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TCK TALENT: Why do so many Adult Third Culture Kids gravitate toward acting, and is that the best use of their talents?

Com & Trag Collage

Tragedy and Comedy, Scarborough Hotel, Bishopgate, Leeds. Photo credit: Tim Green via Flickr.

Elizabeth (Lisa) Liang is back with her monthly column about Adult Third Culture Kids (ATCKs) who work in creative fields, Lisa herself being a prime example. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she has developed her own one-woman show about being a TCK, which will be the closing keynote at this year’s Families in Global Transition (FIGT) conference, “The Global Family.”

In my last column, I interviewed Laura Piquado, a professional actress based in New York who grew up in six countries, including Egypt, where we were drama classmates in high school. As a result of the interview, Laura, editor ML Awanohara, and I had a lively discussion about Laura’s career change from education/activism to acting.

ML said she was puzzled as to why so many intelligent, well-educated Adult Third Culture Kids feel so at home in the acting world. She expressed concern that acting might cultivate a narcissistic outlook on life, which is the opposite of a TCK’s worldly upbringing. She said she found it particularly jarring that Laura could go from go from almost doing a PhD on women’s education in post-conflict societies, to enrolling in acting school—and not look back.

Laura’s response was so eloquent that I am posting it here.

Before you read it, I recommend watching this TED Talk by British actor Thandie Newton:

Born to a Zimbabwean mother and English father, Newton always felt disconnected or “other” while growing up in the UK:

“From about the age of 5, I was aware that I didn’t fit. I was the black, atheist kid in the all-white, Catholic school run by nuns. I was an anomaly.”

Acting gave her a chance to play with her different selves.

And now from Laura Piquado:

I had a similar reaction to yours, Lisa, in seeing acting described by ML as a narcissistic endeavor. While I can certainly understand that reputation (indeed, the Golden Globe awards), I have always idealized what theatre can be: life-changing, hopeful, inspiring, and necessary. It’s the worst to be onstage with someone who’s “masturbating” their way through a show (and equally as painful for an audience member).

I was in Maine a few years ago at a craft school (I’m a potter), and I sat next to a visiting artist at dinner (the amazing Hungarian-born sculptor Gyöngy Lake). She asked me what I did. When I told her I was an actor she said:

“We love you! We need you! You tell the stories of our lives!”

Now while that sounds uber-maudlin, I was completely overwhelmed. I had known this woman for less than two minutes, but she had described, for me, what the essence of art is.

On the other hand, I don’t want to get beaten over the head with social and political commentary every time I go to the theatre. I mean, I love Brecht, but can you imagine if that’s all theatre was? Mother Courage after Mother Courage, after The Caucasian Chalk Circle, after Arturo Ui…ugh. People would stop going. There’s room for pomp-y, wacky, ridiculousness (all hail The Book of Mormon), and everything in between. But I do think theatre at its best, the stories that stay with you, are the ones that connect to a deeper human context.

I was reading an interview with Supreme Court Justice Stephen Breyer in the New York Review of Books where he recounts a story he heard while a law student:

At the turn of the last century, the court was called upon to decide a case on prices for theater tickets—could they be considered basic necessities, and could they be regulated as such? The majority thought the theatre was not a necessity. The great Justice Olive Wendell Holmes Jr. replied in his dissent: “We have not that respect for art that is one of the glories of France. But to many people, the superfluous is the necessary.”

The interview was a larger discourse on France and Proust, but the point Holmes made about the necessity of art resonates.

ML also made the comment:

An interest in international affairs implies that you care about effecting positive social change on behalf of less fortunate people… Do you foresee bringing those two strands of your life together at some point?

The notion of “effecting positive social change” is what I’ll respond to. Again, it’s what I believe theatre can be, from Winter Miller‘s In Darfur to Moisés Kaufman‘s The Laramie Project. Being a part of that kind of theatre is deeply gratifying and something I always seek out. (Or as a potter: being able to go to communities to work with local artisans to make pots that filter clean, potable water falls into that same category.)

The leap from one discipline (social justice through academia) to another (theatre) wasn’t so quantum for me. And while they are vastly different on so many practical and actual levels, “effecting positive social change,” for me, lies at the heart of both.

* * *

So, readers, do you have anything to add to the debate? Are we ATCKs doing ourselves, and the world, a disservice by turning to acting, or can acting be one of our more profound contributions?

STAY TUNED for next week’s fab posts!

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Trevi Fountain blesses American woman’s coins, granting her true love, a new life abroad, and now a book (we’re giving it away!)

Catherine Tondelli book signing photoWhile an expat in Japan, I mastered the ritual of tossing coins into the offering box, or saisenbako, at the Shinto shrine or Buddhist temple while clapping twice (to attract divine attention) and then making a short prayer.

In the West, of course, we toss coins into fountains and make a wish, but I’d never been one for doing that.

I might start trying it, though, now I’ve read Catherine Tondelli’s memoir, Three Coins in the Fountain, which recounts the luck she had in finding a mate the moment she tossed three coins into the Trevi fountain in the Città Eterna.

Sounds like a pitch for a Hollywood film, doesn’t it? Except, wait a minute, that film has already been done (in the 1950s)!

And it’s real life we are talking about here, not the movies.

Besides, Tondelli has kindly granted me three wishes:

  1. She will answer some questions about her memoir as well as her writing process (see below).
  2. She will GIVE AWAY TWO COPIES (hard copy or Kindle) to the two readers who toss in the best comment below.
  3. She will make the book available for free download for a short period—to be revealed at some point in our weekly Displaced Dispatch. (What? Not a subscriber? SIGN UP NOW!)

Before we start, I should mention that Tondelli’s book has been likened to another book recounting travels in the wake of divorce: Eat, Pray, Love, by Elizabeth Gilbert. But for me, a half-Italian American, Tondelli’s more restricted itinerary makes a a lot more sense. Who needs India and Bali when you can easily get the whole package—great food, a renewed faith in relationships and family, and love—in Bella Italia?

Like me, Tondelli is half-Italian, and I like to think it’s that ancestry that made her realize the truth of Madonna Louise Ciccone’s assertion: “Italians do it better.”

* * *

3-Coins-in-Fountain-by-Catherine-Tondelli_dropshadowWelcome, Catherine. I read your book not long after I’d finished Imperfect Pairings, by Jackie Townsend, which we featured in this space this past November. But that was an autobiographical novel based on Jackie’s marriage to an Italian man. So here’s my question: did you ever consider telling your story as fiction, or perhaps using it to develop a film script for a romantic comedy?
I originally thought about writing it as a novel, but my story was so unique and it gave so much hope to women who have given up all hope of ever finding the man of their dreams after 40 years old. Most people would never believe that stories like this really do happen and that true love will find you as easily as tossing some coins in a fountain. I also felt that many people could relate to my crazy stories of growing up in a large family. In the 1960s it was normal to have families of seven or more children; but, with the exception of Cheaper by the Dozen, there is very little written about large families. You have a lot of crazy stories when you grow up with ten siblings!

Yes, I noticed in the press release for the book that you grew up in Chicago as one of 11 kids who were left behind by a deadbeat, jazz musician dad. Can you tell us a little more about your relationship with the man who bequeathed you the surname “Tondelli”? After all, he features in the book quite a bit as well.
I had a very challenging relationship with my father and harbored resentment towards him for many years. I was only 12 years old when he walked out on my mother. It had a huge impact on the relationships I had and the men I chose. A daughter’s first bonding with any man is with her father: he is her first boyfriend, role model for the men she chooses. We often repeat what we know rather than what we want: we need “familiar,” even if it’s unhealthy. I kept choosing unsuitable men until fate stepped in and finally tossed me a “get a good man” coin to throw in the Trevi fountain.

Did you and your father ever reconcile?
I didn’t speak to him for twenty years. We finally reunited when I was attending a conference in Las Vegas and he was a musician playing on the strip. I called him and we had dinner together. We hugged and kissed at the end of the evening: it was a huge healing moment in my life. I was never as close to him as I was to my mother but we had a good relationship up until the day he passed away one year ago. Writing about him also helped me to heal.

Sono pazzo di te (I’m crazy about you…or am I just crazy?!)

Now turning to the man who would become your husband, the handsome and irrepressible Fausto. Since romance is a big part of what your book is about, I’d like to recount the first moment when the pair of you set eyes on each other. Newly divorced, you were traveling in Italy with your mom and had by that time reached Rome and the Fontana di Trevi, where your mother handed you three coins and urged you to wish for a nice man to come into your life. At that very moment, you heard an Italian man say: “Eeffa you wanta your wish to comb true, you avv to trow the coins witah your layft (h)and as eet’s closer to your (h)art…”
Yes, and then he asked if I knew “de meaning of da tree coins”:

“Da first coin, you find your love in Rome, da second coin, you return to Rome and the t(h)ird coin, you marry in Rome.”

And that’s what happened: he and I fell in love, I returned, and we got married.

Chi ama me, ama il mio gatto (Whoever loves me, loves my cat)

Jackie Townsend entitled her book “Imperfect Pairings” because she thinks Americans have an idyllic view of cross-cultural marriage with Europeans, thinking it sounds very romantic—whereas the reality tends to be culture clash after culture clash. You seem to believe in the romance while also acknowledging there were hurdles along the way. After you got over assuming Fausto was gay, you suspected you might be just one in a long line of fountain pick-ups. And even after he at last won your trust, you and he had to struggle to get used to each other’s habits. He did not take well at first to sleeping with your beloved Siamese cats, for instance.
Three Coins is not your stereotypical girl-on-holiday-meets-man-of-her-dreams-and-lives-happily-ever-after. Yes, we did meet on my trip to Italy, but falling in love and moving to Italy was the last thing I’d expected. I came to Italy only after I had worked for three years in London and only when finding a good job in Rome. And when he proposed, I called my sister.

I like that you put a map at the beginning of the book, showing all the destinations you and Fausto traveled to together, before you decided to live in the same place. I presume Italy and Italian culture were an adjustment?
Even though I grew up in an Italian American household, the cultural learning curve for me was huge.
My mother descends from Irish stock, and Fausto couldn’t believe his ears when I told him my Irish grandmother had put money aside in her will to host a luncheon following her funeral for all her friends and family. When his father passed away, we went down to the morgue to say our last goodbye and then off to the church and finally the cemetery, all within two hours. No lunch, no funeral home, no photographs—it was all too fast, no time to mourn to grieve with family or friends. A real Mork & Mindy moment for me.

Was that your most displaced moment: when you thought, what’s a nice girl like me doing with an Italian?
That’s one, and another would be the Christmas after we moved into our new palazzo in Rome. I went to our five neighbors in the building and brought them Christmas cookies I made and a bottle of Spumante. Fausto looked at me with all my plates of cookies and bottles of Asti in my hand and said: “My love, what are you doing??” I went on to explain that we always bring something over to the next door neighbors in America for Christmas. He just stood there and smiled and said “We don’t do that in Italy.” I said, well, we’re going to start now!

Can you also pinpoint your least displaced moment, the first time you realized you felt much more comfortable with him and in Italy than you do with a man from your own culture in the U.S.?
I think it was when there was a Lazio (Rome) football game on TV and instead he took me to see a classical music concert at the Auditorium. He wasn’t telling me all night how much he was giving up for me…he really enjoyed the concert! I am a big baseball fan, not soccer. I was thrilled.

Non si serra mai una porta che non se n’apra un’altra (When one door closes another opens)

Moving on to the writing of the book: What was the most difficult part of the writing process?
Being constantly turned down by traditional publishers. Also, people I knew who already had books published weren’t very encouraging. Luckily, I didn’t let them get me down. After shopping it around for about six months, I decided to self publish. I realized with all my marketing and PR experience I could do a better job then they could in promoting my book in getting it to the right audience.

I see that you’ve listed Francesca Maggi as a co-author. How did that relationship work?
I was lucky as she was an editor and also an author and a friend. She had just published Burnt by the Tuscan Sun, and I asked for her help on the editing process. I gave her my manuscript and she polished and refined it pointing out my weaknesses and suggested options to strengthen those areas. She was instrumental in getting the flow right and helped with the technical elements. She was a natural choice for me as we share a common love of Italy and America, and she knew my husband well.

Can you offer any advice for others who are writing memoirs and hoping to publish them?
Don’t get discouraged. Publishing a book is not easy but if you have a good story, you now at least have options to get it out there. I love this quote by women’s fiction writer Jennifer Weiner:

The difference between people who believe they have books inside of them and those who actually write books is sheer cussed persistence—the ability to make yourself work at your craft, every day—the belief, even in the face of obstacles, that you’ve got something worth saying.

What audience did you have in mind for the book, and has it been reaching those people?
I really thought the target would be women between 20 and 60 (I do get a lot of emails from women like myself, and am happy they can relate), but I have been amazed at how many men also have written to me to say how much they enjoyed reading it. Obviously anyone who loves Italy, old-time romance, or stories of expat life in Europe would find it entertaining.

What do men like about the book?
I’ve had some nice comments from men who said that they were taking notes on Fausto’s techniques… Many of them also grew up in a large family. Also, Fausto was still a bachelor at 50. His story, too, can be inspiring!

Living La Dolce Vita

In your book you question whether Americans have their values in the right place given that we take so little vacation compared to people in Europe. Have you continued to feel this way about the U.S. since marrying Fausto and settling down in Rome?
Two years ago I decided to live like the Romans do and started working for myself so I could spend more time in the US visiting family and friends and also have more time to enjoy La Dolce Vita.

Do you think you could come back to live in the United States? What would be the adjustments?
After living in Italy for more than 12 years it would be very difficult for me to return to live in the US. Fausto and I have discussed moving back to California as he also acts in film and there are many more opportunities, but then we thought: how can we go and live in a city where they close the restaurants at ten o’clock? It would be very difficult to replace our lifestyle in the US. That said, I would love to transport the US postal office here as Italy still doesn’t have postal stamp machines. I bring my book and my computer now when I go to the post office as I know I’ll be spending the day there.

10 Questions for Catherine Tondelli

Finally, I’d like to ask a series of questions that I’ve asked some of our other featured authors, about your reading and writing habits:
1. Last truly great book you read: Blood from a Stone, by Donna Leone, part of her crime series set in Venice.
2. Favorite literary genre: Biographies or autobiographies: real-life stories are always so much more interesting than anything you could make up. That said, I also enjoy reading fiction.
3. Reading habits on a plane: I usually have long flights as my mother lives in San Diego and I fly from Rome three or four times per year to see her couple that with all the travel I do for my work (am working on events in Dubai, Nairobi, Singapore and London at the moment). I always have three or four books in my library at home that I wait eagerly to put in my carry-on bag for my long, hopefully peaceful journey. I am old fashioned and still like to feel the paper when i read a book.
4. The one book you’d require President Obama to read, and why: Jimmy Carter’s book Our Endangered Values: America’s Moral Crisis. I believe that Jimmy Carter has been one of our great leaders yet he is so humble. He was my 95-year-old grandmother’s favorite president. He tells us that for example the USA gives far less foreign aid to developing countries than most people imagine. And, much of this aid goes to certain select countries whose loyalty we are trying to buy rather than because we want to help the poor. The book opened up my eyes to understand how we are perceived internationally. It will give Obama a good reminder that values and morals are more important than being powerful.
5. Favorite books as a child: Charlotte’s Web, The Adventures of Tom Sawyer
6. Favorite heroine: I have many but at the moment it is Malala, the girl who stood up for education and was shot by the Taliban and survived.
7. The writer, alive or dead, you’d most like to meet: Beatrix Potter. I loved her books as a child, and she was also one of the early pioneer woman who broke the male barrier in publishing.
8. Your reading habits: I like to read in bed with my two Siamese cats (Stella and Luisa) on my lap.
9. The book you’d most like to see made as a film: Three Coins in the Fountain, of course!
10. The book you plan to read next: E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality, by Pam Grout. She provides experiments that prove our thoughts really do create our reality.

* * *

Thanks so much, Catherine. Readers, your turn! Any COMMENTS or QUESTIONS for Catherine? What would YOU wish for with your three coins, having heard her story? Come on, Valentine’s Day is coming! Surely, someone out there aspires to be the next heart wearing the valentine of the Frank Sinatra song?

STAY TUNED for tomorrow’s TCK TALENT column, by Lisa Liang.

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LIBBY’S LIFE #89 – Catching up

It’s snowing in Woodhaven.

I sit at the antique oak desk in front of our dining room window and watch the flakes fall onto the deck. They linger for a few seconds before dissolving into the wooden boards, but it won’t be long before they gang together into a hefty depth; eight inches of the little blighters before dawn tomorrow, if the weather forecast is correct. The outdoor thermometer, which gave a springlike reading of 45 degrees two days ago, now stands at 28 degrees, and the mercury is dropping fast.

Wait! Rewind.

I’m sitting in the dining room in Woodhaven. The room into which I wouldn’t go alone three months ago because it was the favourite spot of Jack’s invisible friend, Em.

How things have changed.

Yes, I know. It’s a while since you heard from me. Halloween, Thanksgiving, Hanukkah, Christmas, New Year — they’ve come and gone again for another year. But I’ve had a break, and you know what?

I needed it to regain my sanity.

When you won’t stay in a room, or even an entire house, because your kindergartener has convinced you there’s a nine-year-old poltergeist in it, you need to remember where you last left your sanity. It’s not as simple as remembering where you last left your car keys.

So this break was not just a vacation, it was a necessity. A necessary break to convince myself that cold dining rooms are due to ineffective central heating or over-effective air conditioning, not due to a spiritual cougar dreamed up by my five-year-old son because he can’t get a real girlfriend yet.

A break from watching my good friend Maggie turn herself from Germaine Greer into Betty Crocker, as she misguidedly resurrects her long-abandoned marriage to Derek Sharpe. Someone (me) needs to tell her (soon) that being alone isn’t the same as being lonely; that you can be lonely even when you’re not alone. An ex-husband who wants you to be his house-servant in your twilight years is not a satisfactory trade for being alone; indeed, this particular ex is not even a good trade for being lonely. I have so much to tell you about this man — but not yet.

And lastly, a break from Woodhaven, a break from being a foreigner. Instead, a few weeks in good old Blighty where people understand my accent and don’t incessantly comment how “adorable” it is.  (I get so tired, in Woodhaven, of being told how adorable I sound. I’ve even made a “two strikes” rule about it: if, during our third meeting, a new companion is still trying to copy the way I say certain words, there will be no fourth meeting.)

But, you might be asking, what’s happened chez Patrick since November?

After the Sandra-snakes-and-snails fiasco — another topic to elaborate on later — Oliver jetted off to Rotterdam to see his customers, and the kids and I stayed at a hotel near my mum’s place for a few days. It wasn’t ideal, but it was better than staying in the parental home; something I should have remembered from the last disastrous time I stayed there with Jack, just before we moved to Woodhaven, nearly three years ago.  While I love my parents because, well, they’re my parents, I would never want to live in the same house with them again, not least because it would result in news stories with intriguing headlines.

Elderly couple missing for two years found in their own freezer. Daughter pleads not guilty; says it was suicide pact.

Teetering along a fine line between “elderly” and “borderline senile”, my parents have forgotten what it’s like to have small children. After an afternoon involving one twin trying to eat a block of toilet cleaner (the sort that hangs from the rim; George thought it was a lollipop), the other twin sinking her teeth into the plastic bananas and pears in Mum’s fruit bowl, and Jack adding crayon stick-figures to the leather-bound journal in which Dad was writing his memoirs (as if anyone would ever read them anyway!) Mum and I tacitly agreed to meet at more neutral venues in shopping centres. Not Dad, though, who made a big deal of cancelling all engagements in order to rewrite his memoirs into a brand new, unsullied leather-bound journal.

When I’d spent more hours than is humane with Mum in “neutral venues” — mooching round Primark and M&S was her idea of an entertaining afternoon for small children and, being reliant on her transport, I couldn’t argue — Oliver finished his business in Rotterdam and came to rescue us. He turned up in an ugly, green Renault people carrier rather than on a white charger, but after a week in Primark and M&S I’d have loaded me, the kids, and the luggage onto a Shetland pony and trotted all the way to Heathrow.  Oliver had even managed to get us all tickets on the same flight to Boston, which was a relief. Going to the supermarket on my own with the sprogs is hair-raising enough, never mind going on my own with them across the Atlantic.

A few hours of assorted children crying at frequent intervals, squeezing into aircraft bathrooms to change nappies, and playing “I Spy” with Jack until even he got bored (“I spy with my little eye something beginning with A-C.” “Another Cloud?”) and there we were…back in Woodhaven.

Back home.

Home?

Yes. A couple of years ago I couldn’t think of  Woodhaven as home, but something keeps changing. The combination of paying a mortgage to the bank instead of rent to Melissa H-C, and the cold-water-splash reality check of visiting Milton Keynes — somewhere I used to call “home” but isn’t any more — made me realise where home is.

It’s not where you’ve lived, but where you make a life. Life is here, in this funny little house with the wood panelling, temperamental wiring, and uneven floorboards. It’s where my children are, where Oliver is — most of the time, anyway.

I look up from my journal. The snow is settling now; about an inch has gathered on the deck since I started to write.

The children are in bed, and Oliver is away, as usual, this time in Seattle. A floorboard creaks behind me, but I don’t turn round. This old house creaks all day long; the rise and fall in temperature and humidity in a wooden construction makes unexpected noises inevitable.

If it isn’t merely the falling outdoor temperature — and at night, alone, my stern self-admonishing to grow up and stop being so silly can lose its power — well, that’s OK.

Our home is where we’ve made our lives, of course.  But many other people made their lives in this enchanting house before we came along. I can understand if some don’t want to leave yet.

As I’m always telling Jack, George, and Beth — it’s nice to share.

.

Next post: LIBBY’S LIFE #90

Previous post: LIBBY’S LIFE #88 – A silver trail

Read Libby’s Life from the first episode.

Want to read more? Head on over to Kate Allison’s own site, where you can find out more about Libby and the characters of Woodhaven, and where you can buy Taking Flight, the first year of Libby’s Life — now available as an ebook.

STAY TUNED for next week’s posts!

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GLOBAL FOOD GOSSIP: The Mysterious Case of the Missing Pastries

global food gossipJoanna Masters-Maggs, our resident repeat-expat Food Gossip and Creative Chef, is back with her column for like-minded food lovers.

This month: The regrettable global takeover of the Cronut, and what should be getting the publicity instead.

* * *

“What in dog-breeding hell is a Cronut?” demanded my son Seb, reading over my shoulder while swigging milk from the bottle in that annoying way 16-year-olds have. Baffled for a second, I realized the confusion and laughed.  My German Shepherd, Sophie, is my obsession and I am always reading articles about breeding and training.  Today, though, I was reading a food magazine which discussed trends for the New Year. Seb had seen a headline that asked:

“2013 was the year of the Cronut and Duffin but what does 2014 hold?”

Those of you elsewhere — anywhere except France, that is — may laugh, but Seb’s assumption that a Cronut is German Shepherd-related rather than food-related was completely justifiable.  My own ignorance of Cronuts and other “blended” pastries was only brought to my attention in December, when a friend living in Kuala Lumpur posted that they had finally arrived there.

I think it true to say that the Cronut hasn’t yet arrived in France and probably never will.

Some dishes deserve to go global

I do hope the same will not be the case for other treats that, my magazine suggested, will be sweeping tastebuds worldwide this year.  I was particularly happy to see the arepa from Venezuela and Columbia on the list. My hips might not want to revisit my interest in these delectable goodies, but I am smacking my lips in anticipation.

I first met arepas in Maracaibo, Venezuela, and our friendship deepened while I lived in Caracas.  These flattened balls of unleavened maize flour-based dough are fried and then filled with a cornucopia of ingredients, depending on the region. North Western Venezuela, where I first fell in love with the arepa, has its own speciality, the Arepa Cabimera, whose filling consists of the improbable combination of cheese, jam, chicken and boiled eggs.  You know when someone is eating a Cabimera as the arepas are unusually square.  Other varieties often include queso guayanés  — a mild, medium-soft cheese similar to mozzarella, shredded chicken and, if you are very lucky, crispy pork rind.

Global — with the exception of France, that is

The idea that I will miss such delights as they sweep the world is distressing, but our ignorance of the Cronut is a sad portent of what might come.  How had the Year of the Cross-bred Pastry missed France? Perhaps it’s not such a surprise; France is not culturally inclined to faddy trends as is, say, London or New York.  Why a “need-to-please” hybrid, when a classic, small, and delightfully buttery croissant is available?  How intolerably vulgar to take such perfection and, presumably, add jam and deep-fry it.

I can feel a thousand thin and elegantly clad Parisian shoulders shudder at the thought.

Hybrid – it’s the new pedigree

On further reflection, my less-thin shoulders shudder too.  As my son’s comment shows, cross-bred dogs are very much at the front of people’s minds at the moment.  Maybe the Cockerpoo, Labradoodle, and Schitzpoo are the canine equivalents of our human desire to have our cake and eat it.  A dog that doesn’t shed and mess up the carpet and sinuses, and a croissant that doesn’t — oh, wait. It does crumble.  Well, a pastry that isn’t a croissant or a doughnut but which still makes a crumbly mess…

Why?  Why make a mash-up of existing pastries when you could come up with something less plagiaristic or stick with what already works?  Oh, listen to me: maybe I do belong in France!  After all, for each hybrid that works there are the unlucky ones in each batch which fail to inherit the best of both worlds and instead exhibit the worst of each.  A croissant where the delicate buttery flavor has been killed by over-sweetening?  A  Labradoodle which sheds anyway and isn’t a pedigree but which costs the same and has the potential to inherit the congenital defects of two different breeds?

What’s more, the frying of such a delicate thing as croissant pastry is not for amateurs.  Getting the layers of pastry and butter to open in the heat of an oven is no mean feat; getting them to do the same in hot fat is entirely different.  Apart from that, think how easily butter burns.  That’s a lot of worry when pâtissierières across France already have mastered the art of injecting chocolate into croissants to make pain au chocolate or, better, almond paste.

For me the almond croissant is the pinnacle of pastry pleasure.  This marriage of crisp pastry with nutty and unctuous almond paste represents the Paul Newman and Joanne Woodward of the Pâtisserie.

The Cronut is, as yet, a Brangelina wannabe and everyone is already asking how much longer is it going to last.

“New” but not necessarily “improved”

The French disdain for change for change’s sake can be seen everywhere.  Fashion classics which stand the test of time are valued over the new and the shocking.  London fashion is all about iconoclasm and rebellion, rather than restraint.   Surely, when it comes to food, good taste should not be derided.  Maybe the French are right not to jump on the bandwagon of each new craze, instead waiting to see what stands the test of time and has what it takes to become part of the pâtisserie canon.

I doubt that the Duffin will ever be the Little Black Dress of the pâtisserie world; certainly not with a name that makes it sound like something an ageing hippie would wear on a cold winter day in Glastonbury, UK.

Hmm, pause for thought indeed.  At least with baking, we can bin the rejects; we cannot do the same with our canine friends who don’t pass the successful hybrid test.

How, then, can a modern culinary classic find acceptance in France?

So, let me find order to my reasoning.  The French, so far, have not accepted the hybrid pastry which tries too hard to please and lacks the elegant restraint of better behaved French patisserie staples.  However, history reveals that the French will eventually accept what will not go away: dishes with an enduring appeal, such as the pizza so…

…let’s return to my arepa whose pedigree cannot be questioned.  This is a traditional, tried and tested, and regionally variable dish.  Given time, I am hopeful that the French, who enjoy regional variety in cheese and wine, should be open to accepting this newcomer.  France has already embraced with overwhelming enthusiasm the pizza and tweaked it to French tastes – crème fraiche anyone?  There is a little van with a wood burning stove on most street corners in every city, town and village of the country.  For every Domino there are scores of restaurants, parlours, and vans, nearly all of them French owned and run.

For the arepa this is hopeful news indeed. I may have to wait longer than a resident of London, Birmingham or, indeed, Kuala Lumpur, but I have hope that the Venezuelans are coming to Aix.

* * *

Joanna was displaced from her native England 16 years ago, and has since attempted to re-place herself and blend into the USA, Holland, Brazil, Malaysia, Venezuela, Saudi Arabia, and now France. She describes herself as a “food gossip”, saying: “I’ve always enjoyed cooking and trying out new recipes. Overseas, I am curious as to what people buy and from where. What is in the baskets of my fellow shoppers? What do they eat when they go home at night?”

Fellow Food Gossips, share your own stories with us!

STAY TUNED for tomorrow’s post!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Images: All images from Joanna’s personal photo albums, and used here with her permission

TCK TALENT: Laura Piquado, New York City Actress & One Well-Traveled Kid!

Laura Piquado Collage FINALWelcome to Elizabeth (Lisa) Liang’s monthly column about Adult Third Culture Kids (ATCKs) who work in creative fields, Lisa herself being a prime example. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she recently debuted her one-woman show about being a TCK, which I had the pleasure of seeing during its too-short run in New York City in September of last year: stupendous!

—ML Awanohara

Happy new year, readers! Let’s start today’s interview by plunging right in. My guest is Laura Piquado, a professional actress based in New York who grew up in six countries, including Egypt, where we were drama classmates in high school.

* * *

Welcome to The Displaced Nation, Laura. It’s wonderful to reconnect with a Cairo classmate! I know you grew up as the daughter of a pair of teachers who were full of wanderlust. Can you give us a run-down of the countries you lived in as a kid?
My mother always told me that her earliest dream memory was of wanting to move to Africa. And as soon as she graduated from university in Canada, that’s what she did. She met my father in Sierra Leone in the mid 1960s. He was there with the Peace Corps, while she was being sponsored by CUSO (Canadian University Service Overseas)—a Peace Corps-style organization. They left when my mother was six months pregnant with my brother. My mother is tall, almost 5’11”, but at that time weighed only 120 lbs. I think having parasites, or the occasional bout of malaria was commonplace, but the risk to her health became too great.

After my (healthy) brother was born in Washington, DC, my parents decided to go overseas again. The first job my dad got was as an English teacher in a small village in northern Newfoundland, where I was born. Less than a year later, we moved to Beirut, Lebanon. Four years after that, when war broke out, we were evacuated to Shahin-Shahr, Iran, for almost four years. War broke out again, and we were evacuated again. The next stop was São Paulo, Brazil, for two years. My mom and dad hated the city, and we left every other weekend and holiday to get away from it. Consequently, my memories of Brazil are of travel, and of everywhere but São Paulo. After Brazil, we lived for four years in Bontang, Indonesia, which is in the province of East Kalimantan on the island of Borneo. After seventh grade we moved again, to Cairo, Egypt, where I graduated high school. That’s where you and I first met! My parents then moved on to Ecuador and China for 16 more years.

My parents loved being overseas, and at no point did they yearn to “come home.” They wanted their lives to be as teachers in international schools, and for 40 years that’s what they did. They retired a few years ago to a small town in New Hampshire.

A hard landing into adulthood

How did you feel about living in so many places?
I loved it, actually. Adjusting to new environments, new friends, new cultures, languages, was never difficult for me. I don’t know why. Perhaps I just got used to it. But I don’t think you ever get used to leaving friends and people you love—that’s always hard.

As an adult, do you find yourself drawn to other TCKs?
I definitely identify with other TCKS, though it’s not always a given we will hit it off. In fact, I used to be magnetically drawn to anyone who was a visible minority. “You’re from Indonesia?! I used to live in Indonesia!” “Hey, you’re Alexandrian! I lived in Cairo for 5 years!” I was always wanting to make a connection with a world that was no longer mine—and maybe never was mine, if I adhere to the rules of 3rd culture. But just because someone grew up all over the world as I did, or just because they are an actor like me, doesn’t guarantee I’ll be friends with that person—but it’s a starting point. And if a person grew up in different countries, at least their eyes won’t glass over when I answer the question, “Where are you from?”

You now live in New York City. How do you find life in the USA?
I’ve lived in the United States longer than I’ve lived anywhere else. Yet it’s the first place I’ve ever lived that doesn’t feel like home. For the first 20 years of my life I played with my friends, explored the jungle, hiked the Andes, swam in the Red Sea and the East Timor Straights, climbed salt flats, made forts in the desert, went horse-back riding around the Great Pyramids, woke to gibbon songs and the muezzin’s call to prayer. And then I came back here to go to school, get some degrees, get a job, and try to figure things out… I had this exhilarating childhood, and then this less-than-thrilling transition to adulthood.

Does your identity revolve around any one particular culture that you’ve lived in?
I am Dyak and atheist, Muslim, Christian, Bahá’í, Jain, Egyptian, Italian, Canadian—there is nowhere in the world that has ever felt foreign to me. I am all of these things, and none of them. After moving to the United States for the first time for college, being able to be all of them at the same time was what mattered the most. I was striving to understand who I was and what my life had been, and trying to share that with others, even if I couldn’t articulate it to myself. It’s taken a long time, and I suppose I’m still working at it. That said, I love meeting the kind of person who, unlike me, was raised in the same town he or she was born in, and still goes back there for family visits and holidays. I am attracted to the sense of being anchored somewhere, to a particular place. That perceived sense of belonging somewhere: it’s something I just don’t have; I don’t know what it feels like.

From an actor on the global stage, to an actor on a real stage

Tell us what you studied in college and how you made the leap to pursuing an acting career.
I did my master’s degree in Islamic Studies at McGill University in Montreal. I wanted, as an adult, to understand the cultural, political, and social environments in which I grew up. On some level I was looking for a path that would take me overseas again, which I was aching to do. I wanted to work in the development of women’s education in post-conflict societies because it was work that I was passionate about.

Just as I was finishing my degree, and thinking about streamlining into a doctoral program, I went back to Cairo. I hadn’t been back since high school. For a whole month I walked through the streets of my old neighborhood, saw my friends, went to mosques and bazaars and the Red Sea, and smelled and ate and absorbed Egypt again. It was glorious. But something changed in me after that, and made it okay for me to move on.

When I came back to Montreal, I started applying to drama schools. Although I had been involved in theatre since I was a kid, I hadn’t wanted to study it as an undergrad. There were other things in my life that I needed to address before I embarked on that.

But now I was ready for drama school—I enrolled in the London Academy of Music and Dramatic Art. At LAMDA, I felt like I was flying. I was so happy. To allow myself the ability to change horses mid stream, and for it to feel natural and fluid and right—that was tremendous. I don’t think any of us is just one person, and we aren’t the same person at 15, 25, 35, 55. We have multiple loves and lives and wants, and finding ways to marry them all, if we’re lucky enough to know what they are in the first place, can be overwhelming.

How did your family react to your decision to pursue an acting career?
I’ve only ever had a supportive family. So instead of calling me a flake, or accusing me of lacking any sense of stick-to-itiveness when I told them I wanted to go to drama school, they became, again, my most enthusiastic supporters.

I think our peripatetic childhoods trained us to be actors—to observe, listen, and adjust our behavior to our surroundings. Do you agree?
I do agree, for the most part. But I also think personality has a lot to do with it. Just because you grew up all over the world doesn’t de facto make you a keen observer, or an astute listener, and not all kids who move around a lot are able to adjust to their changing environment. On the other hand, if you have had a peripatetic life, and you also happen to be a good listener, observer, etc., it seems it can only enrich your depths as an actor (and certainly as a human being). For me, adaptability became a defining aspect of my personality.

I think that for us TCKs, the challenge of convincing a casting director that you truly can be this other person is made easier because of all of those things we bring to the table—listening, observing, adjusting, maybe even having lived or known the character’s life. But also for that reason, many of us find it even harder to put up with being typecast.

Which sorts of roles are you attracted to, and do you think your upbringing influenced this?
I’m usually attracted to damaged characters, or quirky ones. And accents are always juicy! I’ve always been a mimic, and am grateful for that gift as it makes it easier to play a variety of roles. Why I’m drawn to quirky characters is less apparent. Does it have something to do with my upbringing? That’s an interesting thought. I’ve never made that correlation, but it makes complete sense.

So which parts have been your faves?
I loved playing Goneril in King Lear with the Texas Shakespeare Festival. I’ve always thought that she’s been inappropriately maligned as a character. Lear is not the easiest father—demanding, impulsive—and to require his daughters to prove, to prove, their undying love for him—for the sole purpose of measuring it against their inheritance—makes him something of a jerk in my book.

Playing the painter in Ionesco‘s The Painting with the Phoenix Theatre Ensemble was pretty great as well. Aside from the play’s absurdism, the part was perverse because of the the vocal and physical qualities we decided on. It’s not often that you get to play grotesque and obsequious, mismanage your voice, throw out your back, and sprain your jaw because the part demands it. Fantastic! 🙂

And a role on the damaged front, I suppose, was Charlotte in Sharr White‘s Sunlight, for its world premiere with the New Jersey Rep. While I’m less attracted to straightforward, modern dramas (though in truth, I love it all), the whole premise for who Charlotte is, for what motivates and oppresses her, is her having been in the Towers on September 11th and losing her child as a result of the trauma. And while that’s not what the play’s about (thank God!), it defines who she is able to become (or not become) in the ensuing decade.

* * *

Wow, that’s an impressive list! Thank you, Laura! I wish you the very best in your career and hope to see you on stage and/or screen soon. Readers, please leave questions or comments for Laura below.

STAY TUNED for tomorrow’s post, from our Global Food Gossip!

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And the December 2013 Alices go to … these 2 international creatives

 © Iamezan | Dreamstime.com Used under license

© Iamezan | Dreamstime.com
Used under license

If you are a subscriber to our weekly newsletter, Displaced Dispatch, you’re already in the know. But if you’re not (and why aren’t you? off with your head!), listen up. Every week, when that esteemed publication comes out, we present contenders for a monthly “Alice Award,” most of whom are writers or other kinds of international creatives who appear to have a special handle on the curious and unreal aspects of being a global resident or voyager. Not only that, but this person tries to use this state of befuddlement to their advantage, as a spur to greater creative heights.

Today’s post honors December’s two Alice recipients.

Starting with the most recent, and this time with annotations, they are (drumroll…):

1) LAURENCE BROWN, British expat in Indiana and blogger at Lost in the Pond

For his post: “7 British Christmas Songs That Somehow Never Made it Big in the US” 
Posted on: 27 November 2013
Snippet:

Growing up in the United Kingdom, one of the more memorable elements of Christmas was the music that bombarded the airwaves day-in-day-out from November onward. And I’m talking huge hits, many of which shot to number one and continued their popularity some twenty, thirty, perhaps forty years after their release. And yet, as I embark on my sixth Christmas in the United States, it has come to my attention that these same hits—ones I initially assumed were likely just as big in the U.S.—are nowhere to be heard.

Citation:  Frankly, Lawrence, we were so busy lamenting the lack of attention given to Carols from Kings that it hadn’t yet dawned on us that Americans are also missing out on Cliff Richard crooning “Christmas time, mistletoe and wine…” And you have a point: Why would anyone States-side wish to hear yet another rendition of Andy Williams singing “Everybody knows some turkey”—yep, that’s you, Andy!—”and some mistletoe/Help to make the season bright…” when they could break it up with Cliff from time to time? And you are so right, the song’s Christian overtones would not go amiss in this part of the world. (Forgive the aside, but does anyone in Indiana know the words to the Robert-Burns-poem-converted-to-New-Year’s-dirge “Auld Lang Syne”, or is that a lacuna as well? Genuinely curious…) We congratulate you for uncovering some prime through-the-looking-glass territory. It’s jolly difficult to have a proper holiday if the music is missing or doesn’t sound right, as anyone who spends Christmas in Vietnam will tell you—there the bands in the restaurants serenade you with things like: “Have yourself a merry little Crease-mass.” And as Alice herself found out when she joined the Mad Hatter for what she thought would be a proper tea party:

“’Twinkle, twinkle, little bat!
How I wonder what you’re at!’

You know the song, perhaps?”

“I’ve heard something like it,” said Alice.

“It goes on, you know,’ the Hatter continued, “in this way:—

‘Up above the world you fly,
Like a tea-tray in the sky.
Twinkle, twinkle—'”

2) JULIE FALCONER, travel writer and social media consultant, Californian based in London, and blogger at A LADY IN LONDON

For her post: Lady’s Expat Holiday Blunders
Posted on: 28 November 2013
Snippet:

I picked [a cracker] up, pulled both ends, popped out the surprise gift and paper crown, and looked up to find everyone at the table staring at me in horror. It was one of a long series of expat moments when I knew that I had done something wrong, and that nobody was going to tell me exactly what.

I gently set the cracker and its contents down, flashed my most sheepish “sorry, I’m a foreigner” smile, and waited. Slowly, each person at the table picked up one end of a cracker, offered the other end to someone else, and played a little game of tug of war. So that’s what I did wrong.

Citation:  Julie, we are sorry to have to inform you of this, but it’s time to crack on with the old cracker techniques because, crackpot as it may sound, crackers have arrived over here in the United States, at Target no less! Though the difference is that you have to show your driver’s license when you buy them because they are technically “firecrackers.” Now that’s crackers, if you ask us! Now, we do hope the English friends who witnessed their rather unfortunate self-cracking episode were a little more tolerant than Alice’s Red Queen (perhaps they thought it fitting in this era of selfies?) and let you keep the surprise gift and paper crown. In which case, you can count yourself a little luckier than our poor sweet heroine:

“You look a little shy; let me introduce you to that leg of mutton,” said the Red Queen. “Alice—Mutton; Mutton—Alice.” The leg of mutton got up in the dish and made a little bow to Alice; and Alice returned the bow, not knowing whether to be frightened or amused.

“May I give you a slice?” she said, taking up the knife and fork, and looking from one Queen to the other.

“Certainly not,” the Red Queen said, very decidedly: “it isn’t etiquette to cut any one you’ve been introduced to. Remove the joint!”

*  *  *

So, readers, do you have a favorite from the above, or have you read any recent posts you think deserve an Alice Award?  We’d love to hear your suggestions! And don’t miss out on the shortlist of Alice contenders we provide in each week’s Dispatch, which are sources of creative thought if nothing else! Get on our subscription list now!

STAY TUNED for tomorrow’s post, a TCK Talent interview by Lisa Liang!

Writers and other international creatives: If you want to know in advance the contenders for our monthly Alice Award winners, sign up to receive The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with news of book giveaways, future posts, and of course, our weekly Alice Award!. Register for The Displaced Dispatch by clicking here!

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2013 Holiday Special: Notable books for, by and about expats

Looking for last-minute gifts—or have your holiday celebrations brought you to the point where you might need an escape for yourself?

In the tradition of looking back at the past year’s highlights, I present, on behalf of the Displaced Nation team, a list of books for, by, and about expats that were featured in some way on this site in 2013.

Click on the category that interests you:

  1. FICTION
  2. MEMOIRS
  3. HANDBOOKS & GUIDEBOOKS
  4. COOKBOOK (singular because we have only one!)
  • Books in each category are arranged from most to least recent.
  • Unless otherwise noted, books are self-published.

Go on, download a few! It’s the time of the year to be generous to one’s fellow human beings. That said, on the Displaced Nation it’s always the season to support the creative output of those who’ve embraced the life of global residency and travel.

* * *

Fiction

Shemlan Ebook_coverShemlan: A Deadly Tragedy (November 2013)
Author: Alexander McNabb
Genre: International thriller
Synopsis: The third in McNabb’s Levant Cycle, Shemlan tells the story of a retired British foreign service officer who, dying from cancer, returns to Beirut in hopes of meeting the Lebanese love of his youth one last time. But then his past catches up with him, threatening to do him in before the disease does—until British spy Gerald Lynch gallops to the rescue…
Expat credentials: Born in London, McNabb has lived in the Middle East for more than a quarter century. He often receives praise for getting the historical and cultural details right in his books.
How we heard about: We encountered McNabb a year ago when we were doing a series of food posts! We love his books and are giving away Shemlan this month, as well as doing an offer for Displaced Dispatch subscribers on all three books in the cycle. Check it out!

ImperfectPairings_cover_pmImperfect Pairings (May 2013)
Author: Jackie Townsend
Genre: Women’s fiction
Synopsis: American career woman Jamie had not intended to fall in love—and to a foreigner no less, a man who tells her his name is Jack, short for John, but it’s really short for Giovanni. Insanely handsome and intense but unreadable, Giovanni has left a complicated family life back home in Italy. Is this more than Jamie signed up for?
Displaced credentials: In real life, Townsend is married to an Italian and has spent 16 years backing and forthing to her husband’s family in Italy.
How we heard about: ML Awanohara, who rightly or wrongly considers herself something of an expert on cross-cultural marriage, read the book on her Kindle and was so impressed with its depiction of cross-cultural relationship woes that she asked Townsend to be our featured author of November. Read the interview.

SuiteDubai-cover_dropshadowSuite Dubai (April 2013)
Author: Callista Fox
Genre: “New adult” lit
Synopsis: As Callista tells it, the book grew out of a story that entered her head that wouldn’t go away: “There was this girl, young, vulnerable, naive, walking along a concourse in an airport, among men in white robes and checkered scarves and woman in black gauzy material. Where was she going? What would happen to her there?”
Expat credentials: Fox moved to Saudi Arabia when she was eight and lived there off and on until turning 19. She went to boarding schools in Cyprus and Austria. Now back in the United States, she thinks of herself as an adult Third Culture Kid, or TCK.
How we heard about: Noticing our fondness for serial fiction (see Kate Allison’s book below), Fox sent us a note saying she’d written a serial novel reflecting her experience of growing up in the Middle East. We responded by asking if we could publish her series in even smaller parts. Part 1 and Part 2 have already gone up, and there are six more parts to come in 2014. Warning: Highly addictive!

Libby'sLifeTakingFlight_coverLibby’s Life: Taking Flight (April 2013)
Author: Kate Allison
Genre: Women’s fiction
Synopsis: 30-something Libby Patrick is just regaining some post-baby control over her life when a change in husband’s job means they must move from their English home to Woodhaven, a town in rural Massachusetts. The book is Libby’s journal covering the first year of her life as trailing spouse.
Expat credentials: Born and raised in Britain, Kate has lived in the United States with her family for almost two decades.
How we heard about: We were the first to know! Kate is a founding member of the Displaced Nation and has been publishing regular episodes of Libby’s Life (on which the book is based) since the blog began. She has accrued countless fans, the most faithful of whom is Janice. (Libby to Janice: xoxo for your support in 2013!)

APlaceintheWorld_coverA Place in the World (March 2013)
Author: Cinda Crabbe MacKinnon
Genre: Romance
Synopsis: Third Culture Kid Alicia meets a young Colombian man at college in the United States. She follows him to Bogotá and the pair end up marrying and settling on his family’s remote coffee finca (farm) in the Andes. Educated as a biologist, Alicia revels in the surrounding cloud-forest. But then her idyllic life starts to unravel…
Expat credentials: Crabbe MacKinnon grew up in several countries as a military brat and diplomatic kid and, though she has since repatriated to the United States, still thinks of Latin America as home.
How we heard about: Crabbe MacKinnon commented on one of Elizabeth Liang’s “TCK Talent” posts and ended up becoming October’s featured author. Read the interview. We love her and her work, and are sure you will, too!

CoffeeandVodka_coverCoffee and Vodka (March 2013)
Author: Helena Halme
Genre: Women’s fiction
Synopsis: A Finnish family emigrate to Sweden in the 1970s and find themselves in turmoil, caused partly by the displacement, but also by the cracks in family dynamics. At its heart, the book reveals what it is like for a young girl to be uprooted and transplanted to a country where she doesn’t speak the language and is despised for her nationality.
Expat credentials: Halme grew up in Tampere, central Finland, and moved to Britain at the age of 22 via Stockholm and Helsinki, after marrying “The Englishman” (how she always refers to him on her blog, Helena’s London Life). She spent her first ten years in Britain working as journalist and translator for the BBC. She and The Englishman now live in North London.
How we heard about: Halme is a big favorite of ours! She was one of our earliest Random Nomads as well as serving as an expat style icon back in the days when we covered fashion. More recently, Kate Allison reviewed Halme’s first book: The Englishman: Can Love Go the Distance?, and we did a giveaway of Coffee and Vodka. And that’s not all: Halme’s latest book, The Red King of Helsinki, received an “Alice” Award in July. (As noted then, the Alices could hardly ignore a book of that title!)

MonkeyLoveAndMurder_dropshadowMonkey Love and Murder (February 2013)
Author: Edith McClinton
Genre: Adventure mystery
Synopsis: A jungle environment in Suriname (spider monkeys and all) is the setting for a closed-door mystery surrounding the death of the renowned director of the International Wildlife Conservation followed by the machete murder of one of the researchers. None of this bodes well for poor Emma Parks, who has joined the research project on a whim. (So much for that budding primatologist career!)
Expat credentials: MacClintock volunteered for the Peace Corps in Suriname for two years, and joined a monkey research project afterwards.
How we heard about: One of our Random Nomads, Patricia Winton, referred us to the now-defunct blog Novel Adventurers, where Edith was one of the writers. We invited her to guest blog for us about the muses behind her monkey mystery.

ArchangelofMercy_dropshadowArchangel of Mercy (Berkley – Penguin Group, December 2012)
Author: Christina Ashcroft
Genre: Paranormal romance
Synopsis: The first storyline in Ashcroft’s new series focusing on a group of angels and archangels and the lives of the people they come in contact with every day.
Expat credentials: Ashcroft is an expat Brit who now lives in Western Australia with her high school sweetheart and their three children.
How we heard about it: We encountered Christina online and asked her to be one of our Random Nomads for a Valentine’s Day special. In that interview, she said she attributes her success as a writer at least in part to her expat status: “I’ve often wondered whether my career would have followed the same route if we’d stayed in the UK. While I’ve always loved writing it wasn’t until we moved to Australia that I decided to to write with the aim of publication.”

SpiritofLostAngels_dropshadowSpirit of Lost Angels (May 2012)
Author: Liza Perrat
Genre: Historical novel
Synopsis: Set against a backdrop of rural France during the French Revolution, the story centers on Victoire Charpentier, a young peasant woman whose mother was executed for witchcraft and who herself suffers abuse at the hands of a nobleman. Can she muster the bravery and skill to join the revolutionary force gripping France, and overthrow the corrupt aristocracy?
Expat credentials: Liza grew up in Wollongong, Australia, where she worked as a general nurse and midwife for fifteen years. When she met her French husband on a Bangkok bus, she moved to France, where she has been living with her husband and three children for twenty years.
How we heard about: The redoubtable JJ Marsh (see below) interviewed Perrat on writing a location to life, for her monthly column, “Location, Locution.”

BehindClosedDoors_dropshadowBehind Closed Doors (June 2012)
Author: JJ Marsh
Genre: Crime mixed with literary fiction
Synopsis: A smart, technologically sophisticated mystery set in Zürich and surrounding countries, featuring a bipolar detective named Beatrice Stubbs, and quite a few surprises… NOTE: JJ Marsh was listed in the Guardian “readers’ recommended self-published authors” this year, for Behind Closed Doors.
Expat credentials: JJ Marsh grew up in Wales, Africa and the Middle East, where her curiosity for culture took root and triggered an urge to write. After living in Hong Kong, Nigeria, Dubai, Portugal and France, she has finally settled in Switzerland.
How we heard about: We owe displaced author Helena Halme (see above) a king’s ransom for telling us about JJ, who since April has been contributing a monthly “Location, Locution” column. Don’t miss her posts under any circumstances! Highly stimulating and cerebral.

snowdrops_dropshadowSnowdrops (Anchor/Random House, February 2011)
Author: AD Miller
Genre: Literary fiction
Synopsis: Lawyer Nick Platt trades his dull British life for pushing paper in Moscow at the turn of the 21st century. He is soon seduced by a culture he fancies himself above. Snowdrops was shortlisted for the Man Booker Prize in 2011.
Expat credentials: British born and educated at Cambridge and Princeton, Andrew Miller joined The Economist and was appointed, in 2004, to become their Moscow correspondent. He covered, among other things, the Orange Revolution in the Ukraine.
How we heard about: JJ Marsh interviewed AD this past July about bringing foreign locations to life in fiction.

odessa_brit_cover_smallMoonlight in Odessa (Bloomsbury, August 2010)
Author: Janet Skeslien Charles
Genre: Women’s fiction
Synopsis: With an engineering degree and perfect English, Daria longs for a life beyond Odessa, Ukraine. And then she moonlights for a dating agency that facilitates hasty, long-distance matches between lustful American men and impoverished Ukrainian women. Her big chance?
Expat credentials: Skeslien Charles went to Odessa, Ukraine, as a Soros Fellow, living through blackouts, heatless winters, corruption and so on. She stayed for two years before returning to the U.S. Then she found a job in France and met her husband. She now lives in Paris but leads a multicultural life. As she puts it: “The novel is set in Odessa, Ukraine. My agent is English. My editor’s assistant is Japanese-Danish, my copy editor is from New Zealand. I’m American. The book was written in France and typeset in Scotland. My first fan letter came from a Swede.”
How we heard about: JJ Marsh picked Skeslien Charles’s brain on “location, locution”, in her November column.

Memoirs

AddictedtoLove_cover_dropshadowAddicted to Love (April 2013)
Author: Lana Penrose
Synopsis: Penrose is the kind of Australian who throws herself wholeheartedly into adventure, which is why her years spend living in Europe have merited not one but three memoirs! This one is the third. In the first memoir (published by Penguin/Viking), To Hellas and Back, she marries the love of her life, an Australian Greek, and accompanies him back to Greece, only to find him becoming increasingly Greek and herself increasingly isolated. In the second, Kickstart My Heart, she moves to London, single and desperate to find love again. And in this third memoir, she returns to Greece, where she encounters a seemingly perfect man named Adonis. (Hey, she never gives up!)
Expat credentials: From Sydney originally (she is back there now), Penrose lived in Athens for five years before moving to London.
How we heard about it: We happened across Penrose online and asked her to guest-post for us a year ago on what it was like to spend Christmas in Greece. At that time, we also did a giveaway of her first memoir. We invited her back this past April to write about Addicted to Love.

MagicCarpetSeduction_cover_pmMagic Carpet Seduction: Travel Tales Off the Beaten Path (May 2013)
Author: Lisa Egle
Synopsis: Travel with the author to China, Latin America, Turkey and the Middle East, and watch while she takes risks off the beaten path, and dances with strangers in strange lands…
Expat credentials: Egle characterizes herself as a lover of offbeat travel. She’s been to 36 countries on five continents and has been an expat twice: in Ecuador for a year and half, and in Spain for a year.
How we heard about: We got to know Egle first through her blog, Chicky Bus, and when we heard she’d put out a book, asked her to be one of our featured authors. Read the interview.

Pilgrimage-Cover_pmRunning the Shikoku Pilgrimage: 900 Miles to Enlightenment (Volcano Press, January 2013)
Author: Amy Chavez
Synopsis: After losing her job at a Japanese university, Chavez undertakes a solo journey running Japan’s 900-mile Buddhist pilgrimage, a distance equal to running from San Diego, California to Oregon. A Buddhist priest who is also a friend gives her “cosmic tools” to take with her.
Expat credentials: American expat Amy Chavez has been a columnist for Japan’s oldest English-language newspaper, The Japan Times, since 1997. She lives with her husband and cat on Shiraishi Island in Japan’s Seto Inland Sea.
How we heard about: We interviewed Chavez about her pilgrimage, and what it took to write the book, in April.

Don'tNeedtheWholeDog_dropshadowDon’t Need the Whole Dog! (December 2012)
Author: Tony James Slater
Synopsis: In the summer of 2004, Slater went to Ecuador, thinking that the experience would turn him into a man. He went back to his native England fueled by a burning desire to do something that mattered—and, ideally, to get the heck out of England in the process. He dreamed of going to Thailand and becoming a professional diver. This is the story of what happened next.
Expat credentials: A Brit, Slater now lives in Perth, Australia, with his Australian wife.
How we heard about: Slater made himself known to us for failing to include his first book, The Bear That Ate My Pants: Adventures of a Real Idiot Abroad, about his time volunteering at an animal shelter in Ecuador, in our 2011 holiday round-up. He probably should have left well enough alone, though, as next thing he knew, we had him writing for the Displaced Nation. His post on the world’s best parties remains one of our most popular!

TruckinginEnglish-dropshadowTrucking in English (December 2012)
Author: Carolyn Steele
Synopsis: This is the tale of what happens when a middle-aged mum from England decides to actually drive 18-wheelers across North America instead of just dreaming about it. Nothing goes well, but that’s why there’s a book.
Expat credentials: Born and bred in London, Carolyn and her son are now Canadian citizens and live permanently in Kitchener, Ontario.
How we heard about: One of our featured authors in 2012, Martin Crosbie, sent Steele our way, and Kate Allison reviewed her book in March. Steele later contributed an amusing post to our “New vs Olde World” series, about the difficulties of mastering the Canadian “R”.

Finding-Rome-on-the-Map-of-Love_dropshadowFinding Rome on the Map of Love (September 2012)
Author: Estelle Jobson
Synopsis: When her Italian diplomat boyfriend gets posted to Rome, Jobson throws up her career in publishing in her native South Africa to accompany him. There, she reinvents herself as Signora Stella, a casalinga (housewife). The book captures a year’s worth of quirky observations about life amongst the Italians.
Expat credentials: Originally from South Africa, Jobson now lives in Geneva, where she works as a writer and editor.
How we heard about: Jobson was our featured author in February. Her book and sense of humor are terrific!

Travels with George Book CoverTravels with George: A Memoir Through the Italy of My Childhood (April 2012)
Author: Olga Vannucci
Synopsis: In five separate trips to Italy with her young son, George, in tow, Vannucci strolls and hikes through the landscapes of her Italian childhood. She looks at Italy both as local native and awed visitor.
Expat credentials: Born in Italy, Vannucci lived in Brazil and came to the United States to attend Brown University. She lives in rural New Jersey with her son.
How we heard about: Vannucci was our featured author in September. Read the interview. We loved this quote from her son: “Where are we going? How much longer? I have something in my shoe. I want to go back. Why are we doing this? Do you know where we are? Do you know where we’re going? Mammaaaaaaa!”

AreWeThereYet_cover_dropshadowAre We There Yet? Travels with My Frontline Family (May 2009)
Author: Rosie Whitehouse
Synopsis: A vivid, funny, and very human account of the author’s travels with her family through war-torn Europe.
Expat credentials: Whitehouse spent five years as a housewife in the war-torn Balkans married to a correspondent of The Economist, caring for their growing family.
How we heard about: We happened across Whitehouse’s work online and asked her to be a featured author last summer. Read the interview. She’s absolutely fascinating, as one might expect of the kind of woman who trails her spouse into a war zone.

HoneyfromtheLion_coverHoney from the Lion: An African Journey (Dutton Adult, 1988)
Author: Wendy Laura Belcher
Synopsis: Brought up in Africa, Belcher returned to Ghana in the early 1980s to work with a “national linguistic group” that is spreading literary into rural areas by translating the Bible into native languages. A coming-of-age story that was called “lyrical” by the New York Times when first issued.
Expat credentials: An adult Third Culture Kid, Belcher grew up in East and West Africa, where she became fascinated with the richness of Ghanaian and Ethiopian intellectual traditions. She is now an assistant professor of African literature at Princeton.
How we heard about: Elizabeth Liang interviewed Belcher for her TCK Talent series.

Handbooks & Guidebooks

cathy_feign_coverKeep Your Life, Family and Career Intact While Living Abroad, 3rd Ed. (Stvdio Media, September 2013)
Author: Cathy Tsang-Feign
Synopsis: A survival manual for those who are living abroad, with real-life examples and easy-to-understand explanations about the unique issues faced by expats: from preparing to move, to daily life overseas, to returning home.
Expat credentials: Tsang-Feign is an American psychologist who lives in Hong Kong, specializing in expat psychology and adjustment issues. She has also lived in London.
How we heard about: When Kate Allison learned about the book, she decided it merited one of our “Alice” awards for the understanding displayed of the “through the looking glass” complex.

realitycheck_bookcoverReality Check: Life in Brazil through the eyes of a foreigner (September 2013)
Author: Mark Hillary
Synopsis: Targeted at those who plan on living, working or just visiting Brazil, it covers issues such as the difficulties of finding new friends, using a new language, and finding a job. Also provided is some background on the fast-changing society in Brazil that resulted in extensive street protests during 2013.
Expat credentials: Hillary is a British writer who moved to Brazil in 2010, bought a home, started a company, and has experienced both difficulties and joys.
How we heard about it: Andy Martin, another Brit in Brazil and a writer for the Displaced Nation in 2013, is a friend of Hillary’s and was jealous he’d produced a book that is not only a practical guide but also provides much of the cultural backdrop an international resident needs for a country as complex as Brazil. The next best thing, Martin thought, would be to do an interview with Hillary, which he delivered in two parts. Read Part 1 and Part 2.

TERE_cover_dropshadowThe Emotionally Resilient Expat: Engage, Adapt and Thrive Across Cultures (Summertime, July 2013)
Author: Linda A. Janssen
Synopsis: A guide for those facing the challenge of cross-cultural living, with candid personal stories from experienced expats and cross-culturals, and a wealth of practical tools, techniques and best practices for developing the emotional resilience for ensuring a successful transition.
Expat credentials: Janssen lived for several years in the Netherlands while her husband, an adult TCK, worked in the Hague. She recently repatriated to the United States.
How we heard about: We’ve had many satisfying interactions with Janssen since starting the Displaced Nation and were thrilled to hear about her new book—a natural for one of this year’s “Alice” awards, particularly as Janssen has been running a popular blog called Adventures in Expatland.

AmericanExbratinSaoPaulo_cover_pmAn American Exbrat in São Paulo: Advice, Stories, Tips and Tricks for Surviving South America’s Largest City (May 2013)
Author: Maggie Foxhole (Megan Farrell)
Synopsis: Aimed at those who are moving or traveling to São Paulo, it is designed to be a companion on the journey through the ups and down, ins and outs, and the curious roundabouts of life in that city.
Expat credentials: Megan/Maggie moved to Brazil with her Brazilian husband and their daughter. She keeps a blog: Born Again Brazilian.
How we heard about: Farrell/Foxhole was one of our early Random Nomads. She kept in touch and we were very pleased to learn about her book, which ML Awanohara read and admired for its comprehensiveness. Andy Martin, a Brit who also lives in São Paulo with a Brazilian spouse, reviewed the book for our site this past July.

101reasons_dropshadow101 Reasons to Live Abroad and 100 Reasons Not to (March 2013)
Author: Chris Alden
Synopsis: Targeted at the wannabe expat, the aim is to help you discover if living abroad is right for you. It’s an uplifting guide to the positive sides of life as an expatriate and a reality check about the challenges that relocation brings.
Expat credentials: A professional writer, Alden lived for three years in a beautiful village in the Troodos foothills of Cyprus, which resulted in his first travel guidebook: 250 Things to Do in Cyprus on a Sunny Day.
How we heard about: Alden was the recipient of one our “Alice” awards for this book. We were impressed that he offered a final, 101st reason to live abroad for those of us who, having been offered as many as a hundred reasons both for and against, still find ourselves dithering…

career-break-travelers-handbook_dropshadowThe Career Break Traveler’s Handbook (September 2012)
Author: Jeffrey Jung
Synopsis: Intended to inspire people to go for it and take the break they’ve been seeking from their jobs and go travel, with tips and tricks Jung learned from his own and other career breakers’ experiences.
Expat credentials: Having left the corporate ladder, Jung now lives in Colombia, where he founded his own business to help others do the same: CareerBreakSecrets.com.
How we heard about: Jung was one of our Random Nomads. He let us know about his book, and we reviewed it this past February. Not that he needed our help—it also got a shout-out in Forbes!

finding-your-feet-in-chicago-3D-Book CoverFinding Your Feet in Chicago: The Essential Guide for Expat Families (Summertime Publishing, August 2012)
Author: Véronique Martin-Place
Synopsis: A down-to-earth pocket guide to help expats settle into the USA’s third largest city with their families.
Expat credentials: As the wife of a French diplomat (they have two daughters), Martin-Place is accustomed to moving around the world. Chicago was one of her more enjoyable stops, but she also enjoyed Sri Lanka(!). The family is now in Shanghai.
How we heard about: ML Awanohara had interviewed Martin-Place on her blog, Seeing the Elephant. She had fun interviewing her again, this time about the process of composing a guidebook.

Cookbook

FromtheGlobalScottishKitchen_cover_tdnFrom the Global Scottish Kitchen (Self-published, November 2012)
Author: Sharon Lorimer
Genre: Cooking
Synopsis: Recipes based on Scottish cuisine but influenced by the restaurants and other kinds of cuisines Lorimer has experienced as an expat: e.g., Cock a’ Leekie Udon!
Expat credentials: Born in Scotland, Lorimer now lives in New York City and is married to an Asian American.
How we heard about it: We interviewed Lorimer about her decision to start up Doshebu, a business providing training to company employees being sent abroad on the “art” of being an expat.

* * *

Questions: Have you read any of the above works and if so, what did you think of them? And can you suggest other works to add to the list? My colleagues and I look forward to reading your comments below!

STAY TUNED for some upcoming posts, though we’ll be taking a bit of a break over the holidays!

If you enjoyed this post, we invite you to subscribe to The Displaced Dispatch, a weekly round up of posts from The Displaced Nation, plus some extras such as seasonal recipes and occasional book giveaways. Sign up for The Displaced Dispatch by clicking here!

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An expat novel in episodes: SUITE DUBAI #1 – Arriving (2/8)

Suite Dubai Collage Drop Shadow

Image: Top: Book cover & author image (supplied by Callista Fox); bottom: By vahiju (Morguefiles).

It’s midDecember—perfect timing for the second installment of Suite Dubai, a serial novel by adult Third Culture Kid Callista Fox. As Callista tells it, the book grew out of a story that entered her head that wouldn’t go away: “There was this girl, young, vulnerable, naive, walking along a concourse in an airport, among men in white robes and checkered scarves and woman in black gauzy material. Where was she going? What would happen to her there?” Missed the opening installment? Get caught up now!!! NOTE: Highly addictive! Six more parts to come in 2014.

ML Awanohara

Her parents hadn’t wanted her to take this job. “Where?” her dad had asked, like he’d misheard her. “Dubai?”

Her mom had put her hand to her mouth. “All the way over there? In the middle of all those bombings? Can’t you wait a few more months, you know … see if something comes up here?”

A few more months? She’d already waited a few months. Twelve, to be exact. She’d already filled out more applications than she could count, for jobs she didn’t want until they’d rejected her. She had a degree in journalism and couldn’t get a job working the desk at the Motel 6. “Have you ever worked in hospitality?” a woman named Melinda had asked her over the phone, missing the irony of her own inhospitable tone.

In hospitality? What did that even mean? She’d spent her whole life being unnecessarily nice to people, on the phone, at the store, even in heavy traffic. She was certain she could hand someone a room key without causing a scene.

This job, the one waiting for her on the other side of the crowd, had been advertised on a website with an international employment section that she read mostly to pass the time, something she’d had plenty of since graduation. The public-relations position caught her eye, but she didn’t apply. She didn’t even know where Dubai was.

Then, rather than ask her mom for gas money—again—she threw some old clothes into the back of her Honda and headed for a consignment store. At a busy intersection she saw a guy dressed as a mattress, dancing on the side of the road, flashing a 15 PERCENT off sign at oncoming traffic. While she waited at the light, a gust of wind came and caught the inflatable costume like a sail and blew him back a few feet. He stumbled, almost fell, and then regained his footing, but his sign was blowing along the strip of grass and he had to turn and chase after it, the wind blowing against the back side of his costume now. His legs, outfitted in gray tights, stumbled along as he tried to slow himself down lest he become airborne and delivered to the brick wall of the nearby Chick-fil-A. She was scared for him, and she was even more scared she might recognize him from one of her writing classes.

That day she drove home and rewrote her résumé.

She added that she had done some public-relations work for a local nonprofit (omitting that it was her mother’s nonprofit). She had promoted an art auction that raised over $120,000 for at-risk teens (omitting that she’d really paraded paintings, like a woman on a game show, around a banquet hall, encouraging people to bid). She had been more of an art Sherpa than an event planner. Yes, she embellished. That’s what writers do. She wrote a kick-ass cover letter about the lost art of storytelling in the business world and clicked send.

“Where. The hell. Did you find this job?” her friend Emily asked, scribbling down the name of the website with a pen she’d chewed until it cracked. It was her tenth day without a cigarette. “I’d do it. I’d go in a heartbeat. I’m so tired of serving penny beer to drunk college guys.”

When they’d started their journalism degrees, they had both expected a job with the local newspaper that would lead to a column with the New York Times or a wire assignment that required a khaki blazer and a handsome translator. Now all they heard was, “Journalism is dead. You need to start a blog.” She and Emily scraped up money for domain names but neither of them got very far. Her life had become so dull and disappointing she was too embarrassed to write about it.

Emily was having the same problem. “I could describe the texture of the vomit delivered to my left sandal by a guy in a Georgia Tech jersey, or how I’ve started stealing my parents’ dog’s antidepressants.”

“Don’t worry,” Rachel said as she moved her chair into the shifting shade of the umbrella in Emily’s backyard. “I won’t get it. I’m not really qualified. Five years’ experience? Everyone wants five years’ experience. What I really need is a time machine.”

“But what if you do get it?” Emily said squinting at her. “I mean, a real job. One your parents wouldn’t be embarrassed to tell their friends about. I see my mom’s lip quiver before she tells people I’m a waitress at Kelly’s. She’s embarrassed. I don’t blame her. All those ballet lessons, cello lessons, Saturday Spanish classes, SAT prep courses, so I could get ahead. That’s what they said. So I could get ahead. Ahead of what?” She leaned back in her chair. “I wear a green apron with a pin that says ASK ABOUT OUR BUCKET SPECIALS. I count out change and signal to the bouncer when he needs to intervene. But see, I use the word “intervene” instead of “throw his ass out.” So it was all worth it, right? Because…vocabulary.”

“At least you’re good at something. I was a horrible waitress. Always forgetting who got the water, who got the wine. Twice I left a family sitting there, at a table, for almost an hour before even taking their order. The tips they gave me were out of pity. I saw it in their eyes.”

“You’re good at something. You just don’t know what it is yet,” Emily said, unwrapping a piece of gum and folding it into her mouth. “I should go back to school, take some architecture classes. That sounds so much better, right? ‘My daughter’s studying to be an architect.’ Especially if you go off to Dubai and leave me here alone.” Her eyes got shiny with tears. She looked away. “Or you could take me with you.”

“Well, there’s no way I’ll get this job.”

None of it was awful. They weren’t starving. They weren’t homeless. But enough days repeat themselves and you can’t imagine any day in the future being different than the one before it. This is how people fail, Rachel thought. A little bit at a time.

Two weeks went by without a reply. Then one night she remembered the business card in her nightstand. The one she’d had for over a year. The one she’d almost tossed in the garbage. When she had put it in the drawer she’d wondered why she was keeping it, but she knew she’d never get another business card with the word “sheikh” on it. She dumped the drawer on her bed and dug through the gum wrappers, hair ties, and scraps of bad poetry she’d written late at night when she couldn’t sleep. There it was, a simple white card embossed with the name Sheikh Ahmed Al Baz. He lived in a city called Riyadh, not Dubai. Wherever it was, it was closer to Dubai than Atlanta. So she wrote him an e-mail, asking if he remembered her, asking if he’d heard of the Al Zari Hotel.

* * *

So, readers, how are you enjoying the story so far? Let us know in the comments… And if you can’t wait until next month, you can always download the complete episode of “Arriving” (this is just the beginning) —as well as the next episode, provocatively entitled “Party on Palm Island”—from Amazon.

Callista Fox moved to Saudi Arabia when she was eight and lived there off and on until turning 19. she went to boarding schools in Cyprus and Austria. She has written two travel books and a travel column in the Sunday Oklahoman. Currently, she writes proposals for a consulting firm that provides technology and management solutions to governments and nonprofits around the world.

STAY TUNED for tomorrow’s post, an interview with this month’s featured author, Alexander McNabb, back by popular request. We’ll be talking about, and giving away, the final book in his Middle East trilogy: Shemlan!!!

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LIBBY’S LIFE #88 – A silver trail

It’s a cozy enough scene, I suppose, if one were to look at it quickly through the living room window. Granny, Beloved Son, Doted-On Grandchildren and, OK, Tolerated Daughter-in-Law, all sitting in squashy chairs and sofas around a real (gas) fire. Tea and biscuits on a tray on the coffee table. Everyone chatting together, like people used to do before TVs and iPads and smartphones came along.

You could paint the scene and put it in the National Gallery: a snapshot of family life at the beginning of the third millennium.  A couple of hundred years later, some author would see it as an escape route from writer’s block, and write a book about it – a bit like “The Girl With A Pearl Earring”, only this would be “The Family Without Facebook” — and the idyllic life of the Patrick family would be immortalized in print as well as watercolour, on paper. Or whatever they make books out of in the 2200s.

The story two hundred years hence, of course, would be nothing like the reality of today. The reality of our get-together is less idyllic than it appears from that quick glance through the window.

Although pictures can say a thousand words, those words sometimes get lost in translation.

*  *  *

Oliver, in the armchair to the left of the fireplace, leans forward, his elbows on his knees. He’s tired and cross, annoyed that he’s had to come back to Milton Keynes for an emergency family summit instead of having a child-free lie-in tomorrow at an anonymous airport hotel. He should be so lucky. Since I opened the door of the fourth bedroom, the children and I have been staying in one room at the local Travelodge.

He looks in Sandra’s direction – at her left ear, her right shoulder – but doesn’t catch her eye.

“You do understand, don’t you, Mum?” he says.

Sandra sits rigidly upright in an identical armchair on the other side of the fireplace, folds her arms, and lifts her chin up. You don’t have to be an expert in body language to hear “Defiance” screaming from every limb placement.

Playing with a toy Ferrari on the floor at her feet, Jack announces excitedly to the room that he can see right up Granny’s nose and it has hairs growing out of the left side.

Sandra drops her chin a little to make her nostrils less obvious, and hunches her shoulders as she hugs herself. In doing so, her stance loses the defiance and becomes defensive.

“I said, you do understand?” Oliver repeats his question, but his voice is gentle. He is a much nicer person than I am, at least when it comes to dealing with his mother. “You see that we can’t let you keep—”

“They’re not doing any harm!” Sandra hugs herself more tightly as she blurts out the words. “They’re just minding their own business, in the spare room. I don’t see how any reasonable person can object to that.”

“Yes, but, when we agreed that you should live in our house, it was on the understanding that you didn’t keep–”

“You didn’t say anything about it.” Sandra hunches over even more, looking like a naughty child who’s been caught stealing chocolate biscuits after being told she can’t have any. “You only said ‘No dogs’.”

Oliver nods slowly, seeming to consider this miscarriage of justice. “That’s true,” he says at last. “When you put it like that, I suppose we don’t have any grounds to…”

Oh, for goodness’ sake. I leap up from the sofa.

“When Oliver said ‘No dogs’,” I say to my mother-in-law, pointing my finger at her, “it should have been perfectly obvious that he meant ‘No dogs, no cats, and no Boris The Tarantulas. Certainly no geckos, no turtles, no rats or mice, no giant African snails or any of the other slimy creatures you’ve got living in our spare bedroom, and —” I pause to take a breath, and the last part comes out as a semi-scream “— most definitely not a six-foot boa constrictor on the loose.”

“Libby.” Oliver tries to take control, but I’m on a roll. I shake my finger at Sandra again, and she cowers into the armchair.

“Are you incapable of using common sense, or does everything have to be written into the lease? Ah, yes, I forgot. Oliver didn’t want you to have a lease, did he? You’re family, he said. You’ll look after the house, he said. Clearly,” I say, shooting a slit-eyed look at Oliver, “having an exotic pet collection in what will be Beth’s bedroom in a couple of years is his and your idea of looking after the house.”

Oliver’s expression and body language echo those of his mother. Two naughty children caught in the biscuit tin.

“The animals…they’re not actually doing any harm in the spare bedroom. To be fair,” he adds.

I try counting to ten, and get as far as three. I’m not in the mood to be fair.

“When I went into that room to look for rainboots,” I say, as evenly as I can, “that giant snake had escaped from its box and was curled up under the radiator.”

“That’s why I call him Houdini,” Sandra says. “He doesn’t like being in his tank all the time.”

“It’s not a tank!” I shout. “I might not mind as much if it were a real, actual tank! It’s a plastic box, just like the one in the attic that we used to keep our rolls of Christmas wrapping paper in, and its lid is loose, just like that one…” I stop. “I don’t believe it. It’s the same box, isn’t it? You’ve recycled our storage bins into serpent bungalows.”

Sandra nods reluctantly. “I put the wrapping paper through the shredder and used it as bedding for the rats. It seemed the least I could do for them, give them a nice colourful bed before they were fed to Houdini. Now that the wrapping paper is gone, I give them the colour magazines from the Sunday newspapers.”

Surreal. I’ve had a lot of imagined conversations in my life, but not one of them has been about interior decorating styles for rodents on death row.

“What else have you done?” I ask. “What else has been recycled? Is the conservatory now a bird sanctuary, or the oven a retirement home for aged scorpions?”

“Libs…”

I wave at Oliver,  a dismissive “shut up, I’m not finished” flap of the hand.

“And this living room,” I continue. “Very convenient that you choose to get it decorated three days before we arrive, isn’t it?”

“That’s going too far.” Oliver stands up. “Mum had this room done to keep the place nice for us. It’s terrible of you to say she had ulterior–”

“It was the snails.” Sandra’s voice cuts across Oliver’s protests. We both turn to stare at her. “The giant African snails. I put them on the fireplace.”

Oliver and I look at the fireplace. I’ve always hated it: a relic from another decade, stucco-covered brick. We’d kept intending to rip the thing out and replace it with something nicer, but it was such a messy job that we never got round to it.

“You put the snails on the fireplace?” Oliver’s confusion matches my own. “What were you doing? Roasting them for supper?”

Sandra shakes her head. “I’d run out of eggshells.”

Oh, right. She should have said before. Everything’s perfectly clear now.

“What the hell are you talking about?” I ask.

Sandra sniffs. “Will and Kate — that’s what I call them — they need calcium for their shells, and I usually give them eggshells to eat. But I wasn’t very well, and I ran out of eggs and couldn’t go out, so I took Will and Kate out of their tank and put them on the fireplace, because that white bobbly stuff has calcium in it.”

“It’s true,” Oliver murmurs at me. “I’ve read about it. Florida has an infestation of those creatures, and they love the stucco on the houses there.”

“And then because I was poorly, I fell asleep and when I woke up, they’d gone for a little walk all over the walls.”

“Leaving a silver snail trail behind them.”

Sandra shuffles around in her chair and gazes at the carpet.

“And other things too. So when you phoned and said you were coming, I thought I’d better get the decorators in.”

Oliver turns to me. “Those things carry meningitis. And they’ve been crapping all over our living room walls.”

Much as I am sickened at this idea, I’m pleased that Oliver has switched from being Dutiful Son to Dutiful Husband. He finds it difficult to play both roles at once, but, to paraphrase a great Prime Minister, he will always do the right thing once he has exhausted all the other possibilities.

“They can’t stay,” he says to Sandra. “Either they go and you stay here, or they go and you go with them. But they can’t stay. Fergus and Boris are one thing, but Houdini and Will and Kate are another. I don’t care where they go, as long as they go safely. I don’t want to read in the newspaper a few days from now about cats and Yorkshire terriers mysteriously going missing in Milton Keynes. We’ll come back in a few days to make sure they’re gone, and I want that spare bedroom returned to human living quarters.”

“But they’re such good company!” Sandra wails. “They’re my babies!”

She could be right, I reflect. It would explain an awful lot.

*  *  *

“Now what?” I ask Oliver as I open the hotel room door at the Travelodge. “The kids and I can’t stay here for the next week and a half, and I’m not sure I could bear to stay with my own mother, even if she’d have us.”

We bundle the three kids inside the room before one of them decides to make a break for it down the corridor.

“We’ve seen the house, we’ve sorted out the problems. Stay here for a couple more days until I can get you an earlier flight, and then go home. I’ll follow in a week or so when I’ve finished my work in Europe.”

I think about this. It would mean being without Oliver in the house in Woodhaven for a while.  Just me, Jack, George, Beth – and Em.  But if there’s one thing I’ve learned this week, it’s that there are worse things to have around the house than centuries-old spirits of nine-year-old girls.

Em, at least, does not spread meningitis or slither around on my living room walls.

“Sounds good,” I say.

.

Next post: LIBBY’S LIFE #89

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Read Libby’s Life from the first episode.

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And the November 2013 Alices go to … these 5 international creatives

 © Iamezan | Dreamstime.com Used under license

© Iamezan | Dreamstime.com
Used under license

If you are a subscriber to our weekly newsletter, Displaced Dispatch, you’re already in the know. But if you’re not (and why aren’t you? off with your head!), listen up. Every week, when that esteemed publication comes out, we present an “Alice Award” to a writer or other kind of creative person who we think has a special handle on the curious and unreal aspects of being a global resident or voyager. Not only that, but this person tries to use this state of befuddlement to their advantage, as a spur to greater creative heights.

Today’s post honors November’s five Alice recipients.

Starting with the most recent, and this time with annotations, they are (drumroll…):

1) MATT HERSHBERGER, intrepid traveler, former expat in UK, and blogger at A Man Without a Country

For his post: Why I don’t take pictures when I travel, on Matador Network
Published: 18 November 2013
Snippet:

If you’re a good photographer, by all means, keep taking pictures. I need something to fuel my nostalgia addiction when I’m trapped in my cubicle at work. But if you’re not a great photographer, put down the camera. Enjoy the giraffe.

Citation: Matt, as you may know, Charles Lutwidge Dodgson, aka Lewis Carroll, fancied himself as something of a photographer, even toying with the idea of making a living from his photos. But it’s a good thing for posterity that he decided to turn to words instead (while still leaving us with a photo or two of his youthful muse, Alice Liddell). And probably also a good thing that he left off illustrating the book; otherwise, we’d be deprived of the extraordinary drawings of Sir John Tenniel. (That said, Carroll’s own drawings of Alice aren’t half bad.) We suspect that Charles/Lewis would chime in with you and say: “Like me, you moderns should find your niche and stick to it; practice your craft and stop faffing about.” Unfortunately, though, we suspect that even (especially?) Mr. Carroll would be fatally attracted to some of our modern-day gadgetry and communications techniques, the ubiquitous cell phone having turned us all into Victorian tinkerers of a sort, who attempt to do everything from blogging to design to photography to videos without much (if any) training—a case of doing many things badly instead of a few things well. And the presence of social media encourages us to share the rather meager fruits of our labors with everyone else, as though they were works of staggering genius. Still, we unreservedly endorse your “enjoy the giraffe” campaign—so much more creative.

2) Architectural historian JANIE RICE BROTHER, American expat in UK and blogger at FH & FAG

For her post: “The Geffrye Museum and the History of the Almshouse” for the Smitten by Britain blog
Posted on: 22 November 2013
Snippet (after noting that the Geffrye Museum in Shoreditch occupies the building and grounds of a former almshouse, or poorhouse):

The Geffrye is the only museum in the United Kingdom dedicated to the history of the domestic interiors of the urban middle class. . . . [I]t took an excellent collection of buildings—home for many people over the generations—and preserved not only the structures themselves but the fleeting and changing sense of home and its traditions over the years.

Citation:  Janie-Rice, we love the sense of wonder with which you approach this almshouse-turned-museum. It reminds us of Alice’s excitement when showing her black kitten, Kitty, the “little PEEP of the passage in Looking-glass House”:

Oh, Kitty! how nice it would be if we could only get through into Looking-glass House! I’m sure it’s got, oh! such beautiful things in it! Let’s pretend there’s a way of getting through into it, somehow, Kitty.

A Looking-glass House, an almshouse, a museum of houses…whatever floats your (house)boat and spurs your creativity, we heartily approve.

3) JOSH, blogger at Real Life English

For his post: How Your Personality Changes When You Speak in a Foreign Language
Posted on: 16 April 2012
Snippet:

…what happens when you speak a foreign language using the rhythm from your native language? The effect is that even if everything else is perfect, the listener might not understand everything you say because it still seems like you’re speaking a foreign language. The following video demonstrates this concept quite well. In it there are a group of Italians singing in what seems to be English, but if you listen carefully you will realize that they are speaking gibberish. . . .

Citation: Josh, we love the idea of developing another personality when living in another culture. Far too many of us internationals cling to the naive belief that we can go around the world just being ourselves. As you point out, the only way to be yourself is to adopt the rhythms of the other language/culture, which paradoxically entails acting like someone else. And here is where Alice comes in: she tries to use reasoning suited to the above-ground world, only to find that no one understands her, and some even feel quite offended by what she says. (Mind you, it was a tad culturally insensitive of her to mention her cat, Dinah, in front of Mouse, and to go on about Dinah’s hunting skills to the creatures in the Caucus Race.) Gradually it dawns on her that she must adopt Wonderland’s logic of nonsense, even if that means risking becoming someone she doesn’t recognize:

But if I’m not the same, the next question is ‘Who in the world am I?’ Ah, that’s the great puzzle!

International creatives, if you take nothing else from this citation please remember that having an identity crisis is a positive sign. At some point, you will find it an asset to have multiple personalities to draw on.

4) DAWN RUTHERFORD MARCHANT, American expat in London and Quora community member

For her post: US Expat Describes The Best And Worst Things About England (a re-publication of her answer to a Quora question: What is it like to move to England from the United States?)
Posted on: 2 November 2013
Snippet:

Houses are very expensive and you will live in a house half the size you’d expect in the US, often attached to your neighbour and with a one car garage (if you are lucky). There are no basements, so you feel cramped and everything is cluttered—I’ve never seen a walk-in closet to date. You will cram everything into a ‘wardrobe’ the size of your coat closet.

Citation: Dawn, at this point in your narrative, we began to picture you as Alice when, after drinking an unmarked bottle of liquid, grows into a giant with her arms and legs shooting out the windows and doors of the White Rabbit’s house. Perhaps the only consolation is that with one of your arms out the window, you should find it easier to hang the laundry out to dry (another of the bugbears you mention about life in the UK). Further to which, we wouldn’t advise “giving up your arm” for an American washer and dryer. That said, you do have a point about the ironing. It can’t be easy bending an elbow under such conditions! In any event, thank you for painting such a vivid portrait of life in the UK, cramps and all.

4) AISHA ASHRAF, Irish expat in Canada, freelance writer and blogger at Expatlog

For her post: My mother was a nun
Posted on: 7 March 2013
Snippet (pertaining to the times she and her sisters would accompany their mother on visits to her former convent):

Looking back, I see that we were also entering a different culture, an insulated bubble within the larger alien culture of middle England. Like Inception—a dream within a dream. It was all very different from the Irish farm, but it felt like being part of a family, something I came to idealise later on when mine turned out to be so dysfunctional.

Citation: Aisha, leave it to you to bring us to even greater depths by suggesting that expats can find alien worlds within alien worlds, wonderlands within wonderlands, ad infinitum, rather like the mirror reflecting the mirror in Velázquez’s baroque masterpiece, Las Meninas. What’s more, you’ve suggested that a person can come to appreciate the relationships formed within these wonderlands even more than their original relationships with family. If that isn’t going through the looking glass, we’re not sure what is! Thanks for such a cosmic post, from which we’re still reeling (in a good way, of course!).

*  *  *

So, readers, do you have a favorite from the above, or have you read any recent posts you think deserve an Alice Award?  We’d love to hear your suggestions! And don’t miss out on these weekly sources of inspiration. Get on our subscription list now!

STAY TUNED for tomorrow’s post, another installment on blogging from JACK THE HACK.

Writers and other international creatives: If you want to know in advance whether you’re one of our Alice Award winners, sign up to receive The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with news of book giveaways, future posts, and of course, our weekly Alice Award!. Register for The Displaced Dispatch by clicking here!

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