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Tag Archives: USA

Would this Brit ever marry an American man?

Night OutFor the sake of my own ongoing domestic harmony, I should clarify that this blog question is a) hypothetical; b) not my invention; and c) briefly answered by the statement  “No, because bigamy’s illegal.”  It’s a bit like asking me if I’d ever adopt the kids who live up the street. No, I’m very happy with the ones I’ve already got, thank you.

It’s not that I have anything against American men, you understand. Lots of my friends are married to them. But here’s the thing — these friends are all American themselves.

A “Special Relationship”

For the purpose of researching whether other British women might consider marrying American men, I googled  — you’ve got it — “British women married to American men.” Hoping the search would come up with Hollywood examples other than Emily Blunt and John Krasinski or Catherine Zeta-Jones and Michael Douglas  (the only celebrity Anglo-American couples I could immediately think of where the woman makes up the Anglo half, and even then, CZJ is Welsh) I was perturbed when this first result appeared — a 2006 headline from The Guardian:

Why American women are sexier than British girls — by a man who knows.

This helped neither my research nor my confidence, so I moved quickly on.

Further down the page, things improved as Toby Young at The Telegraph informed me that Friends star David Schwimmer has decided to marry his English girlfriend rather than “a mercenary American husband-hunter.” (This news, by the way, is three years old. On a Google search, that’s the last time an American celeb married a British girl.) The writer of the article, an Englishman himself, was of the opinion that no man in his right mind would choose an American girl over an English woman, based on his own unsatisfactory experience:

American women tend to judge men according to what desirable attributes they possess rather than what they’re really like underneath.

Then again, he admitted judging these women according to the severity of their bikini waxes, so it’s possible they viewed him in a similar light.

The rest of Page 1 of the search was taken up by immigration and visa questions from young Anglo-American couples, and I didn’t even bother to check Page 2.

Given the up-to-date-ness of Page 1, I suspected it would contain only references to WWII GI brides.

Men are from England, Women are from America

This post’s title question, I was beginning to understand, should not be “Would I ever marry an American man?” but “Could I ever marry an American man?”

Anglo-American marriages seem to be more common when the Anglo is male and the American is female. Think Gwyneth Paltrow and Chris Martin, Kate Hudson and Matt Bellamy, Paul McCartney and Linda Eastman, Guy Ritchie and Madonna. (Until they got divorced, anyway.)

This type of alliance has a rich history. In the late 1800s, quite a few impoverished members of the British aristocracy married rich American heiresses so they could use their fortunes to stop the ancestral mansions from crumbling away. Sir Winston Churchill himself was the offspring of Lord Randolph Churchill (son of 7th Duke of Marlborough) and Jeanette Jerome, an American socialite.

You might wonder what advantage this arrangement offered the socialites: if Lady Randolph’s reputation was anything to go by, perhaps it was the chance to chalk up an impressive number of extra-curricular royal conquests.

British guys: Not just for celebs!

And it doesn’t end there with rock stars, actresses and bankrupt dukes. Today, any American woman with a fetish for Estuary English and glottal stops can find a suitable husband. DateBritishGuys.com promises to

“provide the romantic and love hungry American Female public with British Men.”

although as a 2009 survey voted Englishmen as the second-worst lovers in the world (“too lazy”), these love hungry American females might be better off registering with DateSpanishOrItalianGuys.com and insisting that their Latin lovers learn to speak like Colin Firth.

In conclusion…

My answer to the post’s question, “Would this Brit ever marry an American man?”  is still “No”.

It would be pointless because, to all intents and purposes, I already am. My English husband knows more about American football than most American guys do, drives a Chevy pickup, and plows the drive in winter. But he’s still got that accent that American women love.

You could say I’ve got the best of both worlds. 🙂

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STAY TUNED for tomorrow’s post!

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Image: MorgueFile

LIBBY’S LIFE #71 – Bonnie and Clyde go to preschool

Jack and I sit at the kitchen table, surrounded by the Disney Valentine cards and heart-decorated pencils I bought in January. It’s serious business, writing out sixteen Valentine cards when you’ve only just learned your alphabet — Jack, not me — and over the course of this afternoon’s school project, Jack’s right fist has acquired a layer of black pencil smudges, and my patience is now but a chiffon veneer.

“Last card,” I say. Not before time. “Which one for Crystal?” I ask Jack. “The little one with Cinderella, or the big one with Belle?”

I know it’s not conventional to do this kind of project in late February, but the massive snowstorm and resultant clear-up three weeks ago meant the nursery school’s planned Valentine’s Party was cancelled. Jack had been distraught and sulked for days, his mood lifting only when he learned that the party would take place two weeks later instead. I was surprised at this; last year’s episode at his other preschool should have put him off romance for life.

Jack points at the card with Belle on the front. “That one for Crystal. The big one.

He picks up his pencil and writes “Jack” in the space marked “From”, his tongue poking out of one side of his mouth, then painstakingly copies Crystal’s name from the list provided by the nursery school. After he writes the final letter, I hold out my hand, ready to Scotch tape a new pencil onto the card like all the others.

“I haven’t finished yet,” he says, and proceeds to write two rows of x’s at the bottom of the card. When he runs out of room, he admires his handiwork, and passes it to me. “And Crystal needs two pencils.”

The clouds part, and at last I understand why Jack was so disappointed when the real Valentine’s party was cancelled.

You always give the big Valentine to the person you like best at nursery school — I remember this from last year. But two pencils? That’s serious.

At not quite five years old, my son Jack is in love.

*  *  *

With or without a crush on a five-year-old girl with blonde pigtails and a predilection for Hello Kitty T-shirts, Jack likes going to nursery school. He likes the toy car corner, and the toy DIY workbench you can bang loudly and legitimately with plastic hammers, and he particularly likes the Show-and-Tell sessions, where the children are encouraged to bring something from home to talk about. Some kids refuse to take anything, ever, and others like to bring something every day. Jack, being a talkative soul, is of the latter persuasion, but unfortunately his selection of objects is limited. He takes either a toy Lightning McQueen or a model of Ironman, and no helpful suggestions from me — “A seashell? A pound coin? This empty Curly Wurly wrapper?” — will convince him otherwise.

Today, though, he surprises me: as I walk him from the parking lot into school I notice he’s carrying the little wooden box that Maggie gave Beth for Christmas, the one with fairies and toadstools painted on it. Come to think of it, this is the first time in weeks I’ve seen it.

“Is that for Show-and-Tell?” I ask, and after a second’s pause he nods.

While I’m pleased he’s exercising his imagination by bringing something other than overpriced, trademarked tat, I’m concerned because the box doesn’t belong to him.

“You must look after it,” I say, helping him off with his coat, then adding unconvincingly, “and you should have asked Beth first before you took it.”

Jack glances at his sister in her pushchair then shoots me a disbelieving look that says clearly, “But Beth is ten months old and can’t talk yet.”

“Just make sure you bring it home again!” I call to him as he runs into the classroom clutching the box to his chest and is lost in a heaving sea of pink-and-red-clad, over-excited Lilliputians.

*  *  *

Parties are not parties without swag bags, and this Valentine’s party is no exception. Jack bursts into the house after school and, while I’m depositing the twins on the floor to crawl around and eat interesting items on the floor, dumps a brown paper bag upside-down on the kitchen table.

A heap of Valentine cards — pretty much identical to those we wrote yesterday — plus heart-decal pencils, temporary tattoos of Cupid, heart-shaped erasers, and heart-shaped lollipops scatter everywhere. Jack picks through them, putting the small gifts on one side and the cards on another. Then he goes through the gift pile and discards anything that is inedible and too frou-frou. The cards and girly gifts are ruthlessly chucked in the kitchen bin.

I close my eyes, reliving the two (pointless) hours yesterday of writing every child’s name on a card. In sixteen other Woodhaven homes at this moment, Jack’s careful handiwork and probably quite a few of his pencils  have met a similar fate and are now resting among potato peelings and flu-ridden tissues.

Or maybe not. One card has escaped the carnage: a large one with a picture of Ironman. It’s signed: “Lv Frm Crstl”. Presumably Crystal-who-must-receive-two-pencils, who appears to have a grudge against vowels.

I ask, as casually as possible, “Did Crystal like the pencils?”

Jack hesitates, then nods.

“And what did Crystal give to everyone?”

“Erasers.” Jack holds up one of the minuscule heart-shaped erasers. “And a car.” He delves into his Lightning McQueen backpack and brings out a model car.

“That’s nice,” I say. Then I study the car more closely. “You mean Crystal gave everyone one of these?”

Jack shakes his head proudly. “Only me.”

I’ll bet. This car is not a Matchbox or Hotwheels; it’s a 1/18 model of a classic Ferrari that bears more than a passing resemblance to Jack’s automotive hero, Lightning McQueen. I turn it upside down and look at for the manufacturer and model number, and do a quick google on my phone.

The results make me feel faint. An identical model is for sale on eBay. Fourteen bids, $150, reserve not met.

My guess is that a display cabinet somewhere in Crystal’s home — probably in a male-dominated part of the house — has a vacant spot at the moment.

You know — in all my fervent watching of Supernanny, I’ve yet to see an episode where one parent has to tell another mum and dad that their child is a kleptomaniac.

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Next post: LIBBY’S LIFE #72 – Puppy Love

Previous post: LIBBY’S LIFE #70 – A brewing storm 

Read Libby’s Life from the first episode

Want to read more? Head on over to Kate Allison’s own site, where you can find out more about Libby and the characters of Woodhaven, and where you can buy Taking Flight, the first year of Libby’s Life — now available as an ebook.

 STAY TUNED for Tuesday’s post!

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Image: Travel – Map of the World by Salvatore Vuono / FreeDigitalPhotos.net

And the nominees for best expat/travel film are…seeking your vote! Welcome to the 2013 Displaced Oscars

Don’t miss our 4 polls below! Results to be announced in March 2nd Displaced Dispatch! Enjoy!

When I first repatriated to the United States, I relished the chance to watch the Oscars again. For some reason — I’m not sure why, particularly as I was never a big movie buff — I regretted missing out on the pinnacle of Hollywood glamour during my years of living overseas, first in England and then in Japan.

It did not take long, however, before the novelty wore off. I grew bored with the dresses — they all seemed so same-y. And a tux is a tux is a tux.

I also grew bored with the selection of films. Typically, Oscar-nominated films take place within a single country’s borders — and when people cross these borders, it is in the service of maintaining them (IT’S WAR!!!). Apart from when Sofia Coppola was singled out for her Lost in Translation screenplay, the plots do not exactly speak to me and my prior situation of displacement.

Case-in-point: 2013 Oscar nominees

A great example of what I’m talking about are the two historical — or, more accurately, historically informed — movies that are up for this year’s Oscars:

  1. Steven Spielberg’s Lincoln — the quintessential American biographical period piece that the Academy loves (it is predicted to win five Oscars, including best director for Spielberg).
  2. Les Misérables, the film of the musical theatre adaptation — which in turn is based on an historical novel by Victor Hugo (1862), depicting life in the aftermath of the French Revolution. (Les Mis is likely to win for its score, sound mixing, makeup and hair styling, and best supporting actress for Anne Hathaway.)

Actually, make that three historical films, as Quentin Tarantino’s Django Unchained (up for best picture, cinematography and best original screenplay) can come under that rubric as well. The first half is a mock Western and the second, a mock-revenge melodrama about slavery. At least, though, it has one foreign character: German bounty hunter King Schultz (Christoph Waltz). Posing as a dentist, he gallivants around Texas, speaking perfect English. And you’ll never guess what? He’s a villain. He does have manners — but does that mitigate or enhance his villainy? One can never tell with Mr Tarantino…

Likewise, Argo (likely to win best picture along with some other prizes) and Zero Dark Thirty (likely to win for best original screenplay) depict epic events in the — albeit much more recent — American past. And although each of these films portrays Americans abroad, it shows them acting in the service of president and country — with the aim of protecting other Americans. Nothing too displaced about that.

The comedy-drama Silver Linings Playbook (likely to win Best Actress for Jennifer Lawrence) is about two people who bond over shared neuroses — could anything be more American? Not to mention their common love of pro-football (no, Andy, not the soccer kind!).

Perhaps the best of this year’s films for anyone with a proclivity for venturing across borders is Life of Pi (likely to win for best original score and visual effects). The story is about an Indian family that is emigrating to Winnipeg, Canada. Yet, as even those of us who haven’t seen the film know by now, Pi Patel (Suraj Sharma) gets stranded on a lifeboat in the Pacific with a Bengal tiger. (That’s after the steamliner carrying his family’s zoo is pulled underwater during a freak storm.)

Over the course of months, the two unlikely castaways must depend on each other to survive — a scenario that provides an occasion for reflecting on cross-spiritualism, not cross-culturalism. (Pi, who was born a Hindu, loves Jesus and practices Islam.)

It also provides an occasion for displaced Taiwanese filmmaker Ang Lee to try his hand at 3D storytelling.

Why are we trying so hard to fit in when we were born to stand out?

WELCOME TO THE 2013 DISPLACED OSCARS. If we don’t fit into the Hollywood version, we may as well host our own event. We invite you to vote on your favorite films in the four categories we have created below. Preliminary results were announced in the Displaced Dispatch that came out on Saturday, February 23rd. Final results will appear in the Dispatch that comes out on Saturday, March 2nd. Be sure to sign up if you haven’t already!

1) Best Film Exploring Themes of Interest to Expats & International Travelers

This category honors the films that put cross-cultural themes right at the center. And the nominees are:

ShanghaiCalling_pm1) Shanghai Calling (2012, dir. by Daniel Hsia)
SUMMARY: Manhattanite Sam (Daniel Henney), an arrogant young lawyer, is transferred to his firm’s Shanghai office. He bungles his first assignment and finds his career in jeopardy. With the help of his beautiful relocation specialist, among others, he just might be able to save his job and learn to appreciate the wonders that Shanghai has to offer.
WHAT CRITICS ARE SAYING: How often do we get to see Shanghai on the big screen? That said, the plot is somewhat shallow and fails to make the most of Sam’s background as a Chinese American.

 

TheBestExoticMarigoldHotel_pm2) The Best Exotic Marigold Hotel (2012, dir. by John Madden)
SUMMARY: A group of British retirees — played by British acting greats like Judi Dench, Maggie Smith and Bill Nighy — have outsourced their retirement, attracted by the less expensive and seemingly exotic India. They are enticed by advertisements about the newly restored Marigold Hotel and given false dreams of a life with leisure.
WHAT CRITICS ARE SAYING: At the 2012 Mumbai Film Festival, the film was honored for showcasing Indian filming locations — a view not necessarily shared by viewers outside the subcontinent. Some of us feel that India was slighted by being treated as the shimmering background to a story about retirement-age self-renewal.

TheImposter_pm3) The Imposter (2012, dir. by Bart Layton)
SUMMARY: Thirteen-year-old Nicholas Barclay disappeared from his home in San Antonio, Texas, in 1994. Three and a half years later, he is allegedly found alive, thousands of miles away in a village in southern Spain with a story of kidnapping and torture. His family is overjoyed to bring him home. But all is not quite as it seems. The boy bears many of the same distinguishing marks he always had, but why does he now have a strange accent? Why does he look so different? This British documentary concerns the 1997 case of French serial imposter Frédéric Bourdin.
WHAT CRITICS ARE SAYING: By common consensus, The Imposter is one of the year’s most provocative pictures. Certainly, Displaced Nation writer Anthony Windram found it that way. In one of our most popular posts of last year, he mused that Bourdin’s story is not entirely unfamiliar to expats, all of whom have chameleon-like qualities.

CAST YOUR VOTE HERE!

2) Best Foreign Displaced Film

This category honors films about displacement that take place in non-English speaking countries and therefore require English speakers to read subtitles while learning about other cultures. And the nominees are:

Tabu_pm1) Tabu (2012, dir. by Portugal’s Miquel Gomes)
SUMMARY: The action in this experimental fiction ranges from contemporary Lisbon to an African colony in the distant past, in what was Portuguese Mozambique. First we are introduced to a cantankerous elderly Portuguese lady with a gambling addition. Then we flashback to her youth as a beautiful young woman living a kind of White Mischief existence at the foot of Mount Tabu, where she falls in love with a handsome adventurer…(Notably, the film’s title references the 1931 German silent film of that name, which took place in the South Seas.)
WHAT CRITICS ARE SAYING: The film shows what happens to expats who live too long — there are no remnants of “paradise” left. But some — e.g., A.O. Scott of the New York Times — have faulted the director for glossing over the issues of colonialism in the film in favor of simple aestheticism.

ClandestineChildhood_pm2) Clandestine Childhood (2011, dir. by Benjamín Ávila)
SUMMARY: A cinematic memoir drawn from Ávila’s own experiences, the film paints an unsettling portrait of families affected by military dictatorships. The year is 1979, five years after Perón’s death, and the family of 12-year-old Juan, who have been living in exile in Cuba, returns secretly to Argentina. Juan’s parents are members of an underground organization and for sake of their cover, he must assume the name of “Ernesto” and pretend to be a newcomer from northern Argentina.
WHAT CRITICS ARE SAYING: Juan’s parents aren’t fleeing the law because of their past misdeeds but are trying violently to overthrow a current dictatorship. The film therefore raises the question: do urban guerrillas make good parents? After all, they are asking their son, a Third Culture Kid, to act the part of a native in the homeland he never knew, for the sake of their political ideals. But while this question is intriguing, the story is driven almost entirely by clichés. As one critic remarked:

[T]he writing needs to be sharper to avoid feeling like a generic coming-of-ager.

LetMyPeopleGo_pm3) Let My People Go (2011, dir. by Mikael Buch)
SUMMARY: French immigrant Reuben (Nicolas Maury) is living in fairytale Finland — where he got his MA in “Comparative Sauna Cultures” — with his gorgeous Nordic boyfriend Teemu (Jarkko Niemi). He works as the mailman in a neighborhood whose colorful houses look like Scandinavian Skittles. Then, after a misunderstanding involving a parcel full of Euros, Teemu casts his lover out of Eden, sending him back to where he came from: Paris.
WHAT CRITICS ARE SAYING: Ruben’s return to Paris — where he finds his family weathering various crises as well as emotional instability — demonstrates why he left in the first place. (Aren’t most expats escaping something?) However, the scenes with his wacky, feuding family members soon become tedious. As one critic puts it:

The movie’s labored attempt at creating comedy mostly means lots of scenes with Ruben cringing as relatives shout.

CAST YOUR VOTE HERE!

3) Most Displaced Director

This category honors the director who has shown the most chutzpah in raiding the literature of other cultures to make a commercially successful movie (note: they do not cast the natives!). This year’s nominees are:

AnnaKarenina_pm1) Joe Wright for doing a British version of Anna Karenina (2012), casting his muse (Keira Knightly) in the titular role
WHAT CRITICS ARE SAYING: Some enjoyed Wright’s bold new interpretation of this classic Russian novel, while others felt that he did Tolstoy a terrible injustice — for instance, New Yorker critic Richard Brody had this to say:

Wright, with flat and flavorless images of an utterly impersonal banality, takes Tolstoy’s plot and translates it into a cinematic language that’s the equivalent of, say, Danielle Steel, simultaneously simplistic and overdone.

LesMiserables_pm2) Tom Hooper for casting a bunch of Aussies, Brits and Americans in Les Misérables
WHAT CRITICS ARE SAYING: Since Hooper previously won the Best Director Oscar for the terribly English drama The King’s Speech (historical drama, yay!), many found it odd that he would choose to take on this sprawling French story, and beloved musical, to create what he calls “an oil tanker of a picture.” But for what it’s worth, Hooper had no qualms about directing a film having to do with French history instead of his own. He is persuaded that Victor Hugo’s story speaks to issues of concern today:

Hugo’s story of populist uprising in 1832 Paris resounds in an era of the Arab Spring, the Occupy protests and general frustration over economic inequality.

DangerousLiaisons_pm3) Korean director Hur Jin-ho for making an Asian version of Dangerous Liaisons (2012) — which was originally an 18th-century novel by Pierre Choderlos de Laclosset — and setting it in 1930s Shanghai
WHAT CRITICS ARE SAYING: Many have complimented Hur Jin-ho’s decorous adaptation, saying it was clever of him to swap the insular, decadent world of de Laclos’ book, which takes place pre-French Revolution, with the similarly gilded cage of Chinese aristocrats just prior to the Japanese invasion. But the film isn’t particularly sophisticated on a political or historical level. As one critic writes: “It’s all just window-dressing: pretty, but substance-free.”

CAST YOUR VOTE HERE!

4) Most Displaced Actor/Actress

This category honors the actor who has performed this year’s greatest feat of playing a role that requires them to take on a whole new nationality. We’re talking Versatility Plus! And the nominees are:

Daniel_Day-Lewis_pm1) Daniel Day-Lewis, the Anglo-Irish actor who portrayed Abe Lincoln in Lincoln
WHAT CRITICS ARE SAYING: Apparently, there was no American actor good enough to play one of the most exceptional presidents the nation has ever known as critics have had nothing but praise for Day Lewis’s performance. Here is a sampling:

His Lincoln is tall and tousled and bent over with the weight of melancholy responsibility in the fourth year of the Civil War.

[Day-Lewis] manages to inject so much quiet humour into what could have been a very reverential portrait.

[The actor] inhabits the ageing figure of the 16th President of the United States with exquisite poise, intellect and grace.

AnneHathaway_pm2) Anne Hathaway for playing saintly prostitute Fantine in Les Misérables
WHAT CRITICS ARE SAYING: Many find it impressive that Hathaway, cast as the tragic Fantine, sings the show-stopping “I Dreamed a Dream” in one take. (Tom Hooper’s contribution to the genre was having the actors sing rather than lip synch.) And some say that her willingness to have her locks shorn off on screen shows her commitment to her craft. That said, her performance is not to everyone’s taste. “Rarely have the movies seen such an embarrassingly naked plea for applause,” writes Australian film critic Jake Wilson — the implication being the Victor Hugo’s Fantine would have had more dignity.

Alicia_Vikander_pm3) Swedish actress Alicia Vikander for taking on two non-Swedish roles: Caroline Matilda of Great Britain (she served as Queen of Denmark and Norway in the 18th century) in A Royal Affair (2012); and Kitty in Anna Karenina (2012)
WHAT CRITICS ARE SAYING: Vikander’s “moxie” is apparently what landed her both of these parts. According to A Royal Affair director Nikolaj Arcel, every actress in Denmark wanted the role of Mathilde, but only Vikander had the requisite “regal quality.” She even went to Copenhagen two months before shooting began to learn to speak Danish fluently. Likewise, Anna Karenina director Joe Wright saw in her the qualities to play Kitty, a flirtatious young woman who believes the dashing Count Vronsky is her Prince Charming, only to find love with a kind-hearted farmer named Levin. It is not uncommon for movie-goers to remark that she outshines Kiera Knightly’s Anna.

CAST YOUR VOTE HERE!

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Are we missing out on any films/categories? Please leave your suggestions in the comments below.

Longing for even more expat and international travel films? Please go to our Displaced Oscars Pinterest board.

As for me, I’m going in search of a displaced after-party! Let’s hope I don’t have to travel too far to find one! 🙂

STAY TUNED for tomorrow’s post, another installment in the life of our fictional expat heroine, Libby. (What, not keeping up with Libby? Read the first three episodes of her expat adventures.)

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Images: Oscar statuette courtesy Dave_B_ on Flickr; actor pix from Wikimedia.

LIBBY’S LIFE #70 – A brewing storm

Jack lies on the kitchen floor in his red pyjamas, legs and arms flailing, his face a puce, wet, dripping mess.

He looks like an overripe tomato.

“I want Fergus!” he wails, then hitches in a breath for more volume. “I — want — Fergus — baaaack!”

Despite all the episodes of Supernanny that I’ve watched over the years , I don’t know what to do. I’ve tried “bringing myself down to his level” (crouching down to make myself three feet tall), looking him in the eye, using a firm voice, putting him in time-out on the Naughty Spot, asking for apologies and hugs…

Nothing works. At nearly five, he should be growing out of tantrums, not more into them by the day.

The Naughty Spot, a mat outside the laundry closet, worked for about a month until a few days after Fergus left. Jack would sit on the landing quietly in time-out, and happily give me a hug and a “Sorry” when his five minutes was up. (I must be honest and admit here that it was usually more than the allotted five minutes, because I’d go off and do something else and forget he was there.)

I don’t want him to think he gets a reward for bad behaviour, but in this case, it’s unavoidable.

“You can stop that silly noise right now,” I say, sounding like my granny. “You’re going to see Fergus today because we are staying at Maggie’s tonight.”

The screams and kicking magically stop. For a second.

I put my hands over my ears as Jack yells again, this time with joy, and the twins in their high chairs yell with alarm.

“Go get dressed,” I tell him, raising my voice above the noise. “Your clothes are on your bed.”

*  *  *

“This storm looks as if it’s going to be a bad one,” Maggie had said to me yesterday. “We’re bound to lose power on this street, because we always do. Have you got a generator yet?”

I shuffled my feet and mumbled, as if she’d asked me where last night’s maths homework was. “No.”

“Then all of you should come and stay with me tomorrow night until it’s over, or until you get power back on. All five of you. No fun in a house in these temperatures, with three babies and no heat or hot water.”

“We can’t do that,” Oliver said, when I told him of Maggie’s offer. He has no idea what it’s like here without electricity. He’d been safely in England the last time we had a long power-cut.

” ‘We’?” I said. ” ‘You’ can do what you like, my love. Stay in a refrigerator if you prefer, should the worst happen. But the children and I are thinking ahead and staying in Maggie’s nice warm house.”

And after some grumbling, he agreed.

*  *  *

 Jack comes downstairs, fully dressed but not accurately so. I turn his sweatshirt so it’s not back-to-front, and twist a sock round so that the heel is under his foot. His jeans, I’m relieved to see, are looser than they were two weeks ago.

After nearly falling out with Maggie over what she perceived as Jack’s weight issue, I was mortified, when I went clothes shopping for him a couple of days later, to find that the regular boys’ trousers I bought for him were too tight when he put them on at home. I had to take them back and exchange them for the ‘Husky’ fitting, for boys with more generous waistlines. Maggie and that awful paediatrician had been correct, and my son was indeed piling on the inches.

“Puppy fat,” Maggie said, when I apologised later for getting huffy with her when she had been correct in her observation. “Just puppy fat. It will go.”

I wasn’t so sure though — and I was totally at a loss to explain how he could be putting on weight like that. Since Christmas I have only given him organic food — lots of vegetables and fruit and lean meat and stuff like that — and any treats are on the top shelf of the pantry where he can’t reach them. I did this after smugly watching one episode of Supernanny on Christmas Eve that showed a sugar-crazed toddler running around and bashing his younger brother with a toy car, before realising that my own elder son, who earlier had been quietly stuffing his face with a Hershey bar, was pounding George on the head with a plastic toy hammer.

That was the day all chocolate and cookies went on the top shelf, and the Naughty Spot on the landing instigated. Also the day the toy hammer was confiscated indefinitely.

Today, thought, Jack is the picture of sibling virtue as we all plod through the snowflakes across the street towards Maggie’s house.

Maggie sees us coming, opens the door, and we are greeted by a whirlwind of pit-bull-Labrador. Fergus bounds around us, nearly knocking me and Jack over. He saves his biggest welcome for Oliver, of course, but even so, I swear that dog has never been so happy in his life to see me. Not even after several months in kennels while he waited to be shipped abroad.

When we are all inside and have stomped the snow from our boots onto the doormat,  Jack stands on socked tiptoes and indicates to Maggie that he wants to say something in private. She bends down to listen while he whispers in her ear.

“I haven’t got many of those, sweetheart,” she says to him. “They’re a bit expensive, so Fergus only has them as a special treat on Sundays.”

Jack’s mouth droops, and I’m afraid he’s about to go into meltdown. He asks, “Is it Sunday today?”

Maggie laughs. “We can pretend it is, can’t we?”

His mouth becomes a normal shape again. Meltdown situation averted.

“What did he want?” I ask Maggie when Jack has run off to her TV den, where she’s put the DVD of Finding Nemo on for him.

“He wanted to give Fergus one of his special doggie treats, and I said he could. I think he misses that dog, you know.”

I know he does, and I feel guilty. I’d been so intent on getting rid of Fergus that I’d forgotten Jack’s feelings in the matter.

I tell Maggie this.

She frowns. “And yet he never bothered much with Fergus before, that I could see. Why all the fuss now, I wonder?”

Jack runs back into the hall to have another private word with Maggie. She shakes her head. “You’ll have to ask your mummy.”

Jack’s shoulders slump, and he slouches off back to the TV den.

“Ask me what?” I say.

“He wanted a cookie.”

“Ah.” I feel quite proud. “I think he knows better than to ask me that now. They’re strictly rationed in our house.”

Oliver laughs. “My mum did that to me once, when I was about 10, when she decided out of the blue that we should both go on a health kick, So I made myself jam sandwiches every morning before she got up, took them to school, and bought chocolate on the way home with the school lunch money she’d given me. She couldn’t understand why I kept putting on weight when all she fed me was cornflakes and salad.”

I roll my eyes at Maggie, as if to say, “You see what kind of a mother-in-law I have?”

Surprisingly, she doesn’t respond.

Later, when Oliver is busy taking our bags into the spare bedroom, she says: “Libby, you know I’m not one to interfere, and after our last near-argument about Jack, I’m reluctant to say anything at all, but…I have found that the more you stop someone from doing something, the more likely they are to find a way round the obstacle.”

I close my eyes. Maggie’s talking about Jack’s diet again, offering advice where it isn’t wanted.

“Thanks,” I say, and even I can hear the frostiness in my tone that makes the frigid weather outside seem tropical in comparison.

Oh dear. I do hope this storm isn’t a long one. I would like to still be friends with Maggie when the snow has stopped.

.

Next post: LIBBY’S LIFE #71  – Bonnie and Clyde go to preschool

Previous post: LIBBY’S LIFE #69 – This dog’s life takes the biscuit

Read Libby’s Life from the first episode

Want to read more? Head on over to Kate Allison’s own site, where you can find out more about Libby and the characters of Woodhaven, and where you can buy Taking Flight, the first year of Libby’s Life — now available as an ebook.

 STAY TUNED for next week’s posts!

If you enjoyed this post, we invite you to subscribe for email delivery of The Displaced Dispatch, a round up of the week’s posts from The Displaced Nation. Sign up for The Displaced Dispatch by clicking here!

Image: Travel – Map of the World by Salvatore Vuono / FreeDigitalPhotos.net

Baby, it’s cold outside — so why did I choose to become an expat in Boston?!

James_Murray_fireThe Displaced Nation got through January without grousing too much about the winter doldrums. But our monthly guest columnist James Murray, a displaced Brit in Boston, will not let the same be true of February. Enjoy his short post — he was too cold to write more!

Winter seems to me a bloody silly time to start any kind of resolution.

Want to jog? Why not start when you can venture outside without the high-density wool coat?

Want to write every morning? In fingerless gloves I assume?

About the only kind of resolution I can imagine keeping is a commitment to a higher standard of personal cleanliness, because I just feel like taking hour-long hot showers most of the day.

Winter just makes you want to be elsewhere. Anywhere but here — and the problem is that this applies to whichever “here” you happen to be inhabiting.

So it’s nothing personal, Boston, when I tell you each and every balls-contractingly cold morning what you can do with your damn winter.

Just like it was nothing personal when I told New Zealand that it should get its shorts-clad arse in gear and install some insulation because let’s face it, it doesn’t matter how mild it is outside; seeing your breath in the morning is a severe disincentive to removing your head from under the covers.

Winter has the effect of making you wonder if you’ve made some kind of mistake — whether you’d be happier in a far distant land where they don’t have the subtle divisions of “chilly,” “cold” and “freezing”; where their scales start at “mild” and only go upwards.

But the project for this year is, as far as possible, staying put. The tangent-curved graph depicting our rapidly climbing heating bill will not deter us; the face-paralysing wind will not stop us from riding our bikes like the foolish pseudo-hippies we are; the desaturated colours of the lifeless trees will not bring us down to the point where we won’t leave the house, and above all, the lure of foreign climes will not force us to quit the place we’ve worked so hard to get to.

After all, we have a secret weapon: a fireplace; and so we know that no matter how drearily the wind may whistle or how uncomfortably cold the bathroom tiles may get, we can still hunker down, roast our remaining chestnuts and hold out for Spring.

James Murray is a self-described “itinerant Brit.” After a stint in New Zealand, and some travel in Southeast Asia, he and his American girlfriend — now wife — are practicing “staying put” in Boston, where James is pursing a career as a wordsmith for marketing and fiction, and as a non-professional theatre director. He is also a Utopian idealist and SingStar enthusiast. You can find more about his views by reading his blog, Quaint James, and/or following him on Twitter: @quaintjames.

STAY TUNED for another episode in the life of our fictional expat heroine, Libby. (What, not keeping up with Libby? Read the first three episodes of her expat adventures.)

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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img: James Murray stoking the fire (his own).

LIBBY’S LIFE #69 – This dog’s life takes the biscuit

Fergus looks up at me, down at his empty dish in the corner of the laundry room, then back at me again. I could be imagining things, but I think his lip is curling.

“No,” I say to him, as I pull one lot of washing out of the dryer and insert another wet load. “Just — no. You can’t be hungry, not again. It’s impossible. And it’s no good trying to fool me. I know you don’t eat everything in sight when Maggie’s in charge of you. You’re just doing it to annoy me.”

At Maggie’s name, Fergus pricks up his ears, wags his tail, and goes to sit by the back door under the coat hook where I keep his lead.

“Later,” I promise him. “You can see Maggie when Jack has gone to school and I’ve gone shopping with the twins. And in a few days more you’ll be with her all the time. Won’t that be nice?”

Nice for him, and oh-so-blissful for me. I am counting the days until next Wednesday, when Maggie has — hallelujah! — agreed to take Fergus and I can rid myself of this hound for good.

Maggie, though, is looking forward to having him. A couple of burglaries in town last month made her nervous, and she thinks a dog barking around the place will be a good deterrent.

“Besides,” she said, sounding rather sad, “he will be good company when you move house.”

Oliver and I haven’t got a moving date yet, but Maggie isn’t looking forward to losing us as neighbours, although we’ll still be in Woodhaven. We haven’t even found a new house to move into, but lately I’m spending so much time and money in the local supermarket that I’m starting to think we should cut out the middle man and set up home in the checkout line.

When I first arrived here, all I heard from the other wives was how cheap it was to live in America compared with England. “I spend three-and-sixpence a month on food, and have money left over for a jar of caviar and some more diamond earrings.” That kind of thing. After a while I sussed out that the reason the wives spent so little on food from the supermarket is because they ate at restaurants, and the husbands hid the bills on their company expense accounts at the end of the month.

With Oliver being boringly honest and never putting items on expenses unless they’re work-related, my own grocery bills are astronomical. Add in disposable nappies and cans of formula milk for two, and even Wills and Kate in their starter flat at Kensington Palace would balk at the monthly total.

But that’s before we get to the pet food aisle.

Fergus, as I mentioned when I started this journal, is one of the most stylish dogs in the world. Never mind diamanté collars or fluffy dog sweaters like Dr. Lowell’s ridiculous chihuahua wears — for his fashion accessories, Fergus has food allergies. He went on a gluten-free diet long before Lady Gaga did. Not for him the cheapo dog kibble; only the best for Fergus. Special gluten-free dog biscuits, more expensive per pound than Black Angus filet mignon.

Hey. Those biscuits are nothing to do with me.

They were Oliver’s idea. Maybe coddling the dog she gave us is a way of assuaging the guilt he feels towards his mother for abandoning her, or for letting the cat out of the bag about her bigamist husband. Whatever the motive, the upshot is that while normal dogs are happily gnawing on bones and finishing the children’s leftover chicken nuggets, Fergus is lording it with grain-free, venison-and-cinnamon-and-butternut-squash dog treats, at 25 bucks a pound. To even things out, I buy the cheapest canned meat without wheat filler, but he turns his nose up at it most of the time. Only those doggie-deli-delights will do.

Not content with his food’s Michelin 5-star quality, Fergus also has to have it in Supersize Me quantity. It doesn’t matter how often I fill his bowl with these delicate morsels — when I look again, the dish is empty, and Fergus has a mournful expression on his face, begging for seconds.

I told Maggie she should rename him Oliver. Twist, that is, not Patrick.

“But he never eats that much when he stays with me,” she says. “He gets whatever meat the butcher has going cheap, and nothing else. Perhaps he’s got worms.”

I’ve given him enough worming tablets to eradicate the subterranean population of Massachusetts. It’s made no difference.

Fergus is still sitting by the back door, staring up at his lead. Every few seconds he lets out a little whine and shifts from side to side on his front paws.

What the hell. It’s nearly time to go, anyway.

I bundle the twins into their snowsuits and fasten them into their double pushchair. Then I tug Jack’s arms into his big winter coat, and pull the two sides of the front together to do up the zip.

The two sides don’t quite meet. Jack’s got an extra layer of fleece on, admittedly, because it’s so cold here at the moment, but even so…

“I need to buy you more clothes while you’re at school today,” I say to him. “You’ve grown again. You’ve eaten too many cookies. You’re the Cookie Monster!”

“No, Mummy,” he says. “Biscuit Monster!”

“Ah, that’s right. Silly me.”

Jack is rather particular lately about his vocabulary. It’s very sweet. He corrects his American friends if they say “Truck” (“Lorry!”) or “Chips” (“Crisps!”) or, in this case, he corrects his mother for saying “Cookie” instead of “Biscuit.”

I think his obsession started when I got into watching old episodes of Supernanny USA. Supernanny herself is unapologetically Essex and sounds like Jack’s Granny Sandra, even after filming with families in New Jersey for two weeks. But although she talks like my mother-in-law, I like watching the programme because it makes me feel superior after I’ve had a bad day, and I can think “Well, at least I don’t do that.” Occasionally, though, an episode will bring me down to earth, like the one a few weeks ago when this woman had about nine kids who kept diving into packets of fun-sized Milky Ways every five minutes, and then bounced off the walls all day, much to the mother’s bewilderment.

I watched one of the nine children having a tantrum just as Jack lay on the floor, kicking and shouting because I’d taken a clandestine Hershey bar off him, which he was about to eat five minutes before lunch was ready. From then on, all chocolate and sugary things have lived on the top shelf of the pantry where Jack can’t reach them, and I’ve doled them out sparingly, only once a day, in accordance with a big set of Mum’s Rules which I wrote in black marker on poster board immediately after the TV programme ended.

Jack seems to have adapted, though. After one episode on the naughty spot outside the landing linen closet on Boxing Day, he accepted it. I can’t say his tantrums have got much better, though.

With some pushing and huffing, I finally get his coat fastened.

“Ready to go?” I ask him. He nods, as best as he can beneath layers of woolly hat, hood, and scarf.

Fergus barks — once, twice, three times.

I open the back door, and the dog shoots out, straight across the road and up Maggie’s driveway. A Jeep coming down the street slows for him and honks its horn. Fergus looks back briefly. If a dog were physically capable of flipping the bird, Fergus just did it.

Next Wednesday can’t come a minute too soon.

.

Next post: LIBBY’S LIFE #70  – A brewing storm

Previous post: LIBBY’S LIFE #68 – Puppy fat

A note for Libby addicts: Check out Woodhaven Happenings, where from time to time you will find more posts from other characters.  Want to remind yourself of Who’s Who in Woodhaven? Click here for the cast list!

Read Libby’s Life from the first episode.

STAY TUNED for Tuesday’s post!

If you enjoyed this post, we invite you to subscribe for email delivery of The Displaced Dispatch, a round up of the week’s posts from The Displaced Nation. Sign up for The Displaced Dispatch by clicking here!

Image: Travel – Map of the World by Salvatore Vuono / FreeDigitalPhotos.net

The 10 Muses of Expat & International Adventure Writing and their 5 most popular tunes

10 muses collageGreetings, Displaced Nation-ers! Ready for a little more intellectual stimulation?

A couple of weeks ago, I wrote about Great Thinkers who can help with task of embracing the well-traveled life and teasing out its deeper meaning, in the new year.

And today I will address the needs of those who have resolved to tackle a major writing project in 2013.

It’s a well-known fact that many of us who live in foreign lands aspire to write novels, memoirs and travelogues about our overseas adventures. But many of us also live in isolated situations (by definition).

So who can aid us, provide our inspiration?

Why, the muses of course!

Tell us, O muses, how to tell our stories…

And we don’t even have to look heavenwards to invoke them! The 10 Muses (that’s one more than the ancients got!) of Expat and International Travel Writing are right in our midst. They have already shared the joys, wonders and value of writing with Displaced Nation readers:

  1. Barbara Conelli, author of the Chique Travel Book series, filled with the charm, beauty, secrets and passion of Italy…
  2. Martin Crosbie, who is writing a trilogy entitled My Temporary Life; in December of last year, he published Book Two: My Name Is Hardly.
  3. Helena Halme, author of the novel The Englishman (2012)
  4. Laura Graham, author of the novel Down a Tuscan Alley (2011)
  5. Matt Krause, author of the memoir A Tight Wide-open Space: Finding love in a Muslim land (2011)
  6. Meagan Adele Lopez, author of the novel Three Questions: Because a quarter-life crisis needs answers (2011)
  7. Edith McClintock, author of the mystery novel Monkey Love and Murder (2013)
  8. Alexander McNabb, who is writing the Levant Cycle, a trilogy of books about the Middle East; he released the second book, Beirut — An Explosive Thriller, last September.
  9. Tony James Slater, erstwhile regular at the Displaced Nation and author of a two-book series: The Bear That Ate My Pants: Adventures of a real idiot abroad (2011) and Don’t Need the Whole Dog!, which came out in December.
  10. Wendy Nelson Tokunaga, author of Marriage in Translation: Foreign Wife, Japanese Husband (2011) and of several novels that explore cross-cultural themes between the United States and Japan.

Over the past year on our site, if you were listening closely, these heaven-sent muses were singing a number of tunes. Here are their five top hits:

SONG #1: “Yes, it’s hard; yes it’s uphill. But you’re living the dream, which makes writing a thrill!”

In one of the Displaced Nation’s most popular posts of the past year, Tony James Slater tried to make it out that the life of an expat writer is far from glamorous. Don’t believe him. He was pulling your leg, as usual — or singing off key, to continue the metaphor.

Alexander McNabb has the more accurate rendition. Here’s his account of the prep for his latest thriller, Beirut:

While writing it, I spent hours walking around the city, along the curving corniche and up into the busy streets that cling to the foothills rising from the coast up to the snow-capped mountains. Walking with friends, walking alone — day and night, spring and summer. From the maze of funky little bars of Hamra to the boutiques of Verdun, from the spicy Armenian groceries of Bourj Hammoud to the cafés overlooking the famous rocks at Raouché…

Barbara Conelli is another inspirational example. She explores every nook and cranny of Milan so as to take the reader on an armchair journey. And now she is doing the same with Rome, which will be the subject of her third book in the Chique Travel series.

Great work, if you can get it!

SONG #2: “It’s time to make your creative debut — so why not make it all about you?”

These days it’s hard to tell the difference between a heavily autobiographical novel and a memoir, though one of our muses, Helena Halme, insists that there is a distinction. When questioned about her decision to write The Englishman as a novel — it’s about a young Finnish woman, Kaisa, who meets a dashing British naval officer, a plot that echoes very closely her own life story — she had the following to say:

I tried to write a memoir, but couldn’t! Much of this story is, however, true — but I didn’t think I could call it a memoir as some things were pure fiction. I am a novelist and just keep making stories up.

Hmmm… By that reckoning, perhaps Tony James Slater should be a novelist, too? As regular readers of this blog will know, his favorite topic consists of his own, rather daring but also bumbling, world adventures.

But did a bear really eat his pants, or is he exaggerating for comic effect?

The mind boggles…

But whatever the form, the point is that quite a few of our muses have found plenty of material in their own life experiences. Besides Halme and Slater, we have

  • Martin Crosbie: His protagonist, Malcolm, leaves Scotland for Canada at a formative age, just as he did.
  • Laura Graham: Her protagonist, Lorri, arrives in Italy as a forty-something single and finds a younger Italian man, just as she did.
  • Matt Krause: He has written a memoir on the portion of his life that involved meeting a Turkish woman on a plane and following her back to Turkey. (Reader, he married her!)
  • Meagan Adele Lopez: The protagonist of her debut novel, Del, is offered three questions by her British fiancé (just as Lopez was offered three questions by hers).
  • Edith McClintock: Her protagonist, Emma, works as a researcher in the very Amazonian rainforest where she once conducted her own research.

To conclude, the old adage is alive and well, even (especially?) in expat and travel writing: “Write about what you know and care for…”

SONG #3: “Looking for inspiration from above? The answer lies in cross-cultural love.”

Another theme running through the works of several of our muses is the love that takes place across cultures, usually resulting in marriage. I just now referred to the cross-cultural love stories at the heart of the books produced by Helena Halme (Finnish woman, English man), Laura Graham (Englishwoman, Italian man), Matt Krause (American man, Turkish woman) and Meagan Adele Lopez (American woman, Scotsman).

To this list should be added Wendy Nelson Tokunaga, who has written about Western women getting involved with Japanese men — one of the stranger of all possible unions, to be sure! 😉 — in both fiction and nonfiction (the latter being a bit of a self-help book).

SONG #4: “As your brainstorming proceeds apace, never forget the appeal of place.”

Since travel is a constant for all of us, it should come as no surprise that particular places can become a pull for certain expat writers. They cannot rest until they’ve depicted a place they’ve experienced so that others can live vicariously. Several of our muses represent this principle:

  • Barbara Conelli and her love for “capricious, unpredictable” Milan. To quote from her book: “When the streets of Milan ask you to dance, there’s nothing else to do but put on your ballet shoes and surrender…”
  • Alexander McNabb and his obsession with Beirut. “There can be few places on earth so sexy, dark, cosmopolitan and brittle…,” he writes in his Displaced Nation post.
  • Edith McClintock and her preoccupation with the rainforest and a place called Raleighvallen in the Central Suriname Nature Reserve. As her main character, Emma, says:

    I fell completely and irretrievably in love with the rainforest that week — the deep rich smells of dirt and decay and teeming, thriving life; the warm soft light of the rocky moss-covered paths hidden beneath layers of climbing and tumbling lianas and roots; soaring tree trunks wrapped in colorful bromeliads, orchids, moss, and lichens; and the canopy of leaves of every conceivable size and shape….

SONG #5: “Growing weary of fruitless writing sessions? Time to take some acting lessons!”

Four of our ten muses could double as the muses of acting and entertainment:

  • Tony James Slater and Meagan Adele Lopez trained as actors (Lopez actually starred in a bad horror film!) before embarking on their world travels.
  • Laura Graham enjoyed a long career as a stage actress in Britain, working for the Royal Shakespeare Company and the Young Vic, and on television, before setting herself up as an expat in Tuscany.
  • Wendy Nelson Tokunaga first went to Japan because she won a prize in a songwriting contest sponsored by Japan Victor Records. She is an accomplished karaoke artist who can sing jazz as well as j-pop and enka, a type of sentimental ballad.

Why are so many of the Muses of Expat Writing multi-talented, you may ask? Does a former acting/singing career work to one’s advantage when it comes to overseas travel and writing? I like to think so.

Just as Dickens used to act out the dialogue of his characters, I like to think of Tony James Slater reenacting his wild adventures on the road, in the confines of his flat in Perth…

And sometimes this versatility can add a further dimension to the writing. Last we heard from Lopez, she had created a trailer for her book and was trying to convert it to a screenplay. Tokunaga composed and sang an enka to accompany her novel Love in Translation. (It’s impressive!)

Plus these four could always hew to the tradition of wandering minstrel, one of the oldest careers in the book, if their works don’t sell. (Hey, it’s never a bad idea to have a fallback option when you’re a long ways away from family and friends…)

* * *

So, writers out there, did our 10 Muses sing to you? And will you listen to some of their songs again as you face the blank page in 2013? Let me know in the comments. (Only, be careful of criticizing the Muses — they have been known to be vengeful!)

STAY TUNED for tomorrow’s post, another installment in the life of our fictional expat heroine, Libby. (What, not keeping up with Libby? Read the first three episodes of her expat adventures.)

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

Images: Our Ten Muses (left to right, top to bottom) — Edith McClintock, Barbara Conelli, Tony James Slater; Laura Graham, Martin Crosbie, Helena Halme, Alexander McNabb; Meagan Adele Lopez, Wendy Nelson Tokunaga, Matt Krause.

RANDOM NOMAD: Maggie Eriksson, Displaced Californian in Sweden and Student of Swedish

Maggie_pmPlace of birth: Arcadia, California, USA
Passport: USA & Sweden
Overseas history: Sweden (Landskrona, Malmö): 2005 – present.
Occupation: Unemployed and looking for a job. Meanwhile, I’m studying more Swedish since I’m far from fluent.
Cyberspace coordinates: Mag Wheels (Posterous) and @magsinsweden (Twitter handle).

What made you give up California for Sweden?
My husband is Swedish. After working for five years at the California lab for a small pharmaceutical company, he really wanted to go back home. We started the process in 2003, and a couple of years later, in spring 2005, we finally made the move.

How did the pair of you meet?
He was working as a chemist in Sweden and the company transferred him to their lab in California. We met on a Yahoo message board — he was looking for people to meet in California before he moved. I had been online dating a bit, and when I saw his message I replied. We started to exchange e-mails, then letters and phone calls. After six months we met in real life. 🙂 We dated for a few months and got engaged soon after. We have been married for 12 years. We have no children but share of life with our seven-year-old border terrier named Jake.

What things about Sweden did he miss when living in your part of the world?
Besides his family and friends, he missed Swedish Christmas, Swedish candy, the country’s socialized health care, and its four seasons.

So now you’re displaced. Do you share that fate with anyone else in your immediate family?
No! I’m the only one in my family that lives between cultures.

You’re also job searching in a foreign land. Are jobs hard to come by in Sweden?
Without fluent Swedish, finding work is very hard, especially if you want something more than a temp job. I worked in the retail industry in the States. It took me six years to find a job in that field — and then I was laid off last spring.

Since so many Swedes speak better English than us native English speakers, companies will hire the Swede over the expat. That said, even without Swedish, expats who have good IT skills, a university education and are young may find more doors open to them in this market than someone of my background.

Since we live in Malmö, I’ve now extended my search across the Øresund Bridge, to Copenhagen, Denmark. The job market is better over there.

In March of this year you’ll have been in Sweden for eight years. When have you felt the most displaced?
When I first started learning Swedish — and was facing all the challenges that come with learning a new language. For a long time, I didn’t understand anything people were saying around me. And even now, after almost eight years of living here, I don’t feel like myself when attempting to speak the language.

When have you felt the least displaced?
When I became a citizen and went to the lunch for new immigrants, where I was given an official certificate saying that I’m SWEDISH!

You may bring one curiosity you’ve collected from the country where you’ve lived into The Displaced Nation. What’s in your suitcase?
Difficult… From Sweden I think I would bring this little book of Swedish verbs that I carry around since I always get the verb form wrong! 😉 From California — well, it’s impossible to pick just one thing as there’s so much of everything!

You are invited to prepare a meal for the Displaced Nation, based on your travels. What’s on the menu?

I’ll make you a casual dinner of pyttipanna, similar to bubble and squeak in the UK. It’s a dish made with fried potatoes, onions, and bell peppers. Sometimes you eat it with a fried egg. Most people put ketchup on it.

As you’re such a diligent student of the Swedish language, can you donate a Swedish word or expression to the Displaced Nation’s argot?
Actually, I’ll lend you two:
1) Fika — it refers to a taking a break with a coffee and an open-face sandwich or pastry. Most Swedish people have it once or twice a day. I think you would enjoy it.
2) Farthinder — that means speed bump. I love this word. It makes me laugh every time I see a signpost for one.

This month, we’ve been focusing on the need for mentors: people who teach us what we need to know, or remind us of things we have buried deep. Have you found discovered any new mentors, whether physically present or not, in your life abroad?
I have met people along the way that I would never have been friendly with in my old life in California. Living abroad has given me a new appreciation for people from other cultures whom I’ve gotten to know by having dinner with their families or joining in their celebrations. For instance, I have a friend from Iraq who has been wonderful to me when I was really struggling to fit in and get Sweden. She moved to Sweden with her kids in the 1990s.

If you had all the money and time in the world, what topic(s) would you choose to study in your adopted country?
Well, I’m already studying Swedish, but assuming I were fluent, I would study the history of Scandinavia. I would particularly like to learn more about the people who have come from other places to live in Sweden. How do they adjust to the life here? I love my adopted country but still find it a culture shock in many ways!

Which part of the culture is still shocking?
To be honest, I think it’s the Swedes themselves. Most Swedes are very reserved and it’s hard to befriend them. People don’t talk to each other on the bus or in shops. As a American I have always been very friendly and will chat up a stranger. But now I very rarely do it.

Readers — yay or nay for letting Maggie Eriksson into The Displaced Nation? True, she and her Swedish hubbie have a special chemistry, which must help to alleviate the symptoms of displacement — but could she have picked a more different place to live from California? Doubtful… (Note: It’s fine to vote “nay” as long as you couch your reasoning in terms we all — including Maggie — find amusing!)

STAY TUNED for tomorrow’s thought-provoking guest post by Andy Martin, comparing the forcibly displaced to those of us who’ve made the choice to be displaced.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Img: Maggie Eriksson outside her flat in Malmö, Sweden (October 2012).

THE DISPLACED Q: With enough time and resources, what would you most like to learn in your adopted culture?


file0001883482933A long time ago, in a country far, far away, my nine-year-old self visited a museum in England. The American Museum in Bath was my first experience of anything American that wasn’t viewed on a black-and-white TV, and, while I recall finding the museum interesting, there was one particular exhibition that is still lodged in my long-term memory: the extensive collection of antique quilts.  Exquisite, detailed, and painstakingly hand-sewn by American women hundreds of years ago, these quilts and the stories behind them fascinated me.

How difficult can it be?

Fast forward a couple of decades, and there I was, newly arrived in New England. I’d worked out the day-to-day details of where to shop, where to bank, and how to order a pizza in a fake American(ish) accent so that it got delivered to the right address. Perhaps it was the amount of free time suddenly on my hands, or the impending arrival of another baby that put me in a domesticated mood, but when I received in the mail a brochure for adult education courses at the local high school, I signed up for Quilting For Beginners. I was in the heart of quilting territory, and I was going to make one of those big quilts. How difficult could it be, if women two hundred years ago made them by hand, by candlelight?

A newfound respect…

The course lasted for eight weeks. If I’d previously admired the Old American quilters whose handiwork graced the museum in Bath, at the end of those eight weeks they had achieved god-like status in my mind. It’s not as if I was a novice at sewing. My mother, an expert needlewoman and daughter of a tailoress herself, had taught me the basics long ago. But whereas I was making a small lap-quilt on an electric sewing machine, many of the much larger quilts I’d seen in Bath would have been made by hand;  the first American patent for a two-thread machine wasn’t issued until 1846.

…and an appreciation for our foremothers

In the same way I am in awe of Austen and Dickens writing without the help of even a typewriter, let alone a Mac, I am humbled to think of the hours these women spent in creating a textile legacy for their country’s future generations. The two month process of learning a craft associated with the part of the world where I was living made me appreciate aspects of the region’s history and early life, perhaps more than visits to American museums on this side of the Atlantic did.

The quilt I made is still here, draped neatly over a chair in the spare bedroom, a reminder of eight weeks  of cutting, pinning, sewing, and then unpicking when it all went wrong — but eventually finishing. Eight weeks of learning a new craft…and so much more.

Readers, what about you? What would you like to learn in your adopted country, and what else would it teach you?

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LIBBY’S LIFE #68 – Puppy fat

The paediatrician pinches a wad of baby flesh and plunges her syringe into the right thigh of an unsuspecting George.

A couple of seconds of silence while George’s bottom lip sticks out and he fixes me with a reproachful stare. Then, tears squirting from his eyes, he opens his mouth wide and lets rip a bellow that echoes around the small consulting room, the corridor outside, and probably the waiting room as well.

Undeterred, Dr. Lowell picks up another syringe and sticks it in George’s left thigh. The bellows treble.

“I can give Elizabeth her shots now, as well,” she says, as she presses a small, circular Band-Aid over each pinprick. “She also should have had them several weeks ago.”

The last time I fell for this trick and had both twins vaccinated on the same day, I didn’t sleep for three nights, while I paced around the bedroom with one or the other feverish, grizzling baby. Our usual doctor, the lovely Dr. Wong, who is out sick today with a nasty dose of flu, learned from this. She would never make such a silly suggestion.

“I’d rather deal with just one at a time, thanks. We’ll come back next week. I doubt Beth’s going to catch hepatitis B by then.”

Dr. Lowell reaches for another vial and needle as if she hasn’t heard me. “Best to get it over with,” she says. “If you could just take Elizabeth out of the stroller and undress her—”

Dr. Lowell doesn’t have children. She has a chihuahua. I’ve seen her on Main Street, carrying it around in a wicker shopping basket, dressed in a little pink doggie sweater — pooch, that is, not paediatrician. The Coffee Posse warned me long ago that I should avoid this doctor if possible.

Today, thanks to Dr. Wong’s flu, it wasn’t possible.

“No,” I say, more firmly. Instead of unbuckling Beth from the pushchair, I strap George in beside her.

George’s roars have diminished to hiccuping whimpers. I stroke his head and tell him he’s a brave boy and that he can have some ice cream when we get home.

“He’s fat enough already.” The doctor throws the needles in the sharps bin, and snaps off her blue latex gloves.

I’m not sure I’ve heard right. “Excuse me?”

“Childhood obesity is a real problem. He’s already at the 95th percentile for weight. And you need to watch the weight of your older son, too. Neither of them need ice cream.”

Enough. This doctor visit is over. I wheel the pushchair through the doorway, grazing the paint on the door jamb in my rage.

“And I don’t need a chihuahua fashion expert pretending to be Jillian Michaels,” I tell her. “Come on, Jack. Let’s you and me and the twins go to Baskin Robbins and pig out.”

* * *

“And then, the old witch says my boys are fat and they don’t need any ice cream,” I say to Maggie. “So here we are with a gallon of full fat chocolate brownie ice cream to share with you while you tell me all about your holiday.”

We didn’t go to Baskin Robbins, in the end. We went to the supermarket to buy Maggie’s favourite flavour to share with her. She came back from the Seychelles yesterday and I was dying to hear all about it.

Maggie scoops the ice cream into three dishes, and gives the small one to Jack. The largest one she gives to me, because I have to share mine with the twins. Then she pulls a dog bowl out from under the kitchen sink, fills it with a can of premium dog meat, and gives it to Fergus, who is watching her every move with an adoring expression.

He never looks at me like that. Perhaps this would be a good time to approach the subject of her keeping Fergus indefinitely.

“Nothing like ice cream for de-stressing, I find,” Maggie says, shovelling in a mouthful and closing her eyes.

I’m guessing she’s not talking about my own post-doctor stress levels. I’ll mention Fergus another time.

“Was it so hard, spending five days on a tropical island?” I ask.

Another spoonful. Maggie nods.

“I was there as a witness.”

Blimey. I didn’t expect that. Witness to what, I wonder? Drug deals? I’ve heard rumours of Maggie’s hippie past, and there’s sometimes a suspicious whiff of ‘herbal cigarettes’ on her back porch, but this was different. Dangerous, even. You hear about people giving evidence then ending up in neat little dismembered parcels in the bowels of New York’s sewers.

“Will you have to move, or change your identity, or anything like that?” I’d hate to lose my friend just because some drug cartel had it in for her.

Maggie wrinkles her nose and squints at me. “What do you mean?”

“You know — like witness protection.”

Maggie puts her spoon down in her dish. She laughs, and laughs some more. She picks the spoon up, but has to put it down again because she’s still laughing.

On one hand, I’m pleased because I’ve amused Maggie and made her laugh. Laughter is better than ice cream for stress busting. On the other hand, I’m really offended.

“What did I say?” I ask, when she’s quiet at last.

“I wasn’t a witness to a crime,” she says. “I was a witness to a wedding. One of those barefoot beach weddings. My daughter’s.”

And that’s all she would say about it.

But I surmised that, for Maggie at least, it wasn’t a happy occasion.

* * *

As I zip Jack and the twins up into their coats to walk the couple of hundred yards to our house, Maggie says, “You know — don’t take this the wrong way, but that miserable doctor might not have been entirely wrong. You’re struggling to fasten Jack’s zip.”

Et tu, Maggie?

“The zip is stiff, and Jack is not obese. Thank you.” I’d like to say more, but I need to ask her soon if she will take Fergus off my hands. It wouldn’t do to ruin a beautiful friendship at this point.

“No, I didn’t say he was.” She hesitates. “But he’s…hefty, isn’t he? Heftier than he used to be.”

Maggie shouldn’t go on tropical vacations if it makes her this argumentative. I have a perfectly good mother-in-law available if I want to be insulted.

“Even if he is–” I say “— and he’s not — children need it for their growth spurts. They can’t be expected to follow the standard growth charts all the time.”

Maggie holds up her hands, palms outwards, in a “peace” gesture. “Of course not. Anyway, it’s none of my business. Do forgive me, my dear. Tell me, did they like my Christmas presents?”

“They loved them,” I say, stalling for time. They had so many presents from fond grandparents that I can’t instantly recall what Maggie gave them.

“Handpainted, those boxes are. A relic from the time I owned the craft store in Main Street.”

A-ha! Exquisite little wooden boxes with hinged lids, painted with trains and cars for the boys, and fairies and toadstools for Beth. No wonder I couldn’t remember them instantly — I hadn’t seen them since Boxing Day.

“They’re absolutely beautiful,” I say, quite sincerely. “The children loved them. I’ve put them away safely for now, of course,” I add, crossing my fingers behind my back.

Maggie nods. “A good idea.” She opens the front door and looks outside at the descending clouds. “You’d better go before this mist turns to rain. Where’s Fergus…I might have known, in the kitchen, asking for more food! I don’t know where he puts it. Anyone would think he was never fed. Don’t forget to take the rest of your ice cream with you.”

“You keep it,” I say, having just caught sight of my post-Christmas reflection in Maggie’s full-length hallway mirror.

As children, dog, and I hurry home through the rain, I reflect sourly that one member of the family won’t have to diet this January, and can eat as much as his canine heart desires.

Another reason — the final straw, even — why Fergus has to go.

*  *  *

Next post: LIBBY’S LIFE #69 – This dog’s life takes the biscuit

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