The Displaced Nation

Image courtesy of  Salvatore Vuono / FreeDigitalPhotos.net

It’s a cozy enough scene, I suppose, if one were to look at it quickly through the living room window. Granny, Beloved Son, Doted-On Grandchildren and, OK, Tolerated Daughter-in-Law, all sitting in squashy chairs and sofas around a real (gas) fire. Tea and biscuits on a tray on the coffee table. Everyone chatting together, like people used to do before TVs and iPads and smartphones came along.

You could paint the scene and put it in the National Gallery: a snapshot of family life at the beginning of the third millennium.  A couple of hundred years later, some author would see it as an escape route from writer’s block, and write a book about it – a bit like “The Girl With A Pearl Earring”, only this would be “The Family Without Facebook” — and the idyllic life of the Patrick family would be immortalized in print as well as watercolour, on paper. Or whatever they make books out of in the 2200s.

The story two hundred years hence, of course, would be nothing like the reality of today. The reality of our get-together is less idyllic than it appears from that quick glance through the window.

Although pictures can say a thousand words, those words sometimes get lost in translation.

*  *  *

Oliver, in the armchair to the left of the fireplace, leans forward, his elbows on his knees. He’s tired and cross, annoyed that he’s had to come back to Milton Keynes for an emergency family summit instead of having a child-free lie-in tomorrow at an anonymous airport hotel. He should be so lucky. Since I opened the door of the fourth bedroom, the children and I have been staying in one room at the local Travelodge.

He looks in Sandra’s direction – at her left ear, her right shoulder – but doesn’t catch her eye.

“You do understand, don’t you, Mum?” he says.

Sandra sits rigidly upright in an identical armchair on the other side of the fireplace, folds her arms, and lifts her chin up. You don’t have to be an expert in body language to hear “Defiance” screaming from every limb placement.

Playing with a toy Ferrari on the floor at her feet, Jack announces excitedly to the room that he can see right up Granny’s nose and it has hairs growing out of the left side.

Sandra drops her chin a little to make her nostrils less obvious, and hunches her shoulders as she hugs herself. In doing so, her stance loses the defiance and becomes defensive.

“I said, you do understand?” Oliver repeats his question, but his voice is gentle. He is a much nicer person than I am, at least when it comes to dealing with his mother. “You see that we can’t let you keep—”

“They’re not doing any harm!” Sandra hugs herself more tightly as she blurts out the words. “They’re just minding their own business, in the spare room. I don’t see how any reasonable person can object to that.”

“Yes, but, when we agreed that you should live in our house, it was on the understanding that you didn’t keep–”

“You didn’t say anything about it.” Sandra hunches over even more, looking like a naughty child who’s been caught stealing chocolate biscuits after being told she can’t have any. “You only said ‘No dogs’.”

Oliver nods slowly, seeming to consider this miscarriage of justice. “That’s true,” he says at last. “When you put it like that, I suppose we don’t have any grounds to…”

Oh, for goodness’ sake. I leap up from the sofa.

“When Oliver said ‘No dogs’,” I say to my mother-in-law, pointing my finger at her, “it should have been perfectly obvious that he meant ‘No dogs, no cats, and no Boris The Tarantulas. Certainly no geckos, no turtles, no rats or mice, no giant African snails or any of the other slimy creatures you’ve got living in our spare bedroom, and —” I pause to take a breath, and the last part comes out as a semi-scream “— most definitely not a six-foot boa constrictor on the loose.”

“Libby.” Oliver tries to take control, but I’m on a roll. I shake my finger at Sandra again, and she cowers into the armchair.

“Are you incapable of using common sense, or does everything have to be written into the lease? Ah, yes, I forgot. Oliver didn’t want you to have a lease, did he? You’re family, he said. You’ll look after the house, he said. Clearly,” I say, shooting a slit-eyed look at Oliver, “having an exotic pet collection in what will be Beth’s bedroom in a couple of years is his and your idea of looking after the house.”

Oliver’s expression and body language echo those of his mother. Two naughty children caught in the biscuit tin.

“The animals…they’re not actually doing any harm in the spare bedroom. To be fair,” he adds.

I try counting to ten, and get as far as three. I’m not in the mood to be fair.

“When I went into that room to look for rainboots,” I say, as evenly as I can, “that giant snake had escaped from its box and was curled up under the radiator.”

“That’s why I call him Houdini,” Sandra says. “He doesn’t like being in his tank all the time.”

“It’s not a tank!” I shout. “I might not mind as much if it were a real, actual tank! It’s a plastic box, just like the one in the attic that we used to keep our rolls of Christmas wrapping paper in, and its lid is loose, just like that one…” I stop. “I don’t believe it. It’s the same box, isn’t it? You’ve recycled our storage bins into serpent bungalows.”

Sandra nods reluctantly. “I put the wrapping paper through the shredder and used it as bedding for the rats. It seemed the least I could do for them, give them a nice colourful bed before they were fed to Houdini. Now that the wrapping paper is gone, I give them the colour magazines from the Sunday newspapers.”

Surreal. I’ve had a lot of imagined conversations in my life, but not one of them has been about interior decorating styles for rodents on death row.

“What else have you done?” I ask. “What else has been recycled? Is the conservatory now a bird sanctuary, or the oven a retirement home for aged scorpions?”

“Libs…”

I wave at Oliver,  a dismissive “shut up, I’m not finished” flap of the hand.

“And this living room,” I continue. “Very convenient that you choose to get it decorated three days before we arrive, isn’t it?”

“That’s going too far.” Oliver stands up. “Mum had this room done to keep the place nice for us. It’s terrible of you to say she had ulterior–”

“It was the snails.” Sandra’s voice cuts across Oliver’s protests. We both turn to stare at her. “The giant African snails. I put them on the fireplace.”

Oliver and I look at the fireplace. I’ve always hated it: a relic from another decade, stucco-covered brick. We’d kept intending to rip the thing out and replace it with something nicer, but it was such a messy job that we never got round to it.

“You put the snails on the fireplace?” Oliver’s confusion matches my own. “What were you doing? Roasting them for supper?”

Sandra shakes her head. “I’d run out of eggshells.”

Oh, right. She should have said before. Everything’s perfectly clear now.

“What the hell are you talking about?” I ask.

Sandra sniffs. “Will and Kate — that’s what I call them — they need calcium for their shells, and I usually give them eggshells to eat. But I wasn’t very well, and I ran out of eggs and couldn’t go out, so I took Will and Kate out of their tank and put them on the fireplace, because that white bobbly stuff has calcium in it.”

“It’s true,” Oliver murmurs at me. “I’ve read about it. Florida has an infestation of those creatures, and they love the stucco on the houses there.”

“And then because I was poorly, I fell asleep and when I woke up, they’d gone for a little walk all over the walls.”

“Leaving a silver snail trail behind them.”

Sandra shuffles around in her chair and gazes at the carpet.

“And other things too. So when you phoned and said you were coming, I thought I’d better get the decorators in.”

Oliver turns to me. “Those things carry meningitis. And they’ve been crapping all over our living room walls.”

Much as I am sickened at this idea, I’m pleased that Oliver has switched from being Dutiful Son to Dutiful Husband. He finds it difficult to play both roles at once, but, to paraphrase a great Prime Minister, he will always do the right thing once he has exhausted all the other possibilities.

“They can’t stay,” he says to Sandra. “Either they go and you stay here, or they go and you go with them. But they can’t stay. Fergus and Boris are one thing, but Houdini and Will and Kate are another. I don’t care where they go, as long as they go safely. I don’t want to read in the newspaper a few days from now about cats and Yorkshire terriers mysteriously going missing in Milton Keynes. We’ll come back in a few days to make sure they’re gone, and I want that spare bedroom returned to human living quarters.”

“But they’re such good company!” Sandra wails. “They’re my babies!”

She could be right, I reflect. It would explain an awful lot.

*  *  *

“Now what?” I ask Oliver as I open the hotel room door at the Travelodge. “The kids and I can’t stay here for the next week and a half, and I’m not sure I could bear to stay with my own mother, even if she’d have us.”

We bundle the three kids inside the room before one of them decides to make a break for it down the corridor.

“We’ve seen the house, we’ve sorted out the problems. Stay here for a couple more days until I can get you an earlier flight, and then go home. I’ll follow in a week or so when I’ve finished my work in Europe.”

I think about this. It would mean being without Oliver in the house in Woodhaven for a while.  Just me, Jack, George, Beth – and Em.  But if there’s one thing I’ve learned this week, it’s that there are worse things to have around the house than centuries-old spirits of nine-year-old girls.

Em, at least, does not spread meningitis or slither around on my living room walls.

“Sounds good,” I say.

.

Next post: LIBBY’S LIFE #89

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Read Libby’s Life from the first episode.

Want to read more? Head on over to Kate Allison’s own site, where you can find out more about Libby and the characters of Woodhaven, and where you can buy Taking Flight, the first year of Libby’s Life — now available as an ebook.

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