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TCK TALENT: Laura Piquado, New York City Actress & One Well-Traveled Kid!

Laura Piquado Collage FINALWelcome to Elizabeth (Lisa) Liang’s monthly column about Adult Third Culture Kids (ATCKs) who work in creative fields, Lisa herself being a prime example. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she recently debuted her one-woman show about being a TCK, which I had the pleasure of seeing during its too-short run in New York City in September of last year: stupendous!

—ML Awanohara

Happy new year, readers! Let’s start today’s interview by plunging right in. My guest is Laura Piquado, a professional actress based in New York who grew up in six countries, including Egypt, where we were drama classmates in high school.

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Welcome to The Displaced Nation, Laura. It’s wonderful to reconnect with a Cairo classmate! I know you grew up as the daughter of a pair of teachers who were full of wanderlust. Can you give us a run-down of the countries you lived in as a kid?
My mother always told me that her earliest dream memory was of wanting to move to Africa. And as soon as she graduated from university in Canada, that’s what she did. She met my father in Sierra Leone in the mid 1960s. He was there with the Peace Corps, while she was being sponsored by CUSO (Canadian University Service Overseas)—a Peace Corps-style organization. They left when my mother was six months pregnant with my brother. My mother is tall, almost 5’11”, but at that time weighed only 120 lbs. I think having parasites, or the occasional bout of malaria was commonplace, but the risk to her health became too great.

After my (healthy) brother was born in Washington, DC, my parents decided to go overseas again. The first job my dad got was as an English teacher in a small village in northern Newfoundland, where I was born. Less than a year later, we moved to Beirut, Lebanon. Four years after that, when war broke out, we were evacuated to Shahin-Shahr, Iran, for almost four years. War broke out again, and we were evacuated again. The next stop was São Paulo, Brazil, for two years. My mom and dad hated the city, and we left every other weekend and holiday to get away from it. Consequently, my memories of Brazil are of travel, and of everywhere but São Paulo. After Brazil, we lived for four years in Bontang, Indonesia, which is in the province of East Kalimantan on the island of Borneo. After seventh grade we moved again, to Cairo, Egypt, where I graduated high school. That’s where you and I first met! My parents then moved on to Ecuador and China for 16 more years.

My parents loved being overseas, and at no point did they yearn to “come home.” They wanted their lives to be as teachers in international schools, and for 40 years that’s what they did. They retired a few years ago to a small town in New Hampshire.

A hard landing into adulthood

How did you feel about living in so many places?
I loved it, actually. Adjusting to new environments, new friends, new cultures, languages, was never difficult for me. I don’t know why. Perhaps I just got used to it. But I don’t think you ever get used to leaving friends and people you love—that’s always hard.

As an adult, do you find yourself drawn to other TCKs?
I definitely identify with other TCKS, though it’s not always a given we will hit it off. In fact, I used to be magnetically drawn to anyone who was a visible minority. “You’re from Indonesia?! I used to live in Indonesia!” “Hey, you’re Alexandrian! I lived in Cairo for 5 years!” I was always wanting to make a connection with a world that was no longer mine—and maybe never was mine, if I adhere to the rules of 3rd culture. But just because someone grew up all over the world as I did, or just because they are an actor like me, doesn’t guarantee I’ll be friends with that person—but it’s a starting point. And if a person grew up in different countries, at least their eyes won’t glass over when I answer the question, “Where are you from?”

You now live in New York City. How do you find life in the USA?
I’ve lived in the United States longer than I’ve lived anywhere else. Yet it’s the first place I’ve ever lived that doesn’t feel like home. For the first 20 years of my life I played with my friends, explored the jungle, hiked the Andes, swam in the Red Sea and the East Timor Straights, climbed salt flats, made forts in the desert, went horse-back riding around the Great Pyramids, woke to gibbon songs and the muezzin’s call to prayer. And then I came back here to go to school, get some degrees, get a job, and try to figure things out… I had this exhilarating childhood, and then this less-than-thrilling transition to adulthood.

Does your identity revolve around any one particular culture that you’ve lived in?
I am Dyak and atheist, Muslim, Christian, Bahá’í, Jain, Egyptian, Italian, Canadian—there is nowhere in the world that has ever felt foreign to me. I am all of these things, and none of them. After moving to the United States for the first time for college, being able to be all of them at the same time was what mattered the most. I was striving to understand who I was and what my life had been, and trying to share that with others, even if I couldn’t articulate it to myself. It’s taken a long time, and I suppose I’m still working at it. That said, I love meeting the kind of person who, unlike me, was raised in the same town he or she was born in, and still goes back there for family visits and holidays. I am attracted to the sense of being anchored somewhere, to a particular place. That perceived sense of belonging somewhere: it’s something I just don’t have; I don’t know what it feels like.

From an actor on the global stage, to an actor on a real stage

Tell us what you studied in college and how you made the leap to pursuing an acting career.
I did my master’s degree in Islamic Studies at McGill University in Montreal. I wanted, as an adult, to understand the cultural, political, and social environments in which I grew up. On some level I was looking for a path that would take me overseas again, which I was aching to do. I wanted to work in the development of women’s education in post-conflict societies because it was work that I was passionate about.

Just as I was finishing my degree, and thinking about streamlining into a doctoral program, I went back to Cairo. I hadn’t been back since high school. For a whole month I walked through the streets of my old neighborhood, saw my friends, went to mosques and bazaars and the Red Sea, and smelled and ate and absorbed Egypt again. It was glorious. But something changed in me after that, and made it okay for me to move on.

When I came back to Montreal, I started applying to drama schools. Although I had been involved in theatre since I was a kid, I hadn’t wanted to study it as an undergrad. There were other things in my life that I needed to address before I embarked on that.

But now I was ready for drama school—I enrolled in the London Academy of Music and Dramatic Art. At LAMDA, I felt like I was flying. I was so happy. To allow myself the ability to change horses mid stream, and for it to feel natural and fluid and right—that was tremendous. I don’t think any of us is just one person, and we aren’t the same person at 15, 25, 35, 55. We have multiple loves and lives and wants, and finding ways to marry them all, if we’re lucky enough to know what they are in the first place, can be overwhelming.

How did your family react to your decision to pursue an acting career?
I’ve only ever had a supportive family. So instead of calling me a flake, or accusing me of lacking any sense of stick-to-itiveness when I told them I wanted to go to drama school, they became, again, my most enthusiastic supporters.

I think our peripatetic childhoods trained us to be actors—to observe, listen, and adjust our behavior to our surroundings. Do you agree?
I do agree, for the most part. But I also think personality has a lot to do with it. Just because you grew up all over the world doesn’t de facto make you a keen observer, or an astute listener, and not all kids who move around a lot are able to adjust to their changing environment. On the other hand, if you have had a peripatetic life, and you also happen to be a good listener, observer, etc., it seems it can only enrich your depths as an actor (and certainly as a human being). For me, adaptability became a defining aspect of my personality.

I think that for us TCKs, the challenge of convincing a casting director that you truly can be this other person is made easier because of all of those things we bring to the table—listening, observing, adjusting, maybe even having lived or known the character’s life. But also for that reason, many of us find it even harder to put up with being typecast.

Which sorts of roles are you attracted to, and do you think your upbringing influenced this?
I’m usually attracted to damaged characters, or quirky ones. And accents are always juicy! I’ve always been a mimic, and am grateful for that gift as it makes it easier to play a variety of roles. Why I’m drawn to quirky characters is less apparent. Does it have something to do with my upbringing? That’s an interesting thought. I’ve never made that correlation, but it makes complete sense.

So which parts have been your faves?
I loved playing Goneril in King Lear with the Texas Shakespeare Festival. I’ve always thought that she’s been inappropriately maligned as a character. Lear is not the easiest father—demanding, impulsive—and to require his daughters to prove, to prove, their undying love for him—for the sole purpose of measuring it against their inheritance—makes him something of a jerk in my book.

Playing the painter in Ionesco‘s The Painting with the Phoenix Theatre Ensemble was pretty great as well. Aside from the play’s absurdism, the part was perverse because of the the vocal and physical qualities we decided on. It’s not often that you get to play grotesque and obsequious, mismanage your voice, throw out your back, and sprain your jaw because the part demands it. Fantastic! 🙂

And a role on the damaged front, I suppose, was Charlotte in Sharr White‘s Sunlight, for its world premiere with the New Jersey Rep. While I’m less attracted to straightforward, modern dramas (though in truth, I love it all), the whole premise for who Charlotte is, for what motivates and oppresses her, is her having been in the Towers on September 11th and losing her child as a result of the trauma. And while that’s not what the play’s about (thank God!), it defines who she is able to become (or not become) in the ensuing decade.

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Wow, that’s an impressive list! Thank you, Laura! I wish you the very best in your career and hope to see you on stage and/or screen soon. Readers, please leave questions or comments for Laura below.

STAY TUNED for tomorrow’s post, from our Global Food Gossip!

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For this peripatetic Argentine, now an expat in Queensland, a picture says…

Canon zoom lens; photo credit: Morguefiles. Belu in Buddha Truth Relic Temple, Singapore; photo credit: Belu.

Canon zoom lens; photo credit: Morguefiles. Belu in Buddha Truth Relic Temple, Singapore; photo credit: Belu.

Welcome back to our series “A picture says…”, created to celebrate expats and other global residents for whom photography is a creative outlet. The new series host is English expat, blogger, writer, world traveler and photography enthusiast James King, who blogs at Jamoroki and truly believes a camera is a mirror with memory…

Greetings, Displaced Nation-ers. My guest today is the 35-year-old Argentine Belu: an expat, blogger, world traveller and photography enthusiast. Belu studied industrial design at university in Argentina and then moved to Europe. Not long ago, she relocated to Australia, where she sells her designs at street markets and travels as much as her finances allow.

Belu brings her experiences and unique view of the world to her photography blog, BeluChi, and to the travel blog, Travel Tips and Pictures, where she is the main travel writer.

I have followed Belu for a short while and love the simple, down-to-earth way she brings her pictures and the stories behind them to life through her writings.

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South American but with deep European roots

Hi, Belu. Thanks for agreeing to this interview. Can we begin by having you tell us: where did you live in Argentina, and when did you spread your wings, leave the nest and start your world travels?
I was born in Mar del Plata, a pretty big town located 500km south of Buenos Aires. I lived there until I was 25, and it was about that time that I became curious about travel and ended up moving to Europe.

So you got the travel bug. I can relate to that—but what really inspired you to travel?
Travelling for me is a way to get connected with people and to nature. I so love meeting people, and I knew travelling would give me that opportunity better than anything else. I love it when people tell me about their lives, their cultures and traditions, stories and dreams. I learn so much from my travels.

I know exactly what you mean. It’s quite addictive and I can see you are a compulsive globe-trotter. Tell me what countries have you visited so far?
Aside from Argentina and southern Brazil, I’ve travelled mostly around Europe: Portugal, Spain, France, Italy, Monaco, Belgium, England, Scotland and Ireland. And now, because I live in Australia, I’m starting to be more in touch with Oceania and Asia—Indonesia and Singapore, for example. I’m planning a trip to China next year, and in 2015 I hope to travel to India and some countries in Africa.

Wow, that’s quite a package! Tell us, how did you end up in Australia, and what is life like for you your new home?
I met my partner when travelling in Australia over two years ago, when living in Barcelona. So, after going back and forth several times, we decided to live together here in beautiful Cairns, a city in the far north of Queensland. So far, so good. I believe that how you feel in a different place and culture depends mostly on how you connect and interact with the people in your new environment, at least in my case. Weather is also important to me because I’m a “sunlight” lover.

Pizza San Marco, Venice Italy. Photo credit: Belu

Piazza San Marco, Venice, Italy. Photo credit: Belu

You offered this photo—of you and all the pigeons in the Piazza San Marco in Venice—as one of your favorite shots that captures cherished memories. Thank you for sharing it. Can you tell us more about why it’s so special?
This photo brings me back to the first time my parents came to Barcelona to visit me. We went to Venice and Rome—spectacular!—and then to Lettopalena, a tiny little village up on the top of a mountain in Chieti Province, around 200km from Rome. It was the place where my grandmother was born. I met my Italian family, who are still living there. That trip was exiting because of the contrasts.

Taupo Lake, Taupo, New Zealand. Photo credit: Belu.

Black swan on Lake Taupo, New Zealand. Photo credit: Belu.

Solo travel and staying with locals

That must be a very personal piece of your life. Now moving on to your photo of a beautiful black swan on Lake Taupo in Taupo, New Zealand.
Lake Taupo is in the centre of the North Island. My trip to New Zealand was unforgettable because of the natural beauty. It was also solo-travel, so I could be more in contact with locals and travellers from everywhere. I love this kind of travel. I usually have a “tentative plan” that I hardly ever follow. I love the freedom of changing and re-organising my itinerary according to my feelings.

Oh! I know the feeling well. No one to nag you. Free as a bird (so to speak). Okay, so now for a photo of the everyday scene—a street market in Ripoll, Girona (one of the four provinces comprising Catalonia), Spain. My favourite country!

Street market in Ripoll, Spain. Photo credit: Belu.

Street market in Ripoll, Spain. Photo credit: Belu.

I spent a Saturday morning strolling around the heart of Catalonia, in southeastern Spain. I had the honour of staying at my friend’s parents’ home, always with locals… that made this travel special. I did visit popular tourist spots in that area, but when you are with local inhabitants, it makes the place so much more interesting and you learn so much more about their culture. They told me folk tales and stories that you’ll never find in any guidebook.

I seem to be agreeing with everything you say, but it’s difficult to argue with that. So many people travel but never really integrate with the local people. They miss so much. But we must move on now. Where were or are your favourite spots to take photographs?
My favourite spots are high viewpoints and streets.From high viewpoints you get to admire the whole picture, almost like aerial photography. I find that very exhilarating. And when I am in the streets I am close to the people and can really feel the ambiance and capture the essence of the place.

High vs low, scenery vs people

The last three photos you’ve chosen illustrate the difference between high (looking down) and low (streets at ground level) admirably:

Cairns, Queensland, Australia. Photo credit: Belu.

Cairns, Queensland, Australia. Photo credit: Belu.

Back street, Bali, Indonesia. Photo credit: Belu.

Back street, Bali, Indonesia. Photo credit: Belu.

London (near St. Paul's), England. Photo credit: Belu.

London (near St. Paul’s), England. Photo credit: Belu.

The photo of Bali is so typical of a Southeast Asian back street. And the one of London, showing a tramp walking between a dust cart and a City businessman with St. Paul’s Cathedral as the backdrop, is an absolute gem. Actually, this photo leads to my next question: do you ever feel reserved about snapping photos of people, particularly when they are conscious that you are doing so? And do you ask permission before taking people’s photographs? How do you get around any problem of language?
It usually depends on the situation and the local culture. I sometimes ask permission by words or sign language, especially if I feel the person is uncomfortable because of the camera. Fortunately, I have never had any problem about that. Most of the time people say “yes”.

That must make it easier to take natural shots; so would you say that photography and the ability to be able to capture something unique which will never be seen again is a powerful force for you?
For me the answer to that is “most definitely, yes!” When I left Argentina I, maybe unconsciously, realised what a powerful force pictures are. To be able to produce something that can never be repeated exactly is quite amazing.

Let’s get technical

Now for the technical stuff which I am not very good at. What kind of camera and lenses do you use?
I have a Canon Ixus 107 called “Anastasia”. She is always in my bag. It isn’t a professional camera but it works as it were! A useful camera for me must be compact and not too expensive, because I don’t want to be too worried about it when travelling.

Finally, do you have any advice for wannabe photographers (like me) who are travelling or living abroad?
Well, the Internet has plenty of information, videos, etc, for those in search of photography tips. But I can tell you what I do: stay curious, learn from others, and meet people.

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Readers, what do you make of Belu’s experiences and her photography advice? And do you have any questions for her on her photos and/or travels? Please leave them in the comments! 

Once again, if you want to read more of Belu, don’t forget to visit her sites (see links above). You can also contact her via aquibeluchi@gmail.com.

(If you are a photographer and would like to be interviewed by James for this series, please send your information to ml@thedisplacednation.com.)

STAY TUNED for next week’s fab posts, including an interview with this month’s featured author!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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TCK TALENT: Diahann Reyes is in her element as writer, actor & storytelling coach

DiahannReyes_headshot_pmWelcome to the second installment of “TCK Talent,” Elizabeth (Lisa) Liang’s monthly column about adult Third Culture Kids who work in creative fields. As some readers may recall, Lisa—a Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent—has written and performed a one-woman show about being a Third Culture Kid, or TCK. (It debuted in LA in the spring and is coming next week to NYC!)

—ML Awanohara

My guest today is Diahann Reyes, a professional writer/actor who is launching a new blog, writing a memoir, and beginning an additional career as a writer’s editor/coach. Diahann grew up in six countries, worked as a journalist for CNN before becoming an actor, and currently lives in Los Angeles, California.

Growing up here and there and everywhere

Greetings, Diahann, and welcome to the Displaced Nation. I understand you’re the TCK child of Filipino parents. Can you fill us in a little more: why did your family move around and which countries did you live in as a kid?
My dad was a marketing expat. I learned how to speak English with a Kiwi accent in New Zealand, discovered my love for books in Argentina, rode my first camel in Pakistan, went through puberty in the US, attended junior prom in the Philippines, and graduated from high school in Indonesia.

Of all those cultures, did you identify with one in particular?
Like you, I’m a “mash up” of the different cultures I’ve lived in. Living in America for most of my life now, I feel most at home here, which is its own kind of cultural mishmash. In my twenties, I realized that I had to pick one of my “home” cultures as my main one or I’d continue to feel ungrounded. I also identify with particular subcultures that aren’t necessarily considered mainstream, such as the artist culture.

Where and when were you happiest while growing up?
My family’s two years in Argentina were some of my happiest, probably because my mom, dad, sister, and I were all so excited to be living in a new country together. Moving to a different culture was still an adventure of which I had yet to grow weary. Also, at age 8, I was still very much myself and hadn’t been impacted yet by the pressures of puberty and the need to fit in.

What lies beneath the surface…

Speaking of puberty and the female body brings me to the launching of your new blog, Stories from the Belly: A Blog About the Female Body and Its Appetites. What inspired you to begin it and what can followers look forward to from the blog?
For women especially, there are so many truths, emotions, and desires that we tend to suppress: they get buried deep down in our bodies. My blog is my way of excavating this buried inner emotional landscape. I want to talk about the female body in ways not normally touched upon in mainstream media. My blog will include personal stories as well as commentary on relevant current events.

You’ve been working on a memoir. Is it specific to a time and place in your life?
Yes. My memoir is about my latest “move,” only this time rather than going to live in a new country, I’ve spent the last decade “moving into” and learning how to fully inhabit my own body. Location-wise, I take the reader across the globe to some of the places I’ve lived growing up, but the main action takes place in my body.

What themes are you exploring?
The story I tell is absolutely personal, but it does touch on a lot of bigger ideas involving the female body and its objectification and how this can impact a woman’s relationship to herself and others. Desirability, cultural assumptions, sexuality, power, pleasure, and wholeness are some of the through-lines in the book.

Owning who she is

On your website you describe how you fell in love with reading and acting. Did you always know you would pursue both of these interests as careers, or did you struggle with the decision?
I knew I wanted to be a writer from the time I could read, but it took me a long time to own that this is who I am, in part because the grownup me couldn’t imagine that my younger self could just “know” this. Still, writing has been the primary way I’ve made a living—as a TV news writer, an editor, a ghostwriter, and now a blogger, so I guess I didn’t need to know I was a writer to be one.

The decision to act was tougher. I didn’t start to pursue acting until my 30th birthday, and by then I had established a pretty good career in journalism and online media, so I was giving up a lot to change focus. But acting was like this siren calling to me, saying “act, act, act.”

You and I grew up reading many of the same (mostly American and British) authors: Ingalls Wilder, L’Engle, Cleary, Blyton… I remember the day I realized I would never get cast as Jo in any theatrical production of Alcott’s Little Women because I was a girl of color. Did you ever have a moment like this, and if so, which beloved character(s) and book(s) or play(s) did you realize you wouldn’t get to explore as an actress?
I always thought I could be anyone because while growing up I’ve had to be a chameleon. “Adapt and assimilate and fit in” was one of my mantras as a global nomad. But when I got to LA and started auditioning, I realized that I would never be able to play certain characters because I was the wrong ethnicity or type. I was primarily limited to not even Asian parts but Latina roles because I look more Hispanic than Southeast Asian. This meant that I was likely never going to play Maggie from Cat on a Hot Tin Roof or Caroline Ingalls in any future Little House on the Prairie remake, and parts that were for people of my actual ethnicity were out, too. Fortunately, the industry has changed, and more minorities are getting cast outside of ethnicity and stereotype.

What sorts of roles are you attracted to now?
I love parts that call for emotional depth and angst.

I wonder if one of the reasons we’re writers is that we have more autonomy to tell stories than we do as actresses?
I love that I can write what I want—I don’t need anyone to “cast” me first. And I can create characters that aren’t limited by ethnicity or type. I am thinking of creating a solo show that would probably require me to write and play different characters.

I understand you also write poetry. What drew you to that?
I kept diaries growing up and would process my feelings through poetry. With both nonfiction and poetry, I can just be myself. After so many years of working hard at adapting and assimilating to fit in, getting to just be me on the page is a relief.

Helping others to own their stories

You’re about to begin a new endeavor as a writer’s editor/coach. What inspired you to follow this new path?
I know what it is like to have something to say and to struggle with fully expressing my truth—especially when the fears come up—and I want to help other writers overcome these obstacles so they can get their stories out there. I want to work with people who are just as engaged in their process as they are in having a finished product.

What are you looking for in a student/client?
I work with nonfiction writers, bloggers, storytellers, and essayists, and other people with writing and online content projects. Healers and people with unusual business ideas like to work with me, too.

Do you have any other projects coming up?
I hope to publish my memoir next year. The film Out of Her Element, in which I play a therapist with a pill addiction, will premiere soon.

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I must congratulate Diahann on her exciting new ventures, which I believe will resonate with people working in creative fields—and with female travelers and TCKs, especially! Readers, please leave questions or comments for Diahann below.

STAY TUNED for tomorrow’s post, when Andy Martin will talk to Mark Hillary about his new book, Reality Check: Life in Brazil through the Eyes of a Foreigner.

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img: Diahann Reyes

TCK TALENT: Alaine Handa choreographs her way to festivals in Toronto and now Edinburgh (2/2)

Habitat CollageNew columnist Elizabeth (Lisa) Liang continues her conversation with fellow TCK performing artist Alaine Handa. (Be sure to check out Part 1 if you haven’t already.)

—ML Awanohara

Hi, everyone! Yesterday, I talked to Alaine Handa about her Third Culture Kid background and what led her to produce her first international touring show, Chameleon. Today we’ll finish up our Chameleon conversation and move on to talking about Alaine’s brand new show, Habitat, which is having its world premiere at the Edinburgh Fringe Festival. (If you happen to be in Edinburgh, scroll down to the bottom of this post for details.)

* * *

Act 2: Chameleon, continued…

Welcome back, Alaine. I can relate to so much of what you said about Chameleon. The creative/rehearsal process can be so fulfilling that the performance itself is often the icing on the cake for the performer-creator. Whom did you have in mind for the wider audience?
As a proud TCK and Global Citizen, I felt the stories of TCKs needed to have a voice that supports all the research, books, blogs, and memoirs that have been written on our lives—yet can transcend boundaries of spoken language through dance and movement, something all cultures can understand. Perhaps my ideas were grandiose, but I really hoped that productions of Chameleon would touch the lives of all those who identify with living cross-culturally and existing as cultural mixes.

It sounds as though Chameleon provided a voice for a cross-section of nomadic, mixed-heritage, intercultural people, not to mention everyone who has ever felt unheard or unseen—which is everyone at some point in their lives. I did the same with Alien Citizen and am wondering if we should create a TCK festival for performing artists like us… But, back to you! How was the performance received?
Every single performance of Chameleon had at least one person in tears because they identified so much with it. After each performance, we spent quite a lot of time talking to audience members. I made a lot of new friends around the world!

Were there any surprises?
The biggest surprise for me came from the TCK student performance at Utahloy International School, in Guangzhou. The students were very receptive and open to sharing their TCK stories with me, as well as on stage. It brought tears to my eyes.

Did you learn anything about yourself in the process?
By telling my story and other TCK/CCK stories, not only did I come to understand myself better, but I also felt a strong sense of community among the globally mobile citizens of the world.

Act 3: Preparing a new show, Habitat, for the Edinburgh Fringe

And now you have a new show, Habitat. Is this your first time at the Edinburgh Fringe?
Yes! We are very excited. One of my dancers has performed in the Fringe before so he will be super helpful during the festival.

In your promotional materials for Habitat, you have the following statement:


Our personal space is the environment in which we confine ourselves to become our truest selves.


Can you explain?
As a TCK, I am constantly meeting people of different backgrounds, and I change my behavior and mannerisms accordingly. Thinking about this, I wanted to explore the transition to one’s personal habitat, where you can finally relax and just “be” who you are.

Who is the intended audience, and is it different than the audience from the one you had in mind for Chameleon?
This piece is more universal. It shows how different people from different backgrounds change the way they behave around others and when they are alone.

I see the cast is multicultural, with dancers from Singapore, USA, Portugal, and Indonesia. Was it a challenge to bring together a cast from so many different places?
To be honest, although it’s “easier” to label the cast by our passport countries, we are, in fact, a collection of multicultural individuals who have lived in different parts of the world at various times. Right now, two of us live in Singapore and the other two in New York. The biggest challenge we faced was rehearsing on separate continents, given the time difference. We relied heavily on email and YouTube, and later on Skype. As the choreographer, I faced the challenge of conveying what I wanted to see from the 2-D perspective of video. Slowly but surely, the show has come together piece by piece, like a jigsaw puzzle.

How did you find the other dancers?
I’ve worked with Laura on Chameleon and was working with her on the creation of draft material prior to my move back to Singapore last year. I met Ezekiel in Singapore; we both teach dance for the same company. Belinda and I are friends from New York; she and I met at an audition for a choreographer I danced for while living there. We found out that we trained with the same jazz dance instructor while I was growing up here in Singapore and took the same classes.


Are the other dancers also TCKs or “displaced” in some way?
I think I’m the only TCK, but of the other three cast members, two are expats and the other is bi-cultural, with both parents originating from different countries and cultures. I guess you could say we are a “displaced” group. I knew I wanted to work with a multicultural cast again because it made for such an interesting group dynamic with Chameleon—although in this case, the cast has not worked together before.

You’re now in Edinburgh. What’s it been like so far?
When we first arrived, we had about 20 hours of rehearsal (including tech and dress rehearsals). The pieces are gradually falling into place.

Act 4: Life after Edinburgh?



Do you have plans to take Habitat anywhere else?
Yes, we are encouraging theatre venue producers, programmers, agents, etc. to come see Habitat during the Fringe in hopes it can be produced in other venues around the world.

Where do you think the show will go next?
I’m not sure—I’d like to bring it down to Australia. I also really enjoyed Toronto Fringe a couple years ago and might bring Habitat there. We are also looking to get this show booked for different venues across Europe, Asia, and North America.

* * *

If you happen to be in Edinburgh, here are the details for Alaine’s show:

  • Number of performers: four, including Alaine
  • Show length: 45 minutes
  • When and where: July 31 – August 13, 2013 @ C Venues (Venue 34), Adam House, Chambers Street, Edinburgh, United Kingdom.
  • Time: 1:50 pm every day.
  • Purchase tickets here.
  • Trailer:

Habitat in Edinburgh Fringe Festival from Alaine Handa on Vimeo.

Questions for Alaine? Be sure to leave them in the comments section!

STAY TUNED for next week’s fab posts.

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img: Video Stills by Kevin Tadge, taken from preview performances of Habitat at the Edinburgh Fringe (2013).

TCK TALENT: Alaine Handa choreographs her way to festivals in Toronto and now Edinburgh (1/2)

AlaineHanda_pmToday we introduce a new monthly column by Elizabeth (Lisa) Liang. Remember that Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent who was putting on a one woman show in LA about being a Third Culture Kid? You know, she “came out” as a TCK on stage, and lived to write a post about it? Lisa will be searching for other TCK talents to interview for the series. She debuts with a two-part conversation with fellow TCK performing artist Alaine Handa (pictured). Part 2 is here.

—ML Awanohara

Third Culture Kids (TCKs) are making headlines these days for their creative output. We see them being featured in established news outlets and online magazines, as well as on popular blogs. I suspect that the emergence of Barack Obama as national and global leader—he is an Adult TCK (ATCK)—has contributed to the phenomenon.

Still, ATCKs in the performing arts remain relatively rare, so as an ATCK actress-writer I’m always happy to learn of fellow ATCK performing artists like Alaine Handa, a second-generation TCK who works as a choreographer/dancer.

Alaine was born in Singapore. She spent her childhood in Jakarta and adolescence in Singapore. She went to college in Los Angeles, California, and then moved to New York, where she formed her own troupe in December 2007: A.H. Dance Company.

She has since moved back to Singapore, where she has lived for the last year.

In this, the first of a two-part interview, I ask Alaine to tell us about her company, her TCK background, and her first internationally touring show, Chameleon: The Experiences of Global Citizens. In Part Two of the interview, to be posted tomorrow, we’ll move on to talking about her production that is about to premiere (!) at the Edinburgh Fringe Festival.

* * *

Hi, Alaine. I’m curious: what led you to form your own dance company?
Ever since I was a young teenaged dancer, I aspired to have a professional dance company that toured the world performing in different venues, festivals and theaters. I think it was because I longed to have my own choreographic voice to create dance pieces that meant something to me. Still, the decision wasn’t easy to go from dancer/choreographer to choreographer first and dancer second. After moving to New York, I continued performing for other choreographers and project-based dance companies. I only decided at the end of 2009 to focus solely on choreography while performing occasionally. I guess you could say I never lost my determination to make that happen.


Can you tell us more about your background as a second-generation Third Culture Kid?
Both my parents are TCKs. My heritage is mostly Hakka Chinese (with a bit of mix in there somewhere along the lineage). My grandparents and great-grandparents were Chinese immigrants from somewhere in China who settled in Jakarta. My mom attended an English school until it was shut down due to political pressure. She then was sent to boarding schools in Hong Kong and Sydney, and she graduated from an Australian university outside of Sydney. Meanwhile, my Dad attended a Chinese school in Jakarta before it was shut down. He helped his parents for a couple of years and then was sent to Singapore to learn English. After a year, he went to London to attend university and then to Boston to obtain a doctoral degree in optometry.

Which culture do you most identify with?
I attended American international schools in Jakarta and Singapore so I’d say I’m culturally very American. I majored in dance through UCLA’s Department of World Arts & Cultures, which looked at dance and the arts in a sociological-anthropological way and as a community-building catalyst. And then I spent seven years performing, teaching, choreographing, living, creating, loving, and building a community of TCKs in New York.

ACT 1: Chameleon goes to the Toronto Fringe Festival


A couple of years ago, your company put on a show at the Toronto Fringe Festival entitled Chameleon: The Experiences of Global Citizens. I enjoyed watching the video clip of your performance. Please tell us more about it.
Chameleon, the Experiences of Global Citizens is a full dance production with a rotating cast of three to six dancers using film, spoken word, jewelry design, music, and photography, to support the personal stories of TCKs, Cross-Cultural Kids (CCKs), and Global Citizens. Each dancer performs a solo in the production in addition to dancing in the group sections.

The video excerpt is only one section of the production: my solo. (Thanks for watching!) I layered together three different poems for the sound:

  1. “Uniquely Me,” by Alex Graham James from Ruth Van Reken and David C. Pollock’s book, Third Culture Kids: Growing up Among Worlds.
  2. “De Främmande Länderna” by Edith Södergran (translated into English), a Swedish poet I studied while attending UCLA.
  3. Last but not least, “Eulogy to my multi-racial / Multi-cultural ancestors / Also known as the anti-eulogy / To my multi-racial / Multi-cultural ancestors,” by Leilani Chan, an Asian-American theatre director in LA.

It sounds as though you’ve rolled TCK and CCK art into one cohesive piece—much like a TCK or CCK individual is the sum of many seemingly disparate parts, creating a vivid, unique entity. What was the thought process that produced this art?
Hmmm…my thought process in creating Chameleon was a lengthy one as it is very personal to me. A little trip down memory lane is probably the best way to describe it.

I graduated high school in 2001 and then moved to Southern California to attend Pitzer College. 9/11 happened a couple of weeks in. Everyone in the States was in patriotic mode. I didn’t quite fit in. Many journal entries, tears, frustrations, and conversations later, I wrote about my experience as an outsider/insider and drafted a dance piece about my mixed up cultural identity that I wanted to choreograph for my senior project. I transferred to UCLA for my third and fourth year. I experienced bouts of severe depression and several anxiety attacks throughout my college years and began to see the “light” at the end of the dark tunnel my final year.

A friend told me about the Third Culture Kids book in 2003, and a life-changing epiphany happened. I returned to my journal entries and found my ideas to create a dance piece about my experience as a TCK for my senior project. I cast a multicultural group of dancers, interviewed TCKs I knew for my very first documentary film “I am a TCK,” and rented a theatre in L.A. for my senior project and titled the piece “Third Culture Kids.” The first part of the production was the half-hour documentary film followed by a 20-minute dance piece that was autobiographical in nature. This would become the very first draft of Chameleon.

After graduation from UCLA, I was burnt out and moved to New York to pursue a career in dance. I knew that my TCK dance piece needed to be re-created again at some point. I performed for a bunch of independent choreographers, dance companies, and was teaching dance in the public schools in Brooklyn. I formed A.H. Dance Company at the end of 2007 and we had two performing seasons before I decided the time was right to tackle the stories and experiences of TCKs again. I cast dancers that were cross-cultural or TCKs, a TCK actress, a TCK jewelry designer (who created our prop pieces that were an amalgamation of HER TCK experiences), and TCK/CCK/TCA photographers submitted their work to be used as backdrops for the dance sections. I also extended and re-edited the film “I am a TCK” by interviewing even more TCKs. We premiered the piece at University Settlement in New York as part of their Spring Season in 2010, after receiving some funding from Singapore International Foundation, which also funded the performance at the Toronto Fringe Festival.

ACT II: Chameleon travels widely and goes global

We toured the production to festivals and organizations with community programming. I even presented portions of the piece, including the rehearsal process, twice at the annual Families in Global Transitions (FIGT) conference, where I met Ruth Van Reken, Tina Quick, Apple Gidley, Jo Parfitt, Julia Simens, Judy Rickatson, and many more of the TCK researchers, expat writers/bloggers, international educators, and more.

I am very proud of this work and how it has traveled around the world. Currently, Chameleon has taken on a more educational approach. I’ve re-set portions of the piece for student TCK dancers from Singapore American School and they performed it in Kuala Lumpur as well as in Singapore. In January this year, I traveled to Guangzhou to re-set a simpler version on TCK students (a lot of them were non-dancers) at the Utahloy International School for a week-long residency that culminated in a performance. The rehearsal process of telling the personal stories of TCKs through movement and dance with spoken word was equally as rewarding as the student performance itself.

* * *

This just in from Alaine at the Edinburgh Festival: The preview performances of her latest production, Habitat, have been going well, and they’ve even received a recommendation from a local newspaper, behind famous greats like Carlos Acosta and the Bolshoi Ballet (which are actually playing in London). Kudos, Alaine!

Tomorrow we’ll talk to Alaine about how this production came about. Any questions for her, meantime?

STAY TUNED for Part 2 of Lisa Liang’s conversation with Alaine Handa.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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img: Alaine Handa, by Anthony Schiavo, courtesy A.H. Dance Company.

Getting carried away with author Lisa Egle on a magic carpet, or is it a chicken bus? (Win a copy of her travel memoirs!)

Lisa E Collage for TNBack in the days when my nieces were small—and I’d just repatriated to the United States after quite a few years abroad—I got to know them again through long bouts of playing make-believe at my mother’s (their grandmother’s) house.

We particularly enjoyed Magic Carpet. We had our own home-made version. Adorning ourselves in Grandma’s silk scarves, we would plonk down on her quilted bedspread for a flight of fancy, à la Arabian Nights (not for us the Disney version!):

Whoever sitteth on this carpet and willeth in thought to be taken up and set down upon other site will, in the twinkling of an eye, be borne thither, be that place nearhand or distant many a day’s journey and difficult to reach.

I trust this anecdote will explain why I’m so excited about hosting new author Lisa Egle today. It’s Magic Carpet time again, and this time I get to be the kid, listening to Egle tell of the off-the-beaten-track adventures that are captured in her travel memoirs, Magic Carpet Seduction.

Hey, we even have prizes! Two of our readers will be the lucky recipients of a copy of Egle’s book (see giveaway details below). The giveaway is now over! 😦

Hmmm… The only thing is, I suspect that before we board the Magic Carpet, Egle will ask us to ride on a chicken bus. (Leave the silk scarves at home, girls!)

* * *

MagicCarpetSeduction_cover_pmHi, Lisa! I won’t need too much persuasion to be seduced by your writing. I’m already a follower of your travel blog, ChickyBus. And I know you’re an American like me, living in New Jersey. Why made you decide to travel in the first place?
After taking short solo trips in the U.S. back in the 1990s, I went on a two-week group tour of Egypt and thought it was the most exciting thing I’d ever done. I then went on another tour, of Ecuador, which turned out to be a life-changing experience (for many reasons, including the fact that I moved there a few months later). While living in Ecuador, I began to travel independently and realized how much I enjoyed it. From that point on, I entered the ranks of “travel addicts.”

How many countries have you been to at this point?
In total, I’ve been to 36 countries, on five continents. I was an expat twice: in Ecuador for a year and half and in Spain for a year. Recently, I spent two months in Indonesia.

And home is now New Jersey?
Yes. I’m a full-time ESL professor at a two-year college in Bloomfield.

I don’t get it. Is a “chicken bus” magical?

Where does the epithet “Chicky Bus” come from?
“Chicky Bus” is the name of one of the stories in my book. It’s about a quirky 12-hour “chicken bus” ride I took in Central America that led me to have epiphanies about living in the moment. When I started my blog, I thought “ChickyBus” would be a cool domain name—one that related to travel and one that people would remember. I also liked it as a blog concept. I’m the “driver” taking readers—”passengers”—on “rides” with me, allowing them to experience the same random moments and unexpected journeys that I do.

There’s also a deeper meaning, however. “Chicky bus” is a metaphor for my unique style of travel—being in the moment while venturing off the beaten path and taking risks (nothing too crazy, of course). It refers to that place of magic and self-discovery that I find wherever I go.

Why did you decide to publish some of your travel stories as a book?
Years ago, while blogging about general topics on a site called http://www.gaia.com, I began sharing travel tales. The feedback was incredibly positive; people were inspired and entertained by what I wrote and said they felt like they were right there with me. After a while, I decided to go all the way with it, to write more stories and to compile them into a book—four major “rides” to different regions of the world (and a total of 9 countries: China, Nicaragua, El Salvador, Guatemala, Mexico, Turkey, Jordan, Syria and Lebanon).

Are any of your chapters based on blog posts?
Interestingly, none of the stories are based on blog posts. I wrote most of the book before I started ChickyBus. There are, however, a few stories (simplified versions) on the blog that came from the book.

Mostly magical connections

We like to talk about “displaced moments” on the Displaced Nation. We can see you’ve experienced your fair share: from close encounters with Carpet Casanovas in Turkey, to meeting with a hermit in the Lebanese mountains, to experiencing political intrigue in a Chinese classroom, to receiving a marriage proposal on that infamous chicken bus in Nicaragua. But we still have to ask you: which is the MOST displaced moment that you’ve included in this book?
The moments you mention were truly unique ones and—believe it or not—I didn’t feel as displaced as one might think. Because I was in the moment and going with the flow, I felt quite comfortable and that I was where I needed to be.

There were a few instances, however, in which I did have that “displaced” feeling—the most extreme of which occurred in China.

It was 1999 and I was teaching English at a university in Changsha in Hunan Province, which was definitely considered off the beaten path back then. For most of my time there, I was in a deep state of culture shock. I struggled with many things, from freedom of speech issues to getting to know my students. There were many “displaced moments”—and even days. Fortunately, after a while, things leveled out and went more smoothly.

So from what you’ve just said, I guess there is a lot of competition for your LEAST displaced moment, when you felt you actually belonged with all of these characters you discovered off the beaten track?
One of my least displaced moments (and possibly favorite) was when a friend and I ended up spending the night with a Mexican family we barely knew. They’d invited us over for lunch. We were planning to take a bus to another city that night because we had to fly home from there the next day. It got later and later and because we were so comfortable, we didn’t want to leave. We ended up staying (and sleeping in two very tiny beds, slightly larger than coffins) and having a wonderful time being part of the family.

P.S. A little Boone’s Farm wine went a long way in helping make us even more comfortable…

Don’t exit until the rug has made a complete stop!

Okay, time to get off that chicken bus and onto that magic carpet. On your post announcing the book’s publication, you say:

So imagine that my book is the equivalent of an invitation to a Bedouin lounge of sorts. If you decide to join me, we’ll get comfy on the cushions and share some tea (or coffee or whichever beverage you like). When you’re ready, I’ll start telling you my favorite travel tales—and together, we’ll take a magic carpet ride.

Why did you choose this metaphor, and indeed use “magic carpet” in your title?
When I was a kid, my friends and brother and I used to sit on the front porch and listen to my mother telling us stories. Years later, I found myself doing the same thing with friends and later, on a blog. Then, I spent time with the Bedouins in Wadi Rum, Jordan. We told our own stories while sharing tea and sitting on the sand under a tent or on a cushion inside a house. In retrospect, I believe that the “invitation” into the Bedouin lounge has something do with each of these experiences.

Re: the title, when people see the words “magic carpet,” the freedom to travel anywhere, magically, usually comes to mind. Also, “Magic Carpet Seduction” is the name of one of the stories in the book. It’s about two men, seemingly different, trying to sell me a carpet and what happens I see through their each one’s sales pitch/ploy.

Also in your blog post announcing the book’s publication, you confess to being exhausted. (I confess to having had similar feelings after long games of Magic Carpet with my nieces!) What was the most challenging part of the writing process?
Mostly, it was finishing the book, editing it and formatting it while maintaining my blog and my full-time teaching job, and being on social media. At times, it was difficult to prioritize and I often felt burnt out.

Overall, however, I would say that editing took a lot out of me. There were a few times when I thought I was finished with a certain stage of the process; then, I’d realize that I wasn’t. Having said this, that is where I learned the most and what helped me become a better writer. So, in the end, it was a positive experience.

Capturing the magic of self-publishing

Why did you self-publish the book?
I took this route mostly because I wanted creative control; I believe the book is unique and slightly nichey. Also, I didn’t want to have to spend a lot of time pursuing an agent and traditional publisher. Mostly, I wanted to get the book done my own way and on my own schedule.

Can you offer any tips for others who are contemplating going down this path?
My best tips for anyone who’d like to self-publish are:

• Hire a professional editor and a proofreader—two (even three) people. Also, get a critique done before you pass the manuscript on to an editor. It’s important because each editor has his/her own specialty and will probably catch something another didn’t.

• Have a cover professionally designed. I know there are ways to do this cheaply or yourself, but it’s worth spending money to do this right since the cover is first thing that people see when searching for a book.

• Have your blog (and social media accounts) set up/established before you publish the book. I’ve seen many people do it the other way around. They finish and publish their book, then set up a blog and join Twitter. Many aren’t sure what to do—they just tweet about their book and don’t interact with others. This tends to hurt them more than help them.

• Don’t give up. I can’t begin to tell you how many times I wanted to quit just because of the sheer amount of work (blog, social media, the book itself, etc.) You can burn out very easily and, if you’re not careful, your health can suffer. Keep going, though, and you’ll cross that finish line!

What audience did you have in mind when writing the book?
I’ve always envisioned the audience as:

  • armchair travelers and those who take tours and fantasize about breaking away
  • other independent travelers/expats
  • non-travelers with an interest in countries often in the news
  • anyone curious about the cultural perspective/insights of a female American traveler.

Is it reaching those readers?
I don’t know the customer demographics yet, but I know that a few men have written reviews on Amazon—and that makes me happy. As is the case with ChickyBus, the book is for people of all ages and both genders. It’s definitely not just for women.

I see you’ve opened your own publishing company and are working on some more ambitious travel-cum-writing projects. Can you tell us some more about that?
I set up a small publishing company for a number of reasons, including accounting and taxes. More than that, I thought it made sense because I will be publishing more books and hopefully, a collection of travel tales written by others. This is a longer-term goal, but definitely something I’m considering for the future.

Are you already working on your next book?
I’m currently working on a trilogy about Native American-style healing journeys in the U.S. (in the Northeast and the Southwest). After that, I’ll hopefully wrap up the rough draft of a book about life-changing experiences I had in Ecuador. That, like the trilogy, would fall under a “spiritual travel” genre.

10 Questions for Lisa

Finally, I’d like to ask a series of questions that I’ve asked some of our other featured authors, about your reading and writing habits:
1. Last truly great book you read: Grey Wolves and White Doves, by John Balian
2. Favorite literary genre: Political thrillers; travel literature.
3. Reading habits on a plane: (what kinds of things do you tend to read and by what means?) Now, because I own a Kindle, this is much easier. I usually have several books to choose from: one I’m sure I’ll love and lose myself in and—a few that I’m curious about. One thing I love to do on a plane (and during my trip) is keep a journal. During my return flight, I re-read the journal and re-experience the trip. I almost always do that and love it!
4. The one book you’d require President Obama to read, and why: Hmmm. That’s a tough question. Maybe my book? I’d want him to see that there are Americans who embrace the rest of the world, despite the media’s distortions of it. Also, I think my book would show him how travel, the way I approach it—focusing mostly on meeting the locals—can help people to connect in a very real way and to overcome cultural misconceptions, ultimately helping make world peace more attainable. Another reason I’d want him to read it is because I think it would provide good escapism since it’s quite humorous. He’s got a tough job and might enjoy it for the entertainment value alone.
5. Favorite books as a child: The Outsiders, a coming-of-age novel by S.E. Hinton; and Go Ask Alice, by Beatrice Sparks.
6. The writer, you’d most like to meet, who is no longer living: Aldous Huxley
7. The writer, you’d most like to meet, who is still alive today: Daniel Keyes
8. Your reading habits: I have a pretty short attention span, so there are many books that I start to read that I don’t finish. However, if a book really gets my attention, then I can’t stop. It becomes something I look forward to and put aside other things to do. Unfortunately, since I started my blog a few years ago, I’ve been reading less than previously. I spend more time reading other blogs and articles than reading actual books. When I seem to read the most is when I’m traveling and find myself without Internet. I end up loving it, too.
9. The book you’d most like to see made as a film: A cyber suspense I’ve written about two women who “meet” on the Internet and what happens when the bond they’ve formed takes a dysfunctional and frightening turn. It’s now in rough draft form (about 15,000 words), but I’m hoping to publish it on Amazon (just for Kindle) in a few months.
10. The book you plan to read next: Actually, there’s a book I’m itching to finish reading—and that’s Shantaram. I always start it and then get interrupted. It’s a very long book (over 900 pages). I think Gregory David Roberts is an awesome writer. His storytelling ability—the way he writes dialogue, how he describes characters, settings and situations, and the way he uses metaphor—makes his experiences incredibly real to me.

* * *

Thanks so much, Lisa! That was absolutely magical, a carpet ride to write home (to my nieces) about! And that chicken bus? It wasn’t half bad! 🙂

What about you, readers? Has she seduced you?

Lisa Egle writes a blog, Chicky Bus, the concept of which is “finding yourself off the beaten path.” Over the past three years, it has been recognized on two “Top 100” lists of independent travel blogs. Egle is also Assistant Professor of ESL at Passaic County Community College in Paterson, New Jersey, where she teaches students from all over the world, especially Latin America and the Middle East. She holds a BA in Social Sciences from New York University and an MA in TESOL (Teaching English to Speakers of Other Languages) from Fairleigh Dickinson University. Lisa recently published a humorous piece in OH SANDY! An Anthology of Humor for a Serious Purpose (sales of which help victims of Hurricane Sandy), and an article on one of her quirkier adventures in Indonesia in LifeLift, the Oprah.com blog. She received an honorable mention in the 77th Annual Writer’s Digest Contest, in the Inspirational category.

STAY TUNED for tomorrow’s post, by guest blogger Elizabeth Liang, who will be updating us on her one-woman play about the TCK life, Alien Citizen.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Images (clockwise, starting top left): Lisa at the home of her Cirassian-Jordanian friend, Souzan, with whom she was staying before the latter’s move to New Jersey(!) [this photo is in the book]; Lisa at a wedding in a Minangkabau village in Sumatra (hey, you can’t attend without posing with the bride and groom); Lisa camping in San Blas, Panama, during rainy season and a full moon (a displaced moment, to be sure, as the local Kuna indigenous believe that a full moon equals a curse); and Lisa after being recruited to be on a famous TV show in Damascus, which aired during Ramadan afforded an opportunity to meet one of the most famous actors in Syria—Qusai Khouli (she is wearing a late 1800s outfit, in case you were wondering). The painting in the center is “The Flying Carpet,” by Viktor Vasnetsov (1880), courtesy Wikipedia.

And the May 2013 Alices go to … these 4 international creatives

 © Iamezan | Dreamstime.com Used under license

© Iamezan | Dreamstime.com
Used under license

As subscribers to our weekly newsletter will hopefully have noticed by now, each week our Displaced Dispatch presents an “Alice Award” to a writer who we think has a special handle on the curious and unreal aspects of the displaced life of global residency and travel. Not only that, but this person has used their befuddlement as a spur to creativity. He or she qualifies as an “international creative.”

Today’s post honors May’s four Alice recipients, beginning with the most recent and this time including citations.

So, without further ado: The May 2013 Alices go to (drumroll…):

1) ADAM GROFFMAN, travel blogger and expat

Source: “How a children’s book inspired my wanderlust” in Travels of Adam
Posted on: 13 April 2013
Snippet:

You see, what I loved about this book as a kid is the focus on architecture and food in this utopian society. Each family is responsible for bringing a country’s culture to the island nation.

Citation: Many of us at the Displaced Nation attribute our abilities to tolerate and even embrace life abroad (the strange foods and drinks, the loneliness, the largely incomprehensible rules) from having taken to heart Alice’s Adventures in Wonderland and its sequel, Through the Looking Glass, as kids. A good dose of literary nonsense has taken us a long way, and even to this day, we appreciate having recourse to Lewis Carroll’s great works to make sense of our rather curious lifestyles in countries other than those in which we were born.

Adam, we understand that you quit your job in Boston to travel the world and that you trace your own wanderlust to the 1947 American children’s book The Twenty-One Balloons, by William Pène du Bois, a story that in some ways is even more fanciful than Alice’s.

For those who don’t know it: The book begins when a schoolteacher, Professor William Waterman Sherman, becomes bored with his life and sets off on a journey in a hot air balloon called The Globe. He hopes the wind will blow him and his balloon all around the world. But instead he has a crash landing on the mysterious island of Krakatoa (Indonesia), where he discovers a utopian society started up by a group of wealthy families. Each family owns a restaurant of different types of foreign foods and all members of the island eat together at a different house, full of fantastic inventions, every night. Krakatoa being a volcanic island, the families are aware of the danger that the volcano could erupt at any moment (in fact its volcanoes erupted in 1883). Their escape plan consists of a platform made of balloons…

Adam, we love the idea of emulating a fictional character who favors balloon travel—the kind that begins without regard to speed and without a destination in mind. It’s also romantic to think that you expect to find, at best, utopianism, at worst, good food, in the course of your world wanderings. Perhaps it accounts for why you’ve landed your own “balloon” in Berlin, Germany’s creative capital and a city renowned for its architecture (only, how is the food there?).

2) TRACY SLATER, expat writer, author and blogger

Source: “What Does Home Mean When You Live Abroad?” in The Good Shufu
Posted on: 8 May 2013
Snippet:

I know how easy it is, when we live overseas, to lose our gimlet eye about home: to romanticize it, to see it as a kind of lost Eden, a place where we wouldn’t suffer the same disappointments or lonelinesses or defeats that we suffer in our expat lives.

Citation: Tracy, we would add to that something we learned from Alice, which is that part of the reason for cherishing the memory of home so much is that you can’t easily share what you love about it with the people you encounter in your new place. Alice experiences this when trying to talk about her beloved cat, Dinah, with the Wonderland creatures:

“I wish I hadn’t mentioned Dinah!” she said to herself in a melancholy tone. “Nobody seems to like her, down here, and I’m sure she’s the best cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you any more!” And here poor Alice began to cry again, for she felt very lonely and low-spirited.

We also find inspiring your quote from the Egyptian writer and thinker André Aciman, that all exiles impulsively look for their homeland abroad. Even poor Alice suffered from that affliction—recall her trying to make herself at home at the Mad Hatter’s tea party, only to discover it is a less than civil gathering to what she is used to. First she is told there is no room for her at the table; then when she sits anyway, that her hair needs cutting. She is offered wine even though there isn’t any, and told to take more tea even though she hasn’t had any.

In fact, some of us can relate quite directly to this need to feel at home via a good cup of tea. TDN writer Kate Allison, for instance, has lived in the United States for many years but to this day fails to understand why Americans give her a cup of lukewarm water and a tea bag when she orders tea. And ML Awanohara, who lived in England before becoming an expat in Japan, often longed for English tea while sitting through the Japanese tea ceremony.

Tracy, we very much look forward to your forthcoming book, The Good Shufu: A Wife in Search of a Life Between East and West (Putnam, 2015), to help us make sense of such classic expat predicaments.

3) DANIELLA ZALCMAN, photojournalist

Source: “London + New York: A double exposure project”—an interview with Daniella by Austin Yoder on Matador Network
Posted on: 22 April, 2013
Snippet:

When [Daniella] moved from New York to London, she decided to create a series of double exposures to marry the spirit of both cities based on a combination of negative space, color, and contrast. Daniella’s double exposures create beautiful imaginary landscapes, and are captured entirely with her iPhone 4s.

“When I got to London, I knew that I wanted to capture not just the sensation of leaving NYC, but also of exploring a new city and making that environment feel like home.”

Citation: Daniella, we are enchanted by your idea of creating a composite of your beloved home city (New York) with your adopted city (London) to come up with an imaginary landscape. Indeed, we think it must be akin to the process Lewis Carroll used when creating Alice’s Wonderland—blending the bucolic English countryside surrounding Alice (she is sitting on the river bank considering making a daisy chain when the White Rabbit first appears) with the curious world that exists at the bottom of the rabbit hole, the familiar with the unfamiliar. When Alice awakens and reports her dream to her sister, the sister “half-believes” herself to be in Wonderland—if only she can suspend her disbelief for long enough to the sheep-bells tinkling in the distance as rattling teacups, the voice of the shepherd boy as the Queen’s shrill cries, and the lowing of the cattle in the distance as the Mock Turtle’s heavy sobs…

4) “SARAH SOMEWHERE”, world traveler and blogger

Source:On Freedom” in Sarah Somewhere blog
Posted on: 29 April 2013
Snippet:

I am not, by nature, a free spirit. I’m a worrier, a control freak and a chronic people pleaser. Letting go and trusting in the universe’s plan for me is not my default setting, nor is being content with what I have rather than continually striving for more. I still need some practice.

Citation: Sarah, your struggle with living life in the moment in Mexico puts us in mind of Alice, who, is constantly worrying about the impression she is leaving on the Wonderland residents, and finds it a challenge to enjoy the moment in a place as curious as Wonderland. We wish you luck in finding that sweet spot between total personal freedom and societal obligations. And, taking our cue from Alice’s sister, we envision a day when you’ll be telling stories about your adventures in Southeast Asia, China, Mexico and India to a group of children and inspiring them to follow their unique destinies:

she pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman; and how she would keep, through all her riper years, the simple and loving heart of her childhood: and how she would gather about her other little children, and make their eyes bright and eager with many a strange tale, perhaps even with the dream of Wonderland of long ago: and how she would feel with all their simple sorrows, and find a pleasure in all their simple joys, remembering her own child-life, and the happy summer days.

* * *

So, readers, do you have a favorite from the above, and do you have any posts you’d like to see among June’s Alice Awards? We’d love to hear your suggestions! And don’t miss out on these weekly sources of inspiration. Get on our subscription list now!

STAY TUNED for tomorrow’s post, another Jack the Hack column…

Writers and other international creatives: If you want to know in advance whether you’re one of our Alice Award winners, sign up to receive The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with news of book giveaways, future posts, and of course, our weekly Alice Award!. Register for The Displaced Dispatch by clicking here!

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TRAVEL YARN: Two madcap Indonesian ladies in weird & wonderful Japan (2/2)

Japan — the country that many Westerners have likened to Lewis Carroll’s “wonderland” for its quality of wacky unpredictability. But what about for other Asians — do they feel as displaced and disoriented there as we do? Our very first Random Nomad, Anita McKay, ventured into the Land of the Rising Sun for the first time this summer, in the company of another Indonesian, P, who had been there once before as a student. This is Part 2 of the pair’s adventures. (See also Part 1.)

After Tokyo and Kyoto, P and I headed to Kobe — with Kobe beef as our main target. We’re Indonesians, remember? Which means we’re always looking forward to our next meal.

Gluttons for gourmet food

Our hotel in Kobe had booked us a table at Mouriya, a restaurant that prides itself on serving superior quality beef from the Kobe Cow and the Tajima Cow. Mmmm…

The meat was really delicious, but not long afterwards, I was craving sushi again. Fortunately, I was able to indulge in some serious sushi eating one last time with my blogging buddy from Yokohama, whom we met on our way back up to Tokyo. She and I went out for a meal at Kyubey, a high-end sushi restaurant in the Ginza. (P couldn’t join as she actually had to work in Tokyo for her Indonesian company for the last two days of our trip.)

Kyubey, which is actually two restaurants across the street from each other, doesn’t take bookings and always has a long queue. Luckily, my friend and I were able to get a table — and, to our delight, the chef had rather fluent English.

He patiently explained to us about the fish we were eating. One particular sushi had to be held with chopsticks in a certain way and nibbled at from the side, not the front.

We told the chef that both of us weren’t too keen on tuna, as the tuna we’d tried had been chewy or smelled too fishy — so we preferred salmon instead. He smiled and then put some tuna on our plates and told us to try it. We soon realized that this might be the best thing we’d ever eaten — melted like butter in our mouths.

Our nine-course lunch, which included eel (unagi), tuna, scallop, and squid, cost only about AUD 50 (around the same in US$). I would happily go back to Kyubey again and again and again.

P, upset at being stuck in the office while my friend and I were feasting on sushi, insisted that we go to Tsukiji market on our last morning in Japan. We got to the market just after 6:00 a.m. — but by then had already missed the tuna auction.

Still, we took a good look around at all the weird and wonderful sea creatures for sale, and then decided to have a sushi assortment for breakfast. While at the sushi restaurant, I discovered that different parts of the tuna are sold at different prices. I also came to realize that tuna costs 2-3 times more than salmon. Remembering what I’d told the chef at Kyubei about salmon and tuna, I think he must have been laughing at us!

Sex (and hugs), please, we’re Japanese!

Our first night in Kobe, P and I had wandered around looking for a place to have a drink after dinner. It was only 9:00 p.m., but outside nearly every club were girls in miniskirts handing out pamphlets.

(If guys, not girls, were standing outside the clubs, it was to advertise that “go go dancing” was on offer. Hmmm…is that a euphemism?)

We passed one big place claiming to be an Arabian club (actually, the building did have a Middle Eastern look), with a big banner of three Japanese girls dressed as nurses and “A Whole New World” blasting loudly.

We passed a couple who looked as though they were in their mid-50s and had had too much fun too early. The lady was leaning against a tree and wrenching; not exactly the picture of elegance!

We decided just to go back to our hotel instead.

Later, when we joined my blogging buddy for some shopping at the Yokohama Red Brick Warehouse, we rested over coffee as she regaled us with some stories she’d collected of strange and rather lewd behavior engaged in by Japanese men.

And then, as if to illustrate her story, something rather creepy happened. Ever the snap-happy tourist, P had decided to take a parting shot of me and my blogging buddy with the Red Brick Warehouse in the background. There was a young couple doing the same thing, who turned out to be Indonesians, sent by their companies for a training session in Yokohama.

While we were busy exchanging e-mails and phone numbers, a young Japanese man popped up out of nowhere.

He shook my hand, asked my name (in English), and mumbled something I couldn’t understand. He then walked over to my blogging buddy, repeated the same series of gestures — and then hugged her. He walked over to P and did the same thing. And then it was the turn of the young Indonesian couple.

By then, all of us had realized there was something “not right” about this guy — but as he seemed harmless enough, we waited patiently until he finished hugging the last person in the group.

At that point, he walked back to my blogging buddy and hugged her again.

I laughed a little because it seemed so strange — also because I was the only one he hadn’t hugged so felt safe.

But then, to my horror, he came back to me, shook my hand again, asked my name again, and then really hugged me and wouldn’t let go.

My blogging buddy, seeing the expression on my face, started walking away as fast as she could. The rest of us followed her. I broke free and followed her as well. As we looked back at Hugger Boy, he just waved and started laughing.

Another funny, weird, horrifying tale for my blogging buddy’s collection!

Some seriously good people watching

As our time in Japan drew to a close, I entertained myself by staring at the Frank Lloyd Wright wall in Tokyo’s Imperial Hotel, spying on a wedding procession at Meiji Shrine — and, best of all, people watching.

As I was sitting on the subway, I noticed two very pretty girls sitting right in front of me. Their hair was almost light brown (a favorite color in Japan), very long and slightly wavy (favorite style in Japan). They also wore fake eyelashes, but there was something about them that made me keep staring at them. After a few minutes I realized that their eyeballs were unusually large, more like dolls than human.

Later I consulted with Google and found that Japanese girls sometimes wear special contact lens that do make their irises look bigger. Odd…

More odd stuff: both P and I had been wondering why so many young Japanese men carry bags just like us girls. There was one guy in the subway who carried a black Dior tote bag. And if that wasn’t weird enough, I saw a guy carrying a brown city messenger bag by Balenciaga. (Google the bag and your jaw will drop, just as mine did.) Oh, and there was also a man with matching red tote bag and shoes in Bvlgari’s Il Café in Omotesandō, where P and I stopped for martinis.

Still, I did enjoy watching that particular man, who was accompanied by his two pooches. One dog kept begging from the cute girl at the next table, while the other kept demanding food from him.

Meow — or should it be nyan?!

Actually, I’m more of a cat person — so before we flew home I wanted to visit the Calico Cat Café in Shinjuku, where people can enjoy coffee or tea in the company of real cats. P still had to work so I went by myself. I didn’t even get lost!

The café has two floors and charges the guest by the first hour, then per 15 minutes. I saw a wide variety of cat breeds: Maine Coon, Abyssinian, Ragdoll, Persian, Scottish Fold, and so on. No Sphinx, though.

The café has strict rules about entering the cat area: you have to change your shoes to slippers, clean your hands with disinfectant, and not take any photos with a flash.

All of the cats seemed rather spoiled. They refused to be petted unless you gave them a snack first. A Scottish Fold named Apollo apparently thought he was the cashier, so he sat at the cashier counter, looking at us lazily.

One hour passed by so quickly that I wished I could spend at least another day in Tokyo! P, meanwhile, wished she didn’t have to work so she could experience the cat café as well.

A fond sayonara

We spent our last minutes at the airport buying Tokyo bananas and green-tea Kit Kats for friends and family back home. I was pondering about buying sake, but then all of a sudden, it was time for boarding!

P is determined to go back again, and I, too would love to go back. But as the seat belt sign went off, we looked at the world map spread in our screen, and started day-dreaming about our next adventure…

* * *

Readers, any questions or comments for Anita? Where do you think she’ll go next?!

Anita McKay is a property consultant, travel junkie, cat lover, food enthusiast. She resides in Perth with her Scottish husband but is still searching for a place called home. To learn more about her, check out her blog, Finally Woken, and/or follow her on Twitter: @finallywoken.

STAY TUNED for tomorrow’s review of an expat memoir of a cross-cultural elopement.

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Images (clockwise): Anita McKay making a feline friend in Café Calico in Shinjuku, Tokyo; the marble-ous Kobe beef; the bride and groom at a Japanese wedding at the Meiji Shrine; and Kyubey sushi (all from Anita McKay’s extensive collection).

THE DISPLACED Q: What’s the cheapest — yet tastiest — meal you’ve discovered on your world travels?

So what is the tastiest cheap-eat I’ve come across whilst traversing the globe? Not being much of a foodie, and being a writer, cheap — yet tasty — is what I’m all about.

Well, I hate to be boring and predictable — so I won’t be. Yeah, the street food you get in Thai markets is to die for when you’re hungry. Not only that but you can eat three full meals back to back for the price of a loaf of bread in Australia.

But that’s not what I’m going for. No, for sheer cheapness compared with mouth-watering deliciousness, I’m going to have to go with an old favorite: Indo Mi goreng, an instant-noodle brand produced by the world’s largest instant noodle manufacturer, located in Indonesia.

Not just any old noodles!

Now you could be forgiven for thinking I’ve gone off my rocker here. There are countless brands of instant noodles floating around out there, and they’re pretty much all unified by one thing: being rubbish.

Nutritionally rubbish. Tasteless. Processed. Crap.

But not these noodles! I ate them almost every day on my rejuvenating hike across Western Australia — mostly because they were light enough to carry in a full rucksack and impossible to mess up in terms of cooking. These ones are nice, super nice even. And when I went back to England recently and discovered I couldn’t buy them there, the wife made me order them wholesale! I think they came directly from Indonesia. Forty packet… Oh, yes, this is how much we love these noodles.

Even though we buy them in bulk, they still cost less than the postage!

All the Asians in my area of Australia buy them — either in ten-packs, or in the same giant box I had delivered to me in England. That’s how you know they’re good noodles — when your Malaysian housemates fill their shelves with them!

But I can’t devote this entire post to one brand of instant noodles, can I? Um…no. But I’m hard pressed to think of anything else that’s so delicious for less than 50 cents.

A case of “you get what you pay for”?

Well, Canadian athlete Joe Sakic spoke true when he said:

Any free meal is a good meal, you know?

Or did he? I’ve come across a few ways of getting free food in my time — from famous vegan soup kitchens in a hippie commune in Margaret River (Western Australia) to the delightful food they served me in hospital when I was selling my body to medical science (also know as being a guinea pig for medical testing). And none of these meals were especially delicious.

You know, they would shoot me full of weird, untested drugs, imprison me in a hospital for weeks at a time, make me sleep on rubber sheets and wake me every morning at 4:00 a.m. to take my blood.

But still, the worst thing about the whole experience was the food.

Free is only good if you don’t have to have it; being forced to eat isn’t great no matter the quality of the food. Which, unsurprisingly, wasn’t great.

Tastes that refuse to be acquired

Then, of course, there are the meals in foreign lands that people treat you to. In my experience, that can be risky.

On my last morning in South America, my Ecuadorian girlfriend took me for a surprise breakfast she’d been planning for some time.

She led me all through the suburbs of Quito, to a restaurant which was famous for one dish in particular: ceviche.

Now, I’m not a fan of seafood. I can just about choke down a fish-finger — as long as I can’t see the insides of it. Ugh!

Of course, this topic had never come up; one of the myriad disadvantages to starting a relationship when you don’t share even one common language. We communicated mostly in sign language, and the half-assed version of Spanish I was picking up.

So naturally, I’d never mentioned my intense dislike of seafood, in much the same way as she thought it would be too much effort to explain what her surprise was. As a result, neither of us knew what to expect until I lifted the lid on my service and saw what it was: namely, half the cast of Finding Nemo, after being put in a blender with some brown sauce and chillies…

I tried to eat it, honestly I did!

I didn’t succeed though.

At least, the bit I did eat came back up so rapidly we have to make our excuses and leave the restaurant at top speed…

So remember that, whilst free food is irresistible, you should always season your desire for a cheap eat with a little caution, especially when traveling. The old adage is true: there is no such thing as a free lunch (or breakfast).

There are few things worse than being violently ill in the middle of a country where no one speaks your language. Far from home. Far from healthcare you trust… And wearing most of your raw-seafood breakfast.

That is almost never a good look. :0)

* * *

So, that’s all from me on this particular displaced Q! Now it’s your turn! What experiences have you had in your search for cheap eats around the world? Any tasty morsels? Anything we should avoid? Any scrumptious stories…? We’d love to hear from you! You can also hit us up on Twitter: @TonyJamesSlater +/or @displacednation.

STAY TUNED for Tuesday’s post, the second part of a two-part travel yarn about two madcap Indonesian ladies who are taking Japan by storm!

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Img: The contents of Tony James Slater’s shopping bag, taken on 9 September 2012 in his current home of Perth, Australia.

TRAVEL YARN: Two madcap Indonesian ladies in weird & wonderful Japan (1/2)

Japan — the country that many Westerners have likened to Lewis Carroll’s “wonderland” for its quality of wacky unpredictability. But what about for other Asians — do they feel as displaced and disoriented there as we do? Our very first Random Nomad, Anita McKay, ventured into the Land of the Rising Sun for the first time this summer, in the company of another Indonesian, P, who had been there once before as a student. McKay reports on the pair’s adventures in this two-part travel yarn.

The message exchange between my travel buddy, P, and me, in May, went like this:

Me: “So have we decided where we want to go this July?”

P: “How about Japan?

Me: “Okay.”

P had lived in Japan decades ago for a student exchange program. She hadn’t been back since, and thought this year would be a good time.

I, on the other hand, didn’t really have any specific destination in mind — just so long as I could go somewhere I hadn’t been to. As I explained in my interview with the Displaced Nation, although I am from Indonesia originally, I have lived for extended periods in Aberdeen, Scotland, and in Australia. But I still hadn’t made it to Japan.

P suggested Tokyo, Kyoto, and Kobe. I added Yokohama to the list because there’s a blog buddy I wanted to meet up with. She and I had been trying to catch up forever and everywhere — UK, Singapore, and Indonesia — but kept missing each other. If I went to Yokohoma, where she is now based, surely we would finally get together?

I prepared myself for the trip by scanning some pages in Trip Advisor and the Lonely Planet guidebook. At least I would have an idea of what to do and where to go — and wouldn’t be entirely dependent on P, who speaks and reads Japanese and has lived there before so presumably knew how to get around.

Madcap traveler’s motto: Be unprepared!

When we landed at Narita Airport, I suggested that we take a taxi because it was 9:00 a.m., and I had taken the notion of a red-eye quite literally — my eyes looked red as I was still recovering from flu. I desperately wanted to have a quick nap before exploring the city.

We crossed the road, dragging our gigantic suitcases with us, and I let P speak with the men at the taxi rank. When she showed them the address of the hotel, one guy frowned and looked at us. “Tokyo?” he asked in disbelief.

We nodded eagerly. The drivers exchanged glances and apparently decided we weren’t crazy. One of them spoke in Japanese to P, who translated: “It’s 23,000 yen.”

I did a quick calculation, and almost fainted when I found out it will cost us almost 300 AUD [around the same in US$] for a taxi to our hotel.

“300 bucks??” I asked P. She nodded calmly, but her eyes couldn’t lie. She was just as shocked as I was.

“No! Cancel!” I shook my head furiously, while P apologized to the drivers. The men just laughed and pointed us back to the airport. “Take the train instead,” I think they said. “Like normal people.” Maybe they said that, too!!

Now we know why there was no one queuing for a taxi, whereas there was a long queue at the train ticket window. And we thought we were being smart!

Everyone had warned us that Japan — Tokyo in particular — is “very expensive!” The city ranks number 1 in the list of the most expensive cities in the world, while Perth, where I now live, is number 19. But really, if the taxi would cost us almost 300 bucks, what kinds of prices could we expect to find in Tokyo?

P had no memory of taxis from the airport. Years ago when she landed in Tokyo, she was picked up by a shuttle bus.

She’d also paid no attention to the length of the journey — she’d been too busy meeting and getting to know the other students. Both of us were surprised when it took almost an hour for the Narita Express to reach Tokyo Station. P had assumed it would be like Jakarta airport to the city centre (just because), and I must have skipped that page in the guidebook…

Well, at least we now knew why it was so expensive to take a taxi: the distance is more like Heathrow to London.

We just kept laughing at our silliness.

It’s food?!?!?

By the time we’d reached our hotel in Chiyoda, a quiet area near the Imperial Palace, we were both rather hungry and decided food would come first on the agenda, before tackling the first sight on our list: Sensō-ji, Tokyo’s oldest temple, in Asakusa.

Food is important to us Indonesians. We eat all the time. In Japan for the first time, I wanted to try something new: not sushi, yakiniku, donburri (rice bowl), soba, or ramen.

“Let’s try this!” I excitedly pointed at one restaurant name in the guidebook. “It’s in Asakusa and it looks…exotic enough.”

P agreed, and under the glare of the July sun we made our way to a restaurant called Komagata Dojo, only to be greeted by the sight of a rather long queue. If there is a queue, then the food must be good, we assured each other. Plus it seems as though most of the people in the queue are locals, so the taste must be authentic.

As it turned out, the restaurant is in its sixth generation of owners, and is famous for its dojo: a tiny freshwater fish like an eel or sardine, cooked in a cast iron pot.

We ordered what seemed to be everyone’s favorite, dojo nabe (hot pot), and also asked for two bowls of rice.

The waitress lit the charcoal burner in front of us, set the pot down on top of it, and told us to sprinkle the spring onions, or negi, on top of the fish.

We looked at each other after the first gulp.

“What do you think?” I asked P.

“What do you think?” she replied back.

“Well…it’s…all right. Weird.”

She nodded. “The rice is very good though.”

I can’t describe the taste. It’s rather bland for my liking, as I grew up in Indonesia, which is famous for its spicy dishes. Not just hot spicy, but lots of flavors in every dish. But dojo nabe isn’t tasteless either. Lots of soft flavors, like soy and spring onions.

When we were about to finish our lunch, I asked P how come Japanese people look so slim if, like the rest of us Asians, they enjoy eating all the time. We were thinking that their diet of raw seafood might be the answer.

“But this isn’t raw,” I pointed at the dojo. “It’s cooked. Plus the size of the rice is rather big.”

We looked around at the other patrons — and, to our horror, we were the only ones who’d seemed to have ordered a bowl of rice each! The rest of the customers were adding the spring onions to their fish but had no rice bowls.

“That’s the only thing they eat for lunch!” I hissed to P. “Spring onions and tiny fish! No wonder they’re slim!”

“No wonder the waiter asked if we wanted one or two bowls of rice,” P admitted when we were at the cashier. “I thought it was because of my rusty Japanese, but now I know because she didn’t believe two small girls can eat that much!”

Hanging our heads in shame, we slipped out of the restaurant and determined we would burn away the calories by walking to Sensō-ji temple. The temple, however, was only a few minutes’ walk away. Still, we had fun taking photos of ourselves under the gigantic red lantern at the temple gate, and looking at the stalls lining the 200-metre-long Nakamise-dōri, the street approaching the temple — selling every manner of Japanese trinket and souvenir, including yukata robes (cotton kimono), tenugui (hand towel, often used as a headband), furoshiki (rectangular cloth for gift wrapping) and folding fans. There were also local snacks for sale, of a kind I’d never seen before in my life, in every shape and color possible, in beautiful packaging.

Kyoto and the Indonesian connection

After two days in Tokyo, we took the shinkansen to Kyoto and stayed in a ryokan — a traditional Japanese guesthouse where you sleep on tatami mats. Being shoppers at heart (another trait of Indonesian tourists!), we were pleased to see that the ryokan was just two minutes away from Nishiki Market, which we saved for our last day.

At first I was skeptical. How “weird and wonderful” can the Nishiki market wares be? I’m an Asian, I’ve seen lots of weird and wonderful things, I don’t think that the Japanese can produce anything that would shock me. Well, I was wrong. From pickled eggplants to live turtles, from grilled sea-eels to rakugan (tea-ceremony sweets) shaped as sushi — every single stall was full of wonders that had me alternatively oohing and ahing, or eek-ing and yuck-ing (along with a few WOWs and OMGs).

But I’m getting ahead of myself. We ended up having a better experience in Kyoto because of making an Indonesian connection on our very first day. After encountering the tail end of the Gion Matsuri, one of Japan’s most famous festivals, named for Kyoto’s Gion district, we stopped in one of the shops in Gion, where the owner happily chatted with us in English. He knew about Indonesia’s first president (I guess because the third of Soekarno’s nine wives was a Japanese woman), and explained to me that the stuff I was buying wasn’t candy but rakugan, made of sugar and starchy powder and often served in Japanese tea ceremony to offset the bitterness of the green tea.

Arranged in a pretty box, the rakugan have the most beautiful soft colors, from baby pink to green. Each was in a floral shape, with delicate carvings on the surface — yet each was only as big as my smallest fingernail. How they could make such detailed coverings in such a small space, I had no idea.

We told the shop owner we were hoping to eat a good soba for dinner. He said to go straight ahead until we reached the kabuki theatre. Next door to that theatre is a famous soba place called Matsuba, he said.

We found the place easily (thanks to P’s ability to read the restaurant sign!), and had fantastic soba with smoked herring.

Our luck didn’t stop there. The next day, after wandering around Kiyomizu-dera, a famously beautiful temple in Eastern Kyoto, and spending a fortune buying souvenirs, cookies and ice cream from virtually every shop along the temple street, we made a quick stop at a proper store to buy sunglasses for P. One of the staff turned out to be an Indonesian. He recommended a bar not far from our hotel for a drink, where the owners are Japanese sisters but can speak Indonesian. Thanks to this advice, we ended up spending our last night in Kyoto befriending a set of Indonesian-speaking Japanese twins.

IT’S FOOD!!!

I queried the twins about where to have lunch on our last morning. They booked us into Gion Nishikawa — 2 stars in the Japanese Michelin Guide and the first restaurant in Japan that made me appreciate how wonderful Japanese food can be. The eight-course, kaiseki-style lunch cost only around 70 AUD and was served directly by the cute chef (whom P rather fancied!) from across the counter. No other Japanese food I’d had before in my life could compare to this.

The chef would tell us (in Japanese, of course) what type of dish he was putting on our plates, and which food goes with which sauce. By the fourth course, which featured three types of fish, even we were starting to feel rather full, and P decided not to finish it — she wanted to save some space for course No. 8. When the chef cleared her dish, he saw that there was still some fish left, put it back in front of her and told her to finish it! I assumed he did that because it was such a costly delicacy.

Meanwhile, I was amazed that one of the fish in the bowl was koi (carp or goldfish) — yes, koi, what people normally keep as a pet! I looked at the chef in disbelief and he only laughed at me and said (as translated by P) that of course they eat koi.

Hahaha — I still felt as though I was eating my own cat…

By the eighth course both P and I swore we wouldn’t eat again until tomorrow. Famous last words! 🙂 We’re Indonesians, remember?

* * *

Readers, do you have any questions or comments for Anita? Stay tuned for the second part of her travel yarn, when the madcap duo move on to Kobe and Yokohama, and then back to Tokyo, to be posted within the next two weeks.

Anita McKay is a property consultant, travel junkie, cat lover, food enthusiast. She resides in Perth with her Scottish husband but is still searching for a place called home. To learn more about her, check out her blog, Finally Woken, and/or follow her on Twitter: @finallywoken.

STAY TUNED for tomorrow’s interview with a hilariously funny British expat author.

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Images (clockwise from top left): Japanese trinkets for sale at the famed Nakamise-dori in Asakusa, Tokyo; Anita McKay deciding that dojo nabe may be an acquired taste (at a famous Tokyo restaurant); one of the many fabulous lunch courses at Gion Nishikawa in Kyoto; one half of the dynamic duo (A) outside of the JR Station in Kyoto; the other half of the dynamic duo (P) at Nishiki Tenmangu Shrine, just outside Nishiki Market, Kyoto. All photos from Anita McKay’s personal collection.