets offered by Summertime Publishing:

• Consider the practical aspects of publishing a book. Writers who enter a contract with Summertime Publishing will be offered editing, printing and promoting services tailored to suit their individual needs.

• Most importantly, assess your available time and lifestyle and evaluate the real possibilities of being able to regularly focus on your book project. writing a book demands a high level of focus.

And now for Jo’s parting pearls:

I believe everyone has a story in them. I tell someone that if their story is likely to inspire, support, inform or entertain another person then it is worth telling.

* * *

Thank you, Ana, for introducing us to Jo Parfitt. Her dedication to the cause of publishing expat works, along with her sunny disposition, has extended the feeling of summertime for me a little longer! Readers, how about you? Any questions for Ana +/or Jo?

STAY TUNED for the next fab post!

Born in Australia, Ana McGinley has now lived in seven countries in 15 years, so more than qualifies as a serial expat. She writes, edits, reviews and researches articles for various online publications, including serving as the review coordinator for Summertime Publishing—all of which distracts her from finishing her book about caring for ageing parents from abroad, a topic related to her previous work as a social worker with older people. She currently lives in the Netherlands with her Canadian husband and four children, all born on different continents. To get to know Ana better, please follow her HuffPost column. You can also view her portfolio of published works here.

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For this expat writer who has photographed everything from the Gulf of Alaska to her own back garden, a picture says…

KONICA MINOLTA DIGITAL CAMERAGreetings, Displaced Nationers who are also photography buffs! “A Picture Says…” columnist James King is still away, so I am filling in again. But the good news is, he approves of the columns I’ve produced thus far! I know I’ve enjoyed spending time with the previous two guests, fearless and feisty photography pro Steve Davey and fine-art photographer Dave Long.

And today I’m excited to introduce Madeleine Lenagh, an American who, having lived in Holland for more than four decades, has made it her base for an impressive range of creative pursuits.

Madeleine Lenagh moeraki

A photo of Madeleine Lenagh taken in New Zealand, among the magnificent Moeraki Boulders.

I first heard about Madeleine from Springtime Books, which published her memoir, Passage of the Stork, Delivering the Soul: One Woman’s Journey to Self-Realization and Acceptance, several months ago.

As those who perused our summer reading recommendations may know, Madeleine’s book was one of my picks. I was intrigued that she chose to tell her life story using poetic vignettes and commentary by archetypes from Nordic mythology and fairy tales.

From the title of the book alone, it’s possible to discern that that Madeleine is in touch with nature at an almost spiritual level. She looks to the stork to deliver her soul (in ancient Egypt, a drawing of the stork served as the hieroglyphic for “soul”). And if you read the book’s prologue, you’ll see that her view of nature includes mermaids—as evidenced by the prologue’s very first sentence:

Three mermaids play in the huge rolling waves, splashing and diving in the curling spray.

It comes as little surprise, then, to discover that besides being an author and blogger, mother and grandmother, and life coach and counselor, Madeleine is a shamanic practitioner. She has been influenced by Dutch shamanic teacher Daan van Kampenhout, whose method fosters connections with helping spirits and ancestors.

What I didn’t realize, though, is how much Madeleine loves to travel and take photographs. She even has her own photography site.

Now let’s see what other worlds Madeleine can conjure up for us with her photos!

* * *

Hi, Madeleine, and welcome to the Displaced Nation. I’ll start the same way as James, by asking: where were you born, and when did you spread your wings (an apt metaphor in your case, given your fondness for storks) to start traveling?
Hi, ML, thank you for inviting me to take part in this column. In answer to your first question: I grew up in Westport, Connecticut. When I was two years old, my stepfather was sent to Europe as a Naval attaché to the NATO. For three years, we lived in Paris, Bad-Homburg, and London. We returned to Westport when I was five. Although I have few memories of those early years, I believe my love of traveling was born then.

So you didn’t end up being raised as a Third Culture Kid?
No, I didn’t leave the United States again until I was 21, when I coaxed my family into giving me a trip to Europe for my 21st birthday. I traveled all around Western Europe and down into former Yugoslavia. At the end of the summer, I was in The Netherlands and my money was running out. I didn’t want to go home yet and found an au-pair job for six months.

Which countries have you visited thus far, and of those, which have you actually lived in?
My travels have taken me all through Europe, as well as to India (Rajasthan), Indonesia (Java and Bali), Costa Rica, and New Zealand (South Island). I believe that Canada and Alaska deserve a separate mention as they are beautiful and remote parts of the world. But, apart from those few years when I was a small child, I have only lived in the United States and The Netherlands.

It’s interesting to me that you chose to make The Netherlands your home for your adult life. What made you settle there in particular?
When I became an au pair in The Netherlands 45 years ago, I sold my return trip ticket to buy winter clothing. Somehow I never got around to leaving. It often amazes me that I, a lover of wild places in nature, could feel so comfortable in this relatively “tame” country. There were key moments in my life when I asked myself, so where am I going now? But there was always more reason to stay than to go. Passage of the Stork, Delivering the Soul describes, among other things, my struggle to put down roots and find a sense of permanency.

“She will always love the sea…” —from the Prologue to Passage of the Stork

Moving right along to the part we’ve all been waiting for: a chance to appreciate a few of your photos. Can you share with us three photos that capture some of your favorite memories of the so-called “displaced” life of global travel? And for each photo, can you briefly tell us the memory that the photo captures, and why it remains special to you?
Occasionally I arrive somewhere and think, I could live here. One of those places was South Island, New Zealand. I love the wild remote land, the warm friendliness of the people, and the ever-changing scenery. The photo I have chosen here is the perfect arch of a totally deserted beach in the Catlins, way down on the southern end of the island.

catlins_800x

Untainted by the modern world, the Catlins are the kind of place where a mermaid might appear. Photo credit: Madeleine Lenagh

Wow, that’s the kind of place where it would be easy to imagine mermaids! I have only been to New Zealand’s Northern Island, but even there, I felt that it attracts people who want to get away from it all…
Along the same lines, another place I would be seriously tempted to live, if it weren’t so cold and dark in the winter, is Alaska. I love the pioneer spirit of the people who live there. My brother runs nature tours out of Paxson, which is located in one of the prettiest spots in the state. To the north of the Denali Highway, one sees the dramatic Alaska Range, with its snow-capped peaks and glaciers. An outstretched tundra lies to the south. However, the photo I have chosen, of a fishing boat near the shore, was taken down on Prince William Sound, during a day cruise in 2010. I like the muted colors, with only the bright splash of red on the boat to off-set the fog.

alaska77

While cruising through the calm, protected—and mysterious—waters of Prince William Sound. Photo credit: Madeleine Lenagh

Ooh, I really like this photo. So moody and atmospheric… Though I’ve never been to Alaska, I picture it as having this kind of mystique. Where are you taking us next?
This summer I traveled back to the New England of my youth. I realized how much at home I feel there, in spite of having left 45 years ago. Those of you who have read my book know that I have a special relationship with storks. One of the things they reflect about me is their migratory nature, feeling at home in more than one place. I love this photo of a white stork, taken near my home in The Netherlands, doing its special bill-clacking dance as it returns to the nest.

stork-s_800x

Time for a spot of beak-clapping, says this Dutch stork. Photo credit: Madeleine Lenagh

Hm, until now I have always associated storks with the arrival of babies. But after hearing what you have to say, I may start thinking of them as the avian counterpart of the serial expat!

“I lie on my stomach, hearing gossamer wings rush by.” —from the Prologue to Passage of the Stork

Having seen your first three photos, I expect it’s a bit of a tough choice, but which are the top three locations you’ve most enjoyed taking photos in—and can you offer us an example of each?
I’m actually going to pick three new places for you. The first one is India. It is a riot of color and ornate decorations, a photographer’s paradise. The photo I have chosen illustrates this perfectly: a group of children posing for me in the “best room” of their desert compound near Jaisalmer.

212_desert

Colorful life in India’s Thar desert. Photo credit: Madeleine Lenagh

I also have a special relationship with Norway (disclosed in my book) and I love photographing birds. Up in the Lofoten archipelago, I had the unique opportunity to photograph white-tailed sea-eagles. I’m very proud of this shot, catching the bird just as it had landed on a rock.

eagle_800x

A white-tailed sea-eagle touches down on this untouched land within the Arctic Circle. Photo credit: Madeleine Lenagh

Finally, though I’ve taken you far afield, my last pick for favorite photography locations is my own garden! I love the simple beauty of the nature I find there. A perfect illustration is this photo of a spider web covered with droplets of fog.

spiderweb-s_800x

Is it a spider web or the finest lace? Photo credit: Madeleine Lenagh

I love that you’ve taken us back to your own garden! It makes me think of a fellow New Englander of yours, Emily Dickinson, who took companionship as well as inspiration from her garden in Amherst.

“You can cage a bird, but you can’t make him sing.” (French-Jewish saying)

Going back to your photo of the children in India, I wonder: do you ever feel reserved taking photos of people, particularly when they are conscious of your doing so? How do you handle it?
I am very reserved about taking photos of people, especially in other cultures, and will only do so if they have given me permission. Usually, asking people if you can take their photograph is a wonderful way of making contact with them and often leads to spectacular portraits. The photograph of the children in India is a good example. I love how the two sitting girls (unmarried and therefore veiled) unveiled their faces for the photo.

When did you become interested in photography and what is it about this art form that drew you in?
I believe I have photography encoded in my DNA. My grandfather was taking brilliant photographs in the 1920s. My mother never went anywhere without her 1953 Leica. My Norwegian father (caution: book spoiler!) was a cinematographer. I started taking photographs (and working in a darkroom) when I was about 18 years old. I believe that I was originally drawn in by the fact that it required no real motor skills and I was dreadful at drawing! I’ve always had the urge to express my feelings in some creative fashion, whether it be writing, photography, painting, or dance. Currently, my greatest motivation to photograph is to share the beauty of the natural world with others; to draw them into the same sense of awe and majesty that I feel when I’m in touch with nature.

“Listen to all, plucking a feather from every passing goose, but, follow no one absolutely.” (Chinese saying)

And now switching over to the technical side of things: what kind of camera, lenses, and post-processing software do you use?
Most of these photos were taken with earlier cameras but, at the moment, I use a Canon EOS 6D, a full-frame camera. My favorite lens is a 70-200mm f 2.8 lens. I have been using a 2x extender to get up to 400mm, but recently decided that it slows down the focus too much so I will be looking for a good telephoto lens soon. I find that, as my experience grows, I grow more and more fussy about my equipment! I photograph in RAW format and process the images in Adobe Lightroom.

Finally, can you offer a few words of advice for wannabe photographers who are traveling the world or living abroad?
I suppose the most important advice is just to go out and photograph the things you love. Good photography takes practice and more practice. Study the manual of your camera and don’t be afraid to experiment with settings. Study paintings and sculpture by the artists you admire, to develop a sense for light and composition. As I develop as a photographer I find myself growing more and more critical of my work. It’s not just about showing the things I’ve seen or taking good photos. It’s about taking great photos that show a unique moment.

And I think the most important advice to any aspiring photographer was voiced by Pablo Picasso:

“Learn the rules like a pro, so you can break them like an artist.”

Thank you, Madeleine! I appreciate your sharing a selection of photos that illustrate your deep connection with nature. I’m impressed that you can find so much beauty and wonder on your own doorstep as well as on your travels to the world’s most unpopulated and unspoiled places.

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Readers, what do you make of Madeleine’s travel-photo experiences and her photography advice? Please leave any questions or feedback for her in the comments!

If you want to get to know Madeleine and her creative works better, I suggest you visit her author site and her photography site. You can also follow her on Facebook (she posts her latest photos) and Twitter. But to really get to know Madeleine, I recommend getting her book, Passage of the Stork, Delivering the Soul. You’ll never look at storks, or mermaids, in the same way again!

NOTE: If you are a travel-photographer and would like to be interviewed for this series, please send your information to ml@thedisplacednation.com.

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