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TCK TALENT: Amber Godfrey, Diplomatic Kid Turned Performer-Writer

Amber Godfrey Collage

Photo credits: left: RoganJosh (MorgueFiles); right: Amber Godfrey, from her portfolio.

Welcome to Elizabeth (Lisa) Liang’s monthly column about adult Third Culture Kids (TCKs) who work in creative fields. Lisa is herself a prime example. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she recently debuted her one-woman show about being a TCK, which I had the pleasure of seeing during its too-short run in New York City in September: stupendous!

—ML Awanohara

Happy Thanksgiving, readers! I’m thankful to be bringing you today’s guest, a kindred spirit of mine. She is Amber Godfrey, an actress-writer who, like me, has written and performed her own solo show about growing up as a TCK of mixed heritage.

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Welcome to The Displaced Nation, Amber! I’m happy to have met another solo performer whose TCK story parallels my own. Since your dad is a Canadian diplomat, you grew up in eight countries. Can you tell us which ones?
Besides Canada, I’ve lived in the USA, Ecuador, Trinidad, India, Hong Kong, Sri Lanka and England.

Growing up, which of these countries do you identify most strongly with?
I identified, and continue to identify, strongly as a Canadian probably because of my dad’s job and the fact that we always connected with the Canadian expat community wherever we went. I also heard on more than one occasion (usually when I was being busted for some rebellious act): “You represent Canada!!” I’ve spent most of my adult life in Canada and the US, so I feel very “North American” at this point. At the same time, though, I do feel like a “citizen of the world,” and the bond that I feel with other TCKs is unique.

“Are you adopted?”

Your family is particularly diverse. Let’s see if I can get this right. You are the daughter of an Ecuadorian mom and an African American father, but you were raised by your mom and a Caucasian-Jewish Canadian stepdad, who then had your brother, David. Was your family’s status ever challenged by strangers, like mine was? In grade school, no one believed my brother was my brother, and people asked my mom if I was adopted.
Yes! This still happens all the time. When the four of us go out for dinner, servers will assume my brother and I are a couple. If I check into a hotel with my Dad, we get stares. When I was in fifth grade, I had to go to the school nurse and, when she realized who my brother was, she asked pointedly: “Are you adopted?” I panicked and said “Yes,” even though that wasn’t the whole truth. Looking back—what an inappropriate question to ask a 10-year-old!

Do you feel offended when that happens?
Honestly, it sort of tickles me that people don’t know what to make of us. I figure, that’s their problem and it doesn’t have to ruin my day. As an actor, I get irritated by the under-portrayal of mixed-race families on stage and in film. When I was auditioning a lot, I became really frustrated realizing I would most likely not be considered for “sister of” so-and-so because the other actor had already been cast as white.

Love the place you’re in

I completely relate! So, with such a mixed background, which culture(s) form the core of your identity?
I grew up with a lot of focus on Jewish history, tradition and heritage, which I resisted up to a point—I chose not to be Bat Mizvah’d—but to which I also really connected. As a pre-teen I was obsessed with The Diary of Anne Frank and wrote short stories about young Jewish girls in the Nazi era. In my early 20s, the combination of acting roles I was being sent out for and my burgeoning adulthood piqued a stronger curiosity in the African-American side of me, which ultimately led to me reaching out to find my birth father. Now, in my 30s, I find myself seeking to connect with my Latin American roots. Of course I also identify with the cultures of the countries I grew up in! I think the quest to understand my “identity” is ongoing…

Were you happiest in a certain place at a certain time?
I guess the short answer is: I aim to be happiest in the moment I am in. Every place I went to had its good and bad moments…

What were your school experiences like growing up?
I went to private school in California, international schools in India, HK and Sri Lanka, and the local public school in Canada. During high school I had to contend with three completely different school systems, which was a challenge to say the least.

How about college?
I went back to Canada for college: I studied theatre at Acadia University, in Nova Scotia. It was hard to get good information back then (the Internet was just a baby!), but my Dad pointed out that as a small school in a small town, it might be an easier transition than if I went to a big school in a bigger city like Toronto. And Acadia has a good theatre program.

“It’s all in me…”

Did your TCK upbringing influence your desire to become a performer?  
Being in school plays or performance groups was a good way to get involved and make friends when moving from place to place. But I also think that portraying characters on stage allowed different parts of myself to come forth and was a way for me to work out my identity. I’m laughing because I’m thinking of Whitney Houston’s “I’m Every Woman”—I’m a hippy at heart and believe we are all one and connected. Seeking to experience and understand life/truth from multiple viewpoints is an essential part of who I am.

Before we get into your solo show, let’s talk about your series of performances of Anna Deavere Smith‘s solo show Fires in the Mirror, a docudrama for a solo performer about the racial tensions that erupted between blacks and Jews in Brooklyn in 1991.
I was asked to do Fires in the Mirror by Jesse Freedman, a fellow performer and prolific director, whom I met in a SITI Company Suzuki/Viewpoints workshop. I jumped at the chance to engage with this epic piece because it is constructed so thoughtfully and allows me to play with my Black/Jewish roots. I initially performed Fires in the Mirror at the Limmud Conference, which took place in Coventry, England. Then the Jewish Theatre Workshop in Baltimore requested the show as part of an initiative to continue dialogue between Blacks and Jews who share space in that community. I also had a short run in NYC at the New Yiddish Repertory Company Theatre.

Moving over to your autobiographical solo show: why did you create DipKid?
I’d been thinking for many years about telling my story but couldn’t decide which way to tell it. After taking a Soulo-Show Workshop with Tracey Erin Smith, I finally started writing. I submitted a proposal to a small festival in NY, and when I got in, I realized it was time to start making the show! My efforts resulted in a short but sweet twenty-minute piece (you can watch it here).

How was it received?
The reaction was fascinating. I had assumed my story was unique, but it seemed that people could relate to it, and wanted more! That’s where the struggle began for me. I didn’t know how to finish the piece because I felt I wanted it to link up with my current situation—but that kept changing! The next time I performed the show, I expanded it to 45 minutes but felt less satisfied. I’d watched the video of my first performance so many times I felt sort of stuck in the past. I also found myself listening to many differing opinions on where my show should go and how it should be crafted—my vision got a little lost in the din. Finally, the festival format was crazy-making—especially as I was holding down a full-time job. Trying to write and rehearse this piece all for just one evening was too much pressure. My dream would be to take the show to the countries I lived in and beyond. I’d love to perform it at international schools and for expat communities worldwide.

As the interviewer, I think I can permit one question that’s of particular interest to me, which is: how do you like solo performing?
Solo performance is relatively new for me and I do miss getting to work with other actors on stage. That said, the medium allows me to be a bit more in control of the work and my approach. And it’s wonderfully vulnerable!

I understand you’re planning to film a documentary. What will it be about?
The focus will be on other children of diplomats (i.e., “dip kids”) and how their lives have been shaped by their upbringing and the jobs of their parent(s). I plan to tell the story from my perspective and also weave in my experiences as a mixed-race individual who continues to search for an understanding of and connection to my identity, heritage and all the parts that I am made of.

Do you have any other projects coming up?
I am writing a memoir that will delve deeper into the stories I reveal in DipKid.

Best and worst (Canadian) Thanksgiving memories

Canadian Thanksgiving was in October, but since American Thanksgiving is today, please share with us your best and worst Thanksgivings.
The best occurred when we were living in New Delhi. We were invited to the Official Residence of the High Commissioner for a Canadian Thanksgiving celebration. It was a big party with live music and food sprawled out on the grounds. At dusk everyone looked up and gasped as hundreds of bats swarmed the sky. It was the coolest thing I had ever seen!

I think the worst was my first Thanksgiving away from home. My parents were in Sri Lanka and I was in Wolfville, Nova Scotia (where Acadia U is). Everyone I knew at school had family nearby, but it was only October and I hadn’t bonded with anyone enough to get an invite. I ate Pop-Tarts and drank Dr. Pepper and felt homesick for my family and a bit sorry for myself…

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Thank you, Amber, for being you, a fellow TCK theatre-maker! Readers, please leave questions and comments for Amber below. And if you want to keep up with her creative undertakings, I suggest you also follow her on Twitter: @DipKidAmber.

STAY TUNED for next week’s/month’s fab posts!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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An expat’s thoughts on flying and the journey “home”

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Photo credit: A Windram

This is my third attempt at writing this post. The previous two attempts were quickly aborted; I had tried drafting them during two separate flights back to the UK, but quickly gave up in frustration.

Flying—for me, at least—is not conducive to creativity (if hastily scribbled blog posts can be described as such). I can never settle on a flight, I can never forget that I am 30,000 feet above the earth trapped in a metal tube powered by 36,000 gallons of jet fuel.

But, of course, flying remains an occupational hazard for the expat. No matter how long you may have been away, the call home is at some point unavoidable. After an absence from “home” of nearly three years, over the last few months I’ve had to make two trips back. One for reasons pleasant; one for reasons unpleasant.

Flying, when you think about it, and when I am flying I find I would much rather not think about it (those 36,000 gallons of highly flammable jet fuel remain heavy on my mind), is astonishing. Indeed, it is so astounding that we have to go out of our way to avoid that fact and focus on the banal. The aviation industry is helpful on this point. You wait in a terminal, shitty retail and even shittier food your scant choices to kill time, but it helps numb you, I suppose. Makes you unthinking about the journey ahead, your entry into the heavens.

When I was flying back for more pleasant reasons I began reading French philosopher Michel SerresAngels: A Modern Myth. Serres opens his work with a fictional couple meeting at an airport. He a traveling inspector; she a doctor at the airport medical center. For Serres, the couple see angels when they look around the airport:

I see angels—which, incidentally, in case you didn’t know, comes from the ancient Greek word for messengers. Take a good look around. Air hostess and pilots; radio messages; all the air crew just flown in from Tokyo and just about to leave Rio; those dozen aircraft neatly lined up, wing to wing on the runaway, as they wait to take off; yellow postal vans delivering parcels, packets and telegrams; staff calls over the tannoy; all these bags passing in front of us on the conveyor, endless announcements for Mr X or Miss Y recently arrived from Stockholm or Helsinki; boarding announcements for Berlin and Rome, Sydney and Durban; passengers crossing paths with each other and hurrying for taxis and shuttles while escalators move silently and endlessly up and down . . . like the ladder in Jacob’s dream . . . Don’t you see—what we have here is angels of steel, carrying angels of steel, carrying angels of flesh and blood, who in turn send angel signals across angel air waves . . .

I don’t see any angels sitting around me in the terminal, and I don’t think our messages are worth conveying across the world. I would have enjoyed reading the Serres anywhere other than here, in a terminal.

“Business or pleasure?”

For the expat, the answer is neither. I am going home. I am leaving home. I am leaving the present. I am returning to the past.

On the plane, I put the Serres away and try to read a book (The Journey of Theophanes: Travel, Business, and Daily Life in the Roman Middle East) about a Roman lawyer journeying to Antioch. Over six months he slowly makes his way, noticing the slight changes in geography. Compared to that, what I am doing seems a cheat. I put the book away. I can’t concentrate enough, there’s slight lurch in the plane’s movement that suggests we are beginning to enter turbulence. I just try to watch Iron Man 3 instead.

I am going home. I am leaving home.

STAY TUNED for tomorrow’s post, a TCK Talent interview by monthly columnist Elizabeth Liang.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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An expat novel in episodes: SUITE DUBAI #1 – Arriving (1/8)

Suite Dubai Collage Drop Shadow

Image: Top: Book cover & author image (supplied by Callista Fox); bottom: By vahiju (Morguefiles).

Today we begin a serial novel by Callista Fox, called Suite Dubai. Recalling her childhood as a Third Culture Kid in the Middle East, Callista had a story in her head that wouldn’t go away: “There was this girl, young, vulnerable, naive, walking along a concourse in an airport, among men in white robes and checkered scarves and woman in black gauzy material. Where was she going? What would happen to her there?” Sounds tantalizing, doesn’t it? On that note, here’s the very first part of Episode 1…with 7 more parts to come. (Warning: Highly addictive!)

ML Awanohara

When Rachel walked through the sunlit terminal at the Dubai airport, her student-loan payment was a month past due; her credit card, maxed. She had thirty-six dollars in her bank account and twenty-three in her purse, minus the ten she’d converted to euros to buy a stale ham-and-cheese croissant from a vendor at the Charles de Gaulle Airport. Now she couldn’t find the name of the man sent to pick her up. She’d printed the e-mail back in her mother’s office, folded it into a neat square. But where was it? Not in her purse or her carry-on bag. She’d checked them twice. It was a man’s name, something that started with an S. Her phone was no help. When she turned it on, the word ROAMING flashed across the screen. She was definitely roaming. At least Sallie Mae couldn’t reach her here. Not for a few weeks, anyway. And when they did, Rachel would finally have the money to make a payment. Unless her new boss realized she was a fraud and sent her home.

They wouldn’t have hired you if they thought you couldn’t do it. That’s what she’d been telling herself since Paris, since before Paris, really. Since she’d gotten the job offer.

You will do it, she whispered.

Down an escalator and along a series of moving walkways, she followed a family she recognized from her flight: a man in loose-hipped pants and long tunic, his wife in a bright green sari, the end of her scarf trailing behind her sequined shoes. Between them, holding their hands, a tiny girl in a yellow dress kept bending her legs, lifting her feet off the floor and letting her parents carry her along. The little girl shrieked and giggled, and in spite of the strain on their arms, her parents smiled down at her. In front of them, two men wore long, floor-length dress shirts. Checkered scarves flipped away from their faces like long hair. To her right, in the aisles of a duty-free shop, a woman covered in black gauze moved like a shadow among the perfume displays.

Rachel switched both bags to her other shoulder and smoothed the front of her wrinkled t-shirt. Her pants were no better. All those hours of travel had left a dull film on her skin and her head felt like it was filled with cotton.

She needed something. A trip to the bathroom to splash more water on her face. Something to eat. Several hours of real sleep—not the kind you did while trying to sit straight up until, desperate to finish your dream, your head slipped down and found a comfortable spot on the shoulder of the man sitting in 32F. “Excuse me…miss…”

She handed her passport to a man behind a high counter, who studied her picture then thumbed through the pages to her visa.

“You are here for work?” He asked.

“Yes,” she said. “The Al Zari Hotel.”

“The Al Zari Hotel,” he repeated. He looked at her t-shirt, her pants and then down at her tennis shoes. “Housekeeper?”

The customs line was long but it moved quickly. A man straightened his black beret before motioning for her to put her suitcase on the counter and open it. “Medications?” he asked. She shook her head. “Cash over ten thousand dollars?” She laughed. No. “Gifts over three thousand AED?” She had exactly no gifts worth any AED, as far as she knew.

“You have nothing to declare?” He said, looking annoyed.

“No,” she said. “Nothing to declare.”

“You are in the wrong place.”

She stared at him, not sure what to do next.

He pointed across the room to the Indian family who was waiting for their luggage to travel along a conveyor belt through an x-ray machine. “There,” the man said.

She grabbed her suitcase first, then her carry-on by the strap, tipping it over and spilling an envelope of pictures onto the counter. Together she and the customs man began to scoop them into a pile. He lifted one and squinted at it. Then he turned it around so she could see it. It was her with Truman, taken by a stranger while they stood in front of the roller coaster at Dollywood. They were doing that couples pose they’d perfected the one with their heads tilted toward each other. She was holding a mass of fluffy cotton candy and his face was scribbled out with a black marker.

“Oh, yeah.” She took the picture from him. “I should just throw this away.” She turned and slipped the picture into the side pocket of her bag.

On the other side of customs some sliding doors parted to reveal a crowd. People craned their necks to see who was coming through. Some held signs in Arabic. Some in Chinese or Japanese. The only English sign had the name Mr. Duncan written in marker. She walked along, looking for someone looking for her. The family from the airplane walked past her, the man pushing a luggage cart and the woman carrying the girl, who had fallen asleep on her shoulder.

Someone touched her arm.

“Rachel, eh, Lewis?” A short man with a horseshoe of black hair on an otherwise bald head, wearing delicate gold spectacles, stood a few feet from her. “You arrre Rachel Lewis?” His rolled rs made the question sound dramatic.

“Yes,” she said, and gave him a smile that remained on her face against her will. This was not the professional look she’d practiced but the face of a girl watching a friend of her father’s pretend to pull a quarter from behind her ear. “I’m Rachel Lewis.”

“I am Sayeed,” he said. “The car is outside.” He picked up her suitcase and headed for the exit.

Outside there was no sky, just the sun’s glare. It stung her tired eyes and she had to blink just to see where she was going. The heat felt thick as fur against her skin, too thick to breathe in all at once. Sayeed crossed a road and led the way along a row of cars, finally stopping at a white Mercedes.

The city looked nothing like she’d hoped. She saw no ancient markets shaded with draped fabric, no tents, no camels. It was as modern as downtown Atlanta with silver skyscrapers and wide, smooth multi-lane highways and perfectly painted crosswalks. A Rolls-Royce passed them on the right, then a big truck hauling men like cargo. They were packed tight on benches bolted to the truck bed; the ones on the end braced with their feet to stay seated. Their faces sagged, their shoulders, their arms and hands. They looked as tired as she felt. . . .

* * *

So, readers, would you like to hear more? Let us know in the comments… And if you can’t wait until next month, you can always download the complete episode of “Arriving” (this is just the beginning) —as well as the next episode, provocatively entitled “Party on Palm Island”—from Amazon.

Callista Fox moved to Saudi Arabia when she was eight and lived there off and on until turning 19. she went to boarding schools in Cyprus and Austria. She has written two travel books and a travel column in the Sunday Oklahoman. Currently, she writes proposals for a consulting firm that provides technology and management solutions to governments and nonprofits around the world.

STAY TUNED for tomorrow’s post, some musings on Thanksgiving from an expat point of view, by Anthony Windram.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Image: Top: Book cover & author image (supplied by Callista Fox); bottom: By vahiju (Morguefiles).

Jackie Townsend’s novel examines a cross-cultural relationship up close, imperfections and all

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Jackie Townsend in Rome (photo used with her permission)

As a veteran of cross-cultural relationships (I am now on my second marriage to someone from another country), I tend to fancy myself as something of an expert on the topic. On the one hand, I know the joys of living in an intimate relationship with someone from another culture. On the other, I am only too aware of the pitfalls, a few of which I listed in an early post that still gets lots of hits: “Cross-cultural marriage: Four good reasons not to rush into it.”

I was therefore delighted to come across the novel Imperfect Pairings, by Jackie Townsend. From the outset of the book, I could see that here is a writer who understands that marrying someone from another country not only means marrying the family—but marrying the culture, by which one means the REAL culture, not the tourist version.

The imperfect pairing at the center of Jackie’s novel are Jamie, an American career woman, and Jack/Giovanni, who received his education at MIT but is from an old Italian family. The reason he has two names? Because, when he gets to Italy, he “literally turns into another person with another name,” as Jamie informs her mother at one stage.

Unsure of the relationship at first, Jamie finds herself powerfully drawn to Jack/Giovanni. Not only is he physically attractive, but he’s a man of hidden depths, who seems to understand her better than anyone else.

Eventually, the pair get married—but it’s not a fairytale wedding in the Italian countryside. Rather, it happens in city hall—Jamie has offered to help Jack get his green card. But despite this rather unromantic beginning, the couple grow close, and Jamie gradually immerses herself in Giovanni’s life, especially after he quits his job in the United States to help out with resurrecting the vineyards on his family’s estate.

As one reviewer said of Jackie’s novel:

It’s a brilliantly-written small gem, with exquisite detail and equally exquisite crafting of language, by an American author with her own Italian husband and her own Italian experience. It’s a guidebook to Italy, and a guidebook to how Italians really live their lives.

So can love cross borders? Fortunately, Jackie has agreed to answer some questions about her own life and the book. And she has kindly offered to GIVE AWAY ONE FREE E-COPY to the person who leaves the most interesting comment!

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ImperfectPairings_cover_pmHi / ciao, Jackie. Thanks so much for agreeing to be our featured author this month. First can you tell us what made you decide to write a novel focusing on a cross-cultural relationship between an American woman and an Italian man?
I am 16 years married to an Italian who came to the U.S. for university and stayed.

And you called the novel “Imperfect Pairings”–why?
I got tired hearing all the oohs and ahs: “Oh you’re married to an Italian, how wonderful!” It’s so much more complex than that, and I wanted to dispel the notion of the romantic Italian love story, but in a real and true way, which means also dispelling the romanticism of relationships. The novel is about a couple dealing with real issues and real life, and learning to love each other even more in the midst of all that.

Did writing the book help you to process your own experience of getting into a cross-cultural relationship?
My own experience of being married to a foreigner exposed me to the parallels between cultural differences and marital differences. Entering a foreign country can be like entering a relationship and vise versa. To get to know someone, to understand them, you need the cross the border into their country, the country of their mind and soul. But even if you do eventually learn their “language,” you will never speak their native tongue, not really anyway. Which leaves the question, “Is it possible to ever really know the person you love?”

How much of the book is autobiographical?
Only about thirty percent of the story is autobiographically based. It took me much longer than Jamie to truly open myself up to my Italian family. Part of my writing the book, is homage to that, and them.

The Italian wine-making industry figures large in the novel. Did that emerge from an actual experience?
My husband’s family lives outside Turin, in Northern Italy, not far from the Barolo region. They did once have a summer villa there, where they made wine, and this is what inspired me to use wine and the resurrection of the family vineyard as a catalyst for the story. I love the way Italians treat wine, casually, like a member of the family, an old friend. Wine is a relationship. It requires love and care and tending to if it’s going to survive and grow, and, still, you don’t know what that wine will ultimately be, how it will taste. It became the perfect metaphor for the book.

Why a novel and not a memoir?
I’ve always written fiction, that’s the genre that comes naturally to me. I like the freedom, the idea of letting the characters take the story where they want to go, as when Jamie and Giovanni head to Southern Italy, to Napoli, at the end of the story.

Staying on the theme of your own life and travels, how and where did you meet your Italian husband?
My husband grew up in Italy, Australia, and Bangkok. He moved to the United States for college. We met four years later at business school in Berkeley. I had no idea he was Italian. He was raised in international schools and learned English very early on and worked hard to fit in, to have no Italian accent. But in Italy, he’s the opposite, staunchly Italian and working hard to rid himself of his American accent because he needs this sense of heritage, of home.

The inner nuances of Italian life

In the book you describe Jamie’s many displaced moments: her initial discomfort at being thrown into a physically demonstrative family that loves sitting down to home-cooked meals; her surprise at discovering that her American values of self-reliance and a can-do spirit do not really register with Giovanni’s people; and, perhaps most shockingly of all, her perception that her husband’s allegiance to football trumps all else. At one point she actually wonders if she and he have been “raised on different planets.” What was your most displaced moment when visiting Italy with your husband?
In the beginning of our relationship, it was knowing that he might be embarrassed my me, and my rather bawdy Americanism.

That reminds me of the first time Jamie and Giovanni visit Italy, not long after they’ve met, and she suggests that he sleep in her room. He gets angry and says: “It’s just not something you do here.” I know that you and your husband live in New York City. Have you ever considered moving to Italy?
Early on we had lofty dreams about living in Italy. The idea sounded romantic, but the reality was that the more and more we visited, the more and more I realized that moving to Italy would mean essentially moving in with his family—more disconcertingly his mother, a lovely kind woman, but also, well, I’ll let you imagine. The other reality was that it’s not easy to move to Italy and work. Job opportunities there just can’t compete with those in the States. Will we give it all up some day and move there? We’ll see.

What was your least displaced moment, when the Italian way of life made sense, and you felt as though you belonged in that part of the world—or as Jamie puts it when she comes to tolerate football, “accidentally entered some alternative universe”?
Three years ago our Roman cousin (the inspiration for the character Silvestro) asked me to be the godmother to his third child. Italians take this duty seriously, and I was very touched that he asked me, for Romans can often be all about Rome, and yet he skipped over all these other family members, even my husband, for the Americana. I’ve never felt so naturally a part of things (this, after 12 years)—standing in this magnificent church in the center of Rome, holding his baby in my arms as the priest christened him, trying not to shake or trip or fumble, surrounded by all of our Italian family, those who had so easily and truly made me part of their lives. I think I finally let myself believe it. It takes time, years, for cultural barriers to fall down, to really get to know someone from another country. But what I’ve learned is that you can. It’s something I would never have believed earlier on in my relationship with my in-laws.

That’s a touching story. Does having a non-American husband make you look at life in the United States any differently? In the book, Jamie comes to reappraise her sister and brother-in-law’s values after being exposed to a different part of the world.
Absolutely. It gives me perspective. My husband’s view is always global, from the outside in, sometimes infuriatingly so. While my view, the view of most Americans, will be from the inside out. We are the center of the world. But in fact, we are not. You can’t get this perspective, I don’t believe, unless you are intimately involved with another country, you “marry” them. I feel so lucky to have this experience and perspective in my life.

Self-publishing, a Writer’s Digest prize & praise from Italian Americans

Moving on to the book: What was the most difficult part of the book-writing process?
My writing is very subtle. I want my readers to read between the lines, to feel what’s going on in the quiet places. In as such, bringing out the romance between Jamie and Giovanni proved difficult. Because I believe that love is very personal and private, between two people only, and so to expose Jamie and Giovanni’s love felt like I was tainting it. I had to get past this. Knowing when to let love surface, getting the balance right, was difficult. It took a lot of time, and many of rewrites.

What was your path to getting it published?
I self-publish my novels through my own imprint, Ripetta Press. It’s a decision I came to a few years back when my first novel, Reel Life, came close but ultimately had no success in finding a publisher. When Imperfect Pairings came along, I didn’t even bother trying to find a publisher. I became accustomed to the freedom of being able to do what I wanted with the book. And I was going to have to market it myself anyway.

Are you comfortable with indie publishing—is it working for you?
It’s become relatively easy to self-publish, though it might not be for everyone. In my case, I’m able to garner enough press and sales to sustain myself and find inspiration. Speaking of self-publishing, Imperfect Pairings just won an honorable mention award for literary fiction in the Writer’s Digest Self-Published Book awards, which of course I was very pleased about. My plan is to have the book translated, first in Italian, and work to find an international distributer.

Wow, congratulations! And well deserved. I must say, was impressed by how elegantly and lyrically you write. So what audience did you have in mind for the book? Has it been reaching those people?
Some people from the pure Romance genre got a hold of my book early on, and were wildly disappointed. This is not your typical Italian love story, and far from your steamy romance. It’s an adult romance, and people who get that really enjoy it.

The best reception of the book has been from the Italian American community, people who have some connection with Italy, second or third generation transplants. Many of those readers can really relate to the idea of an Italian’s displacement and the differing cultural dynamics between America and Italy.

I noticed your first book was about sisters, and this book has a sister relationship at its heart. Are you working on the next book now? What is about, and will it have a pair of sisters?
Funny you should ask. Yes, my next book has a sister theme. Two young adult women from different countries and cultures—one is Italian and one is American—will discover that they have the same father.

I presume you have a sister or sisters in real life?
Yes, I have two sisters (and a brother) who drive me crazy. But I love them. They provide inspiration for a lot of material!

10 Questions for Jackie Townsend

Finally, I’d like to ask a series of questions that I’ve asked some of our other featured authors, about your reading and writing habits:
1. Last truly great book you read: Hologram for a King, by Dave Eggers.
2. Favorite literary genres: Fiction, novels and short story collections, both classical and contemporary.
3. Reading habits on a plane: I travel frequently, and often far. Planes are my excuse to spend uninterrupted hours getting lost in a novel. I travel with my Kindle. It gives me this sense, tucked into my purse, that I’m traveling with all my books.
4. The one book you’d require President Obama to read, and why: 1984, by George Orwell but only because I couldn’t think of anything else.

5. Favorite books as a child: To Kill A Mockingbird; Catcher in the Rye.
6. Favorite heroine: Dorothea in Middlemarch
7. The writer, alive or dead, you’d most like to meet: Joan Didion
8. Your reading habits: At night, before bed, but I will also sometimes get up and read in the morning, for inspiration. I am always inspired to write when I read great fiction.

9. The book you’d most like to see made as a film: Mine.

10. The book you plan to read next: The Lowland, by Jhumpa Lahiri

* * *

Thank you, Jackie! As mentioned, I loved the book—everything from the big picture of the cross-cultural relationship to the little details, like Jamie having to get used to the fact that Italians don’t snack between meals. I also love something you said just now: “Entering a foreign country can be like entering a relationship and vise versa.” I believe there’s something in this book for every expat or serious traveler.

Readers, how about you? Any further questions for Jackie, or comments? Remember that if you leave a comment, you’ll be eligible to receive a free e-copy of the book! So, comment away! Extra points, as always, if you’re a Displaced Dispatch subscriber!

The winner will be announced in our Displaced Dispatch on November 30, 2013.

Can’t wait to read the book? You can always order a copy at Amazon.

STAY TUNED for next week’s fab posts!

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Images: Jackie Townsend in Rome; book cover art.

LIBBY’S LIFE #87 – Behind closed doors

I wish she wouldn’t do this.

I wish my mother-in-law would be uniformly odd and infuriating all the time, so I can feel justified in complaining about her and accusing her of doing terrible things to my Sophie Conran wallpaper.

Instead, I bear the guilt of having to look at our beautiful, newly decorated living room — an elegant duck-egg blue I would have chosen myself – in our old house in Milton Keynes. If I’m honest, the place looks nicer inside after two years under Sandra’s care than it ever did under ours, especially after Jack added his own interior designs with crayons and dirty Tonka tyres. Maybe the house exterior needs a bit of TLC, but I suppose an outside paint job is our responsibility.

Oliver stands next to me, oozing smugness from every pore, and I want to slap him. He glances sideways at me, smirking with triumph.

“The house looks wonderful, Mum,” he says. “You’ve really looked after it for us. And the living room – it must have been done very recently, because I can still smell the paint.”

“They only finished two days ago.” Sandra crosses the room and adjusts the new, silver-grey, slub curtains so they hang evenly on either side of the patio doors. Surely they aren’t real silk? They look as if they could be. Even if they’re not, they’re a major improvement on the unlined drapes we’d left behind. “I’d decided to get the house spruced up, one room at a time. It seemed like it was the least I could do with me living here rent free. The decorators had just arrived, and then you phoned to ask if you could all come and stay. That’s why I was a bit off with you and had to let you know later if it would be all right. Didn’t want the kiddies sleeping in a house where there’s lots of paint fumes.”

Another puffed-out chest from Oliver, another I-told-you-so look in my direction, another pulled punch from me.

Except — and God forgive me if I’m wrong — this is Sandra talking. Sandra who, when Jack was a newborn, thought it was perfectly OK to feed him a bottle held in one hand and puff on a Benson & Hedges held in the other. Sandra, who thinks Red Bull is an acceptable beverage for a three-year-old. Yet suddenly she’s worried about her grandchildren inhaling paint fumes?

Either she’s taken a crash course in child care, or she’s up to something. Oh, come on. You know what I mean. What are the odds of us phoning her just as the decorators arrive?

There’s no point voicing my suspicions to Oliver, though. He’ll just say I’m being paranoid and nasty, and that nothing his mother does is ever good enough for me.

Without any concrete proof, he’d be right, too. But those nagging hunches persist.

Oliver runs outside through the rain to get the luggage from the car, while I show the children round the house. Jack, of course, spent the first three years of his life here, and he remembers parts of it, like the cupboard under the stairs where he once managed to lock himself while playing an overenthusiastic game of hide and seek with Fergus. I can tell he’s enjoying feeling superior to his brother and sister, whose first time it is here. But all the furniture Jack remembers is in Woodhaven, and this house in Acacia Drive looks very different with Sandra’s eclectic taste.

I say “eclectic”. “Eccentric” or “hippie” would be another way of putting it. A bead curtain in the kitchen, a hammock in the home office, a poster of Jimi Hendrix gracing the dining room. The important thing, though, is she hasn’t changed the infrastructure of the house, and any redecorating she’s done – only the living room, as far as I can tell – has been in keeping with our taste.

Jack and I are showing the twins Jack’s old bedroom (it’s still got his Lightning McQueen lampshade hanging from the ceiling, and Jack is very excited to see this old friend) when I hear Oliver trundling the suitcases into the hall and stomping his feet on the doormat. You forget how much it rains in England when you don’t live there for a while, and it occurs to me, too late, that rain gear didn’t feature highly on our packing list.

“I’ve put you and Libby in your old room.” Sandra’s voice wafts up the stairs. “The children are all in Jack’s old room, and I’m having the spare room while you’re here.”

That’s all fine and dandy, but bedtime will be a nightmare if all the kids are in one room. They’ll never get to sleep.

“Could I put Jack in the little bedroom?” I call to her. “Move his mattress in there?”

Sandra’s face appears over the banisters, looking up at me. “It’s full,” she says. “I use it as a storeroom. I’ve been collecting, um, china, and there are lots of breakable things in there. I hope you don’t mind, but I’ve kept that room locked. I’d hate the kiddies to hurt themselves.”

“You see?” Oliver mutters at me as he heaves the two suitcases on the double bed. Goodness, but it feels weird to be sleeping in someone else’s bed, in what used to be our bedroom. “You see? She’s looked after the place beautifully. She hasn’t even got any weird animals – not a tarantula in sight! You were worried about nothing.”

I don’t answer him.

My experience with Sandra is that, sooner or later, something will turn up to fill the worry void.

*  *  *

Oliver stays with us for a couple of nights before he heads off to his series of meetings in Rotterdam, and promises to be back the following weekend “if he can.” I’m not fooled by this. “Can” will soon turn into “I’ve got work to do and I’ll be more productive doing it in the hotel” which loosely translates as “I’ll be able to have a weekend lie in at the Marriott.”

The past two nights were sleepless for us both, due to all three kids operating on Eastern Standard Time and refusing to adapt to GMT. At least, as far as bedtimes go. They still haven’t got off to sleep before 1 in the morning, but are nevertheless happily bouncing around at 6:30am. Jack, in his leading role of big-brother-who-has-lived-here-before, has taken it upon himself to heave each twin out of its travel cot in the morning, and if I don’t get up to keep an eye on them all, that lovely duck-egg blue living room will need its paint touching up sooner than Sandra anticipated.

Sandra herself we don’t see much of, which has turned out to be a blessing and a curse. A blessing because it’s peaceful without her, of course. She’s got herself a little job now, working as a cashier in a pet superstore a few miles away, which I suppose explains why she hasn’t got a menagerie of her own anymore. She’s not there during the day to look after any dogs or tarantulas that her weirdo friends have foisted on her.

A curse, though, because it leaves the kids and me with a mobility problem – we can’t go anywhere. Sandra takes her car to work, and Oliver returned our hire car to Heathrow.

“You won’t need it, will you, Libs?” he said before he left.

“Not at all!” I said, throwing myself back into English living. “I’ll show the children what it’s like to get on a bus at the end of the road instead of driving everywhere! I’ll take them on a double-decker. They’ll love it.”

But:

“Taking the bus?” Sandra said with a smoker’s cackle, when I announced our plans for the first day on our own. “What bus? That bus route closed about two months after you moved to America. If you want to get a bus into town now, it’s a mile and a half to the nearest stop. That’s a long way in this weather.”

“Never mind.” I waved my hand around airily. “The rain will stop.”

Except it didn’t. Since Oliver left, we’ve been prisoners in our own house because my packing list didn’t allow for days of torrential rain. The children have only sneakers in the suitcase, and it hardly seems worth buying three pairs of wellingtons just to use here. We’ll never use them back home. In Woodhaven, you either need sneakers, flip-flops, or snow boots. Never wellingtons. Besides, we need wellingtons to get to the shops to buy wellingtons. It’s a vicious circle.

As an aside, when I had to explain what wellingtons were to a blank-faced Jack, I knew he’d crossed an invisible nationality line.

Coming home, it seems, can be even more of a wrench than living away.

 *  *  *

In the middle of Day Four, as I look out of the window at more rain and black clouds and listen to the sound of three children with raging cabin fever, I remember about The Box.

The Box, or rather, a series of Boxes, is stowed in the attic in this house. It contains things like outgrown clothes of Jack’s, Christmas decorations, small electrical appliances that we couldn’t take to the USA but didn’t want Sandra to use, and — if I remember rightly — old clothes that Oliver and I used for gardening and decorating. Clothes like, for example, rubber boots. And I’m pretty sure that I never got around to throwing out Jack’s old, sturdy shoes. I bet I can find things up there to fit all four of us.

The hatch to the attic is in the spare bedroom. After making sure none of my offspring is strangling the other two, I walk upstairs and open the door.

At least, I try to, before remembering with a sigh that Sandra has locked this room safely away from prying little fingers.

I hunt around in kitchen drawers and bedside tables for a key — in the process discovering that the house’s tidiness is indeed only skin deep — but have no luck.

“Sorry, kids,” I say. “It’s another day in paradise. Yet another day of CBeebies.”

Jack’s memory comes to our rescue, however.

“It’s like when I locked myself in the cupboard under the stairs when Fergus and me were playing hide and seek,” he says. I’d told him the story only yesterday.

“It is indeed–” I begin, and then stop.

Because, if I remember rightly, I used the key from the spare bedroom to get him out. I remember talking calmly to him, telling him to wiggle the key on the inside of the cupboard door and pull it out, darling, so that I could put the key in the outside and turn it myself and let him out… I’d tried all the spare keys in the house, hoping that one would fit and that I wouldn’t have to call the fire brigade.

So if the key to the spare bedroom works in the understairs cupboard lock, that means it should work vice versa. Right?

The key to the understairs cupboard is still in the lock. I take it out, fit it in the spare bedroom’s keyhole, and — Yes! The key, with a bit of persuasion, turns. One step nearer to raingear and freedom.

And then, as I push the door open and step into the room, I understand exactly why Sandra wants to distract us with freshly painted living rooms, and why she keeps the spare bedroom locked, and why she isn’t keen on her grandchildren — or her daughter-in-law, for that matter — having access to it.

Given the choice between our resident poltergeist and what Sandra has in here?

Come back, M.

All is forgiven.

.

Next post: LIBBY’S LIFE #88

Previous post: LIBBY’S LIFE #86 – Where the heart is

Read Libby’s Life from the first episode.

Want to read more? Head on over to Kate Allison’s own site, where you can find out more about Libby and the characters of Woodhaven, and where you can buy Taking Flight, the first year of Libby’s Life — now available as an ebook.

STAY TUNED for next week’s posts!

If you enjoyed this post, we invite you to subscribe for email delivery of The Displaced Dispatch, a round up of the week’s posts from The Displaced Nation. Sign up for The Displaced Dispatch by clicking here!

Image: Travel – Map of the World by Salvatore Vuono / FreeDigialPhotos.net; “Suitcase” © Tiff20 at Dreamstime.com – used under license; portrait from MorgueFile

And the October 2013 Alices go to … these 4 international creatives

 © Iamezan | Dreamstime.com Used under license

© Iamezan | Dreamstime.com
Used under license

If you are a subscriber to our weekly newsletter, Displaced Dispatch, you’re already in the know. But if you’re not (and why aren’t you? off with your head!), listen up. Every week, when that esteemed publication comes out, we present an “Alice Award” to a writer or other kind of creative person who we think has a special handle on the curious and unreal aspects of being a global resident or voyager. Not only that, but this person tries to use this state of befuddlement to their advantage, as a spur to greater creative heights.

Today’s post honors October’s four Alice recipients.

Starting with the most recent, and this time with annotations, they are (drumroll…):

1) CATHY TSANG-FEIGN, American psychologist in Hong Kong, specializing in expat psychology and adjustment issues

For her book: Keep Your Life, Family and Career Intact While Living Abroad
Published: September 2013
Snippet:
Cathy_Feign_cover

[Benjamin is a marketing buyer who was transferred to Hong Kong on a two-year contract. Having been through the phase of “elation,” he now finds himself in phase of “resistance,” with “transformation” and “integration” yet to come.]

Benjamin is getting annoyed by the frantic pace of life in Hong Kong, the indirectness of Chinese people in business, the crowds and difficulties in being understood. He is frustrated at the narrow choice of English-language entertainment on television or in cinemas and theaters. He finds himself missing his old friends, favorite foods, and the ways of doing things back home. Many foreigners in this [resistance] stage tend to associate only with others from their own country. They constantly compare everything to “back in England” (or New York or Frankfurt). Such people remain separate from the local community and establish their own secluded, privileged society. Many expatriates remain in this stage until the day they move back home.

Citation: Dr. Tsang-Feign, we wonder if in addition to Benjamin (who is presumably fictional) you might consider treating Alice in Wonderland as a textbook example of the four phases of acculturation? As you may recall from your own reading of Lewis Carroll’s story, Alice’s elation at falling down the rabbit-hole is rapidly followed by a period of resistance to the wonders found beneath. Down, down, down—Alice’s fall eventually culminates in unlocking a door to a passage through which yields the sight of the most fabulous garden. And her first taste of Wonderland is equally delightful: a drink that has “a sort of mixed flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and hot buttered toast.” However, it is not long before Alice begins to resist the local community:

“It was much pleasanter at home,” thought poor Alice, “when one wasn’t always growing larger and smaller, and being ordered about by mice and rabbits. I almost wish I hadn’t gone down that rabbit-hole—and yet—and yet—it’s rather curious, you know, this sort of life!”

Still, and as the latter statement attests, even at the height of her resistance Alice shows some potential for “transformation.” And though she never quite achieves “integration” before leaving Wonderland—she always feels a bit what we like to call displaced—her sister predicts that she will forever cherish the memories of her adventures. We can only speculate, not being psychologists ourselves, that this progress is owed to her not having had the opportunity to isolate herself with other Alices, to her having had a solo, and singular, set of experiences. Does that seem a fair assessment?

2) ANONYMOUS BLOGGER at Midwest to Midlands, who describes herself as “an American from the Midwest married to a Brit living in the English Midlands”

For her post: “First a Revisit in England”
Posted on: 23 September 2013
Snippet:

… it has taken me a while to get back on track since returning to England from out visit in the States. What do you do when you need to get yourself in gear? This time for me, some action was needed, or rather lack of action and enjoying the English countryside.

Citation:  M-to-M, we love the idea of getting over the often-rough transitions from homeland to adopted land by doing nothing and simply immersing yourself in your surroundings—we only hope you realize how lucky you are to have landed in the Cotswolds, which has been designated as an Area of Outstanding Natural Beauty. (If you lived in, say, smog-covered Shanghai, this technique would have required more imagination.) In fact, your photographic record of your desultory wanderings—first stop, a magnificent house or two made of Cotswold stone; next stop, a tea room; next, a window-box; next, a shop; next, a tree covered in golden leaves; next, an 18th-century house with an American letterbox—put us in mind of this charming passage from Lewis Carroll’s classic:

“I should see the garden far better,” said Alice to herself, “if I could get to the top of that hill: and here’s a path that leads straight to it—at least, no, it doesn’t do that—” (after going a few yards along the path, and turning several sharp corners), “but I suppose it will at last. But how curiously it twists! It’s more like a corkscrew than a path! Well, THIS turn goes to the hill, I suppose—no, it doesn’t! This goes straight back to the house! Well then, I’ll try it the other way.”

3) MANAL AHMAD KHAN: Journalist, poet, world traveler, and blogger at Windswept Words

For her post: “Thoughts on Leaving Pakistan” (her first post in a year-and-a-half, since she and her husband moved back to Pakistan from the United States, and just before they left for a new adventure in Spain)
Posted on: 4 October 2013
Snippet:

It was a parallel universe, where we all lived free, modern lives, like citizens of a free, modern country, utterly disconnected from the “other” Pakistan, the bigger Pakistan, and for all intents and purposes, the “real” Pakistan. Yet perhaps it was our only survival, the only way to keep sane and creative and happy for those of us who chose to live in our native country.

Citation: Manal, your deep love for your native land shines through your many beautiful photos and stories—as does your frustration about its “overwhelming religiosity and self-righteousness.” We are glad that, unlike Alice, you were able to get out of “that dark hall, and wander about among those beds of bright flowers and those cool fountains” from time to time. And a very pleasant little Wonderland it sounds, that part of Lahore where people meet up in New York-style cafés for mocha cappuccinos, and have children who dress up for Halloween and parties where alcohol flows freely. By the same token, we can appreciate how happy you were to leave this “schizophrenic” life for Madrid. Readers, we will hear about Manal’s latest adventures this month as she has agreed to be one of November’s featured authors!

4) KAY XANDER MELLISH, Wisconsin-born journalist and now an expat entrepreneur in Copenhagen and blogger at How to live in Denmark: An irreverent guide

For her post: Danes and Privacy—Why public nudity is OK and public ambition is not
Posted on: 24 August 2013
Snippet:

Shortly before I arrived in Denmark in 2000, one of the famous guards outside the queen’s palace at Amalieborg was fired.

… She was the first woman to guard the Royal Palace at Amalieborg. … Unfortunately, this young lady also had a part-time job. She was a prostitute. She would guard the palace by day and run her business out of the royal barracks in the evening.

… But she was NOT fired because she was a prostitute. She was fired because she’d been ordered by her commander to stop moonlighting after her side-job was first discovered, and she did not stop. … She was fired for not following orders.

Citation:  Kay, we don’t know which experience is stranger: Alice’s discovery that the Queen of Hearts has cards for guards, or yours that Margrethe II had a prostitute for a guard. But leaving that matter aside, what’s even stranger in both cases is that the rules by which a guard’s behavior is judged are far from transparent, even after an explanation is offered. The Danes you queried about the incident told you that as far as they were concerned, even a Queen’s guard can do what she wants in her private time; but insubordination is unacceptable: off with her job! Likewise, when Alice asks a couple of the Card Guards why they are painting the roses, she gets this response:

Five and Seven said nothing, but looked at Two. Two began in a low voice, “Why the fact is, you see, Miss, this here ought to have been a RED rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we’re doing our best, afore she comes.”

We expect you can empathize!

*  *  *

So, readers, do you have a favorite from the above, or have you read any recent posts you think deserve an Alice Award?  We’d love to hear your suggestions! And don’t miss out on these weekly sources of inspiration. Get on our subscription list now!

STAY TUNED for tomorrow’s post, another installment on blogging from JACK THE HACK.

Writers and other international creatives: If you want to know in advance whether you’re one of our Alice Award winners, sign up to receive The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with news of book giveaways, future posts, and of course, our weekly Alice Award!. Register for The Displaced Dispatch by clicking here!

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Happy Halloween! A cauldron of 6 cautionary tales for the intrepid traveler

Image: Lake View Cemetery / MorgueFile.com

Yesterday’s Halloween post by Anthony Windram, about the top 5 ghostly settings from literature and film, got us thinking again about the ghostly and ghoulish, the mystical and macabre, the dark and demonic.

Our thoughts, however, did not turn towards the new and original, but to the jaw-clanging skeletons in the Displaced Nation’s very own Crypt.

At which point…someone (Kate Allison?) suggested that we pile all of our Gothic Tales of Old into a cauldron and chant “Bubble, bubble, toil and trouble.” All was going well until one of us—must have been the American—broke in with:

Stirring and stirring and stirring my brew…

Just as she screeched “O-o-o-o-o, o-o-o-o-o”, 6 apparitions arose from the pot: 6 terrifying tales from the Displaced Nation’s deep dark past. Each said they were there to teach travelers a lesson.

And here is what they told us:

1) The Ghost of the Mysteriously Misplaced Post

I am the ghost the represents the post titled The Displaced Nation’s Halloween post is…mysteriously displaced!, composed on Halloween night two years ago by ML Awanohara, whose blood was curdling because:

Kate Allison was supposed to post today, for Halloween…but then, pouf, she vanished without a trace!

As readers who are paying attention know, Kate has now posted 80+ episodes in the life of a fictional British expat family living in New England, called Libby’s Life. Two years ago she vanished before uploading the latest episode because of a freak snowstorm in Connecticut, her adopted home.

She finally resurfaced on On All Saint’s Day—in a MacDonald’s! (Has she gone native, or what?)

Travelers, here is the lesson I’m here to impart for your sake: Truth is stranger than fiction, where so’er you roam.

2) The Ghost of Quizzing Others on Their Supernatural Sightings

Hello there, I am the ghost that arises from THE DISPLACED Q: On your travels … have you ever seen a ghost?, which was composed by Tony James Slater just over a year ago. He impressed with his self-knowledge when he said: “I’m about as psychic as a cheese.” But then he went on to say:

And then, just occasionally, I have dreams when I’m visited by the spirits of people I’ve lost….

Is there any wonder there were no comments and no likes on his post? He scared the bejeezus out of most of his readers.

Still, point taken, and I’m here to impart an important lesson that you international travelers may not have fully considered: As you traverse the world, bear in mind that any ghosts you meet will be people you know (and left behind), not strangers.

3) The Ghost of Compiling a Master List of Grim Reapers

Greetings, I have emanated from the post called Grim Reapers around the globe: 7 creatures that say “Time’s up!”, composed by Kate Allison just over a year ago. Kate reported on the surprising number of cultures that maintain some version of the mythological conniving female who lures men to their deaths.

As frequent visitors to this site will know, Kate has a way with words. For instance, she described
Sihuanaba of Central America as follows:

Seen from the back, she’s an attractive woman with long hair; from the front, it’s a horse. (No jokes about Sex and the City, please.)

But even Kate’s rather offbeat humor could not dissuade from the freakishness of some of these figures.

As far as lasting lessons, this will have to suffice: Next time you get lost in a canyon, try blaming an ancient ghoul. Depending on where you’ve landed, as well as gender, you may just about pull it off.

4) The Ghost of Delivering a Screed against Princess Diana Dolls

A cheery hello to one and all, I am the ghost of Anthony Windram’s EXPAT MOMENTS: The Doll Collection, which he wrote almost exactly a year ago.

As anyone who came across it may recall, Mr. Windram was most distressed to find himself at a bed-and-breakfast in NEW England (he is from Jolly Olde) where the innkeeper has put her prized collection of “individually authenticated” Princess Diana dolls on display in the sitting room. He tossed and turned all night, even heard scratchings at his door.

Now, as regular visitors to this esteemed site know, Mr. Windram is no fool. On the contrary, he has has a mighty brainbox. Which is why I’m so stunned that he allowed himself to be frightened by a set of Lady Di figurines. I’m sure they were only there to cover up the fact that the house is haunted—by a young and rather vigorous ghost, which is how ghosts tend to come in America (just ask Libby). The real take-away, then, particularly for those who venture into the New World: Avoid American B&Bs like the plague if you want a decent night’s sleep.

5) The Ghost of the Expat Criminals Exposé

ML Awanohara showed some temerity in writing a post entitled What did Agatha Christie know? Expats make great criminals back when this blog first started.

As the ghost that arose from this post, I’m here to say she hit the proverbial coffin nail soundly on the head with this assertion:

Just as we don’t like to think of rats being part of the animal kingdom, we don’t like to think of conmen, pirates, gangsters, and terrorists being part of the group we have loosely defined as “global voyagers” … But trust me, they are a part of it — as are murderers.

Which leads us to the lesson I’ll impart today: Just because you’re in a part of the world where marrows tend to thrive, don’t assume the likes of Hercule Poirot will turn up and save you.

6) The Ghost of Finding Travel Inspiration in Margaret Drabble’s “Red Queen”

Not long ago compared to other posts in this collection, ML Awanohara wrote FOOTLOOSE & FANCIFUL: Margaret Drabble’s “The Red Queen”, explaining how her views of Korea had shifted after reading a book by Dame Drabble depicting a period of bloodshed and horror in the 18th-century Korean court. A real-life tale made more vivid by Drabble’s considerable fictional powers, in which the Prince is a homicidal maniac, and his father, the King, a stern Confucian. The King ultimately decides to murder his son in a style so dramatic that ML couldn’t get it out of her head next time she went to Korea. She remains haunted to this day.

As the ghost of this post about a ghost, I find myself torn. On the one hand, what kind of person would read Drabble—that serious, hip, intellectual British novelist, who likes to come across as one’s brainy, Cambridge-educated best friend—to get a handle on what the Koreans are really like? Apples and oranges—or marmite and kimchi, I should say.

On the other—and this is the lesson I’ve come to deliver: Never hesitate to use a Cambridge-educated Brit as a resource for novel sightseeing ideas.

* * *

Readers, have we got you thinking twice about those travel plans? Do let us know in the ca-ca-comments. Hey, at least we spared you the horrors of Sezin Koehler’s 15 films that depict the horrors of being abroad, or otherwise displaced; Tony James Slater’s 5 travel situations that spell H-O-R-R-O-R!; or Kate Allison’s Global grub to die for, including a rather scrumptious recipe for fried tarantula, which goes down a treat in Cambodia.

STAY TUNED for next week’s fab posts!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of the week’s posts from The Displaced Nation, with our weekly Alice Award, book giveaways, and other extras. Register for The Displaced Dispatch by clicking here!

 

The Displaced Nation selects its top 5 chillingly atmospheric Halloween locations from literature & film

From greedy children holding up whole neighborhoods to blackmail as they seek a cheap fix for their addiction to stores selling cheap plastic masks and covering their aisles in fake cobwebs, I’ve always found Halloween to be tedious time of the year. Everything ends up looking more crappy than creepy. As the day lacks its own miserly Ebenezer Scrooge-figure I would be more than happy to fill the role.

Of course, that makes me a poor choice indeed to write a Halloween-themed post for The Displaced Nation, but we can all take solace in the knowledge that as I write this I have the lights in my living room turned off and I am ignoring the pleading of the legions of candy junkies knocking on my door asking for one last Hershey hit.

But enough whinging, Windram. Now for my picks for atmospheric locations that can send a chill down your spine:

1) Whitby, United Kingdom

Quite understandably Dracula is associated with Transylvania, but the Yorkshire coastal town of Whitby is also heavily featured in Bram Stoker’s novel as the site of Dracula’s shipwreck.

Stoker visited Whitby in 1890 and was struck by the atmospheric fishing town. It is easy to see why with the ruins of Whitby Abbey high atop the east cliff overlooking the town it is visually spectacular, which makes it a wonder why the Whitby portions of Stoker original novel have so often been ignored by filmmakers adapting Dracula. John Badham’s 1979 adaptation is one of the few movie Draculas to try and depict Whitby, though unfortunately even here the use of the Whitby storyline is disappointing as the Cornish coast in fact stood in for the Yorkshire coast. This adaptation also has Frank Langella as Count Dracula, so make of that what you will. It’s certainly not obvious casting, I’ll give them that.

2) Geneva, Switzerland

Sticking with a Gothic theme, let’s focus our attention on that other horror mainstay: Frankenstein, by Mary Shelley.

Frakenstein was inspired by Shelley’s stay in Geneva, and large parts of the novel are also set there. Of course, modern, clean, ever-so-slightly-dull Geneva is not the inspiration, but rather the Villa Diodati, a country house on the shores of Lake Geneva. It is here that famously the Shelleys, Byron, and Dr Polidori challenged each other to come up with a horror story. From this challenge Mary Shelley wrote Frankenstein.

For an appropriate bit of campy Halloween schlock, Ken Russell’s film Gothic (1986), which is about the events of that challenge, is well worth a watch.

Equally, Benjamin Markovits’ novel Imposture, about Dr Polidori and his writing of the short story “The Vampyre” during that same challenge, is recommended.

3) A field of susuki grass, Japan

This entry is something of a cheat. This is an entry about the 1964 Japanese film Onibaba (literally, “Demon Hag”), which has no specific setting beyond Medieval Japan; but it’s one of the few horror films I’ve found genuinely affecting.

This is a very brief and unsatisfying summary of the film, but during a civil war two women, one old and one young—living in poverty in an area thick with reeds—kill soldiers who find themselves lost near their home, taking their possessions to sell. The older woman is worried that the younger woman, who is having an affair with a neighbor recently returned from the war, will soon be leaving her so she will have to fend to herself. When the older woman kills a samurai wearing a demon mask, she pulls the mask off the corpse (his face is disfigured) and wears it pretending to be a demon so as to scare the younger woman. Once she puts on the mask, however, she is unable to take it off.

Wow, that summary really doesn’t do the film justice. The film’s director, Kaneto Shindo, was especially keen for the film to be shot in a field of susuki grass, which they found near a river bank in Chiba Prefecture. That setting really makes Onibaba visually arresting. Claustrophobic, but also surreal and languid, these grasses heighten the tension, which is why I feel justified in adding a susuki grass field in Japan to this list.

4) Maine, USA

Obviously this is in reference to the frighteningly prodigious novelist Stephen King, a Maine native and someone who in his work has made use of the fictional Derry, Maine.

With its atmospheric coastline, rocky and dramatic, it’s easy to see how it has inspired King in a similar way to how east cliff in Whitby inspired Stoker a century before.

5) Georgetown, Washington, DC, USA

Or, more specifically, the stone steps that are on M Street in Georgetown, which were made famous in the classic horror film The Exorcist (1973). May the power of Christ compel you to visit! Word of warning: The steps are pretty steep, so if you’re heart starts beating fast, it’s probably the cardio-vascular workout you’re getting rather than any ghoulish happening.

* * *

Readers, literature and film are of course packed with thrills and chills. Have I missed anywhere you think belongs in the Top Five? Let me know in the comments…

STAY TUNED for next tomorrow’s Halloween posts, and prepare to be scared!

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Beth Geglia’s calling to make films on Central American human rights stories

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Beth Geglia (photo supplied by Beth and used with her permission)

Since the Displaced Nation began billing itself as a “home for international creatives,” we have covered plenty of fiction writers, memoirists, and foodies, as well as a few entrepreneurs (I contributed to the latter with an interview with Alison McGowan about her tourism-related business in Brazil).

But there are also expats whose creativity is expressed in political activism: they work for the causes within (and across) the countries they visit.

Today I talk to one such activist, Beth Geglia, an American who, having dedicated her life to human rights issues in Central America, has now developed filmmaking skills and released a feature-length documentary on the resilience displayed by an extraordinary group of Afro-Hondurans.

* * *

Buenas, Beth, and thanks so much for agreeing to be interviewed. Let’s start by having you tell us a bit about yourself. What first awakened your interest in human rights?
I got involved in high school, after the September 11th attacks. I was adamantly against war in both Afghanistan and Iraq, and participated in student walk-outs, teach-ins—all the big mobilizations. Next I volunteered with the Indigenous People’s Council of Oaxaca in Mexico and the Movement of Worker-Occupied Factories in Argentina, which got me working on issues of economic justice and alternative economies as part of the student fair trade movement.

Guatemala has figured large in your life. What led you there in the first place?
As a student activist, I worked closely with a local fair trade coffee-roasting cooperative in Madison, Wisconsin, called Just Coffee. They sent me to Guatemala to do work with a coffee cooperative of former revolutionary combatants and returned refugees from the country’s internal conflict, known as Santa Anita La Unión. Later we organized a delegation of student activists from Wisconsin to meet with Guatemalan producer cooperatives, and I went back a few times.

Making a life in Guatemala

I understand you ended up living in Guatemala?
I became overwhelmed with the history of Guatemala, the U.S.’s interventionist role there, and the movements to restore the memory of the violence that had taken place. I felt I was learning and changing an incredible amount, so I moved there ten days after graduating college. I stayed for two years.

I assume you speak Spanish, but were there any moments when you felt displaced, in the sense of being alienated from your surroundings?
Yes, I spoke Spanish so language was not much of an issue. However, many communities in Guatemala speak their indigenous languages, none of which I was able to learn. There were definitely moments of struggle, but I wouldn’t necessarily relate them to feelings of displacement. After all, I was working with communities who were trying to defend their rights against gold mining and other resource extraction companies—it was they who were facing displacement. Some had been forcibly displaced, while others were threatened with displacement from environmental destruction, militarization, and loss of land. The communities were still healing from the violence of the internal conflict, and some people were experiencing the threat of being locked up or assassinated. Seeing this kind of suffering close up was the hardest, most painful part of my experience. Then there’s always the challenge of understanding your role as a foreigner: what’s appropriate, what’s helpful—fully aware of the privilege of being there by choice and able to leave.

I usually tell people that living in Guatemala was the hardest thing I ever did—and, at the same time, the most important and dearest to my heart. It truly transformed me.

So, for the most part, living in war-torn Guatemala felt right to you?
Things make sense to me whenever I am surrounded by good people doing good work. The people I lived and worked with in Guatemala City, for example, are still some of the people I most respect. Cooking meals with them, hanging out on the roof or patio with a few chelas (beers)—these things really felt like home.

Practicing the filmmaking craft

At what point did you decide to become a filmmaker?
It wasn’t until I moved back to the United States and quit my job with a human rights organization a year later that I began to study documentary filmmaking. Video and film are one of the most useful tools for helping people who are struggling to get their voices heard. It’s an important skill.

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Poster for the film screening at Columbia School of Social Work

You have just now released a documentary, Revolutionary Medicine: A Story of the First Garífuna Hospital, a collaboration with journalist Jesse Freeston. The film is set in Honduras and tells the story of the Garífuna people and the community hospital that they built. Can you fill us in a little more?
Sure. Garífuna history has been rife with forced displacement and resistance, from the slave trade to expulsion by the British from the island of St. Vincent. Most Garífunas in Honduras live on the northern coast, on lands their people have occupied for 216 years. They continue to face many pressures, such as a lucrative foreign tourism industry, the expansion of African palm production by the country’s largest landowners, resource extraction, and foreign investors wanting to build charter cities. In addition, they face ongoing discrimination and neglect from the state, which has failed to provide them with medical services. This film is about the community coming together to build their own hospital, while fighting for their human right to health care. It’s a story about self-organization and persistence, but also about a different model of medicine having to do with community survival. According to this model, improving the health of the community is a first step in addressing structural and political issues in need of change.

It really is the “first” Garífuna Hospital?
Yes. It’s the first hospital to exist in the Garífuna’s territory.

“For the health of our people…”

How did the making of the film come about?
I was still in Guatemala when the military coup in Honduras happened in June of 2009. The people around me were remembering Guatemala’s internal conflict, which lasted 36 years and amounted to genocide: it been sparked by a CIA-orchestrated coup. Everyone was feeling the weight of that history, and there was a sense of urgency around what Honduras could suffer as a result of the coup. Upon returning to the U.S., I got involved in local activism that was exposing the DC-based lobbyists who’d been hired by Honduras’s interim coup government to essentially whitewash the coup and restore normal relations with international institutions and the Organization of American States.

That’s when I met Dr. Luther Castillo, one of the founding doctors of the First Garífuna Hospital. He was on a speaking tour denouncing the political violence and repression taking place in Honduras. I took up his invitation to come visit the hospital.

Jesse Freeston and I knew each other from DC. He had been working as a journalist in Honduras and other parts of Central America for a few years and had also gotten to know the story of the Hospital and what Garífuna communities were working to create.

It was great working with Jesse. He had years of documentary experience under his belt and in fact is now finishing up a feature-length film called Resistencia, about land-occupying farmers in the Aguán Valley of Honduras. It should be released in the spring. I think we made a good team, and I learned a lot from the collaboration.

When was the film released, and what has been the reaction amongst the Garífuna people?
We started screening the film in August. Jesse took it down the West coast of the U.S. and I went to screen it in Honduras. The Garífuna community of Ciriboya reacted very positively. You know when you make a film, you can’t cover nearly everything you’d like to, but I think the doctors in particular felt it presented a balanced version of their story. They’re now using it to raise awareness and educate others. Actually, the most gratifying thing was to see the reaction of medical students who attend the public university in the capital city, Tegucigalpa. They were so excited, they ended up organizing their own screening of the film and have entered into a longer-term relationship with the Garífuna Hospital.

What about in the United States?
In the U.S. we’ve screened for lots of different audiences, including activists, organized medical professionals, social work students, med students, and youth. We’ve worked with the Garífuna Health and Education Support Institute in New York to reach Garífuna diaspora audiences, mainly in the Bronx, and the response has been phenomenal. It’s been exciting to help connect diaspora communities with what’s going on back in their homeland. Generally, people seem to come away feeling proud and/or inspired to act. I think the best compliment we received was: “This is a great organizing tool.”

If our readers are interested in watching the film how can they go about it?
Very soon anyone will be able to order a copy of the documentary online. Until then, I suggest you follow our Facebook page to find out about screenings and distribution. You are also welcome to contact Jesse and me directly by email: me@jessefreeston.com or bgeglia@gmail.com.

What further hopes do you have for the film?
Besides the documentary being used as an educational and network-building tool—that’s why we’ve been focusing on community-based and university screenings—we hope it will give ideas to people who are working on related projects. Particularly in the U.S. I would like for it to make people think about our own health care system and what might be possible.

Having already lived in Guatemala, did making the film help you to connect with Central America in any new ways?
I learned a ton about a part of Central America I knew very little about. One thing that continuously inspired me was the resilience of communities—in particular, their ability to construct alternatives that challenge our assumptions of how society can be organized. Also, the idea of doctors playing the role of protagonist in the process wasn’t something I’d anticipated. Now I’m learning that there is a long history of health workers playing a central role in social movements, to which I’d been largely oblivious.

What are your plans for the future, both with the film and your activism?
I’m actually back in school now in DC, studying for a Ph.D. in Public Anthropology. It’s an interesting program because it leaves room to use documentary film as opposed to simply writing academic papers that will have little reach. The program promotes activism as well as embedded and participatory research, so I feel it’s a good home for me. I don’t have much free time, but when I do, I like to volunteer with a local documentary project called Lessons from the ’60s. It’s an oral history project organized by a group of older activists who want to document memories of the movements that took place in DC in the 1960s and ’70s before they are lost forever. Preserving historical memory was one of the reasons I wanted to do documentary film, so it’s great to be able to participate in this kind of a project in my hometown.

10 Questions for Beth Geglia

Finally, we’d like to ask a series of questions that we’ve asked some of our other featured authors, about your reading and writing habits:
1. Last truly great book you read: Golden Gulag, by Ruth Wilson Gilmore, on the prison system in California (being in school means I only read non-fiction).
2. Favorite literary genre: Science fiction.
3. Reading habits on a plane: It’s actually really hard for me to stay awake on planes! I’m usually passed out, and when I’m awake I listen to music to calm my nerves because I’m scared of flying.
4. The one book you’d require Barack Obama to read, and why? Am I allowed to say Open Veins of Latin America: Five Centuries of the Pillaging of a Continent? Maybe The New Jim Crow, by Michelle Alexander.
5. Favorite books as a child: I was a huge fan of Roald Dahl books when I was a kid. The Witches was my favorite one. I also loved The Chronicles of Narnia.
6. Favorite heroine: Itzá in The Inhabited Woman, by Giaconda Belli.
7. The writer, alive or dead, you’d most like to meet: Audre Lorde.
8. Your reading habits: Since I’m in school, I read all the time and I skim a lot. Coffee in hand is usually a necessity.
9. The book you’d most like to see made as a film: The Inhabited Woman, by Giaconda Belli.
10. The book you plan to read next: Pathologies of Power, by Paul Farmer.

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Readers, did you find Beth’s story as inspiring as I did? Be sure to check out her documentary if you get a chance. And feel free to leave further questions or comments for her below.

STAY TUNED for tomorrow’s post, some species of Halloween confection by Anthony Windram.

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images: Beth Geglia; poster for the film screening at Columbia School of Social Work.

LIBBY’S LIFE #86 – Where the heart is

I twist around in the passenger seat of our rented car, which Oliver is driving at 25mph past some M1 roadworks, and look at the children. All three are fast asleep, their mouths slightly open. Jack is snoring. If only they had been like this on the red-eye flight from Boston last night, I think; instead, they chose to be “those children” who fidget, cry, kick the seats in front, and provoke people in the seats behind into making loud comments about kids needing to be banned from transatlantic flights and why do babies need European vacations anyway.

“They’re going to see their grannies, you small-minded, provincial hicks! We are a global family, unlike you, who apparently have never travelled outside your hometowns before!” I wanted to yell — but, of course, I didn’t. I didn’t yell it because it would a) have been rude and b) not the whole truth.

Yes, the Patricks are having a spontaneous couple of weeks in the old country, and the children are going to see their grannies. But that’s not all of it. Not by a long way.

The real reason we are here is that, with the nights drawing in and the autumn winds howling around the eaves at night, I don’t want to be alone on Halloween in our antique Massachusetts house after Oliver leaves for a long business trip to Rotterdam.

Not while Jack is still carrying on animated conversations with something or someone only he can see, I don’t.

It wasn’t difficult to persuade Oliver to let us come with him, because his mother has been dropping unsubtle hints about visiting us at Thanksgiving. Given the disasters that occurred last time she spent Thanksgiving with us, when I ended up in hospital twice — first with turkey-poisoning and then with a sprained ankle — Oliver was happy for an opportunity to avoid more medical bills. Four extra plane tickets seemed like a bargain in comparison.

It wasn’t just the thought of living with Jack’s pretend friend that made me want to pay a visit to Blighty, though. Getting Jack out of the awkward environment of his kindergarten class also played a part.

Patsy Traynor, flouting the wishes we voiced at the parent-teacher meeting, went ahead and arranged for Jack to see the school psychologist on a daily basis, without telling us. This subterfuge might have gone undiscovered if I hadn’t called into school one day with Jack’s forgotten lunchbox and found him sitting in the admin office with a grey-haired man, drawing a picture of a girl which he’d labelled “Mi Frend M”. When Jack saw me and jumped up to give me a hug, the grey-haired man hastily tried to hide the evidence of Jack’s art therapy, but it was too late. Words were said, threats were issued, and sabbaticals from school until the permanent teacher returned from sick leave were planned. It’s kindergarten, for heaven’s sake — what is the worst that can happen if a child misses a few months of kindergarten? He fails nap time? Two weeks away from school while everyone cooled down would hurt no one, least of all Jack.

And then the final reason: last month I was reading my diary and came across the New Year resolutions I’d made at the beginning of 2013. One of them, quite overlooked in the drama of having to find somewhere else to live in Woodhaven, was this:

2. Go to England and see what sort of a dog’s dinner Sandra has made of our house.

When Sandra moved into our house, in July 2011, she was supposed to stay for just a few months until she found somewhere permanent to live; yet here we are in October 2013 and she’s still dossing around there, rent-free.

Oliver has been no help at all. He doesn’t see it as an issue.

“It’s not a problem,” he kept saying, whenever I suggested it might be nice to have a paying tenant to help with the mortgage. “Money’s not everything. She’s keeping the place aired. It’s someone we know. She’s looking after it.”

Except I now know he has no idea whether she’s looking after it or not. He’s never been inside the house since the day we moved out. Although he visits his mother on trips back to the head office, I found out, after some careful questioning, that she always finds a reason to meet him in a coffee shop or pub, rather than at the house.

“And you don’t find this arrangement suspicious?” I asked him.

He gave me a blank look. “Should I?”

For someone who is supposed to be intelligent, Oliver can be very dense at times. Particularly, as we already know, when it comes to his mother. He doesn’t find it suspicious that she, a woman who once covered herself and some swinger friends with white emulsion and daubed hand- and buttock-prints on the wall of the spare bedroom in a previous rented house, would prefer to meet Oliver in Starbucks or The Dog and Duck? Please.

Initially on this trip I’d planned on staying with my own parents and paying a surprise afternoon call on Sandra, but when I phoned Mum to break the glad news that her daughter and three grandchildren were descending on her house, the short notice of our impending visit sent her into a flat spin with a migraine.

“If only you’d given us more warning,” she kept saying at the end of the phone call. I could hear pill bottles rattling in the background as she looked in the medicine cabinet for Nurofen. “But the spare bedroom needs decorating, and Jack will have to sleep in your old room, and it doesn’t seem right to make a five-year-old boy sleep in a room with pink wallpaper, so that’s two rooms we have to strip and paint before you can come.”

Only my mother could think this a reasonable excuse.

“Stay with mine, then,” Oliver said, after I’d clicked the phone’s off-button as hard as I could. (I miss the old phones that you could bang down when you hung up on someone.) “It’s our house, after all — she can hardly refuse to let you and the kids stay because the bedrooms need decorating.”

He was taken aback, therefore, when Sandra was nearly as uncooperative as my own mother when he told her we were coming to stay for a few days.

Oliver, as well as being dense, can be very naive.

*  *  *

Oliver signals right, and we turn into Acacia Drive. It’s more than two years since I’ve seen the street where we lived for such a long time, and it feels both familiar and foreign at the same time.

We park in front of our house. It is not, I realise with a little shock, quite our home any more.

It’s not just because the paint on the front door is peeling, or that Sandra hasn’t pruned the yellow rosebush I was so fond of.

It’s as if a little of the love has faded.

It’s like bumping into an old boyfriend after a few years and wondering what you saw in him, and why you wasted time and energy crying when he dumped you at the school dance for that tart Zoe Watkins.

“Are you glad to be home?” Oliver asks. “It must be hard for you, coming back to the house with someone else living in it.”

I look at the house again. The picket fence we put up to stop Jack from running onto the road has lost a post and looks like a gap-toothed kindergartener itself.

I wonder what Sandra has done or not done inside, and am sadly surprised that I don’t care as much as I did even fifteen minutes ago.

“Not as hard as you’d imagine,” I say.

.

Next post: LIBBY’S LIFE #87

Previous post: LIBBY’S LIFE #85 – A trick of the light

Read Libby’s Life from the first episode.

Want to read more? Head on over to Kate Allison’s own site, where you can find out more about Libby and the characters of Woodhaven, and where you can buy Taking Flight, the first year of Libby’s Life — now available as an ebook.

STAY TUNED for next week’s posts!

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