The Displaced Nation

A home for international creatives

Tag Archives: USA

Talking to Sharon Lorimer about starting up a business on the art of being an expat

Sharon Lorimer CollageAnyone who has been an expat has probably thought about, at some time or another, starting up a business to help ease other expats into the notion that they are now international residents. But how many of us have the knowhow and the guts to act on these thoughts?

Sharon Lorimer, a Scot who lives in New York City with her American husband, did not think of herself as having an entrepreneurial mindset until she went to business school. One thing led to another, and almost before she knew it, she’d founded doshebu, a business providing services to various kinds of clients looking to go global.

Now let’s meet Sharon and talk to her about this turn of events in her life. We know that the force of love took her to New York, but what swept her down the path of launching her own business venture?

* * *

Hi, Sharon! It’s always good to talk to a fellow New Yorker, especially a displaced one! What brought you here from Scotland originally?
I fell in love with an American. After a long-distance love affair, we had to have the big talk about where we wanted to live. We were both just out of school and thought there would be more opportunities in New York than in our hometowns of Edinburgh (mine) or DC (his). So I came to New York to get married.

What was the first chapter of your life in the Big Apple?
We joined the dotcom boom: I worked for an Internet advertising agency, and my husband, Kim Khan, has done a variety of jobs, including establishing a bureau for CNBC.com in London. We were in our late 20s and had a vibrant, creative life, with lots of international friends. But then came the dotcom bust, and we started to reassess our lives and the extent to which the dotcom model aligned with our values. I searched for the right business for me but couldn’t find a fit. In 2004, I decided to get an MBA and after graduation in 2008 I started doshebu.

What kinds of services does doshebu offer?
While still in business school, I conducted primary research in International Human Resource Management. The services doshebu provides—to corporate leaders, individuals and families, businesses (human resource units), governments and NGOs, and importers/exporters looking to go global—are based on the gaps I identified in the market. I’ve designed an individual program for each market sector. Expats who are interested can find more information on our Services page. And our online learning site has lots of free resources. We want to build a community there and are continually adding information that you can access for free.

You’ve been out of Scotland for some time. Do you ever feel “displaced”?
I feel most displaced in the places where I’m supposed to be feeling most at home. I find it tough to relate to people who don’t have similar life experiences. Sometimes other Scots don’t even believe I’m Scottish. How do you convince someone you’re not pulling their leg and are actually from the same place as them?

Do you feel more comfortable abroad than in the UK?
Usually when I strike up a conversation with someone who’s traveling the world or living abroad, I find we have lots in common. My husband is the same way. If we encounter foreign tourists in the city, we always want to tell them about really cool places to go and the history behind those places.

Expats as “warriors”

Where did your idea for “doshebu” come from?
Doshebu is an expression of my life experience. When I first moved abroad, I had no idea of how difficult it would be. I packed my suitcase, got my flight, and turned up at my fiancé’s house. It took me a while to realize how unprepared I had been. While I didn’t think of myself as an immigrant, I experienced the loss of status that immigration causes. Lots of expats approach international assignments in that way. Whenever I reach out to talk to others, I can see there is a lot of work to do to help us all understand what moving abroad has done to our lives. These days, I like to think of myself as a pioneer and imagine myself living in a “boundaryless” world, where people live where they want and do what they feel is meaningful to them.

I understand the name for the business is based on the Japanese samarai moral code, Bushidō?
Kim is a black belt in the martial arts. Both of us have experienced the trauma of moving countries (Kim is from Virginia originally but has lived and worked in the UK and Singapore), and we think that living abroad requires something of a warrior mindset. While most people anticipate having a change in lifestyle, they are unprepared for the idea that not everything will be straightforward. For instance, some locals may not appreciate you or your values. Warriors are trained to go into hostile situations, and doshebu’s products address that possibility by educating you and discussing methods of coping. Thus the “way of the warrior” has become the “art of the expat.”

Was opening up your own business something you always wanted to do?
No, I was totally daunted. Although I’d witnessed my grandmother and mother start businesses, and admired them for that, I always shied away from taking that kind of responsibility. But now I feel the desire to build something of my own that wouldn’t exist if it weren’t for my efforts and dedication.

What has been the biggest challenge?
There are two main challenges I face:
1. Limited resources. It’s always tough no matter how big the company is, but it’s really tough when you’re a start-up.
2. Motivation. When you have to motivate yourself and there isn’t a reward at the end of the day, it’s tough to figure out how to keep going. I have to keep reminding myself of how far the company has come—it is no longer a research project but a living company; and I dream of a future when other people think it’s a great company, too.

Expats as artists

The most fulfilling aspect?
Doshebu is an Internet business and there is a lot of technical work behind the scenes. But we called it the “art of the expat” because we find that people who go abroad tend to become more creative and have more diverse interests. I enjoy trying to foster a sense of this in our clients and their families. It can be an advantage to their companies—for instance, if they make a more creative presentation on their work; but it can also be about one’s personal journey, connecting you with your creativity.

If you could do anything else, what would it be?
I’d love to make movies. I wrote a screenplay a while back, and as a photographer and writer, I love movies.

FromtheGlobalScottishKitchen_cover_tdnI see that you’ve created some cookbooks and photobooks under the Art of the Expat brand. My favorite is The Global Scottish Kitchen, with recipes for things like Cock A’ Leekie Udon.
Yes, my next book will also be a cookbook, called Coop du Monde. It’s a step-by-step guide to spicing up the traditional British Sunday Roast. It’s also about helping you be creative in the kitchen by explaining how to experiment with flavors.

In addition, I’m working on another photography book—about graffiti. I want to explore the idea of street art, the photographer and the graffiti artist as being the same person.

You can check out my various books on Blurb.

What’s on your bucket list?
I want to buy a small island and build a house on it. I like the idea of being able to build an environmentally-friendly house. But we’d have to have liquor—Kim and I have also written a book about home-style cocktails, based on our world travels and conversations with bartenders, bon vivants and drinkers. AliasNickandNorasHomestyleCocktails_cover_tdnHmmm…maybe I could sell moonshine in the local market?

* * *

Ah, said like a true entrepreneur, Sharon! Thanks so much for talking to me about your work. I must say, I find your take on “going global” truly refreshing. Readers, any questions for Sharon on what it’s like to be an expat doing a business on behalf of other expats? Fire away! Or if you want to recommend a home-style cocktail for her collection, I’m sure she’d appreciate that, too. For that matter, aren’t cocktails part of the recipe for a successful expat adventure?!

STAY TUNED for the next episode in the online expat novel, Libby’s Life, to appear tomorrow.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

Images (clockwise from left): Sharon trying out her Bushidō technique(?!) outside of Gaudí’s cathedral in Barcelona; being a tourist in Venice; enjoying a stein of beer at the Oktoberfest in Munich (on the cover of her photography book Oktoberfest); and how the table looked for her and Kim’s 10th-anniversary celebration (note the tartan tablecloth!).

TCK TALENT: Wendy Laura Belcher, best-selling author, memoirist, and distinguished scholar of her adopted cultures

wendy-l-belcher-tck-collageWelcome to the third installment of “TCK Talent,” Elizabeth (Lisa) Liang’s monthly column about adult Third Culture Kids who work in creative fields. As some readers may recall, Lisa—a Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent—has written and performed a one-woman show about being a Third Culture Kid, or TCK. It debuted in LA in the spring, and I had the pleasure of seeing it during its too-short run in New York City last month. It was stupendous!

—ML Awanohara

Greetings, readers, and thanks, ML, for that vote of confidence in my work. But it cannot compare to the output of today’s guest, a woman of extraordinary talents. Wendy Laura Belcher is a professor of African literature at Princeton University as well as a published memoirist, produced playwright, popular workshop leader, and author of the best-selling Writing Your Journal Article in Twelve Weeks: A Guide to Academic Publishing Success.

Wendy grew up in Ethiopia, Ghana, and the USA, and has been a writer since childhood. Her most recent book, Abyssinia’s Samuel Johnson: Ethiopian Thought on the Making of an English Author, is a finalist for the African Studies Association’s 2013 Ogot Award (to be announced in Baltimore at the end of next month).

* * *

Welcome to The Displaced Nation, Wendy, and thank you for joining us. I’ve known you for years and yet don’t know as much as I should about your TCK childhood, so am happy to take this opportunity to learn more. You are the daughter of an American dad and a Canadian mom. What’s the story behind why your family moved to Ethiopia and Ghana?
My father is a physician and my mother always loved to travel, so she convinced him to move to Ethiopia. Her idea was that he would teach and do clinical work at a public health college in Gondar, and she would be the college librarian. My first memories are of Ethiopia. I moved back to the US when I was 14. But my specific geographical trajectory is as follows: Philadelphia (birth), Boston, Seattle, Gondar (Ethiopia), Seattle, Accra (Ghana), Seattle, and South Hadley (Massachusetts). After that I lived in Tamale (Ghana). Then back to Washington DC, Accra, Los Angeles, Princeton, Addis Ababa (Ethiopia), and now Princeton again.

That’s an impressively peripatetic life! When and where were you happiest while growing up?
As a child, I loved Ethiopia the best, perhaps because it was the first place my family went and perhaps because, as a child who loved reading, it seemed like a magical place. There was a castle in my backyard as well as oxen threshing grain like in the Bible. On the throne was a descendant of King David. From a child’s perspective, it was like living in a book.

How did you find your first “repatriation” to the United States, at age 14?
I never got used to Seattle, it was very parochial in the 1970s when we moved there, and the weather was too gloomy for someone who had spent a significant part of her childhood in the tropics.

At home, but without a role, in Africa

Has your relationship to Africa evolved as an adult?
As an adult, I settled in the US and not Africa, returning to Africa only a few times until 1997, after which I started going every third year or so. Since 2009, I’ve gone every year to Ethiopia. I thought I might settle in Africa, but as an adult my relationship with Africa was more vexed.

That is, what could my role in Africa be as a white American woman?

I wasn’t particularly interested in “helping,” as it seemed to me that Africans were perfectly adept at solving their own problems and only didn’t do so because of all the “help” they received from the West.

But also, I was in a bind. In the US I often didn’t feel a strong sense of calling in my work, but I felt more satisfied emotionally. In Africa, I felt a strong sense of calling in my work, but I was often lonely.

The problem for me as an adult in Africa as a single woman without children was the lack of female friendships. In the 1980s and 1990s I found it difficult to find in Africa other career women like myself with whom I would have something in common.

One of the reasons I’ve found it easier to return to Ethiopia and have done so regularly in the recent past is that I’ve found some good Ethiopian female friends.

Where do you think of as “home” these days?
My mother always thought that my father never really had a sense of home as a particular place, because he had an identical twin brother. It was the presence of one other human being from the beginning that meant home was someone to him, not somewhere. He didn’t really know what loneliness was, she thought.

I may be somewhat similar albeit for different reasons. I don’t think of anywhere as home.

I lived in Los Angeles for 20 years and loved many things about it, but I mostly think of it as a place where my network of affection is. It isn’t the place so much but the people who make it a kind of home.

At the same time, I still have good friends in Seattle, and my family of origin is still there, so it is also a kind of home.

Are you like many TCKs in finding yourself drawn to people of similar backgrounds?
Almost all my friends are people who live straddling some boundary: either geographically, being from elsewhere or spending significant time outside the US, or racially (growing up as minorities). I am almost never in a room with people who mostly look like me.

Writing calls from an early age

I often wonder if TCKs who pursue writing careers do so because the story is entirely in their hands as opposed to the experienced upheaval of their itinerant childhoods. Did your TCK upbringing influence a) your desire to be a writer and b) what you wrote about?
Growing up in Africa, I was surrounded by literary culture. In Ethiopia, a country with a 3,000-year-old written civilization, people read illuminated manuscripts on sheepskin bound with wood. In Ghana, hand-written epigrams adorned most vehicles, and my father’s Ghanaian colleagues traded bon mots in Latin. At school, I would pick a promising library shelf and work my way through it from left to right. I wrote my first novel when I was nine, titled Shipwrecked at Silver Lagoon. I had set myself the task of writing the best title for a book ever and, after I came up with this, decided it was too good to go unwritten. It was about two English girls in the 17th century who, after their ship is wrecked off the American coast, go on to discover what happened to the disappeared colony of Roanoke: it had moved into an underground, underwater kingdom. The book ground to a halt on page 40, perhaps because, as I tried to articulate issues that were all too real to me (the loss of home and the entry into the hybrid colonial world), my imagination foundered on the demands of the adventure form.

After that, I wrote for my middle school and high school newspapers, where I was the editor.

I was shy, partly due to all the moving and not being sure how to fit in, so I spent most of my time reading. Reading allowed me to immerse myself in a world where I could watch and not be watched (or judged). It also allowed me to develop skills in “reading” people and situations, which is essential to surviving so much moving.

HoneyfromtheLion_coverTell us what drew you to write your memoir, Honey from the Lion: An African Journey, when you were in your twenties.
I had enough credits to graduate from Mount Holyoke in three years so I spent my junior year back in Ghana. While working for a nonprofit organization that was spreading literacy and translating the Bible into local languages, I spent a weekend in a village with an Irish Bible translator. A series of events transpired, the impact of which was so powerful I decided I wanted to write about it. It was a gift: the story was so fascinating that I didn’t worry about writing it. Even if I wrote it poorly, I thought people would find it compelling.

Do you ever go back to the memoir now, and if so, does it resonate very differently due to the passage of time?
I can’t bring myself to read the book now. It seems like a different self wrote itsomeone who was more religious for one.

Congratulations on Abyssinia’s Samuel Johnson being selected as a finalist for a prestigious academic award. Please tell us what inspired you to write the book.
Belcher_AbyssiniaSamJohnson_coverIn 2002, I was talking with an Ethiopian friend about reading Samuel Johnson’s Rasselas, an eighteenth-century fiction he wrote about an Ethiopian prince. This Ethiopian friend surprised me by saying that he had read the book and quite liked it. When I asked him why, he said the book was “very Ethiopian.” I started to correct him, but then I began to wonder if he could be right, if a book written by a European could be Africanin particular, if it could be animated by African discourse. It’s my hope that my book will be convince others about the importance of African thought to the European canon.

From offering TCK courses at Princeton to helping junior faculty

At Princeton you teach courses that I wish had been offered when I was in college, like “Growing Up Global: Novels and Memoirs of Transnational Childhoods” and “Model Memoirs: The Life Stories of International Fashion Models.” You also teach workshops around the world to aid faculty in publishing academic articles. Please tell us the countries in which you’ve taught the workshops.
The workshops have taken place in Norway, Sudan, Malawi, Ethiopia, Indonesia, Canada and all over the USA.

What led you to teach academics about how to write for publication?

belcher_writingyourjournalarticle_coverI did two master’s degrees in the early nineties and I struggled in writing my classroom papers. What did these professors want and why did some papers succeed and others didn’t? I decided not to go on for a doctorate and when people asked me why, I said I just didn’t feel like I got the hang of being a graduate student and in particular about how to write in graduate school.

To my surprise, I found that most other graduate students felt the same way and were as confused and uncertain as I had been. Then UCLA Extension asked me to teach a writing class. I had always sworn I would never teach, but I think you grow when you do things you are terrified of, so I agreed and found that three of my first six students were academics looking for help with their writing.

UCLA Extension agreed to let me restructure the next class around writing for academic journals. The restructured class was a massive success and changed my life.

Within a few years I was teaching “Writing and Publishing the Academic Article” twice a year at UCLA to graduate students, where the class was in great demand, as well as at other universities and institutes around the world. I wrote the workbook Writing Your Journal Article in Twelve Weeks: A Guide to Academic Publishing Success for people who could not take the workshop.

Turning back to your writing, can you tell us what you are working on at present?
I have several writing and translation projects; here are the top three:
1) The Life and Struggles of Our Mother Walatta Petros: A Translation of the Earliest African Biography of an African Woman. Thirty years after the death of a revered African religious leader who led a successful nonviolent movement against European incursions, her Ethiopian disciples (many of whom were women) wrote this vivid book, full of dialogue and drama. The original text, which was written in 1672 by Africans for Africans in an African language, is unknown in the United States (Walatta Petros does not have a Wikipedia entry, for instance). Thanks to the Fulbright US Scholar Award that I held during my third year at Princeton, I was able to spend ten months in Ethiopia devoting myself to archival research. I worked on the translation with Michael Kleiner, a leading scholar and translator of Ge’ez. We believe it will electrify the fields of early modern and gender studies.
2) The Black Queen of Sheba: A Global History of an Ethiopian Idea. Those familiar with the sixth century BCE biblical tale of the Queen of Sheba’s visit to King Solomon may be surprised to hear that there is also an Ethiopian version, variations on which have in fact circulated for centuries, far beyond the Ethiopian highlands. According to the medieval text Kəbrä Nägäśt, the biblical Queen of Sheba was an Ethiopian woman—the wisest, the wealthiest, and the most powerful woman in the world. Tricked by Solomon into sleeping with him, she gives birth to their biracial son, who later takes the Ark of the Covenant to Ethiopia forever. My book traces how the Ethiopian tale came about and the impact it had on not just literature but the world. The emergence of the religion of Rastafari is one of its most far-reaching effects…
3) A Wardrobe of Selves: The Literature of Transnational Childhoods. Based on my life experiences, observing those of my TCK friends, and reading lots of memoirs, I am thinking of writing a book about memoirs by those who have spent their childhood crossing boundaries (in terms of culture, nation, state, language, gender, school, etc.). It would attend to how the narrators like Barack Obama, John McCain, Edward Said, Eva Hoffman, Gloria Anzaldua, Diana Abu-Jaber, Alice Kaplan, Gene Luen Yang, and Mohsin Hamid construct meaningful identities through narrative. These writers—usually considered separately, as part of American ethnic literatures like Arab American, African American, Asian American, or Latino—often negotiate the intricacies of identity in similar ways and should be considered together. That is, this would be a broad comparative project on diasporic memoir in the context of American ethnic literature.

* * *

Thanks, Wendy! You are so prolific, it’s an inspiration to all of us creatives! If we could accomplish just a fraction of what you’ve already done, what a life we’d be leading! Readers, any questions or comments for the amazing Wendy? Please leave them below. And…see you next month!

STAY TUNED for tomorrow’s post, when we hear from an international traveler who has started up her own business in New York City, catering to expats.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

Images: Wendy Belcher; Wendy with her brother in front of a castle in Gondar, Ethiopia; detail from the cover of Wendy’s latest book, Abyssinia’s Samuel Johnson.

For TCK writer Cinda MacKinnon, fiction is a way to revisit “homes” she has cherished

Cinda MacKinnon CollageWhen I first returned to the United States after my extended expat journey, I remember humming to myself:

There’s a place for me,
Somewhere a place for me.

But then last month, when I went to see our monthly columnist Elizabeth Liang perform her one-woman show, Alien Citizen, I realized that my displacement, which took place as an adult, does not compare to that of Third Culture Kids. Most expats have been global residents by choice, whereas TCKs had no choice in being dragged around the globe by their parents. They and they alone have earned the epithet of “global nomad”.

Elizabeth has found a place for herself in theatrical circles. And today we talk to another adult TCK, Cinda Crabbe MacKinnon, who has found a place in fiction writers’ groups. Based on the first novel she produced, tellingly entitled A Place in the World, it seems fair to say that Cinda thrives on creating fictional characters whose lives resemble her own in some way, and then placing them in a part of the world where she has fond memories of spending some portion of her formative years, as a TCK.

In brief, A Place in the World centers around a young American woman named Alicia, who marries a Colombian and goes to live on his family’s remote coffee finca in the “cloud” forests of the Andes Mountains. Calamities strike one after another and Alicia ends up running the finca alone.

According to the book description, A Place in the World is a romantic adventure story, with a multicultural cast of characters, in the same vein as Isak Dineson’s Out of Africa.

Unlike Dineson’s work, however, it is not a memoir. Cinda may have loved her time in Colombia, but she didn’t marry a Colombian. And though she always wanted to be a biologist, she became an environmental scientist instead.

Well, enough from me. Let’s find out more about Cinda, why she wrote the book, and the book-writing process. And don’t forget to comment at the end of the interview! As Cinda has agreed to be this month’s featured author, we will be giving away ONE FREE E-COPY of her book to the person who leaves the most interesting comment!

* * *

APlaceintheWorld_coverCinda, pura vida. Thanks so much for agreeing to this interview. Let’s begin at the beginning: what made you decide to write a novel about an American woman who lives in the cloud forests of Colombia?
Well, like all writers the story was simply in my head. Contrary to what I’d been told to do, I wrote for myself, without the idea of publishing—at least when I first got started. But I guess there were also some motivating factors. As you mentioned, I grew up as a Third Culture Kid, or TCK. My family lived in Greece, Germany, Colombia, and Costa Rica because my father was in the United States Air Force and then worked as an attaché to American embassies. I spent my formative years—and by far the longest time—in Colombia and Costa Rica. I wanted to be a rainforest biologist. That didn’t happen, but I’ve been able to live this dream through my protagonist, Alicia. Writing the book gave me an excuse to visit and study tropical nature in several places.

What impact did writing about the experience have on you overall—did it help you process what you’d been through as a TCK?
I love Latin America—the setting and culture are comfortable to me. The book gave me a chance to write about the people in that part of the world who were enormously kind to me. Growing up as a girl without a country, I came “home” for the first time to the States for college and felt totally out of place. Writing gave expression to some of this unanticipated culture shock.

What kinds of books have influenced you as a writer?
When I look at my Goodreads list of top 40 favorite books I see there is a definite multicultural theme: 30 are set in other countries, written by foreign authors or about expats. A few eclectic examples:

  • The Poisonwood Bible, by Barbara Kingsolver
  • Crime and Punishment, by F. Dostoyevsky
  • Zorba the Greek, by N. Kazantzakis
  • Tortilla Curtain, by T.C  Boyle
  • Small Kingdoms, by A. Hobbet
  • How the García Girls Lost Their Accents, by J. Alvarez
  • Eva Luna, by I. Allende
  • Caravans and Hawaii, by James Michener
  • The Thorn Birds, by C. McCullough
  • Pillars of the Earth, by K. Follett;
  • The Paris Wife, P. McLain;
  • Lost in Translation (different from the movie), by N. Mones
  • Dreaming in Cuban, by C. Garcia.

A fish out of water…

As you know, we like to talk about “displacement” on this site. When you were growing up as a TCK, what was your most displaced moment?
When I was working in New Zealand as a young adult. I’d lived in four or five different countries and could make myself understood in several languages so wasn’t expecting that to be a problem in NZ. I remember being with a colleague trying to order a milkshake, and the lady behind the counter asked me to repeat myself. “A chocolate milkshake, please,” I said as clearly as I could. She looked at me blankly and said, “Say it one more time dear, I’m trying very hard to understand you, but your accent is so thick.” As we left the shop, I told my work mate, “I don’t know what I got, but it sure isn’t chocolate!” Alistair smiled and replied, “I thought you asked for ‘banahnah’”!  Go figure!

Yes, having been to New Zealand, I can kind of imagine that! What was your least displaced moment, when you felt that the peripatetic life suited you, and you were at “home”?
As an eighth grader arriving in Costa Rica from Colombia. My first week I was accepted as part of the class and invited to a party. I spoke Spanish and felt I fit in. Costa Ricans are a hospitable people, but I think I was also especially lucky to have been in that particular class. They were—and are—an exceptionally nice group of people; they still meet every month or so for dinner, and any classmate who happens to be in town is invited to drop in. I found life in Costa Rica to be nurturing.

You mentioned the counter culture shock you experienced when coming back to America for college. What was the biggest challenge you faced at that moment?
Well, it wasn’t one thing but all the little things: I was dressed “wrong”, didn’t know the music, had never been to a football game… I just really felt like a fish out of water and wanted to go back to Costa Rica—so, after a couple years, I did! (For a while…)

Clearing the writing & publishing hurdles

Moving on to A Place in the World: what was the most difficult part of the book-writing process?
Beginnings are the most difficult for me, as well as writing synopses for agents and publishers. In general, however, the answer is: time. Finding time to write while I was still working; finding time to meet my indispensable writing critique group; and once edited and published, finding time to speak at bookstores, do interviews, and write posts for my own blog!

What was your path to publishing?
Like any previously unpublished author, I had a difficult time. I had one agent hold onto my novel for six months as we discussed strategies and then (with the downturn in the markets) told me they had decided not to handle unpublished writers anymore. This has become a mantra with traditional publishers. (J.K. Rowlings was turned down dozens of times before finding a publisher for Harry Potter.) After a couple of years (during which time I was polishing the manuscript with my critique group), I decided to “indie” publish. There is a range of providers between traditional publisher and self publishing; and my publisher, VirtualBookworm, is one of those in the middle. I paid for my own editor (she was great—an expat who married a Latino) and a very small fee towards printing; but I get a bigger percentage per book than with a big publisher. I’ve been happy with all the support they have given me and would do it again.

What audience did you intend for the book? Has it been reaching those people?  Can other kinds of expats, who haven’t lived in Latin America, relate to Alicia’s story as well?
I think of it as “mainstream” fiction that will appeal to anyone who likes to read about other places and cultures; but yes, it has been popular with expats. I rather thought that alumni from the overseas schools I went to would be interested, and that has been the case. I’m heartened and amazed at the support and e-mails I’ve received from adults of all ages.

Are you working on any other writing projects?
Yes (she says hesitantly). Hesitantly because, as you might guess from what I’ve already told you, I’m working pretty much FT—and finding time for creative writing is harder than usual! I do have several ideas that I’ve started: one set in Hawaii, another in Costa Rica, and a third in Europe. This last might be of interest to your followers, as it will be about a group of kids in an international school in Switzerland written from the point of view several different characters, taking their experiences into adulthood. And then my writers group thinks I should do a memoir. So I don’t know which of these schemes will “win”, but I intend to set priorities before the New Year.

10 Questions for Cinda MacKinnon

Finally, I’d like to ask a series of questions that I’ve asked some of our other featured authors, about your reading and writing habits:
1. Last truly great book you read: The Help, by Kathryn Stockett, comes to mind, but how great is great? I could go back to Zorba the Greek, by Nikos Kazantzakis.
2. Favorite literary genre: Literary and mainstream—especially multicultural or historical.

3. Reading habits on a plane: Anything—even the airline magazine in a pinch, but I usually take my Kindle with a good novel. Also, planes provide great down time to write!

4. Book(s) you would recommend to other TCKs, expats: Other than my “multicultural” fiction list above, it would be two books: Tales of Wonder, a fascinating autobiography about growing up in China almost a century ago, by Huston Smith; and I’m a Stranger Here Myself—Bill Bryson’s funny take on coming home after years abroad.

5. Favorite books as a child: Fairy Tales, by Brothers Grimm. When I was a little older, the Nancy Drew mysteries and I enjoyed reading Dr. Seuss to my little brother.
6. Favorite heroine: In fiction: Nancy Drew? In real life: There are too many to choose just one.

7. The writer, alive or dead, you’d most like to meet: Barbara Kingsolver and John Steinbeck.
8. Your reading habits: I take a break every afternoon and I get a little reading in, and then my husband and I always read before turning out the light.
9. The book you’d most like to see made as a film: A Place in the World! Seriously, two fans have suggested this and I love the idea. I visualize the opening as the cloud forest seen from the air and then zooming in to the tiled roof house with the veranda and bougainvillea. (This is actually a possibility! A colleague of mine is a script writer and mentioned that it would make a good movie.)
10. The book you plan to read next:  I just started Flight Behavior, by Barbara Kingsolver. Then I’ll probably read The Old Way: A Story of the First People, by Elizabeth Marshall Thomas, or Cristina García’s new novel, King of Cuba.

* * *

Thanks, Cinda! Though I’ve never been to Colombia, I find myself enamoured of the idea of finding a place for myself in a cloud forest. It’s actually an apt metaphor for how many of us “displaced” types live: with our heads in the clouds, pretending we are somewhere else half the time.

Readers, how about you? Is your head in the cloud (forest) after listening to Cinda? BTW, if you’re as new to Colombian cloud forests as I am, I suggest that you check out Cinda’s Pinterest boards. You can also get to know her better by visiting her author site and blog, and liking her Facebook page.

And don’t forget to comment on this post! Extra points, as always, if you’re a Displaced Dispatch subscriber!

The winner will be announced in our Displaced Dispatch on November 2, 2013.

NOTE: If you can’t wait to read the book, you can always get a softcover copy here and the e-book version in various formats on Smashwords or Amazon.

STAY TUNED for tomorrow’s post, when monthly columnist JJ Marsh talks “location, locution” with best-selling Brazilian author Paulo Coelho.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

Images (left to right): Valle de Cocora in Columbia, with wax palms towering over the cloud forest, courtesy McKay Savage on Flickr (Creative Commons license CC BY 2.0); Cinda MacKinnon as a child in Colombia; Cinda MacKinnon now (she lives in northern California); and Cinda with her husband in front of Monserrate, a mountain that dominates the city center of Bogotá, Colombia, taken just this past summer.

After 6 years, this expat still finds his adopted home utterly enchanting

Michael in CuritibaLand CollageMany of us “international creatives” are attracted to the world’s major cities. Take me, for instance. I live in, and write about, São Paulo, the largest city in Brazil, and in the Southern Hemisphere. Today I’m happy to introduce a fellow expat who has ventured out as far as Curitiba, the largest city in Brazil’s South Region. B. Michael Rubin has a creative job, and he also finds Curitiba, a forerunner of the eco-city, a source of daily enchantment.

—Andy Martin

My first night in Curitiba, I awoke at 3:00 a.m., jet lagged after too many hours of solo travel with a ridiculous amount of luggage. I got up and drank some water, and it was then I noticed birds singing outside my window. I wondered if all expats were greeted by nocturnal serenades.

In the morning, surprisingly, it seemed the same birds were still singing. I could hear their melodious songs even though my apartment was on the tenth floor, making them a flock of super-birds.

The conclusion of an American on his first expat experience: the birds here are so happy they can’t stop singing; they must think they’re in paradise.

Adam and Eve discovered that paradise can be transitory, but after six years I have no desire to leave the lovely city of Curitiba, in the Brazilian state of Paraná.

Through the Curitiban looking glass

As every expat ascertains, adjusting to a new world is not easy; it’s a challenge simply to be polite in a foreign culture. I’ve learned to say “Excuse me” when I enter someone’s home, and that it’s acceptable to kiss a woman I’m meeting for the first time.

I’ve discerned it’s impolite to ask anyone to close her window at home or in the car, even on a cold winter day in the south of Brazil. Unfortunately, this lesson was revealed while asking my frail Brazilian mother-in-law why she had her apartment windows open, as she sat buried under a mountain of blankets.

For expats, daily life is an adventure in wonderment. I wonder how no one expects a tip herenot the taxi driver, the barber, or the pizza delivery guy.

I wonder how the price of everything is negotiable, and when I negotiate with an offer of cash, I can still pay with a credit card if I don’t want parcelas [paying in installments]. When I pay a doctor, I get a discount if I don’t request a receipt.

I marvel at the everyday site of twenty people in a Curitiba restaurant having a pleasant family lunch. In the US, this only happens at a wedding or a funeral because twenty family members don’t live in the same city. If they did, there would be trouble.

There is always more mystery…

Living in a new world becomes easier when we focus on the similarities—aren’t we all humans sharing the same planet? There’s a crazy comfort in knowing Brazilians are as preposterous as everyone else.

In other words, every country is a mystery.

For instance, I can’t explain how Brazilians have so effortlessly embraced the 21st century: Forty years ago, no one in Curitiba had a telephone, a car, or had been on an airplane.

I don’t understand politics in Brazil. How can a country govern itself with more than thirty political parties? In the US, two parties are sufficient to create chaos.

Meanwhile, the electronic banking system here is outstanding. Americans don’t believe me when I tell them it’s possible to pay the mortgage at an ATM.

Another wonderful mystery: In the days of the military government, Curitiba “elected” a visionary urban planner to be mayor for 12 years. It is a rare opportunity when an urban planner/architect runs a city. During that time, Jaime Lerner built one of the best urban bus systems anywhere; established mandatory recycling for all homes and businesses; created the first outdoor pedestrian mall in Brazil; and expanded a park system that made Curitiba one of the greenest cities in the world. Senhor Lerner was so good at city planning that the population has doubled in 40 years. Who knew.

After I’d survived my first melodic night in Curitiba, my future wife suggested a leisurely walk around the neighborhood. Having moved from New York, I was accustomed to seeing the homeless camped out on sidewalks. I remarked that I hadn’t seen any in Curitiba. “Don’t worry,” she said, “you will.”

Sure enough, a few minutes later we entered the local mall, and I observed three young men in the mall’s restroom brushing their teeth. My girlfriend, however, refused to accept my homeless sighting, a trio no less, and insisted we wait nearby.

When the three men emerged from the restroom, I noticed they were very well-dressed for homeless. “See, they work in the mall,” she said, with a look of “I thought Americans were smart?”

It was my first, but not my last, moment of supreme cultural stupidity. Men in their twenties brushing their teeth at work. Who knew.

The myths are true!

Today, I know that my wife keeps a toothbrush in her office so clients won’t see food in her teeth. For the same reason, women in the supermarket on Saturday morning are in full make-up and high heels with silk scarves that match their nail polish.

Like the proud, beautiful city of Curitiba, Brazilians are a proud, beautiful people.

The myths I’d heard are true. Who knew.

* * *

Readers, your turn! Do you feel similarly enamoured of your adopted land, or has the enchantment worn off? Please leave your thoughts for Michael and me in the comments!

B. Michael Rubin is an American living in Curitiba, Paraná, Brazil. He is the editor of the online magazine Curitiba in English.

STAY TUNED for tomorrow’s interview with this month’s featured author, Cinda MacKinnon!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

Images (from left): B. Michael Rubin in João Pessoa (no, he doesn’t have a photo of himself in Curitiba!) and the Curitiba tubo, courtesy marcusrg via Flickr (Creative Commons license CC BY 2.0). We think it doesn’t take much imagination to see the cylindrical, clear-walled tube bus stations as the Curitiban equivalent of Alice’s rabbit hole or looking glass. After all, the city’s Rapid Bus Transit System (Rede Integrada de Transporte, or RIT) is rather wondrous: the first of its kind in the world.

FOOTLOOSE & FANCIFUL: Margaret Drabble’s “The Red Queen”

Welcome to Footloose & Fanciful, an occasional series of posts where we talk about books, films or other art forms that have inspired us to travel to new places or appraise familiar places with fresh eyes.

I’m probably not the best person to kick off this series. As much as I adore fiction, I’m not one to travel on a whim, because of something I read in a book. Especially not these days, when my expat years, spent in England and Japan, are behind me and I have to take time off from work. Typically, I arrive at my destination and collapse in a heap of exhaustion. It’s not until I’ve had a good rest that I am able to take in my surroundings. I peer out the window and say: “Really, I’m in xxx?!”

At that point I go to the other extreme, manically trying to find out as much as possible about where I’ve landed, visiting bookstores with an English-language section to stock up on translated novels, expat memoirs, the lot…

The second time I went to Seoul, South Korea, though, was different, and I’ll make that the subject of today’s post. That trip marked a rare time when a book had piqued my interest in a country to the point of influencing what I wanted to do and see and talk about during my stay.

Finding the soul of Seoul

I said my second visit to Seoul. The first had occurred a few years before. It followed the typical pattern. I arrived tired and unprepared, although on that occasion, I got an immediate lesson in the local culture.

Just as my husband and I were landing in Incheon International Airport, the news was breaking that Dr. Hwang Woo Suk—a veterinary researcher who had achieved world fame by cloning an Afghan hound named Snuppy—had falsified his latest results to make it look as though he’d made advances in human cloning.

“It’s a very Korean story,” some Korean friends of my husband’s informed us. I wasn’t sure what they meant, but little by little, I pieced it together. The Korean government, desperate to project a modern, high-tech face to the world, had turned Dr. Hwang into a national hero. He appeared in many of their promotional campaigns. The post office sold stamps to commemorate his research, and Dr and Mrs Hwang enjoyed a decade of first-class tickets on Korea Air, because of his status as “national treasure.”

Interestingly, our Korean friends were reluctant to condemn him outright. He’d been under a phenomenal amount of pressure to produce results and bring his country greater glory. If you were under that much pressure, you’d probably be tempted to skip a few rounds of clinical trials, too, they seemed to be saying.

I had to think about that for a while. Already, I was inclined to feel sorry for the Koreans because I knew how they’d suffered under Japanese rule. They are the Central Europeans of Asia, if you will. Just as the Hungarians, Poles and Czechs have had to put up with Germany and Russia, the Koreans, due to being sandwiched between China and Japan, have had to put up with incursions from both.

Gradually, I came round to the Korean point of view. My thought process went something like this:

Okay, the Koreans have been victims of some bad geography. But then why do they make things so much worse for themselves by setting such impossibly high standards? What Dr. Hwang did was wrong, a violation of ethical standards in medical research. But, okay, if I can feel sorry for all the Korean schoolchildren cramming like crazy for exams, I guess I can spare a bit of sympathy for Snuppy’s creator…

After arriving home from that trip, I was eager to read more about the country (I hadn’t found much in translation in Seoul’s bookstores).

That was when I happened upon the novel The Red Queen, by Margaret Drabble.

Seeing Korea in shades of red

A novel on Korean history by one of the writers I’d most admired when living in the UK: what could be a more perfect bridge between the two parts of my expat life?

The Red Queen of the book’s title refers to Lady Hyegyong, a Korean woman who lived in the 18th and early 19th centuries. She was plucked from obscurity to marry the Crown Prince of Korea, Sado, who turned out to be…a HOMICIDAL MANIAC, I kid you not.

The reason we know all of this is that Lady Hyegyong left behind a diary, and Part 1 of the novel is Drabble’s version of that document, which she based on JaHyun Kim Haboush’s translation of The Memoirs of Lady Hyegyong: The Autobiographical Writings of a Crown Princess of Eighteenth-Century Korea.

In Part 1, the Crown Princess tells us about what it was like to live with a husband and in a court where daily, several dead bodies would be carried out of the palace (whenever Sado felt agitated or depressed, he would seek relief by murdering his servants) or reports would arrive of another court lady being raped. After he murders his concubine, he starts harassing his own sister, too.

At about this point, I concluded that the only thing worse than discovering you’re married to psychopath would be to find out you’re confined with him in a palace, from which there’s no escape. Terror within a claustrophobic setting must be the worst kind there is!

The story has a further twist. The Crown Prince’s father, King Yongjo, turns out to have been deeply Confucian. He is the kind of Korean parent who sets impossibly high standards for his son, which—it is hinted in the Crown Princess’s diaries—may be part of what triggers the son’s madness.

In the end, the cruel father proves more than the psycho son’s match. On a hot day in July 1762, he summons Sado and orders him to get into a heavy wooden chest, ordinarily used for storing rice or grain. The lid is shut and locked, and Sado is left to starve. It takes eight days.

The Crown Princess is traumatized all over again at witnessing her father-in-law execute her husband in such a cruel manner.

In part 2 of the book, an Oxford academic travels to Seoul with the Crown Princess’s diary in hand (which has been sent to her anonymously via Amazon.com) and finds parallels between her own life and hers. Professor Halliwell feels that the Princess “has entered her, like an alien creature in a science-fiction movie.” She becomes possessed by her—just as I was by the end of the book, just as I’m sure Drabble was, which was what inspired her to create (in her words) this “transcultural tragi-comedy.”

More questions than answers

I went back to Korea for a second time not long after reading the novel, accompanying my husband on some work he had there. So moved had I been by Drabble’s book that I was determined to find a way to pay tribute to the Red Queen, so called because of all the blood that flowed during her husband’s reign.

But here’s the strange thing. All of my attempts to find out about Lady Hyegyong came to naught. My Korean friends said I needed special permission to visit Changgyeong Palace, where this tragic series of events took place. They did not seem to want to engage in a conversation about this period of their history.

I left Korea with more questions than answers: Do Koreans repress this part of their past, and if so, what does that tell us about them? Is my previous view of them as helpless victims all wrong? Did other countries walk in and take over because Korea had weakened itself through its impossibly high Confucian ideals, which had led to total anarchy by the end of the 18th century?

But the weirdest thing is, I wasn’t that surprised by the Korean reaction. While the Western part of me applauds Drabble for resurrecting Lady Hyegyeong as feminist hero, one who lived long enough to write her tale (the existence of her memoirs, incidentally, served to refute later attempts to restore Sado to a position of honor in Korean history books), the Asian part thinks that poor Lady Hyegyeong must feel displaced in Drabble’s novel. Relationships are, after all, a central theme to Confucianism. The husband is the head of the household and the wife is obedient to him, full stop.

This inner dilemma of mine, along with the spirit of Lady Hyegyeong, which Drabble portrays so vividly in her novel, still haunts me to this day…

* * *

Readers, have you ever read a book that has colored your impressions of a place in weird ways? Also, if you would like to contribute to this new series—perhaps an uplifting tale of being inspired by a book set in the idyllic Tuscan countryside would be in order after this rather macabre story?—please don’t hesitate to get in touch: ml@thedisplacednation.com.

STAY TUNED for next week’s fab posts!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

LIBBY’S LIFE #85 – A trick of the light

Talk about déjà vu. January 2012 all over again.

I sit on an uncomfortable plastic chair on one side of a teacher’s desk. On the other side of the desk, in a larger, more padded chair, sits Patsy Traynor: Jack’s ex-preschool teacher and now kindergarten teacher. Behind her is an expansive window, west-facing, and the afternoon sun blasts through the glass, forcing me to squint if I want to read her expression. This is a little intimidation trick of hers that I’ve encountered once before; although in this case forewarned doesn’t mean forearmed.

A hostile silence hovers between us as she opens a manila folder labeled “Jack Patrick” and runs a fingernail down the middle crease — her shell-pink nail varnish is chipped, I note with satisfaction — then picks out a sheet of paper with the heading “Behavioral Report”.

She looks up and smiles. I don’t smile back, because it’s not a friendly smile. It’s a smile of pleasurable anticipation, and the pleasure belongs only to her.

“Mrs. Patrick,” she says. No cosy first-names today, although she knows mine well enough. She looks down at the report in front of her. “Mrs Patrick. I asked you to meet me here today because—”

“I know why you asked me here,” I interrupt her. “Actually, the letter you sent home with Jack was addressed to both me and my husband, so if you don’t mind, we’ll wait until he arrives before we start.”

The smile falters a little, and she looks pointedly at the clock on the classroom wall.

“The appointment was for four p.m., and we are already running five minutes late.”

“Some people work full-time,” I say, and smirk to myself as Patsy swells up with indignation.

If you really want to piss off a teacher, simply insinuate that their workday finishes at three-thirty.

I fold my arms and sit back in my chair, waiting, avoiding catching Patsy’s eye. In the far corner of the room, inside an igloo-shaped tent, Jack is ordering around Beth and George. He’s trying to make them sit still and listen to his newfound skill of reading a Dr. Seuss book about dogs and cars. Beth and George aren’t impressed with his instructions to stay in the tent when there are so many exciting playthings outside it to scatter and destroy; George registers his disapproval with a determined “No!” (his current favourite word) while Beth lets out a high scream. There is the sound of a hard object hitting the floor with some force. After a pause, Jack’s voice cuts clearly across the room:

“If you don’t behave, I’m going to tell M and she will break your favourite toys.”

I feel rather than see Patsy’s smug moue, and I squeeze my eyes shut. It’s a defensive reaction, against both Patsy and the sunshine behind her that dazzles me.

Hurry up, Oliver. I need some backup here.

On cue, to my relief, the classroom door opens and Oliver strides across to the desk. He’s in his best suit, not for Patsy’s benefit but because he’s been meeting new customers today, and is still in professional work mode. He exudes brisk confidence and an air of brooking no nonsense.

I’ve never been so glad to see him in all my life, and that includes the time he was late for our own wedding because his best man was in the throes of an almighty hangover and drove to the wrong church. Oliver must also have had an almighty hangover, because the pair of them waited outside for half an hour before realising that a locked church, a lack of guests, and no vicar might be significant.

Oliver shakes hands with Patsy, introducing himself, then, before sitting down, he moves to Patsy’s side of the desk and twiddles with the venetian blind behind her chair, moving the slats so that the sun shines upwards instead of directly in my eyes.

“Better?” he asks me.

We exchange small, conspiratorial winks, and I bite my lip to stop myself laughing at Patsy’s expression. Her face is red and her eyes very wide, as if she can’t believe that someone has had the gall to do now what she should have done out of courtesy fifteen minutes ago.

She picks up Jack’s Behavioral Report again, although with not as much assurance as before. Oliver seems to have flustered her.

“I asked to speak to you both because of issues Jack is having in the classroom. He appears not to be able to differentiate between fact and fiction, and while we encourage strong, lively imaginations, we do try, at this point in child development, to make it clear to our students that the two viewpoints are separate.”

“So in other words, you’re saying Jack is a liar.” Oliver slices neatly through the spiel of edu-jargon.

Patsy’s face reddens further. “Not at all, but—”

“In that case, you must be saying that he’s telling the truth?”

“Not quite, but—”

“You must be saying one or the other. Which is it that he’s telling you? Fact or fiction?”

“Well—”

“Fact or fiction? Quick!”

Oliver’s not giving Patsy a chance to get a word in. He reminds me of Samuel L Jackson in Pulp Fiction: “Say ‘What’ again! I dare you! I double-dare you!”

“Imaginary friends are one thing!” Patsy bursts out. “But his obsession with this particular friend, whatever her name is—”

“Her name’s M,” Jacks voice says from inside the nylon igloo, and I stifle a giggle with my hand. “M, like the letter M.”

“—This obsession is out of hand. And I would like your permission to refer him to the school district’s educational psychologist for further assessment.”

Oliver stands up. “If that’s all you called us in for,” he says, “you might as well have phoned. Because the answer is No. Jack is not a liar, and he’s not a psycho either. You, on the other hand, I have always had my doubts about, and I’m not about to take child-rearing advice from someone who accepts bribes from parents. Come on Libs. Kids!” he shouts in the direction of the igloo. “Time to go home now. If we have to be in a madhouse, I prefer the homegrown type. No wonder homeschooling is so popular,” he adds to Patsy.

* * *

“And then what?” Maggie asks me the following day, when Jack is at school and I’ve taken the twins to see their adopted granny. Their adopted ex-grandpa, thank goodness, is busy in the back yard, splitting logs for Maggie’s wood-burning stove.

I shrug. “We went home, and Oliver sat down with Jack and lectured him long and hard about differentiating between fact and fiction.”

“So he was only standing up for Jack against Patsy at school. He doesn’t really believe the story that there is the ghost of a little girl in your house. Although you do?”

I think back to the day we found the shattered Dresden shepherdess. It was in the centre of the dining room floor, a long way from the shelf where I’d put it. To get to its final resting place, it would have had to jump seven or eight feet through the air. We don’t own a cat, and to my knowledge, there had been no freak earthquake that morning. And yet, all my life, I have pooh-poohed the idea of ghosts and ghouls.

In other words, I am having a crisis of faith.

“I believe there is something,” I say finally. “I just don’t know what, exactly. The china shepherdess broke in the dining room, which happens to be the room that won’t warm up, no matter what you do to it. And there’s Fergus — he wouldn’t come in the house at all. I’ve heard that dogs are sensitive to… things.” I shiver, despite the warm sunshine that is shining through Maggie’s living room windows. “It could just be circumstantial, of course. Logic tells me that it probably is, and everything can be explained by rational argument. But whenever I start to explain things away with logic, I come up against the biggest obstacle — that I honestly believe Jack thinks he is telling the truth.”

Maggie nods thoughtfully, and rocks back and forth in her rocking chair. Beth, who is sitting on her lap and playing with Maggie’s long string of amber beads, leans back, puts her thumb in her mouth, and closes her eyes.

“I remember Cathy saying that Chuck had an imaginary friend when he was a little boy,” she says at last. “In that very house.”

“So you said, in one of your emails. He grew out of it, though.”

Maggie wiggles her hand in a comme ci comme ça gesture. “He was very old to have a pretend friend. Eleven, twelve. And I don’t know, but… I got the impression that he said he’d grown out of it, to humour her. I remember visiting the house once, and he didn’t know I was there, and he was talking to someone – someone who wasn’t there. He’d have been about fifteen at the time.”

I sit still, turning over possibilities in my mind. George waddles over to me and puts his head on my knee. Any minute now, he will go to sleep, standing up where he is.

“He was very keen that I read the folder of old documents relating to the house. It’s full of papers to do with plumbing and roofs, but there’s also records of people who used to live there, a couple of hundred years ago. Perhaps I should read it more carefully.”

But later, in bright sunshine, when the house is full of real people and real laughter. Right now, I’m not very keen on going back to my silent, empty house with two sleepy toddlers.

“Does Jack’s friend have a name?” Maggie asks.

“He calls her M. Like the character in James Bond. Or Dial M for Murder.”

I shiver again., then notice that Maggie has stopped rocking in her chair and is rubbing her arms.

“Are you cold?” I ask. “I thought it was just me. Shall I turn the heat up?”

Maggie shakes her head, and I see that she has lost some colour from her cheeks.

“Chuck used to love the film The Wizard of Oz. Cathy said he’d named his imaginary friend after one of the characters.”

I laugh. “Like, Dorothy? Toto? Tin Man?”

Maggie is still shaking her head. “No. Cathy always thought it was an odd choice, but assumed it was because Cathy and her husband didn’t have any brothers or sisters. He named her after the aunt.”

I stare at Maggie, and start to rub my own arms which, like Maggie’s, have sprung a rash of goosepimples.

Aunt Em.

Em.

M.

.

Next post: LIBBY’S LIFE #86

Previous post: LIBBY’S LIFE #84 – Stages of youth

Read Libby’s Life from the first episode.

Want to read more? Head on over to Kate Allison’s own site, where you can find out more about Libby and the characters of Woodhaven, and where you can buy Taking Flight, the first year of Libby’s Life — now available as an ebook.

STAY TUNED for next week’s posts!

If you enjoyed this post, we invite you to subscribe for email delivery of The Displaced Dispatch, a round up of the week’s posts from The Displaced Nation. Sign up for The Displaced Dispatch by clicking here!

And the September 2013 Alices go to … these 4 international creatives

 © Iamezan | Dreamstime.com Used under license

© Iamezan | Dreamstime.com
Used under license

If you are a subscriber to our weekly newsletter, Displaced Dispatch, you’re already in the know. But if you’re not (and why aren’t you? off with your head!), listen up. Every week, when that esteemed publication comes out, we present an “Alice Award” to a writer or other kind of creative person who we think has a special handle on the curious and unreal, who knows what it means to be truly displaced as a global resident or voyager. Not only that, but this person tries to use this state of befuddlement to their advantage, as a spur to greater creative heights.

Today’s post honors September’s four Alice recipients.

Starting with the most recent, and this time with annotations, they are (drumroll…):

1) SHERRY OTT, travel photographer and blogger

Source: Photographing Vietnam’s Rainy Season,” on Everything Everywhere
Posted on: 20 September 2013
Snippet:

From a cultural experience and photography standpoint, inclement weather seasons are a wonderful opportunity to see how the locals really live in situations that we would deem less desirable. You get a true feel for the country and local culture and traditions through the “tough” times. On top of it you get introduced to a number of new products that are used in that inclement weather season that you probably never even dreamed of…

Citation: Sherry, we have to stop you there. Right now we are picturing Alice sloshing through her own tears:

As she said these words her foot slipped, and in another moment, splash! she was up to her chin in salt water. Her first idea was that she had somehow fallen into the sea, “and in that case I can go back by railway,” she said to herself.

But what interests us about you, Sherry—what’s curiouser and curiouser, as Alice might put it—is that, unlike her, you were not having a pool-of-tears moment. As you set foot in Saigon at the height of the monsoon season, your first thought was, my, how lucky I am to see “the skies open up and pour down their wrath on city streets.” And you know what, Sherry? We agree with you. Unlike Alice, who had no means of transport except possibly the train, you had your own motorbike. Also unlike her, you were privy to some unusual sights: double-headed ponchos and ponchos with headlight windows! Poor Alice, on the other hand, when she heard something splashing about in a pool a little ways off, thought she might encounter a walrus or hippopotamus, only to find … a mouse.

2) ALYSSA JAMES Canadian blogger, journalist, traveler

Source: How fast can you slow travel?” on Matador Network
Posted on: 13 September 2013
Snippet:

Because of regulations on how long a truck driver is allowed to be on the road in a day, I was able to explore the city [of Chicago] for exactly 1 hour and 19 minutes.

In those 79 minutes, I was still able to slow travel. I visited the sculpture and centerpiece of Millennium Park known as the Bean (actually called Cloud Gate) and went to the Art Institute. More importantly, I talked with people who lived there. I received interesting insights about the place I wouldn’t have gathered otherwise, like where to get the most delicious Chicago-style pizza ever (Giordano’s deep-dish, double-crusted and stuffed deliciousness).

Citation: Alyssa, we appreciate that you were able to plumb the depths of the Windy City, the largest city in the Midwest, America’s third largest, in just over an hour (hey, that’s no mean feat given how deep the pizza is!). And all this without the benefit of the Queen’s insights in Through the Looking Glass:

“A slow sort of country!” said the Queen. “Now, HERE, you see, it takes all the running YOU can do, to keep in the same place. If you want to get somewhere else, you must run at least twice as fast as that!”

Our only question is, had you followed the Queen’s advice and run twice as fast, do you think you might have at least sampled the stuffed pizza? And of course, had you run twice as fast, you could have sampled it guilt-free! That’s a thought. Next time, perhaps?

3)  ANNE COPELAND, founder and Executive Director of The Interchange Institute

Source: “Tiger Moms, Bébés, and Warm Eskimos” on FIGT blog
Posted on: 1 September 2013
Snippet:

[A]s an interculturalist, I’m at once fascinated, excited … and disappointed by these accounts of parenting in other cultures…. In each case, the message is roughly, “Here’s a new and superior way to raise your children; the result is better than what you’re doing; try it, you’ll like it.” But nowhere do they describe the deep values underlying the parenting choices, the ultimate goals for the kind of adult parents are trying to raise, or the cultural milieu into which the children will be expected to grow.

Citation: Anne, we feel certain that Alice could relate to your woes. She was, after all, rather discombobulated by what she saw of the Duchess’s parenting style. To quote from her account:

While the Duchess sang the second verse of the song, she kept tossing the baby violently up and down, and the poor little thing howled so, that Alice could hardly hear the words:—
“I speak severely to my boy,
I beat him when he sneezes;
For he can thoroughly enjoy
The pepper when he pleases!”

Just imagine, a child that enjoys unlimited amounts of pepper thanks to harsh parenting. It totally makes sense in the Wonderland context. Except…achoo! or should we say: hach-chu (Bengali), hāt-chī (Cantonese), atsjú (Hungarian), aatsjoo (Norwegian), or atchoum (French)? In any case, some sort of onomatopoeia must be required. Parenting may vary from place to place, but not sneezing! But wait, the Japanese say hakushon. Are they trying to stifle the sneeze while frantically searching for a face mask? (Anne, please tell us: will intercultural wonders ever cease?)

4)  NIKKI HODGSON, blogger & traveler

Source: “What is lost (and gained) when the traveler settles down” on Matador Network
Posted on: 16 August 2013
Snippet:

“…Every day that passes separates me from the places I used to belong to, the places I learned to belong to. As I dig my roots deeper into the rocky Colorado soil, I must relinquish my grasp of the banks of the Neckar where I first studied abroad, the mountains of Grenoble that stood guard over me as I fell apart, the dusty hills of Bethlehem where I put myself back together.

And I know that I will never belong to these places the way I once did.”

Citation: Nikki, you put us in mind of Alice’s sister, who like you after your travels, was old and wise enough to know that Wonderland wouldn’t, couldn’t last. Here is the relevant passage:

So she sat on, with closed eyes, and half believed herself in Wonderland, though she knew she had but to open them again, and all would change to dull reality—the grass would be only rustling in the wind, and the pool rippling to the waving of the reeds…

Crazy Wonderland or dull reality? Or, in your case: dusty hills or rocky soil? That is THE expat question… Not much of a choice, is it?

*  *  *

So, readers, do you have a favorite from the above, or have you read any recent posts you think deserve an Alice Award?  We’d love to hear your suggestions! And don’t miss out on these weekly sources of inspiration. Get on our subscription list now!

STAY TUNED for our next post!

Writers and other international creatives: If you want to know in advance whether you’re one of our Alice Award winners, sign up to receive The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with news of book giveaways, future posts, and of course, our weekly Alice Award!. Register for The Displaced Dispatch by clicking here!

Related posts:

Mark Hillary delivers reality check to gringos who moan about Brazil, in self-published book (2/2)

Mark Hillary Part 2 CollageIn Part 1 of my interview with Mark Hillary, a fellow Brit and amigo in São Paulo, we learned about what spurred him to write a book called Reality Check: Life in BRAZIL through the eyes of a foreigner.

A lively discussion ensued about what makes Brazil such a contentious country for expats (short answer: it’s a country of extremes).

Today I’ll ask Mark about his decision to publish Reality Check as an e-book. As I mentioned last week, Mark is well published in his chosen field of technology and globalization. He is a HuffPo columnist and has also blogged for Reuters about British politics. But Reality Check represents his first venture into the Amazon e-book platform.

I was curious about why he chose this route and also had some questions about his reading and writing habits generally.

* * *

Mark, Reality Check isn’t the first book that you’ve written. Can you tell us something about your other books?
It’s actually my tenth book. I used to be quite a senior IT manager in a bank, managing people all over the world. I had already started contributing articles to technology magazines while I was at the bank, and eventually I was sent off to India to help the company build up a big new office in Bangalore. I was hiring hundreds of technical team members and then trying to sell their services bank to other sections of the bank. It was quite an experience, especially as it occurred right at the beginning of the big push to India by many technology companies.

I wrote a book about it all, which was published by the respected German publisher Springer and well received in journals and newspapers such as the FT.

After that I carried on writing about the connection between work, technology, and globalization.

It’s impressive that you can span the range from big IT questions to a foreigner’s take on life in Brazil.
I’m interested in many areas, which is probably why my three times at university have included courses on computer science, business and management, and psychology. My earlier work on outsourcing naturally led me to how companies are changing and globalization, and this has naturally led onto my writing about being an expat. If there’s a connecting thread, it’s work and the changing nature of work in our time. That said, I wouldn’t want to only ever comment on a single topic. Life is a lot more complex than that.

You decided to release Reality Check in the Amazon Kindle format. Why did you make that decision?
I’ve been asked that question a lot. Six of my books were published using traditional publishers, and three were self-published via Lulu. And now, with the Brazil book, I’ve used the Amazon Kindle format. I went into some detail on the pros and cons of each of these methods in a recent Huffington Post article, but in short the important thing to remember is how the publishing market is changing. Obviously there is still a lingering sense of kudos with the traditional publishers. A novel published by Penguin is still seen as “better” than something self-published, but it doesn’t have to be. The platform and process of publishing itself has just been democratized and made available to all.

If you know how to write and you can market your work to an audience, then it is much faster to publish with Amazon or Lulu. And, not only can you reach a global audience instantly—you earn a far greater percentage of the sale price.

In the case of Reality Check, I wanted it to be available around the world as quickly as possible, and Amazon has a great system for doing that. Plus you don’t actually need a Kindle: iPads and phones are all being used to read this book.

Do you think it helps that you already had a following through your writings and other books?
Reality Check has has been in the Amazon top 20 books about Brazil since publication on September 1st, and yesterday when I checked, it was the number one book about Brazil and number two book about South America. So people have been noticing it.

I think it does help if you already have a following. It used to be that publishers and agents acted as the gatekeeper, so readers could be confident a book that ended up in the shops was good. Now anyone can publish any old rubbish, so there is no longer that guarantee of a published book being any good.

The much-celebrated poet Seamus Heaney is a good example. He has been lauded as one of the greatest writers of the past century, and he had plenty of work published by traditional publishers. But he was self-publishing new work before his recent death.

Do you plan to make Reality Check anything other than an e-book?
I’m planning to also release a paper version of the book, but it will not be until the second edition—planned to come out just before the World Cup football competition in June next year.

Are you working on any other writing projects at the moment?
The present one is about my own experience of ghostwriting. I’ve written for ambassadors and company CEOs, and I once had to help astronaut Neil Armstrong add a few jokes to his standard Apollo 11 speech. The work I have written for others to be delivered in their name has often, but not always, gone down well, and I wanted to explore that. And in the tech area, I’m working on a book project that aims to be a graduates’ guide to how you get a job in a job market where nobody wants to pay you a salary.

10 Questions for Mark Hillary

Finally, I’d like to ask a series of questions that we’ve asked some of our other featured authors, about your reading and writing habits:

1. Last truly great book you read: I recently read all of Ira Levin’s novels back to back—all great; but I’ll go for Paul Trynka’s biography of David Bowie, which I just now finished.
2. Favorite literary genre: Dystopian novels: Burgess, Orwell, Ballard.
3. Reading habits on a plane: I read fiction and non-fiction and always carry my Kindle because it’s so much better for travel than lugging around a lot of books. This week I was on a plane and I read The Default Line, by Faisal Islam—about the financial crash of 2008 and what has happened since.
4. The one book you’d require David Cameron to read, and why: Why It’s Kicking Off Everywhere: The new global revolutions, by Paul Mason. It’s a study of the various riots, uprisings and protests around the world, particularly in 2011. I think the UK has more unrest to come because living standards and earnings are in decline—the people are going to kick off again one day.
5. Favorite books as a child: Those by Roald Dahl, though everyone seems to think he was actually a nasty piece of work in real life.
6. Favorite heroine: Harper Lee. To Kill a Mockingbird was her only book and she never courted any publicity. It challenged racism over 50 years ago and still retains its power today.
7. The writer, alive or dead, you’d most like to meet: Oscar Wilde. He wrote 20th-century books and plays in the 19th century and despite his sad downfall, is still remembered and loved today.
8. Your reading habits: I mostly read in the evening. I don’t watch TV, other than for movies so that gives me more time. I tend to read one or two books a week unless I’m traveling a lot then it’s more just because of the endless time spent in airports or on buses.
9. The book you’d most like to see made as a film: The Drowned World, by J.G. Ballard. Life after the oceans have risen and the world we know now is flooded.
10. The book you plan to read next: Jesse Norman’s biography of Edmund Burke—already on the Kindle waiting for me.

* * *

Readers, any more questions for Mark? He may sound a bit intimidating, but in fact he’s very approachable and happy to answer any questions about e-publishing. (Though he doesn’t write fiction, he also has views on publishing platforms for novels.) Meanwhile, if you’re interested in Reality Check, you can purchase it on Amazon. I would also recommend becoming a fan of its Facebook page and following Mark on Twitter: @MarkHillary

STAY TUNED for tomorrow’s post, by another Englishman who is also an expat albeit in California: Anthony Windram.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

images: Mark Hillary surrounded by his traditional books and his e-book cover.

Mark Hillary delivers reality check to gringos who moan about Brazil, in self-published book (1/2)

Mark_HillaryA little while ago I interviewed Megan Farrell, a fellow gringo in São Paulo, about the book she had written about “exbrat” life in the city. As far as I’m aware, Megan’s was the first book to be written about life in SP by a foreigner, although she seems to have started a new trend because within the last fortnight another has emerged: Reality Check: Life in BRAZIL through the eyes of a foreigner.

Reality Check is by Mark Hillary, a fellow Brit in São Paulo (he recently moved outside the city), who is an author, blogger, and advisor on technology and globalization. He has already published a number of books and is a contributor to Huffington Post, Reuters, The Guardian, and Computer Weekly.

Mark is also a friend of mine. We connected through Twitter just over a year ago. We eventually met at a local bar when—unsurprisingly, given his background in technology and social media—he organized a meet-up of gringos who had connected online but had yet to meet up in the flesh.

Since then he and I have continued to meet up, although less so since his move to the countryside. We had a particularly memorable trip in June to Rio to watch England play Brazil in football at the brand new Maracanã Stadium. (As anyone who follows my posts should recall, I’m a bit of a football geek.)

Over the past year Mark has written, in his column for the Huffington Post, a number of insightful articles about life as a foreigner in Brazil—most notably, “No HP Sauce, Endless Red Tape: Would You Want to Live in Brazil?, which responded to a gringo Facebook forum that had listed all the reasons why foreigners hated living in this country.

It was to my pleasant surprise, then, when Mark announced he had extended his account of life in Brazil and intended to publish it as an e-book.

Leaving aside my acquaintance with Mark (and the fact he gives a nod to my personal blog in the book!), I must say that I found Reality Check a very enjoyable read. It is a thoughtful and critical, yet balanced, account of his experiences in Brazil and of the country in general—and frankly, I’m rather annoyed that I haven’t written it myself.

Mark’s book also seems to be a good accompaniment to Megan’s. Whilst hers is a straightforward, step-by-step guide to life in São Paulo, his is a narrative providing a broad overview of gringo life. Either way, both books will be of use to those who are either moving to Brazil or perhaps are simply interested in finding out a bit more about South America’s largest and most populous country (it’s also the world’s fifth largest economy).

Anyway, enough of my wittering on. Let’s hear more from Mark himself.

* * *

RealityCheck_bookcoverHi, Mark. Congratulations on your new book and thanks for agreeing to this interview. First off, can you say a little more about what inspired you to write it?
As you already mentioned, I wrote the book in large part as a reaction to the negative posts about Brazil in online gringo communities. Everyone has their own reasons for moving and living away from their home country, but the majority of the groups I’ve encountered online are full of complaints about Brazilian food, prices, bureaucracy… Anyone who reads the posts made in the Facebook group for Gringoes.com would think that the UK and US offer a utopian paradise that would be madness to ever leave.

As you said in your intro, I wrote an article for the Huffington Post where I tried to give a more balanced view on life in Brazil.

Then I thought that, as someone who has rented and bought a home, started a company, hired people, and married a Brazilian, I could probably give a more detailed opinion on the experience—hence the book.

So being married to a Brazilian was what brought you to Brazil?
Yes, we were living in London, but after the financial crash in 2008 my business was much slower than before. By 2010 it became clear that there were many more opportunities for me to build a research and publishing business in Brazil than in the UK and so we moved just before the end of that year, nearly four years ago.

We recently featured another book about expat life in Brazil: American Exbrat in São Paulo, by Megan Farrell. Megan’s focus was on the “exbrat” community in São Paulo—i.e., those who are transferred here for work by a large company. My impression is that your focus is less specific and more of a broad overview of life in Brazil as a foreigner.
I’m not really interested in the exbrats. If a big company transfers someone to Brazil and they have their home taken care of and a driver to ferry them around, and they only ever go for a drink in expat pubs, then I don’t think they are experiencing the real Brazil. I’m not suggesting that the only authentic Brazil experience is living in a favela, but there are other kinds of foreigners here—journalists, teachers, people from all walks of life—who are constantly looking for ways to explore their new home.

Did you have a specific audience in mind when you wrote the book?
I really set out to explore some of my own experiences, with the expectation that people investing in Brazil or looking for a job here might have an interest in the book.

The book has only just been published (2nd September) so I guess it is a little early to tell, but how has it been received so far?
It is very recent, but there is already a very positive review from a Brazilian reader on Amazon. I started my author Facebook page when I published the book, and that community is growing by around a hundred people every day—so people are noticing it. One of the biggest newspapers in Brazil (Folha de SP) has been in touch to interview me about the book—despite my not having done any press promotion for the book due to my traveling almost every day since the publication!

Did you connect with São Paulo and/or Brazil in any new ways whilst writing the book?
It made me more determined to plug areas outside of Rio, which has a lot of friends already. I’ve really enjoyed living in both São Paulo the city and interior—SP needs a few gringo fans to speak out and remind people that the city is not just about concrete and cops murdering civilians.

You recently moved to the countryside outside São Paulo—how and why did that come about?
We spent two years living in the centre of São Paulo and just wanted to find something a bit quieter. I love it where we are now. There is a great sense of community; the neighbours all know each other. There is none of the security paranoia you find in the city centre, and there is some fantastic scenery on our doorstep.

Do you miss SP at all?
I miss being able to go out to see my friends in the city, or go to concerts by international bands that will only ever play in major cities. But we are planning to get a very small apartment in SP soon, so we don’t completely lose touch with it.

You mentioned the “security paranoia” in SP. In my observation, most of us gringos carry a fear that is at odds with how our Brazilian partners and/or friends feel. I enjoyed reading the section of your book covering this perception gap. Do you think that more positive accounts of Brazil by writers/bloggers like you and myself can help to shift these perceptions?
If people like you and me can get visitors to realize that they can walk down Avenida Paulista or along Copacabana Beach without fearing for their life, that would help. On more than one occasion I have met business contacts who flew into town and then were shocked when I suggested meeting away from their hotel. Standard advice from American and European companies is often to stay inside when in Brazil because of all the street crime.

The Brazilians, too, should play a part in correcting this situation. I don’t think we have much influence because we are seen as outsiders, but as more Brazilians get exposed to alternative cultures through travel, I hope it can change a little.

Last year I brought my wife’s teenage cousin on a trip to the USA, just to show her what life is like outside of Brazil. She found it incredible that you could walk up to the front of so many celebrity homes in Los Angeles—that anyone could walk into Sylvester Stallone’s garden. That’s unimaginable in Brazil.

What are you thoughts on foreign media portrayals of Brazil? Do you feel, for example, that persistent foreign criticisms of Brazil’s preparations for the World Cup and Olympics have been fair?
Every World Cup and Olympic games gets this negative press, so I don’t know if it is any worse than the last time. Anyone from the UK should be able to recall how the London Games were going to be a disaster right up to the week of the Games—the attitude seemed to change only when everyone saw that spectacular opening ceremony.

All I know from personal experience is that when you and I went to the Brazil v England football game at the Maracanã in June, the organization was superb. The stadium looked good, the public transport all worked, and the volunteers helping the crowd were great. I couldn’t fault it—so I’m really looking forward to the World Cup.

From the way you write so passionately about Brazil it is clear that you love living here, but there must have been the odd difficult moment when you wondered whether you’d made the right decision in fleeing the economically stagnant UK for your wife’s native land. When have you felt most displaced?
Sometimes the bureaucracy in daily life does get perverse and goes beyond just the criticism of a foreigner claiming that it all works better in Europe. Examples include having to pay someone to get my car registered to a new address or being fined for not paying my stamp duty on the day I agreed a mortgage with the bank—even though I paid on the day I got the documents myself. Sometimes I wonder if there is ever going to be any government that sweeps away this nonsense. I also fear that the job cuts created by improved efficiency means we are stuck with much of this.

Conversely, when have been your least displaced moments, when it all seemed to make sense?
I live in a really beautiful place now surrounded by a lot of wonderful people. Every morning when I take my dog for a walk then start work for the day I know I’m lucky to be here.

* * *

Readers, I will be talking to Mark again on Tuesday of next week, when we focus on his decision to self-publish his book. Any further questions for him, meantime? And don’t forget, if you’re interested in Reality Check, you can purchase it on Amazon. I would also recommend becoming a fan of its Facebook page and following Mark on Twitter: @MarkHillary

STAY TUNED for tomorrow’s post, a new episode in our “Location, Locution” series, by JJ Marsh.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

images: Mark Hillary’s author image and book cover

TCK TALENT: Diahann Reyes is in her element as writer, actor & storytelling coach

DiahannReyes_headshot_pmWelcome to the second installment of “TCK Talent,” Elizabeth (Lisa) Liang’s monthly column about adult Third Culture Kids who work in creative fields. As some readers may recall, Lisa—a Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent—has written and performed a one-woman show about being a Third Culture Kid, or TCK. (It debuted in LA in the spring and is coming next week to NYC!)

—ML Awanohara

My guest today is Diahann Reyes, a professional writer/actor who is launching a new blog, writing a memoir, and beginning an additional career as a writer’s editor/coach. Diahann grew up in six countries, worked as a journalist for CNN before becoming an actor, and currently lives in Los Angeles, California.

Growing up here and there and everywhere

Greetings, Diahann, and welcome to the Displaced Nation. I understand you’re the TCK child of Filipino parents. Can you fill us in a little more: why did your family move around and which countries did you live in as a kid?
My dad was a marketing expat. I learned how to speak English with a Kiwi accent in New Zealand, discovered my love for books in Argentina, rode my first camel in Pakistan, went through puberty in the US, attended junior prom in the Philippines, and graduated from high school in Indonesia.

Of all those cultures, did you identify with one in particular?
Like you, I’m a “mash up” of the different cultures I’ve lived in. Living in America for most of my life now, I feel most at home here, which is its own kind of cultural mishmash. In my twenties, I realized that I had to pick one of my “home” cultures as my main one or I’d continue to feel ungrounded. I also identify with particular subcultures that aren’t necessarily considered mainstream, such as the artist culture.

Where and when were you happiest while growing up?
My family’s two years in Argentina were some of my happiest, probably because my mom, dad, sister, and I were all so excited to be living in a new country together. Moving to a different culture was still an adventure of which I had yet to grow weary. Also, at age 8, I was still very much myself and hadn’t been impacted yet by the pressures of puberty and the need to fit in.

What lies beneath the surface…

Speaking of puberty and the female body brings me to the launching of your new blog, Stories from the Belly: A Blog About the Female Body and Its Appetites. What inspired you to begin it and what can followers look forward to from the blog?
For women especially, there are so many truths, emotions, and desires that we tend to suppress: they get buried deep down in our bodies. My blog is my way of excavating this buried inner emotional landscape. I want to talk about the female body in ways not normally touched upon in mainstream media. My blog will include personal stories as well as commentary on relevant current events.

You’ve been working on a memoir. Is it specific to a time and place in your life?
Yes. My memoir is about my latest “move,” only this time rather than going to live in a new country, I’ve spent the last decade “moving into” and learning how to fully inhabit my own body. Location-wise, I take the reader across the globe to some of the places I’ve lived growing up, but the main action takes place in my body.

What themes are you exploring?
The story I tell is absolutely personal, but it does touch on a lot of bigger ideas involving the female body and its objectification and how this can impact a woman’s relationship to herself and others. Desirability, cultural assumptions, sexuality, power, pleasure, and wholeness are some of the through-lines in the book.

Owning who she is

On your website you describe how you fell in love with reading and acting. Did you always know you would pursue both of these interests as careers, or did you struggle with the decision?
I knew I wanted to be a writer from the time I could read, but it took me a long time to own that this is who I am, in part because the grownup me couldn’t imagine that my younger self could just “know” this. Still, writing has been the primary way I’ve made a living—as a TV news writer, an editor, a ghostwriter, and now a blogger, so I guess I didn’t need to know I was a writer to be one.

The decision to act was tougher. I didn’t start to pursue acting until my 30th birthday, and by then I had established a pretty good career in journalism and online media, so I was giving up a lot to change focus. But acting was like this siren calling to me, saying “act, act, act.”

You and I grew up reading many of the same (mostly American and British) authors: Ingalls Wilder, L’Engle, Cleary, Blyton… I remember the day I realized I would never get cast as Jo in any theatrical production of Alcott’s Little Women because I was a girl of color. Did you ever have a moment like this, and if so, which beloved character(s) and book(s) or play(s) did you realize you wouldn’t get to explore as an actress?
I always thought I could be anyone because while growing up I’ve had to be a chameleon. “Adapt and assimilate and fit in” was one of my mantras as a global nomad. But when I got to LA and started auditioning, I realized that I would never be able to play certain characters because I was the wrong ethnicity or type. I was primarily limited to not even Asian parts but Latina roles because I look more Hispanic than Southeast Asian. This meant that I was likely never going to play Maggie from Cat on a Hot Tin Roof or Caroline Ingalls in any future Little House on the Prairie remake, and parts that were for people of my actual ethnicity were out, too. Fortunately, the industry has changed, and more minorities are getting cast outside of ethnicity and stereotype.

What sorts of roles are you attracted to now?
I love parts that call for emotional depth and angst.

I wonder if one of the reasons we’re writers is that we have more autonomy to tell stories than we do as actresses?
I love that I can write what I want—I don’t need anyone to “cast” me first. And I can create characters that aren’t limited by ethnicity or type. I am thinking of creating a solo show that would probably require me to write and play different characters.

I understand you also write poetry. What drew you to that?
I kept diaries growing up and would process my feelings through poetry. With both nonfiction and poetry, I can just be myself. After so many years of working hard at adapting and assimilating to fit in, getting to just be me on the page is a relief.

Helping others to own their stories

You’re about to begin a new endeavor as a writer’s editor/coach. What inspired you to follow this new path?
I know what it is like to have something to say and to struggle with fully expressing my truth—especially when the fears come up—and I want to help other writers overcome these obstacles so they can get their stories out there. I want to work with people who are just as engaged in their process as they are in having a finished product.

What are you looking for in a student/client?
I work with nonfiction writers, bloggers, storytellers, and essayists, and other people with writing and online content projects. Healers and people with unusual business ideas like to work with me, too.

Do you have any other projects coming up?
I hope to publish my memoir next year. The film Out of Her Element, in which I play a therapist with a pill addiction, will premiere soon.

* * *

I must congratulate Diahann on her exciting new ventures, which I believe will resonate with people working in creative fields—and with female travelers and TCKs, especially! Readers, please leave questions or comments for Diahann below.

STAY TUNED for tomorrow’s post, when Andy Martin will talk to Mark Hillary about his new book, Reality Check: Life in Brazil through the Eyes of a Foreigner.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

Related posts:

img: Diahann Reyes