Columnist Elizabeth (Lisa) Liang‘s guest this month is an adult Missionary Kid (and Third Culture Kid) who expresses his creativity as a visual artist.
Welcome back, readers. Today’s ATCK interviewee is artist, illustrator, and graphic designer Benjamin Jancewicz. Benjamin grew up in Northern Quebec, on the Naskapi Native American Reservation of Kawawachikamach, to an Irish-American mother and Polish-American missionary father who is a linguist and Bible translator to the Naskapi Native Americans.
His Twitter blurb says he was raised “Native, Interracial, MK” (MK being Missionary Kid).
Benjamin’s parents met tobogganing at a Youth Group in their hometown of Norwich, Connecticut, and Ben was born in Connecticut. He now lives in Baltimore with his wife, Tamika, where he runs his own graphic design company, Zerflin (the name belonged to a cartoon alien Benjamin drew as a kid) and creates original vector artwork, which has been exhibited in galleries, cafes and homes around the United States and Canada. His current show, Who Said What, is, in his own words,
a collection that combines my love for engaging people in the creation of my art as well as my desire to reimagine quotes that move people to live better lives. The creation process begins with a call for quotes to be submitted. I then do careful research and select a unique photograph of the quote’s author, typically in their youth, imagining them as my peer. Using the reference image, I draw the piece itself inspired by 1950s and 60s screenprinting, interior design and album covers. Each piece has a unique color palette and font from an up-and-coming typographer.
You can get a taste of the work, and the vector art process, of which Ben is a pioneer, from this short video:
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Welcome, Benjamin. I understand your family traveled quite a bit before settling in the Naskapi Native American Reservation.
Yes, my family moved to Chicago (where my parents went to school), Texas (where they had training), Mexico (where they had field testing), and Sherbrooke, a city in southern Quebec (where they learned French), all before I was four years old. I remember bits and pieces of that time and I’m told I picked up Spanish, but I ended up losing it and learning Naskapi, French, Innu and English instead.
Those are some very peripatetic early years (not to mention impressive multilingualism on your part). Did the traveling continue after you moved to the Reservation?
To raise support for the work, my parents had to travel to the States almost every summer. So there was a lot of visiting churches and road trips through the states, listening to my Father give slideshow presentations about what our family was up to. He continues that to this day in a blog I built for him: http://bill.jancewicz.com. We also moved quite a bit on the Reservation (we call it “the Rez”) as well. We stayed at people’s houses, either with them or when they weren’t there. Eventually when I was older we moved to the nearby town, but living on the Rez was some of the happiest time of my life. Summers filled with bike riding, exploring the woods, swimming in the lake…it was heaven.
“You never find yourself until you face the truth.” —Pearl Baily
What drew you to art and illustration?
I always drew as a kid. As I got older, life on the Rez got harder. Kids got involved in drugs and alcohol. Their parents being absent for the same reasons took a toll. I began losing friends to suicide, overdose. And as TV crept into the Rez, so did an attitude of treating white people differently. I was singled out because I was different. Bullies began attacking me more and more frequently at school—until my parents pulled me out and homeschooled me for a few years. I ultimately went back to the Rez school for most of secondary school, but drawing, computers and piano were often how I dealt with depression and loneliness.
It’s striking, how many ATCKs’ creative pursuits begin as—or become—coping mechanisms during childhood/adolescence. I’m very sorry you were bullied and am glad you found creative outlets to help you handle it. Did your interest in art and illustration evolve naturally into a career in graphic design?
I never really considered art and illustration to be a viable career, and originally went to school for engineering. After two years, I began to learn more about graphic design and after much deliberation, I switched majors. I didn’t find out until later that my father had done graphic design when he was younger as well. Once I switched, I had to do a lot of extra work to catch up, and started my design company, Zerflin, while still in class.
“Power & control will never outweigh love.” —Jada Koren Pinkett Smith
In college, did you identify most with a particular culture or cultures, or with people who had cross-cultural backgrounds similar to yours?
While I was in college, in a small town in the States, I was bullied again, this time in the dormitories, and again for being different. But this time it was because I was Canadian, because I grew up on a Rez, and had perspectives that were considered strange by my white dorm mates. I sought refuge in a place on campus called the Rafiki House, a house dedicated to helping TCK and international students adjust to life in the US (rafiki means “friend” in Swahili). I ended up being the first freshman ever to live in the house. I stayed there all four years, getting involved in the protests and fights for its survival when the college tried to shut it down.
I’m sure many current TCKs and international students at the college are grateful for the House’s existence. What made you decide to move to Baltimore?
Baltimore was only an hour-and-a-half drive from college, so I’d often come down with friends to explore, and Tamika and I would come on dates. We fell in love with the city and decided to stay. Tamika originally wanted to teach in the public school system, and I got a job working at a non-profit in DC. Baltimore is much cheaper to live in, so we bought a house here.
“If you have an opportunity to use your voice you should use it.” —Samuel Leroy Jackson
As an ATCK, do you now have “itchy feet,” or do you prefer to have a home base and only travel for pleasure?
I have a very strong wanderlust, but the Recession pretty much killed any opportunities to travel. I try to travel as much as I can with my business, and now have art shows in L.A. that I frequently travel for. We organized with a group of friends and traveled to South Africa for the first time this past winter, which was amazing. It was the first time off the continent for me. Baltimore is really feeling more and more like home, though. Getting involved in the local social justice movements has given me life, and I’m glad to have a base here.
Per your design agency’s website, Zerflin’s staff “champion underdog clients and believe running a company without being evil is paramount.” This is admirable! Did your TCK background influence this mission/vision/value, or did something else, or were there a combination of influences?
Growing up on a Rez, there’s a certain amount of “wokeness” that just comes with living and experiencing how white people in town would treat my friends differently. And as someone who looks white, it was crazy hearing some of the conversations other white people would have about African Americans and Africans, Natives, Latinos, and Asians. As I got more and more involved in social justice on campus and began reading more and more books from black nationalist, feminist, womanist, and social justice authors, I knew I wanted to be involved in that work in some capacity. I also recognized that most companies (especially in design) are more large-client focused. As a social justice action, I wanted to do something different.
Congratulations on your show, which I understand will be at Impact Hub Baltimore for most of May into early June. Are you working on any more big art projects at the moment?
Continuously. I’ve been doing a lot more with art over the past couple years, which is strange for me. I knew some artists in college, and the way they acted really turned me off to art. I already felt looked down upon just being there as a TCK, but artists really seemed to take it to the next level. Tamika greatly encouraged me to pursue art, and as it took off, I’ve been getting more into illustration as a profession. You can see more of my work here.
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Thank you so much, Ben. Congratulations on your successful business and ongoing artwork! Readers, please leave questions or comments for Benjamin below. Besides checking out his art site, you can also follow him on Facebook and Twitter. You can commission his artwork here and buy select pieces (on paper or canvas), including from the current show, here.
Editor’s note: All quotes are taken from the artwork in Benjamin Jancewicz’s current show, Who Said What.
Elizabeth (Lisa) Liang is a prime example of what she writes about in this column: an Adult Third Culture Kid working in a creative field. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she is an actor, writer, and producer who created the solo show Alien Citizen: an earth odyssey, which has been touring internationally. And now she is working on another show, which we hope to hear more about soon! To keep up with Lisa’s progress in between her columns, be sure to visit her blog, Suitcasefactory. You can also follow her on Twitter and on Facebook.
STAY TUNED for next week’s fab posts!
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