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For this TEFL teacher with a strong Cornish identity but a compulsion for travel and the expat life, a picture says…

Cornish Kylie Collage

Canon zoom lens; photo credit: Morguefiles. Kylie Millar (self portrait).

Welcome to our monthly series “A picture says…”, created to celebrate expats and other global residents for whom photography is a creative outlet. The series host is English expat, blogger, writer, world traveler and photography enthusiast James King, who thinks of a camera as a mirror with memory. If you like what you see here, be sure to check out his blog, Jamoroki.

My guest this month is 27-year-old Kylie Millar who was born and bred in Cornwall, England, and, though she now finds herself in Thailand, just like me, she remains proud of her Cornish heritage, having branded herself on her travel blog as Cornish Kylie.

Not only that but Kylie informs me that the Cornish were granted official minority status earlier this year. Being born and bred in Cornwall now means, technically, that a person is identified as Cornish first, British secondwith the latter identity being confined largely to one’s passport. Well, it is true that Cornwall was its own Celtic nation before the Norman Conquest, and they have their own language, Kernewek, which is distinct from Welsh.

After the Scottish vote for independence, can a bid by the Independent Republic of Kernow be far behind?

How times have changed!

* * *

Hi Kylie. It’s good to see you at the Displaced Nation. As the name of your blog implies, you are a proud Cornish lass—rightly so! You have also travelled a fair bit. But since Cornwall is a place close to my heart, can you reminisce for a bit about your childhood in that part of the world?
I was born in Truro, the main hub of Cornwall, which has a cathedral and is therefore designated a city as opposed to a town. But I was raised in the hilly seaside town of Falmouth, known for its lovely beaches, fishing port and docks. To some, it may seem like an aging coastal town, but the recent influx of art students to its expanding university has given it a new lease on life and a nice arty vibe. My dad is a fisherman so I grew up living a typical Cornish life: summers on the beaches, the smell of a crab being boiled on the stove top (which to this day I cannot abide—the curse of being a fisherman’s daughter and not liking fish or seafood!). But I really do appreciate how lucky I am to have grown up in such a wonderful place and fully intend to return one day.

Gwrys yn Kernow (made in Cornwall)

As you know I spent my last year in the UK before emigrating to South Africa (1994/5) in Falmouth, so it’s interesting to hear about the changes. How long after I left did you spread your wings and start travelling abroad?
I actually didn’t spread my wings all that much growing up. Family holidays consisted of trips to Butlin’s holiday camps and a few package holidays to Tenerife, in the Canary Islands. I didn’t even move away from Cornwall to go to university, I just commuted the 75 miles east to Plymouth. Why would I want to move away from somewhere like Cornwall?

I agree. It’s a magnetic place even for those of who weren’t born there. Carry on, please.
As part of my degree I had the opportunity to go to China for a few weeks to do a little bit of English teaching and a cultural exchange with Chinese university students. This was my first time to experience a culture completely different from my own. I was only 19 and in a constant state of “culture shock”. It wasn’t until after I completed my degree and had a few years’ work under my belt that the urge to explore really kicked in.

Please tell me a little more about your travels.
Aside from the trip to China, I have holidayed in Egypt and Morocco. Then my next big trip was a month backpacking around Thailand with one of my best friends. That’s how I first caught the Thailand bug.

You certainly don’t intend to let the grass grow under your feet, Kylie. I foresee you becoming a seasoned traveller before long. I know there is a lot more to your story, but let’s start with the reasons that drove you to travel.
I’m not a fan of people traveling purely to “find themselves” or even to “make the world a better place”. Actually, I have changed a lot since coming to Thailand, and I’m sure that, as a TEFL teacher, I’m contributing in some small way to the education of Thailand’s future leaders. But that’s not the sole reason I came here. I had a job in the UK that I loved, but I sensed I was stagnating. So I followed my instincts (very scary but it felt right) and quit, upped sticks and came to Thailand, got a TEFL certificate and started teaching English to Thais.

“Life is so short, you must move very slowly” – Thai proverb

You say you’ve got the Thailand bug, which in my experience can be difficult to explain to anyone who hasn’t lived here. So let’s leave it at that and talk about where, precisely, are you right now and what are you up to.
I spent my first 18 months living in the city of Hat Yai, in southern Thailand, near the Malaysian border. I was teaching English at a government high school, with classes of fifty students and few resources apart from those I conjured up myself. Later I went to Phuket, Thailand’s largest island, to work as a teaching assistant in an international school. The two posts and their locations were poles apart.

Can you say a little about that for the sake of readers who don’t know Thailand?
In Hat Yai I was one of a handful of farangs (Caucasian foreigners) living in a village on the outskirts of the city. On my daily commute to the school, I would meander through rubber plantations, passing water buffalo. At first people would stare, but their stares quickly turned into smiles and shouts of “hello!”. Nobody spoke English beyond that one word, so I had to learn to speak Thai very quickly to be able to order food. In Phuket, by contrast, I am one of thousands of farangs and when Thai people see me they assume that I am a tourist and treat me accordingly. It’s harder to win over the locals here because tourists are their meal ticket. You have to convince them that you aren’t a tourist; you live here like they do. That said, life in Phuket is a lot easier. It has familiar things like pizza and sandwiches (I haven’t got used to eating rice three times a day yet). And of course the island’s beaches are stunning, which reminds me of Cornwall and makes me feel at home.

Ah, I think I detect something of the home bird in you, alongside the intrepid traveller… And now let’s see some of your favorite photos and hear the stories behind them.
When I was in the Atlas Mountains of Morocco, I couldn’t resist taking pictures of the many beautifully decorated doorways. This picture was accidental as the boy emerged from the doorway just as I pressed the shutter release. Then I realised how people can add an extra dimension and started to include people in more of my photographs. This trip to Morocco was special: it opened my eyes to a very different part of the world.

Kylie_BoyinMoroccanDoor

A boy in a Moorish door; photo credit: Kylie Millar.

I love this. Dirty, dusty, old and full of intrigue. A great shot. What else do you have for us?
Songkran is the festival held in mid-April to celebrate traditional Thai new year’s. It’s probably the most famous of all the Thai festivals because it’s the scene of the world’s biggest water fight. Determined to join the festivities, I locked away my main camera and went out to the streets. I got this shot when the water fighting stopped to let a convoy of vehicles, carrying Buddha statues, pass to the temple. Songkran is absolutely insane, and if you ever find yourself in Thailand at this time of year, prepare to get wet—or hide!

Kylie_ThaiNewYear

Happy New Year, Chiang Mai style; photo credit: Kylie Millar.

And here’s one more of Thailand. As you know, anti-government protests took place from November 2013 through May of this year. I live close enough to Bangkok that I was able to come in and take photos. Having a big camera was useful as it made it obvious I was an observer, not a participant. Foreign involvement in the protests was a big no-no. On the day I took this shot, anti-government protesters had made progress, spirits were high and the atmosphere was unlike any other I have experienced. People were happy to have their picture taken, and this lady was my favourite, standing proudly in traditional yellow to signal her support for the King. For some reason, the scene made me think of the crowd around the Pyramid Stage at the Glastonbury music festival in England—not what you’d expect at an anti-governmental protest. I’m glad I was able to see it all firsthand.

Kylie_yellowlady

A sunny presence at the Bangkok protests; photo credit: Kylie Millar.

Getting to the zuggans (Cornish for “the essence”)

Now could you show us the kinds of places that tend to bring out your shutterbug instincts?
One of those places was Jemaa el-Fnaa, a bustling square in Marrakesh that offends all of the senses. Said to be the busiest square in Africa, it is hot and dusty, and the air is full of the smell of tagine spices and roasting meats. The sounds of hawkers and snake charmers mix with the buzz of the crowd, punctuated by the call to prayer that reaches every corner of the souks—it’s the largest traditional market in Morocco. Rugs, lamps, cushions and fabrics in deep oranges, luscious reds and striking purple line the narrow lanes of the souks. Rusty tin roofs let in shards of light that make this a photographer’s dream. But cameras can only capture so much…

Kylie_souk

The wonders of the Marrakesh souks; photo credit: Kylie Millar.

You captured the smells as well as the intrigue. Well done. What’s next?
I visited George Town, in the northeast corner of Penang island, twice recently. It’s famous for being one of the main destinations for visa runners and backpackers alike. I was drawn to its hodgepodge of cultures: mosques, churches, Hindu and Buddhist temples all sandwiched together. Ethnic Chinese and Indian communities live alongside each other, and traditional clan families can still be found living on stilt houses on the jetties. In this photo I tried to capture some of that:

Kylie_bikeforrent

The back streets of George Town, Penang; photo credit: Kylie Millar.

I’m not generally a fan of black-and-white photos but this subject lends itself so well. And finally?
Many of the things that make Thailand unusual are seeming more normal the longer I live here—like the bright orange monk’s robes in this picture, the turquoise sea, the towering Buddha statues, multicolored long boats, the outrageously decorated temples and colourful tuk tuks. It’s home now but, as I think this photo shows, I still like to play the tourist and explore:

Kyli_ThaiOfferings

A novice Thai monk and spirit house; photo credit: Kylie Millar.

I like the way you captured Thailand’s vibrancy. Tell me, do you feel reserved about taking photos of people, particularly when they are conscious that you are doing so?
Actually, I like to try and get natural photographs without the person knowing at all. I want to capture moments and events not someone posing. People generally enjoy having their picture taken, so if they spot a camera they will smile or pull a face and the obligatory peace signs come out. Not quite what I’m looking for… Driving an old banger of a car helps because Thais will sometimes take our picture—because we farangs are assumed to be rich and usually drive smart cars.

“Today I’m going to shoot someone…and they will love me for it!”

It can be annoying, this Asian misconception that all Westerners are rich, but I guess we all get used to it in time. So you don’t ask permission unless you need to before taking people’s photographs—but how do you get around any problem of language?
If I am unable to be stealthy, then I use the universal “can I take a picture?” sign consisting of pointing to my camera. I have learned how to ask in Thai but the words sometimes escape me. The big camera is usually a clue! When I was in a mountain village in Morocco, getting some shots of the decorative doors as mentioned above, an old lady smiled at me and gestured that she’d like to have her photograph taken. As I released the shutter button, she held out her hand, demanding payment. Not wanting to cause a scene, I forked out some change. Although not too happy with my offering she took it—if only she knew I only wanted a picture of her back door, not her face!

Kylie_Atlas Mountain lady

People shots for a price; photo credit: Kylie Millar.

Would you say that photography and the ability to be able to capture something unique that will never be seen again is a powerful force for you?
My mum always says that I take so many photographs but I am hardly ever in them. And that is very true. I know that when I am older I will wish I had more pictures of myself having adventures. But for now photography is a means of capturing what I see and feel. If I think the photos are worth sharing, they will end up on my blog. Photography is changing with the times, though. When I studied A-level photography we used film, processed by hand after spending hours in the darkroom. Filters had to be slotted into the machine; now they are just options on an iPhone app. When my mum was younger she went on a trip to Israel and Jerusalem, and she has two rolls of film from that trip—around fifty photographs. Nowadays people will take more than fifty photographs on a single night out. The technology has evolved so much that nearly everyone has a camera in their pocket on their phone, which is great. It makes photography more accessible to all, with no wasted film. But it does mean that photos are not so special and precious as they once were.

Some of our readers may want to know what kind of camera and lenses you use, as well as any post-processing software.
I’ve got a Canon 600D with standard lens, and a 75-300mm telephoto lens (perfect for those stealthy pictures of people, and for animal shots). I’ve also got a Panasonic Lumix point and shoot for the days when a bigger camera isn’t practical. If I am going to edit, I use Adobe Lightroom, which I am still finding my way around. Having never been taught how to use digital post-production software, I have to rely on trial and error—but that was also what it was like in the darkroom. It’s more fun that way!

Finally, do you have any advice for wannabe photographers who are traveling or living abroad?
Take more pictures than you think you need. Bring spare SD cards and back them up—you will lose one or one will break. Don’t keep your camera locked away in a bag, keep it to hand, it needs to become a natural extension of yourself, not this big cumbersome thing you have to get out every time you want to take a picture.

Even though we are more than 40 years apart, we both left Falmouth and ended up in Phuket with the same camera (Canon T3i 600D). No wonder your pics are so good! Thank you for taking the time to tell your fascinating story.

* * *

Readers, what do you make of Kylie’s experiences and her photography advice? And do you have any questions for her about her photos or her travels? Please leave them in the comments! And don’t forget you can follow Kylie on her blog, Cornish Kylie. You can contact her by email at info@cornishkylie.com, and you can also find her on social media: Twitter, Facebook, and Instagram.

(If you are a photographer and would like to be interviewed by James for this series, please send your information to ml@thedisplacednation.com.)

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HERE BE DRAGONS: A pox on your expat life! How suffering an illness abroad can inspire fantasy writing

Here Be Dragons Pox

(Clockwise from top) Detail of the medieval map Carta marina; one-day old chicken pox blister, by Evanherk at Dutch Wikipedia (CC BY-SA 3.0); neem leaves, by Miansari66 (CC BY-SA 3.0); Freiberg, by kaffeeeinstein (CC BY-SA 2.0).

HERE BE DRAGONS is back, a column produced by fantasy writer Andrew Couch, an American expat in Germany. We at the Displaced Nation have long been aware of the strong connection between fantasy (think Alice in Wonderland) and a life of international travel and residency. And now Andrew has got us pondering the idea of turning our (mis)adventures into fantasy stories!

—ML Awanohara

A few weeks ago I came down with an adult case of the chicken pox. Seriously, I am in my mid-thirties and never had chicken pox as a kid.

The experience got me thinking about the oddities of dealing with a disease as an expat living abroadand then about how this could become a source of material for a writer like myself, who enjoys leading characters around fantasy realms.

Getting sick in Germany is not the same as getting sick in the United States. To begin with, we don’t have a car, so my wife took me on the tram to see the doctor. He subsequently told me that I shouldn’t really have left the house; my local health service would call me.

In the U.S., we would be driving everywhere and the local health service (do we have one?) couldn’t care less about a case of the chickenpox.

In the end I didn’t get a call from the local health service, nor did my Twitter friends’ predictions I would end up being quarantined come true. And yet I can’t stop thinking about the exposure to disease that comes from riding the trams. Did I get sick because someone else had to ride the trams? Public transport is a glorious thing, but it definitely carries health risks.

Another thing that was strange: the German doctor told me to pretty much suck it up and try not to scratch. Germany, in my experience, is not the super-medicated world we commonly find in the United States.

In the end, despite the fear-inducing comments from friends about how horrible the chicken pox can be as an adult, I had only one day of itchiness amidst a week of hideous red bumps.

Okay, you might be saying, that was really awful, but what does it have to do with fantasy writing? Well, as I mentioned in my first post of the series, the expat experience is a wonderful metaphor for encountering a fantasy world. Why not use the episodes and observations from your life overseas to conjure up fantastical tales?

Here are three ways I can envision using my illness in future stories:

1) Add a plot twist about the threat of sickness and disease and search for a cure. Perhaps I’ll given one of my characters a fever and have a foreign medicine woman tell him to rub certain leaves all over his body. How does he respond? Ohand if you think this is just the realm of fantasy, I did have a friend recommend some Indian neem leaves as a powerful agent for curing skin conditions. I even would have tried them had we been able to figure out how to import them into Germany.

This device could cut another way as well. Perhaps my characters are living in the depths of a jungle, with medicine oozing from every berry, leaf and root. They would likely feel creeped out if required to pay a visit to a city doctor, whose remedy consists of handing out bottles of nondescript white tablets.

2) Use sickness to explore my characters at their worst. In my case, for instance, all I want to do when ill is snuggle under a blanket, drink massive amounts of orange juice, eat grilled cheese sandwiches and watch movies until it goes away. I also want someone to bring me these things. I really would be in trouble if I was not supposed to leave home and didn’t have a wonderful wife (or even friends) to bring me food.

Would my fantasy characters become similarly dependent? How would they cope if deprived of their favorite comfort foods and activities?

3) Explore the fear that comes from a disfiguring illness. You may have had chicken pox when you were small and can no longer remember how you felt. But I tell you this, as an adult with an active imagination, chicken pox are frightening. Bubbly boils cover the body and itch like crazy. Without a ton of stretching (oh, and the fever helped this, too), my imagination could easily have convinced me I had the plague. I refrained from looking in the mirror much, but my wife tells me that I looked as awful as I felt.

And now let’s transfer this physical aspect of disease to fantasy culture. What if my characters didn’t know the long-term impact of the pox? What kind of panic would this induce? Or maybe they know the pox to be non-fatal, but how do they deal with having something that makes them look hideous? Another possibility is that an alien character gets the pox but doesn’t understand when the natives don’t react: is this because they expect that person to die, or because they know the disease will run its course? Terror prevails until that question is answered…

* * *

A few weeks later, I am recovered mostly. I am left with stories to tell.

I also have a mind full of diseases to inflict on future characters in fantasy stories. As the Germans say:

Auf jeden Regen folgt auch Sonnenschein

“After every rain, there will be sunshine.” Similar to “every cloud has a silver lining” but not quite the same as it speaks more to the inevitability of change. “This, too, will pass” would be a closer translation.

For expats, the risk of getting seriously ill while abroad is greater than it is for occasional travelers. Try to recall your first time being sick and dealing with the local culture. Was it more frightening than at home? What about trying to communicate with doctors in another language while suffering from fever? What if your favorite remedy or comfort food just didn’t exist? All of these are situations you can include in your fantasy stories.

Andrew Couch has been a fantasy book nut since childhood; he really has not grown up much since then. After struggling to write his own games for years, he is now creating fantastical worlds in a series of novellas that echo the TV shows, anime and role-playing games of his youth. Beyond fantasy he is an avid blogger and a world traveler who resides in Germany. To learn more about Andrew, check out his blog, Grounded Traveler, and follow him on Twitter: @groundedtravelr.

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BOOKLUST, WANDERLUST: Curiosity leads Elizabeth Gilbert’s Victorian heroine to international travel

Booklust Wanderlust Collage

Left: Oleh Slobodeniuk (CC BY-NC-SA 4.0); right: Beth Green (her own photo).

Attention displaced bookworms! Our book review columnist, Beth Green, is back. An American who lives in Prague, Beth mixes booklust with wanderlust in equal measures, which gives her just the right background for reviewing book releases on behalf of international creatives.

—ML Awanohara

Hello again, Displaced Nationers! Since I last wrote, summer has slipped by us. The gradual wicking away of days and weeks puts me in mind of the protagonist of the book I have chosen to review this month: The Signature of All Things, a scientific and historical novel by Elizabeth Gilbert (she of Eat, Pray, Love fame).

The story’s heroine, Alma Whittaker, an early Victorian botanist living in North America, thinks of time as running on three concurrent tracks:
1) Human Time, which goes by as quickly and flittingly as a summer’s day.
2) Geological Time, in which the Earth moves.
3) Moss Time, which reflects the events of both Human and Geological time but moves at its own pace, expanding rapidly.

signature_coverAlma regrets that her life is stuck on the track of Human Time in an era that doesn’t favor women of character, intelligence and strength (but not looks). I found her fascinating and think that you international creatives will find her that way as well for these three reasons:

1) She is a Third Culture Kid and a polyglot.

As the daughter of English and Dutch botanists who eloped to start an empire on stolen seeds in the New World, Alma is a delightful fictional example of a Third Culture Kid. She has an unconventional upbringing at a time when most young ladies of her class were strictly bound by convention.

Gilbert writes:

She learned that walking carefully in the mud to save one’s boots or the hems of one’s skirts never rewarded one’s search. She was never scolded for returning home with muddied boots and hems.

At home, Alma speaks English with her British-born father, an old rascal who sailed with Captain Cook and turned himself into a rare plants and pharmaceuticals baron, one of the richest and most powerful men in Philadelphia; and a mix of classical languages with her highly educated mother. As for her nurse:

[The nurse] always spoke Dutch to Alma, and Dutch, to Alma’s ears would forever be the language of comfort and bank vaults and salted ham and safety.

Alma spends her childhood wandering in the breathtaking gardens and fields of her father’s estate, working on French and Latin, and being regaled with tales of far-flung expeditions at her parents’ dinner parties. She grows into a young woman with a wide breadth of knowledge but a constricted life experience.

2) Alma chooses to expand her horizons through international travel, rather like Gilbert herself.

Many novelists would slow down the narrative at this point, bring in a love interest (and a rival or two), and make the story all about the broadening of Alma’s horizons through a courtship followed by marriage. But Gilbert, who first made herself known to the world through the memoir of her solo travels to Italy (to eat), India (to pray) and Bali (where she found love), isn’t the right author for such conventions.

True, Alma’s youth, measured in Human Time, speeds by, but in the world Gilbert creates, one need not be young to have adventures. Indeed, Alma’s true adventures begin only after she believes she’s past her prime, when she enters Moss Time.

The spark that ignites those adventures is a surprise even to her. While contemplating the passage of her middle years, Alma discovers her passion for researching moss and its evolution. Moss, of course, knows no national boundaries. As Gilbert writes:

Moss grows where nothing else can grow. It grows on bricks. It grows on tree bark and roofing slate. It grows in the Arctic Circle and in the balmiest tropics; it also grows on the fur of sloths, on the backs of snails, on decaying human bones.

After Alma’s marriage fails, she sets sail for Tahiti.

As she takes off, so does the book—at least for me: Alma’s voyage across the Atlantic and Pacific was one of my favorite parts of the novel. Experiencing the long, slow sea voyage through the eyes of someone educated but who, at age 48, had barely left the confines of the family estate made for a compelling read.

“The ocean both stunned and disturbed her. Nothing had ever put more of an impression upon her being,” writes Gilbert. “It seemed to her the very distillation of matter, the very masterpiece of mysteries.”

There are also moments when her innocence clashes with her surroundings, as we see in this passage:

Alma offered payment in American coins, but the man attempted to make change for her from a handful of dirty Spanish piastres and Bolivian pesos. Alma could not figure out how he was possibly calculating his currency exchange, until she realized hew as trading in his dull old coins for her shiny new ones.

3) Alma’s insatiable curiosity is the driving force behind her travels.

It is tempting to see Alma as an extension of Gilbert: abandoning a marriage to travel recalls Gilbert’s break-out memoir Eat, Pray, Love. But in that book, along with its sequel Committed: A Love Story, Gilbert’s primary concern is with her ongoing personal evolution as writer, person, friend and romantic partner. In Signature, by contrast, Gilbert has created a character who as a young girl has already surpassed society’s expectations of what she can become. Alma is an intellectual whiz—fluent in languages, adept at math and strategy, precise in science and research—and a sensitive, caring friend. She’s strong. She’s healthy. But most of all, she’s curious—something I think she has in common with those of us who’ve chosen to live in other cultures.

When Alma reaches 16, she is faced with the decision to throw away a pornographic book or hide it. Gilbert writes:

But what about the cankerworm of curiosity that lived within Alma’s belly? What about its desire to feed daily upon the novel, the extraordinary, the true?

Then when Alma is approaching 60, she finally meets the special someone she has been searching for for years and says:

Allow me to tell you something about myself, for it might help you to speak more freely. Implanted in my very disposition—though I do not always consider it either a virtue or a blessing—is a desire to understand the nature of things.

Interestingly, curiosity seems to have become a mantra for Gilbert these days. On recent speaking tours (with Oprah, for example), she has been offering writers this advice:

Foster your curiosity even more than your passion.

To sum up: The Signature of All Things is not always a page-turner and Alma is not always a likable character, but the book held my attention to the end, in large part because I wanted to find out what happened to Alma. Gilbert’s writing, too, is impressive. Certain scenes in the book—the docks and a moss cave in Tahiti, the Spartan kitchen Alma’s abolitionist sister keeps, the crude sea tales of Alma’s father—are portrayed with such cinematic clarity I will never forget them.

Those who have read the book may know that readers have criticized Gilbert for focusing too much attention on Alma’s (mostly unfulfilled) sexual desires. I did not feel that way. Through the force of her sheer intelligence, Alma takes us closer to a period of our history that wasn’t so long ago, at least in Geological Time, when scientific findings were beginning to challenge traditional beliefs. As the English philosopher Thomas Hobbes once said:

Curiosity is the lust of the mind.

What say you, Displaced Nationers? Are you curious about Gilbert’s latest? Until we meet again, may Human Time roll by slowly for a change. (And if it doesn’t, plant some moss on it!)

* * *

Thanks, Beth! Until I read this review, I hadn’t realized that Elizabeth Gilbert, a member of our Displaced Hall of Fame for her travel memoir, had moved on to fiction. Readers, are you familiar with Signature and Alma Whittaker? If so, were you just as smitten as Beth was?

Beth Green is an American writer and English teacher living in Prague, Czech Republic. She grew up on a sailboat and, though now a landlubber, continues to lead a peripatetic life, having lived in Asia as well as Europe. Her personal Web site is Beth Green Writes, and she is about to launch a new site called Everyday Travel Stories. To keep in touch with her in between columns, try following her on Facebook and Twitter. She’s a social media nut!

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EXPAT ART AS THERAPY: A new series based on Alain de Botton’s strange and wonderful notions

expat_art_as_therapy introGreetings, Displaced Nationers. While countries in Asia are celebrating harvest and moon festivals, we are marking the occasion with the start of a new series: EXPAT ART AS THERAPY. The series owes its provenance to the fertile and somewhat loony imagination of the young Swiss-English philosopher Alain de Botton. Today and over the next few months, we’ll cover some of the same ground as de Botton in his “Art as Therapy” lecture, in which he demonstrates how art can shed light on life’s big themes.

Except our topic will be the work of international creatives, a subset of artists more generally. Can the art people produce as a result of living among cultures in other parts of the world—and feeling, at times, displaced—shed light on life’s big questions?

Haven’t yet heard of de Botton? Here is (more than) you need to know:

  • Having grown up in both Switzerland and the UK, he’s an Adult Third Culture Kid who comes across as European, English, both and neither.
  • He’s a prolific pop philosopher, with a shelf-full of books and two very popular TED talks to his name.
  • He also has his critics, who call him a “high-brow self-help guru.”
  • Regardless, he hasn’t looked back since his 1997 essay titled How Proust Can Change Your Life became an unlikely blockbuster in the “self-help” category.
  • As explained in a recent Displaced Dispatch—what, not a subscriber yet? get on with it!—de Botton has set up a cultural enterprise in Bloomsbury, London, called The School of Life, which aims to “teach ideas to live by” and “inspire people to change their lives through culture.”

Returning to the aforementioned “art as therapy” lecture, De Botton lists six ways that art can respond to human needs, and in this series I’ll be attempting to apply this scheme to the works of international creatives. Does the art produced by expats, rexpats, TCKS, ATCKs repats, and other international creatives have something to contribute to the good of humanity at large and if so, in what ways?

It all sounds rather grand, doesn’t it—or would grandiose be more accurate? In any event, not to worry, you won’t remember any of this by the time the column starts up properly next month.

That said, perhaps it would help if I left you with a couple of examples of the kinds of questions we’ll be examining, enough to whet your appetite for more.

Here goes:

1) How does it benefit the world that Alan Parker has written a best-selling indie book about what it’s like to be a Brit man trying to raise alpacas in Spain? I’ll warrant that many of us, myself included, have no wish to live in Spain or raise alpacas—yet I did feel moved by the account of his adventures as reported on this blog, and presume that others have as well. What are we all getting out of it?

2) Likewise, are there pleasures for all to be reaped from long-term expat Kathleen Saville’s description of the acacia trees on the island in Zamalek, Gezira Island, where she lives in Cairo? (NOTE: Saville, who blogs at Water Meditations, is a contender for a September Alice Award, which you’d know if you read our most recent Dispatch.) Take me for example. The thought of living in Egypt scares me, and I’ve been avoiding most trees ever since Hurricane Sandy, but after reading Saville’s description of Egyptian acacias—

I see folds and twists in the trunks like nothing I have ever seen in another tree. Each tree looks like a long thin body or leg covered with support hose. It’s odd because the appearance is almost human like.

—I was blown away. Why, and would others with no special interest in Egypt feel the same?

* * *

At this point I hope I’ve said enough for you to make a mental note about checking out next month’s column!

In closing, please join me in a resounding chorus of “Shine on, shine on harvest moon/Up in the sky…” (Click here if you don’t know what I’m talking about or can’t remember the words.) Yes, I know it’s not high art; it’s a Tin Pan Alley stuff. But it’s seasonal and makes me smile—and our mentor, Alain de Botton, would give me a pat on the back for that!

STAY TUNED for Beth Green’s book review column.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with Alice nominations, book giveaways, and other extras. Register for The Displaced Dispatch by clicking here!

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LOCATION, LOCUTION: Catriona Troth, novelist – from Scotland to Canada to a long stay in the Chilterns

Kat

In this month’s “Location, Locution”, expat crime writer JJ Marsh interviews Catriona Troth, who was born in Scotland and grew up in Canada before coming back to the UK. She has now lived in the Chilterns longer than she has ever lived in anywhere, a fact that still comes as a surprise.

After more than twenty years spent writing technical reports at work and fiction on the commuter train, Catriona made the shift into freelance writing. Her writing explores themes of identity and childhood memory. Her novella, Gift of the Raven, is set against a backcloth of Canada from the suburbs of Montreal to the forests of the Haida Gwaii. Her novel, Ghost Town, is set in Coventry in 1981, when the city of Two Tone and Ska was riven with battles between skinheads and young Asians.

Which comes first, story or location?
In my case, it’s usually a collision between the two. I have a story in my mind, I look for a location, and when I find the right one, some sort of explosive reaction happens that produces something I never anticipated.

Ghost TownHow do you go about evoking the atmosphere of a place?
I think it’s always about the small, telling details. Readers get bored with long passages of description, so you focus on something striking. It’s important, too, that you appeal to all the readers senses – smell and taste and touch as well and seeing and hearing. It’s also important to see setting not as something static, but as it relates to your characters – how they interact with a place, how it looks through their eyes.

Which particular features create a sense of location? Landscape, culture, food?
It depends. In Gift of the Raven, I was mostly evoking wild places, so landscape was important, and the way colours change with light, and the sounds of wild birds. On the other hand, in my novel, Ghost Town, the setting was the Coventry at a very specific point in time. So I was looking for ways to evoke the contradictions of the city – the old medieval buildings, the post-War concrete monoliths, the grandeur of the new cathedral. But also the little things that mark out what it was like to live in the city at that particular time – like which groups of kids hung out where, how they dressed, what music they liked. One thing that was important to me in both cases was weather – a place can be very different in bright sunshine than it is in teeming rain or thick snow.

How well do you need to know the place before using it as a setting?
For me, knowing the location well allows me to give the story texture and depth. I’m terrible for worrying over whether I have got details right! The internet is great for being able to check things like that – but it can also be a terrible trap, hobbling you when you should be getting the bones of the story down.

Could you give a brief example from your work which you feel brings the location to life?
This is the description, from Gift of the Raven, of a lake in the Rocky Mountains, seen through the eyes of a young boy who is just discovering his own artistic talent.

49560-copyofgiftoftheravencovermediumI was at one end of a narrow lake. The other end disappeared off into tomorrow. Below where I stood, the wind ruffled the edges of the water, but out there it could have been polished stone. A stone so blue you could lose yourself in the colour. At either side—like bold strokes of a palette knife from the sky to the lake—were mountains. Green-black pine over an ash-grey beach, peaks of dazzling white snow …

No. The snow wasn’t just white. In the sunshine it was a hundred different colours. Pink. Blue. Gold. You only saw white if you were too lazy to look.

Which writers do you admire for the way they use location?
A book I read earlier this year which I thought was extraordinary in terms of setting was Peter May’s Lewis Man. He managed to capture the way islands of Hebrides change, day by day, with the changing weather, and also the way the character of the different islands change with the character of their inhabitants. Masterly to achieve this while still creating a fast-paced thriller.

Joanne Harris creates a sense of place through tastes and smells – food is almost always a huge part of her books. Reading some of the passages in her books you can feel as if you have just enjoyed a banquet of tastes.

And for a book that evoked both a time and a place, I’d choose Michel Faber’s The Crimson Petal and the White. The scene where the reader is enticed to follow Sugar into the sleaziest corners of Victorian London is spell-binding. I couldn’t put the book down after that.

* * *

Next month’s Location, Locution: Fran Pickering sets her Josie Clark series in Japan. East-West fusion murder mysteries with a cultural twist.

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JJ Marsh grew up in Wales, Africa and the Middle East, where her curiosity for culture took root and triggered an urge to write. After living in Hong Kong, Nigeria, Dubai, Portugal and France, JJ finally settled in Switzerland, where she is currently halfway through her European crime series, set in compelling locations all over the continent and featuring detective inspector Beatrice Stubbs.

STAY TUNED for our next post!

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A spoonful of imagination helps the expat life go down: In tribute to our 7 columnists

Sugar spoon by jppi (Morguefiles); jet painting by Prawny (Morguefiles).

Sugar spoon by jppi (Morguefiles); jet painting by Prawny (Morguefiles).

Here in the Northern Hemisphere, as summer draws to its inevitable close, I’d like to take a moment to acknowledge the talented individuals who write columns for us from an expat or otherwise displaced perspective.

Curiouser and curiouser! If it weren’t for them, we’d know a great deal less about the contours of the kind of creative life that is lived across two or more distinct cultures.

Fiction, fantasy, food, photos, theatre—oh my! Our columnists also serve as the Wizards who can help the rest of us transform our travels into a trip down the Yellow Brick Road.

(Yes, Dorothy has now joined Alice as a Displaced Nation heroine.)

Without further ado, they are, in alphabetical order:

1) Andrew Couch

COLUMN: Here Be Dragons
INTERESTING FACT ABOUT ANDREW: He spent this summer developing the Peanut Butter Bar WordPress app, which allows you to attach sticky bars to the roof of your site that stay visible no matter how far a user scrolls. (“Smooth” is free. “Chunky,” which has more features, costs $15.)
COLUMN PURPOSE: Andrew demonstrates, through snippets of his own writing, the possibility of collecting materials for a fantasy novel from a life of international travel.
MOST POPULAR POST: Andrew’s first, “The expat life as fuel for fantasy writing,” perhaps because his concept is a little fantastical.
WHY YOU SHOULD FOLLOW: You will never look at your displaced life in quite the same way again but will see yourself as the protagonist in your own Alice or Dorothy story, a story you’re not only living but could (should?) be writing…

2) Beth Green

COLUMN: Booklust, Wanderlust
INTERESTING FACT ABOUT BETH: She grew up on a sailboat and, though now a landlubber, still enjoys a peripatetic life.
COLUMN PURPOSE: Beth selects books with particular appeal to international creatives.
MOST POPULAR POST: Her first, about the Dublin Murder Squad series by ATCK writer Tana French, perhaps reflecting Beth’s own passion for mystery (she is also a member of the Sisters in Crime mystery writers’ association, another interesting fact about Beth).
WHY YOU SHOULD FOLLOW: The peripatetic Beth has a correspondingly eclectic taste in books, sampling everything from psychological mystery to journalistic memoirs of China to biographies of eccentric female travelers of the past century.

3) Elizabeth Liang

COLUMN: TCK Talent
INTERESTING FACT ABOUT LISA: Lisa spent part of the summer in Iceland, putting on her one-woman autobiographical show about growing up as a TCK, Citizen Alien.
COLUMN PURPOSE: Lisa profiles Adult Third Culture Kids with unusual talents. Perhaps not surprisingly, many of them find success as actors, just as Lisa has.
MOST POPULAR POST: Lisa’s interview with Laura Piquado, an actress in New York City who grew up all over the world and told Lisa she is now

dyak and atheist, Muslim, Christian, Bahá’í, Jain, Egyptian, Italian, Canadian—there is nowhere in the world that has ever felt foreign to me.

WHY YOU SHOULD FOLLOW: Because they weren’t originally expats by choice, adult TCKs can teach the rest of us a lot about the glories as well as the challenges of leading a displaced life. Plus Lisa’s gutsiness in developing her own TCK show gives her creds. She and the show are terrific! I know because I’ve met her and seen it.

4) Meagan Adele Lopez

COLUMN TITLE: The Lady Who Writes
INTERESTING FACT ABOUT MAL: Meagan Adele Lopez (nicknamed MAL) is both Anglophile and Francophile (she once lived in Paris). Talk about open-mindedness!
COLUMN PURPOSE: MAL writes about what she wished she’d known before setting out to write and self-publish her first novel, Three Questions, based on a romantic adventure that started at the end of her first expat stint in the UK (in Bristol).
MOST POPULAR POST: MAL’s first, suggesting that expats may easily be able to find a novel in their novel lives. Note: MAL has just wrapped up her six-post series for us.
WHY YOU SHOULD READ: Rather like Dickens, MAL calls on elements from her thespian background (she used to be an actor in Hollywood, no less) for writing a novel. Her characters are real: she imagines “dining out” with them!

5) James King

COLUMN TITLE: A Picture Says…
INTERESTING FACT ABOUT JAMES: James now lives in Thailand but during his previous expat stint, in South Africa, he ended up settling in Capetown, where he still has a house he’s renting out but would like to sell. Anybody interested?!
COLUMN PURPOSE: James tries to coax expats and other displaced types for whom photography is a creative outlet to tell the stories behind their favorite photos.
MOST POPULAR POST: James’s interview with Irish “ruin hunter” and photographer Ed Mooney, which generated a whopping 32 comments.
WHY YOU SHOULD READ: Why people feel compelled to take photos and what their favorite subjects are turns out to be a great window into the displaced mindset. Kudos to James for developing the series in this new direction.

6) JJ Marsh

COLUMN TITLE: Location, Locution
INTERESTING FACT ABOUT JJ: She plans to attend the Chorleywood LitFest on November 16th, 2014, wearing a toga. Hey, carpe diem and all that!
COLUMN PURPOSE: JJ interviews well-known authors who are expats and/or set their books in far-off lands about the role of place (location) in their imagination and subsequent writings (locution).
MOST POPULAR POST: JJ’s interview with Amanda Hodgkinson, who finished her first two novels, 22 Britannia Road and Spilt Milk, after relocating with her family to southwest France.
WHY YOU SHOULD READ: JJ commands respect in the writing world for her own achievement in crafting a European crime series featuring detective inspector Beatrice Stubbs, in which place plays a major role (she thinks of it as a “character,” she says). This must be why so many other authors are willing to share with her the techniques they use to transport readers to other, more remote parts of the world. Her columns are invariably illuminating.

7) Joanna Masters-Maggs

COLUMN TITLE: Global Food Gossip
INTERESTING FACT ABOUT JOANNA: She is a school friend of Displaced Nation founder Kate Allison. Want another one? She is half Irish and half English, which surely qualifies her as a TCK?
COLUMN PURPOSE: Joanna provides the inside story on food that comes from having lived as a trailing spouse in eight very different countries for more than 16 years.
MOST POPULAR POST: “There’s no taste like home,” in which Joanna confesses that she’s been so busy trying to cook the local food for her four kids that she neglected to introduce them to traditional English dishes.
WHY YOU SHOULD READ: Her repeat expat life has turned her into a creative chef extraordinaire. She knows how to make her own clotted cream (and provides a recipe) should homesickness strike, but is equally adept at Texas Barbecue Brisket.

* * *

In other news…

Have you checked out our Pinterest pins lately? We’ve quite the collection of displaced reads, movies and people, eg:

We can take you on a trip out of this displaced world should you wish to be further displaced; or for those who prefer a fantasy metaphor for their escapist tendencies, check out our Alice in Wonderland and Follow the Yellow Brick Road boards.

IT’S FOOD! is one of our most popular boards (natch!), as is World Parties, Holidays & Celebrations (hooray!). We also have two boards that celebrate the spirit of two previous blogs by me and another Displaced Nation founder, Kate Allison:

Speaking of Kate, you may have noticed that after producing episodes of her novel Libby’s Life on a regular basis for a couple of years (90 episodes, can you imagine?!), she is now updating the story on her author blog and aggregating those posts every so often for the Displaced Nation audience.

Last but not least, if you haven’t caught up with our Displaced Dispatch lately, take another look. Besides links to the latest posts, we have ORIGINAL contents by yours truly, exclusive giveaways (there’s one on now!) and candidates for the monthly Alice Awards.

Yes, we are still doing our Alice Awards and have now added an occasional Wizard of Oz column about repatriation: “Emerald City to Kansas”. We’re a busy (dis)place!

STAY TUNED for the announcement of August Alices.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with original contents, book giveaways, and other extras. Register for The Displaced Dispatch by clicking here!

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BOOKLUST, WANDERLUST: Jane Fletcher Geniesse’s biography of the passionate nomad (but displaced expat) Freya Stark

Booklust Wanderlust Collage

Left: Oleh Slobodeniuk (CC BY-NC-SA 4.0); right: Beth Green (her own photo).

Attention displaced bookworms! Our book review columnist, Beth Green, is back. An American who lives in Prague, Beth mixes booklust with wanderlust in equal measures, which gives her just the right background for reviewing book releases on behalf of international creatives.

—ML Awanohara

Hello again, Displaced Nationers! Hasn’t the summer gone by fast? How’s your progress on that reading list you made back in the day when it seemed like the dog days would go on forever?

Well, if you abide by the rule that summer ends with the equinox, then you still have a few more weeks. And if you’re searching for one last read to feed your wanderlust, I would recommend the volume I just now finished: a biography of Dame Freya Stark, one of the most amazing travelers and travel writers of the last century. Called Passionate Nomad: The Life of Freya Stark, it’s by former New York Times journalist Jane Fletcher Geniesse.

Passionate_Nomad_coverDays after reading, I’m still in a daze (so to speak), transported by Geniesse’s tale of this intrepid British war-time adventurer.

Stark is one of those people—we’ve all met them on our travels, haven’t we?—who seems to have crammed many lives’ worth of living into one single walk on Earth.

Born to Anglo-Italian-German parents who made their living painting, growing flowers, and managing textile factories (among other pursuits) across Europe, Stark was the original Third Culture Kid. As she traipsed with her parents across Britain, France and Italy, she had no real place to call home. She was further burdened by her parents’ separation and an emotionally manipulative mother, along with numerous illnesses and financial troubles.

A late bloomer

Though she would eventually achieve renown as a witty speaker who could always be counted on to liven up a party, as a young woman Stark despaired of being able to have her own life. She did not make her first trip to the Orient (as it was known in those days) until age 33.

Perhaps because Stark herself told the stories of her travels in the 25 books she published, Geniesse gives most of her attention to the adventures Stark had before being lionized for her travel exploits and writings. (Geniesse covers the last 40 years of Stark’s life—Stark lived to age 100!—in just one chapter.)

For me, Geniesse’s portrait is most brilliant when recreating the straitened times that preceded the period when Stark became fluent in Arabic, gained a reputation for bravery abroad and published her first articles and books on her Middle Eastern travels.

Geniesse relies on her intuition as well as meticulous research to highlight the details of Stark’s upbringing that help to explain her transformation from a penny-pinching flower farmer in Italy to a voracious student of classical literature, a free-spirited wanderer (she was one of the first non-Arabians to travel through the southern Arabian Deserts), and an internationally respected author, speaker, ethnologist and political consultant.

A misfit in the expat community

In tracing Stark’s life journey, Geniesse provides some sense of her struggle to find a place in the expat communities of the interwar years. On the one hand, she had trouble relating to the other Europeans she encountered on her travels, writing in one of her letters:

[The British missionaries in Lebanon] suffer from stagnation of the brain, and that surely produces stagnation of the soul in time. To feel, and think, and learn—learn always: surely that is being alive and young and the real sense. And most people seem to want to stagnate when they reach middle age. I hope I shall not become so, resenting ideas that are not my ideas, and seeing the world with all its changes and growth as a series of congealed formulas.

But during the period she spent within the expat community in Baghdad while researching her next trip, it was clear her fellow expats weren’t clear what to make of her either. As Geniesse writes:

Freya, now 37, was feeling her earlier despair give way to expanding hope. She could change her life; she had watched herself do it—although precisely to what purpose remained as much a mystery to her as the question of what Miss Stark was doing in their midst intrigued the Baghdad community. Freya enjoyed being directionless, learning purely for learning’s sake—and adjusting, if that was her fate, to a spinster’s life.

Geniesse concludes it may have been easier for Stark to explain herself to the tribes and villagers she encountered during her travels as they had no expectations of how she should be behaving. As a European, Christian woman traveling in remote areas of Yemen, Lebanon, Syria, Persia, Iraq and Iran, she was accepted as a foreigner, while in the expatriate communities there was some expectation that she should conduct herself as a proper unmarried lady.

(In fact she did eventually marry, in her fifties, to a good friend—but the couple separated soon afterwards, when her husband told her he was gay.)

Warts and all

Like all good biographers, Geniesse also highlights Stark’s less flattering qualities. From Stark’s petty rivalry with archaeologist Gertrude Caton-Thompson, to her sharp attitude toward women she felt were prettier than herself, to her irresponsible attitude to money and certain friends, Geniesse shows us the other side of this larger-than-life character. I liked Stark all the more for this mix of traits.

As I got to the end of Genisse’s work, I felt a little bereft. I missed Freya. There is something irresistible about a woman who not only writes her own script for her life but also gives herself a series of challenging parts. As Geniesse says, at the end of her life

Freya had followed her own genius. She had imagined herself as the star in many roles over the years—explorer in Persia and Luristan, Mata Hari at the imam’s court, English plenipotentiary during the war, and humble pilgrim, wandering through Turkey’s ancient ruins.

Next up on my reading list will have to be one of Stark’s own stories, several of which are still in print.

And now, I’ll leave you with a quote from Freya Stark herself, excerpted from a letter to her mother, listing the “7 cardinal virtues for a traveller”:
1. To admit standards that are not one’s own standards and discriminate the values that are not one’s own values.
2. To know how to use stupid men and inadequate tools with equanimity.
3. To be able to disassociate oneself from one’s bodily sensations.
4. To be able to take rest and nourishment as and when they come.
5. To love not only nature but human nature also.
6. To have an unpreoccupied, observant and uncensorious mind—in other words, to be unselfish.
7. To be as calmly good-tempered at the end of the day as at the beginning.”

* * *

Thanks, Beth, for bringing Dame Freya Stark to our attention! And now I would like to offically nominate her for our Displaced Hall of Fame. Readers, had you heard of Freya Stark before reading Beth’s column? What do you make of her? Have you encountered an eccentric like her on your own travels, or does she seem like a product of a previous age?

Beth Green is an American writer and English teacher living in Prague, Czech Republic. She grew up on a sailboat and, though now a landlubber, continues to lead a peripatetic life, having lived in Asia as well as Europe. Her personal Web site is Beth Green Writes, and she is about to launch a new site called Everyday Travel Stories. To keep in touch with her in between columns, try following her on Facebook and Twitter. She’s a social media nut!

STAY TUNED for the next fab post!

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For this adult TCK writer with an ocean-loving soul and a passion for travel, a picture says…

Canon zoom lens; photo credit: Morguefiles. Rita Gardner at home in California.

Canon zoom lens; photo credit: Morguefiles. Rita Gardner at home in California.

Welcome to our monthly series “A picture says…”, created to celebrate expats and other global residents for whom photography is a creative outlet. The series host is English expat, blogger, writer, world traveler and photography enthusiast James King, who thinks of a camera as a mirror with memory. If you like what you see here, be sure to check out his blog, Jamoroki.

My guest this month is 67-year-old Rita Gardner, who grew up on her expatriate family’s coconut farm in a remote seaside village in the Dominican Republic. Her father declared them to be the luckiest people on earth. In reality, the family was in the path of hurricanes and in the grip of a brutal dictator, Rafael Trujillo.

But if life was far from the Eden her father had envisioned, Rita developed a set of childhood passions that sustains her to this day: writing, traveling, hiking—and photography.

TheCoconutLatitudes_cover_dropshadowShe may no longer live in the Dominican Republic but she continues to dream in Spanish, dance the merengue, and gather inspiration from nature and the ocean. Her favorite color is Caribbean blue.

And now Rita has written a memoir about her life as a Third Culture Kid in República Dominicana. Due out from She Writes Press in September, the book is evocatively titled The Coconut Latitudes: Secrets, Storms and Survival in the Caribbean.

Rita contacted me because she is enjoying “A Picture Says…” I am pleased that she can be this month’s featured guest.

* * *

Hi, Rita, and welcome to the Displaced Nation. I’m delighted to hear you’re enjoying “A Picture Says…” and to have the opportunity to do this interview. Before we get down to the nitty gritty, can you tell me a little more about how your family ended up living in the Caribbean?
My father was an electrical engineer and traveled all over the world installing hydro-electric dams. I think my travel wings must have sprouted in the womb since my parents were in Uruguay on a job site when my mother got pregnant. They flew back to the U.S. so I could be born, and six weeks later we were on another plane, this time to an engineering job in the Dominican Republic. My parents fell in love with that Caribbean island nation, and my father quit his engineering job and “went off the grid” to become a coconut farmer on an isolated beach on the country’s northern coast. It became our permanent home for the next 19 years, and, as you already mentioned, our Caribbean life is the subject of my forthcoming memoir, The Coconut Latitudes.

I guess that being born into an expat family was a passport, so to speak, to a life of travel?
That’s true. It influenced me in other ways as well. I tend to travel “close to the ground,” getting to know the people where I’m visiting. I also travel light as I want to be free to immerse myself (to the extent possible) in other cultures, exploring commonalities as well as differences. Most of my travels have been within Latin America, where I’ve been able to put my Spanish-language skills to use.

And I gather that growing up where you did, on a Caribbean island, you sometimes encountered real adventurers? Did they inspire you as well?
Yes. Those who made it as far as our isolated coconut farm were pretty intrepid and would have stories to tell. Because they were so rare, these visitors made a big impression on me, and their stories made me thirst for the day when I could venture out into the wider world myself. In my new memoir I chronicle one such encounter with a group of strangers who shipwrecked near our farm, and turned out to be not who they appeared to be. Someone else who inspired me was my older sister. By the time she was in her fifties, she’d traveled to over seventy countries.

Wow, she does sound adventuresome. How about you—which countries have you visited?
Most of the islands in the Caribbean, several of them by sailboat, plus Mexico, Costa Rica, Argentina, and Uruguay. In Europe I’ve been to Italy (where I attempted to speak Italian but it came out Spanish), France, and Greece (island-hopping by small boat plus a side trip to Athens).

A day at the beach restores the soul…

South America is a part of the world I have never been but the three weeks I spent in Trinidad more than thirty years ago gave me an idea of what it may be like. I’m sure you have some wonderful memories and I look forward to reading them soon in The Coconut Latitudes. I see you now live in North America. Can you tell us where?
I’m in northern California, right on San Francisco Bay. I found my way here a few decades ago. I’ve always chosen to live near the ocean. Like most people, I had to earn a living, so travel was only an option during vacations. Luckily, I’ve recently retired so have more to time to travel, take pictures, and write.

RG1 Smoking Bride

The smoking bride; photo credit: Rita M. Gardner.


Photo credit: Rita M. Gardner.

Wading chairs; photo credit: Rita M. Gardner.


Photo credit: Rita M. Gardner.

A sitting duck; photo credit: Rita M. Gardner.

Speaking of taking pictures, let’s have a look at a few in your collection that capture favorite memories. Can you describe the story behind each one and what makes them so special?
I visited France for the first time last year with a dear friend, and one of our favorite things to do was meander about. We saw this bridal couple in Monmartre. The bride’s leg-baring gown and the cigarette struck me as being improper yet fun.

She obviously stepped out of the part for a while, which makes for a lovely scene—almost like an actor taking a break on a film set. What else do you have for us?
The next one is from Boca Chica Beach, in the Dominican Republic, whose pastel turquoise waters I had loved since the time I was a small child. I recently went back to the Dominican Republic to attend a friend’s mother’s 100th birthday party. A group of us decided to pay a visit to this beach. I liked the whimsy of the chairs in the shallows, as if they were bathing.

So you didn’t put the chairs there yourself?
No—it was un-staged! The third photo won “Best of Show” earlier this year in a camera club I belong to. If you look closely, you’ll see a small duck in the foreground, which I didn’t notice when I got the shot. The ship itself is one of the last Liberty ships that had been built for action in World War II by the Kaiser Shipyards, near where I now live. At the peak of the war, ships were being turned out at the rate of one almost every week! It’s now “mothballed”, and volunteers, some of whom saw action in that war, maintain it. They’re getting pretty old…

“Seas” the day!

That may not be such a small duck but it certainly is a big ship. And now can you share some examples of your favorite places to take photographs? What is it about these places that inspires you?
It’s a bit of a mixture really. One of my favorite subjects is nature. Growing up on a Caribbean island, I saw the entire range, from watching in awe as thundering waves destroyed our pier and pitch-poled fishing boats, to contemplating sunsets that painted calm seas with exuberant color, to enjoying the deep chorus of frogs announcing rain. To this day, I love to take pictures out of doors. I enjoy finding unusual patterns in nature and looking for images that are “hidden in plain sight.” My other favorite subject is people: I am endlessly curious. Sometimes I plunge into crowds in hopes of getting opportunities for candid people shots.

This photo was taken in the midst of a parade in Santo Domingo, where the child’s attention was riveted to the action beyond the scene.

Photo credit: Rita M. Gardner.

Out of this displaced world; photo credit: Rita M. Gardner.

I took the next photo, of leaf patterns, at nearby Phoenix Lake during a hike with friends. I love the variety of colors and shapes.

Photo credit: Rita M. Gardner.

Leaf patterns; photo credit: Rita M. Gardner.

This third photo, taking in Mykonos, combines my love of nature and people. It feels meditative to me; clearly the fisherman is at one with his environment.

Photo credit: Rita M. Gardner.

Fishing for serenity of mind; photo credit: Rita M. Gardner.

I particularly love the fisherman shot because I have had many wonderful holidays in Mykonos, where I’ve taken photos—but never witnessed a scene like this one. In fact it is one that most people would not associate with Mykonos. Moving on, I know some people feel reserved about taking photos of people, particularly when they are conscious that they are doing so. What’s your feeling about this?
I feel respect more than reserve, and if it seems that taking pictures would not be a welcome experience, I back away from doing it.

In that case, do you ask permission before taking people’s photographs? And how do you get around any problem of language?
I’m a pretty friendly person, so if I’ve caught someone’s eye,I might engage them in a brief conversation and ask if it’s OK if I take their picture. I find smiles break through a lot of language barriers. Also, most people I meet like to practice their English, so language is not usually a problem. That said, some of the best photos are candid ones. Sometimes I try to capture a shot without the subject being aware—I don’t engage in conversation in those instances.

Would you say that photography and the ability to be able to capture something unique which will never be seen again is a powerful force for you and has changed the way you look at life?
I consider myself extremely lucky when I’ve managed to capture an image that is unusual and unlikely to be photographed again. I don’t think the experience changes me. My chief emotion is to feel grateful that I have an eye for images that others may lack.

Sea-ing the light

Photographers never tire of discussing cameras and lenses. What kind of equipment do you use?
I gave up my SLR and its array of lenses for the convenience of a small digital camera. I use a Canon PowerShot and my i-Phone. Both fit in pockets, so I can travel light. Also, I prefer to shoot in natural light rather than use a flash (unless it’s absolutely necessary). So I guess I could say I travel light, and I shoot “light.” How’s that for a quick summary of my style?

Well said! I see nothing wrong with using smaller cameras. Their power and versatility is improving all the time, so unless you need big images for printing they do a great job, sufficient for posting on websites and social media. What is your take on post-processing?
I don’t manipulate my photos other than with the standard tools for cropping, adjusting exposure, etc. I don’t use Photoshop or any the other software products available. Okay, I have to confess I just discovered some apps for the i-Phone camera which I’m having fun with, but mostly “what I see is what I get.” That said, I’m not a purist; I may get into photo software at some point in the future.

The results are good so don’t tell anyone!!! Finally, do you have any advice from your experiences for wannabe photographers who are traveling or living abroad?
Given the ability to erase unwanted images on digital cameras, just shoot away, assuming you get a photo card with enough memory that it doesn’t fill up quickly. Always carry an extra battery and extra film card, because it does you no good to have those items tucked away in your suitcase, or wherever you are lodging! Oh, and do have a battery charger if you are on a long trip so you don’t have to worry about running out of juice. So to speak.

Thanks so much for all these practical tips and for sharing these photos, Rita, and may I take this opportunity to wish you the very best when you launch The Coconut Latitudes this coming month.

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Readers, what do you make of Rita’s experiences and her photography advice? And do you have any questions for her on her photos and/or travels? Please leave them in the comments!

And if you want to know more about Rita, don’t forget to visit her author site and like her author page on Facebook. You can also follow her on Twitter and Pinterest.

Last but not least, I would highly recommend that you pre-order a copy of Rita’s Dominican memoir, The Coconut Latitudes, from Amazon.

(If you are a photographer and would like to be interviewed by James for this series, please send your information to ml@thedisplacednation.com.)

STAY TUNED for next week’s fab posts!

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LOCATION, LOCUTION: Jessica Bell – Australian contemporary fiction author in Ithaca, Greece

black and white_Jessica BellIn this month’s “Location, Locution”, expat crime writer JJ Marsh interviews Jessica Bell, a thirty-something Australian-native contemporary fiction author, poet and singer/songwriter/ guitarist. Jessica is the Publishing Editor of Vine Leaves Literary Journal and the director of the Homeric Writers’ Retreat & Workshop on the Greek island of Ithaca. She makes a living as a writer/editor for English Language Teaching Publishers worldwide, such as Pearson Education, HarperCollins, MacMillan Education, Education First and Cengage Learning.

Which came first, story or location?

Neither. My characters always start off a story. But if I had to choose, I would say location comes before story as I think the location of the story would have a lot of impact on how it’s told.

What’s your technique for evoking the atmosphere of a place?

I try to incorporate as many of the senses as possible. Utilizing the six senses (see, hear, smell, taste, touch, and instinct) can really bring your writing to life. To do this successfully, you need to “show, not tell.” Otherwise, these senses will not really be senses. The reader won’t actually experience them, they will only “read about” them. And the whole point of reading a great book is to feel like you aren’t actually reading. Right? Right. Using the six senses in an effective way will accomplish this.

The key to using sense in your writing, however, is to limit your use of the words, see, feel, hear, smell and taste. That’s not to say you shouldn’t ever use these words, but just be aware you don’t overuse them.

The most ideal way to incorporate senses is to employ language in which sense is already a part of. For example, instead of saying the kitchen smelled sweet with melted chocolate, show the reader what’s cooking, and consequently that taste and scent will be present in the narrative without you having to point it out.

Using the six senses well is also not only about having your characters sense things, it’s about making your readers sense things—even elements that your characters aren’t feeling, i.e., if the reader knows more than your character(s) do, or if you’re showing something that you might react to differently than the characters in the book.

If you’d like more of my advice on writing craft, take a gander at Writing in a Nutshell.

Which particular features create a sense of location? Landscape, culture, food?

Oh, everything!

Can you give a brief example of your work which illustrates place?

Sure! This excerpt is from String Bridge:

String Bridge paperback coverThe island’s windy mountainous roads are framed with olive groves and air so crisp you could snap it like celery. The houses are stained with whitewash and embedded with old-style wooden shutters, tailored by the locals to keep the summer swelter out. They are painted blue, red, or green, but occasionally you may come across the odd pink or orange shutters, which are more often than not inhabited by the eccentric barmy type who are colour-blind, or the young and loaded foreigner who believes an island revolution should be in order.

Goats meander about the streets, butting each other’s heads senselessly as they try to escape oncoming cars and motorcycles. The roosters, chickens, and geese fire up the locals at the first sign of sunrise. Birds chirp, cicadas “jijiga” in the olive trees, and dogs bark as the bread truck, a red beat-up Ute, delivers fresh hot loaves to each residence, and slips the required amount of bread into handmade cloth bags hanging from wire fencing.

Summer on this island engraves your skin with a longing to spend sunrise to sunset lying on a small, empty, white-pebbled beach in a secluded cove at the end of a private dirt track. At midday, it gets so hot you need to wade through the heat waves rising from the uneven tarred road like kindred spirits before you can wade in the Ionian Sea to cool off—a flat, motionless oil bath which glows with an infinite turquoise glint. It may seem you are stepping into velvet, however, you emerge covered in a thin salty crust you can brush off like sand when it dries.

How well do you need to know the place before using it as a setting?

For the above example, I knew the setting extremely well as I have spent at least a quarter of my life on this Greek island. However, I don’t think you necessarily need to know a place to write about it well. For example, if you want to write about a Greek beach, just think of another beach you’ve been to, imagine it smaller, imagine pebbles instead of sand, how would that setting change affect your senses? Just use knowledge gleaned from other places you’ve been to and be smart about incorporating the differences. You’d be surprised what you can find on the Internet to help you.

Which writers do you admire for the way they use location?

Definitely Margaret Atwood, Neil Gaiman, and Marilynne Robinson.

 

 

Writing in a Nutshell_Jessica BellSign up to Jessica’s newsletter and receive Book #1 of the Writing in a Nutshell Series, Show & Tell in a Nutshell, or Muted: A Short Story in Verse, for free.

Connect with Jessica online:

Website | Retreat & workshop | Blog | Vine Leaves Literary Journal | Facebook | Twitter

 

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Next month’s Location, Locution: Scottish-born/Canadian-raised Catriona Troth, whose books Gift of the Raven and Ghost Town encompass 1970s Canada through the eyes of a young boy, and Britain’s 1980s race riots respectively. .

_(75_of_75)

 

JJ Marsh grew up in Wales, Africa and the Middle East, where her curiosity for culture took root and triggered an urge to write. After living in Hong Kong, Nigeria, Dubai, Portugal and France, JJ finally settled in Switzerland, where she is currently halfway through her European crime series, set in compelling locations all over the continent and featuring detective inspector Beatrice Stubbs.

STAY TUNED for our next post!

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TCK TALENT: Esther Williams Kalbfleish, Military Brat with a Heart for Theatre and a Mind for Teaching Other TCKs

Esther & Leon collage

TCK BELLS: Esther with her ATCK husband, Leon Kalbfleisch, on their wedding day six years ago. The couple originally met at the International School in Bangkok. Photo credit: Vikki Goodman.

Elizabeth (Lisa) Liang is back with her monthly column about Adult Third Culture Kids (ATCKs) who work in creative fields, Lisa herself being a prime example. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she has developed her own one-woman show about being a TCK, which was the closing keynote at this year’s Families in Global Transition (FIGT) conference and will be staged in Europe for the first time this August.

—ML Awanohara

Greetings, readers! Today’s guest is Esther Williams Kalbfleisch, an actress who also works as an ESL teacher in Alhambra, California, teaching kids from around the world whose families have migrated to the USA. I hope you enjoy her TCK Tale as much as I did!

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Hello, Esther, and welcome to The Displaced Nation. I know you grew up in a military family, which gave you automatic admission into the ranks of us Third Culture Kids. Is it true that your dad worked as a spy at one point?
Yes, my dad was an army officer who served for 33 years, and while we were in India he was assigned to the Diplomatic Corps and worked as a spy!

So what did your mom do?
She was a housewife. Besides being a Cub Scout Den Mother and Girl Scout Leader, she assisted my dad with all of the entertaining that was necessary in his position.

I understand you were the youngest of four TCK siblings and the only girl, and that only one of your brothers traveled with you the first time you went overseas.
Yes, John was my only sibling to go overseas with my family after I was born; he was four years older and was born in Germany. My two eldest brothers, Wynn and Dennis, were from my dad’s first marriage and had gone overseas with him years before I was born. Wynn was 17 when I was born; Dennis was 13. Wynn attended West Point for a year and then served in Germany and Vietnam—my first memory of him would be from years later. By the time we went to India, Dennis had enlisted in the army.

Hey, we serve, too!

Tell me about all the moves and transitions you experienced as a kid.
We moved about every two years after I was born at Fort Eustis in Virginia. At that time my family was living off post, in a town called Lee Hall. Eventually we moved on post, to housing on Fort Eustis, and then to Springfield so that my parents could attend a foreign language school in D.C. in preparation for my father’s next assignment, in India. I remember my mom and dad bringing home films to give John and me an idea of what was to come. They also taught us how to count and say some simple phrases in Hindi. We moved to New Delhi when I was six, where I attended an American school. After two years we were transferred to Travis Air Force Base, in California, where we were one of the few army families. My dad was MATCO (Military Air Traffic Coordinating Officer)—his job was to organize and send materials to Vietnam and other places overseas. We moved to Thailand when I was in my last month of fourth grade. I enrolled in the International School of Bangkok, where I stayed and graduated from high school. My dad retired in Thailand, and my parents continued living there until 1976, when they moved back to the States.

When did your love of acting start?
Like many other military brats, I was raised in a very strict environment. My parents taught us that as Americans living overseas we were mini-ambassadors for the USA. Country, God, and family came first, especially country. When outside the home, we had to be polite, quiet, and respectful to all, and it was like that at home as well: no heated discussions or emotional outbursts. But then I got cast as Princess Lonelyheart in the second-grade play. Princess Lonelyheart stomped her feet when angry, cried when sad, and jumped up and down for joy. I had no idea one was allowed to react to the world in such a way—and thus began my life-long love affair with the theatre. I helped to found Thespian Troop 1163 at my high school in Bangkok, and performed or worked on over 12 productions.

The drama of choosing an acting career

But you went on to earn an education degree?
When it came time for college I was torn. My parents (who paid for my college, bless them!) considered theatre to be impractical and frivolous. And I had to struggle with my own feeling that acting was basically selfish. It didn’t fit in with my sense of duty to others. But even after I enrolled at the University of Colorado to study education, I couldn’t resist the pull of theatre. I continued to take classes and work with local theatre groups, both in college and immediately afterwards. I taught for three years in Dallas, Texas, before deciding to quit and study acting full time. I earned a second degree, in theatre, from the University of Texas.

So you got a second degree in theatre?
Yes, and eventually a master’s degree, from Cal State L.A.

It sounds like you really were torn.
For my entire adult life, I’ve been going back and forth between teaching and acting, struggling to find a place where I can best “serve” my community. After pursuing a career in theatre in the Chicago area, I moved to the L.A. area, where, for a time, teaching took over as my second love. For three years I was content to teach—there is nothing quite like watching a spark of understanding flit across a child’s face. But then one morning I woke up and vowed to find a theatre community. I learned that Theatre of NOTE was holding auditions the following day. I dragged out some monologues and went to the audition. For the next 24 years, Theatre of NOTE would be my artistic family. Due to my teaching demands I have now become an associate member. I still struggle with my choices.

Give me someone who has lived in another country…

Like many other ATCK artists I’ve talked to in this series, you’ve lived among worlds—first quite literally, when growing up in different cultures; and then professionally, as you found yourself torn between acting and teaching. As an adult TCK, have you also struggled with your cultural identity? And do you tend to gravitate towards people with interests or backgrounds similar to yours? 
To this day I have a particular fondness for the Thai people and their culture. Like most TCKs, I imagine, I identify most closely with people who have similar interests or who have lived abroad. I was a bit of a snob when I came back to the states for college. I couldn’t believe everyone was discussing Homecoming. I was far more interested in the latest Thai coup d’état… Give me someone who has lived in another country and I can LISTEN, as well as talk, for hours.

Were you happiest in a certain place at a certain time? 
I have fond memories of each place I’ve lived in, but I think India captured my curiosity. I was 6–8 years old when we lived there—old enough to be curious and yet not old enough to be set in any particular way of thinking. For me, India was a great mystery just waiting to be discovered. As I was always accompanied by my brother, John, I had nothing to fear. We would wander the streets of Dehli together or with friends, having adventures.

“The worst thing about being a military brat is not being a military brat anymore.” —Marc Curtis

As an ATCK, do you have “itchy feet” or do you prefer to have a home base and only travel for pleasure?
For many years I had “itchy feet”—I moved to different states or apartments every two to three years. Then someone asked me, was I running away or towards something. That got me thinking! I had three older brothers, all of whom were married with kids. I realized I was in search of something similar, a sense of community and family. That’s when I stopped moving and bought my own place. I realized I had to learn the skills to keep friendships and relationships going. There are wonderful people everywhere, but it is making the time to be with them that creates enduring bonds.

Have you kept in touch with friends from your TCK days?
One thing I’ve done for many years is to attend reunions of the International School in Bangkok, which are held every two years in different locations in the United States and even sometimes in Thailand. What is unique about the reunions is that they are for all graduating classes at the same time. I’ve attended almost every one since 1984. It has been great to reconnect with old friends and create many new ones.

I understand your husband is an old friend from the international school in Bangkok.
Yes! I re-met Leon at the 2000 reunion in Virginia—we had worked together on some plays in high school and were in choir and a couple of shared classes, but there had been nothing romantic between us. During that particular reunion we enjoyed a few nice chats. Fast forward to the next reunion, held in Arizona, in 2002. I had just returned from a magical, month-long trip to Kenya, and when I saw Leon, there was a little flutter in my stomach. It’s a long story, but for a while we had a long-distance relationship, after which he moved to California. We got married six years ago. We both enjoy traveling, but our first priority is visiting family and friends. We still attend the reunions every two years.

A good teacher is a good actor

What drew you to teaching?
The 1974 documentary film Hearts and Minds, which is about the Vietnam War. I came out of that movie believing that if everyone could learn to love and respect others as they love and respect themselves, no one would need to “react” out of fear, and we would no longer need war. It’s a somewhat naive thought, of course, but I can’t let go of it. I hold it in my heart each day when facing my students.

Do you think your international upbringing makes you particularly well suited to be an ESL teacher?
Definitely. As you mentioned at the outset, the students I work with are recent arrivals to the USA. Together we share what it is to leave your own country, family, and friends and try to create a new world for yourself in a new place. I’m currently working with high school students. Besides culture shock, they have the usual teenage angst about boyfriends or girlfriends left behind… Because I lived overseas and constantly moved around as a kid, I can easily relate to what they might be feeling.

Do you use both acting and diplomacy skills as a teacher? 
I think all teachers are actors to some degree. Especially working with high school students, one needs to react in a calm and thoughtful way, even if you’re not feeling that way inside. Teens will try to unnerve you if they can. I am constantly using both my acting skills and my diplomatic skills to create an environment of mutual trust and respect. One thing that drew me to the ESL students is that because their English is so limited, they don’t use language to hide what they need or want; they are too busy trying to make their meanings clear. Their needs are laid right out there for all to see. I find my ESL students to be especially honest and compassionate.

Our time is nearly up, but let’s give acting the final word. Are you performing anything soon? 
I’ll be performing in the New Short Fiction Series, L.A.’s longest running spoken words series, on Sunday, October 12, at 7:00 p.m. at the Federal Bar in North Hollywood. I’ll be presenting a new work of short fiction by a featured West Coast writer. Anyone who is passing through LA at that time is welcome to attend. You can sign up for tickets at www.newshortfictionseries.com.

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Thank you, Esther! Readers, please leave any questions or comments for Esther or me below. I’ll see you in September, after I’ve returned from Iceland. As ML mentioned above, I’m kicking off a global theatre tour of Alien Citizen on August 20 and 22 at the amazing Tjarnarbíó creative center in Reykjavik! Thanks to all those who supported my Kickstarter campaign.

STAY TUNED for next week/month’s fab posts!

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