The Displaced Nation

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Tag Archives: It’s Fiction!

In fiction and in life, this expat pursues paradise

As regular readers of The Displaced Nation will know, Pocahontas is the heroine of our blog this month. Sprightly, playful, well-featured and solicitous — unencumbered by the corrupting influences of civilization, in tune with Nature — she, and other women of her ilk, conformed to the vision Europeans held of the New World.

They were also the subject of many a European man’s romantic fantasy.

After meeting a Pocahontas, a European could brag to his friends back home that he’d found Paradise on Earth.

Flash forward almost four hundred years, and we find something similar going on with certain groups of international travelers. I speak of those who are restlessly searching for places that have yet to be touched by Western materialism and other corrupting ideas — where people lead simpler lives and are more decent.

And for male travelers, that vision usually encompasses finding their own Pocahontas: a native woman with long, dark hair, who unlike her Western sisters, still knows how to care for a man…

Mark DamaroydAgainst this background, we welcome author Mark Damaroyd to The Displaced Nation. As an expat in Thailand, Damaroyd lives — and has written about — the utopian life to which no small number of men who’ve ventured into foreign countries aspire.

His first work of fiction, published in 2010, is called Pursuit to Paradise. Described by one reviewer as a “tale of romantic intrigue that keeps the pages turning,” the novel takes place in Thailand and the UK, and centers around an Englishman’s relationship with an exotic Thai woman.

Mark Damaroyd has kindly agreed to answer some of my questions about his life and book, and about the challenges of cross-cultural relationships more generally. After that, the floor is open — be sure to chime in!

Can you tell us something about yourself?
Firstly, ML, thank you so much for your invitation to be interviewed by The Displaced Nation.

I’m English, born in Cambridge, but not lucky enough to go to university there. I spent many years in Devon, a beautiful county in Southwest England. I still sometimes miss the thatched country pubs, pasties and cider.

Bitten by the travel bug in 1968 — yes, I really am that old! — I traveled overland from England to India in a camper van. You may have heard about the “Hippie Era,” the “Make love not war” days. I was a short-haired, beardless hippie.

In those days, we got our thrills journeying as a group through countries like the former Yugoslavia, Iran and Afghanistan — so many treasured memories.

Since those days, I’ve lived and worked in Australia, Spain, Portugal and Thailand, taking periods out to sail round the world in a couple of the old passenger ships, now out of service.

Back home in 2005, I found myself jobless at an age where finding new employment was just about impossible. In the wake of failed marriages that produced three offspring, adult and doing their own thing now, I packed my bags, gave up everything in the UK and headed for Thailand, where sales jobs in the holiday industry happened to be available.

I met my Thai bride-to-be in 2007, married the next year, inherited two stepsons, now aged ten and five, and live happily in Isaan, Northeast Thailand, not far from the Laos border.

Having retired a couple of years ago, after a lifetime in sales and marketing, I decided to write Pursuit to Paradise my first published novel, released in 2010.

If I ever get the next book off the drawing board, it’ll be about an English family uprooting to make a new life in Thailand. I envision it as a comedy drama, suitable for family reading.

What made you decide to write a novel rather than a travel book about Thailand?
I’ve always enjoyed writing fiction; a couple of earlier manuscripts still sit on the shelf gathering dust. In addition, there are numerous travel books about the country. I doubt I’d find a loophole in that area.

And why did you decide on the genre of romance?
I sort of fell into that genre by accident. I started out intending to write a mildly erotic action adventure. As the characters developed, the plot veered more towards romance and relationships.

Did you have a real island in mind when creating the “paradise island” of Koh Pimaan?
The Gulf of Thailand has several islands, mostly with similar features. But, having lived on Koh Samui, I think the settings for the book resemble that island more than the rest.

Koh Samui? That’s the kind of place where supermodels go because they like the snorkeling.
It even gets Angelina Jolie popping over for tattoos!

Tell us a little more about your protagonist, Ben. To what extent is he based on your own experiences? Is there anything of you in him?
Ben is hotheaded – I created him that way. He’s also fearful of failure in business and relationships. When he finds himself in a bit of a predicament, his snap reaction hurtles him into an adventure beggaring belief. I must admit there’s a bit of myself in him.

Do you think that most Western men who go to Thailand in search of love and adventure will relate to Ben?
Some Western men who come to Thailand will relate to him. It’s a fact this country attracts men of all ages. Older men come seeking new partners, often ending up with women many years younger. The media understandably focuses on this aspect in order to achieve a bit of sensationalism. But there are also younger guys in their 20’s to 40’s who find the lifestyle, business opportunities and the local girls suit them.

And now let’s talk about the women in the book. Again, did you have any real-life models in mind for Ben’s English ex-girlfriend, Gail, and his Thai love interest, Nataya?
No, there were absolutely no real-life models for these women. I portrayed Gail as something of a nuisance purely to add drama to the story. She’s linked with another character causing headaches for Ben. Nataya can be contrasted with her best friend, Kanita: they have completely different personalities and backgrounds – essential to the story. Western men who are keen to meet Thai girls think they all have beautiful faces, long, shiny black hair, flashing white teeth and slender bodies. The girls in my book fit this description. Obviously, the nation’s females aren’t all like this!

Would it have been possible to write the same kind of novel without exploring the “steamy” side of life in Thailand including erotic moviemaking?
The story could work without mentioning the steamy side of life. To be honest, it was a late decision to introduce erotic moviemaking. I guess it occurred on a day when I felt bored with the plot! However, by adding this element, several new characters emerged that seemed to fit in nicely.

Is the sex industry integral to life in Thailand, especially as seen from the foreign perspective?
Although the glitzy nightlife is famous, Thailand has an abundance of fascinating places to visit far off the beaten track. Many tourists come purely for the history and culture.

Whom did you see as the primary audience for your book?
Originally, I aimed the book at a male readership made up of expats and those with connections or interest in Thailand. That was before I secured a publishing contract with an American company specializing in romantic fiction for women. Their marketing focused on American female readers, so we ended up with a mishmash promotion. Now the book has a new publisher in Bangkok, whose target is much the same as my initial plan.

Will the book ever be translated into Thai?
No.

How does your book compare to other Westerners’ novels about Thailand?
Over the years, many Western men have written novels concentrating almost exclusively on relationships with Thai girls. Generally, they break down into subject matter best described as Sexy Encounters, Finding My Thai Dream Girl, or Humorous/Amorous Adventures. Some authors have moved away from these well-worn genres, producing quality thrillers and mysteries, often set in Bangkok.

A number of female writers have created brilliant stories based on their own experience of life in Thailand. A fine example is Mai Pen Rai Means Never Mind, written by American Carol Hollinger back in 1965 but still relevant, with a reprint in 2000. Her honest and lively anecdotes of this exotic country and its people, and the difficulties and delights foreigners have in adjusting to life in a completely new environment, is refreshingly different.

In my book, I’ve attempted to incorporate a little sensuality, humor, action, mystery and romance. Some scenes are set in England, providing a sharply contrasting backdrop to the sunny paradise locations concealing shady goings on. A strong subplot should keep the reader guessing to the end.

This month, The Displaced Nation has been exploring Pocahontas as a symbol for cross-cultural communications and marriages. In your experience, what are the biggest sources of miscommunication between Westerners and Thais — and can you give some examples?
A huge problem arises from language barriers. Some Westerners make no effort to learn Thai, yet expect their partners to learn English – or whatever the chap’s native language happens to be. Amazingly, Thais manage to grasp passable English extremely quickly, eager to improve communication. Another source of miscommunication is lack of respect or understanding of cultural differences. In Thailand, the Buddhist religion teaches respect, love and compassion. Top of the list is respect for parents and elders. Love and compassion encompasses providing financial support should it be required at any stage in life, as well as physically taking care of parents in old age. Foreigners often misinterpret this obligation, depicting Thai women as money-grabbers. Countless numbers of girls working bars in tourist areas do so because they have no other way to earn money. Yes, it’s fair to say some do attempt to exploit Westerners. On the other hand, many Westerners take advantage, so why accuse the girls?

Finally, from your own experience, what would you say is the top challenge of an interracial, intercultural marriage, and can you recommend any coping strategies?
In the majority of Western-Thai relationships, one partner will be living in a foreign land. The ability to accept that many things are going to be a million miles removed from your own preferences, habits and requirements is essential. Your partner will need to accept that you, too, have some cultural differences. You may not want to eat rice for breakfast, and your partner may consider sausage, bacon, eggs, beans and hash browns a trifle unhealthy. If you see rising early to houseclean or pray to Buddha as unnecessary, then bury your head in the pillow and enjoy an extra hour in bed, knowing the chores are in capable hands.

Being willing to give and take, and having a genuine desire to understand a different culture, will be rewarded by firm bonding and appreciation. Never state that your own way of life is — or was — the best. We can all glean much from each other if we care to do so.

Can you sum it all up in a Native American-style proverb?
“Blending the familiar with the unfamiliar can lead to a more purposeful existence.”

img: Book cover and photo of Mark Damaroyd in Isaan.

STAY TUNED for tomorrow’s installment of our displaced fictional heroine, Libby, who has escaped from her prison of cardboard boxes and is busy exploring her new habitat of small town New England.

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Even in Paris, expats can’t escape former lives: A celebration of displaced novelist Corine Gantz

SPECIAL ANNOUNCEMENT: Ever wanted to escape to Paris in the springtime? Today you can do so, as it were, in the company of the très très charmante Corine Gantz. Originally from the City of Light but now living near the City of Angels, Mme Gantz has just released her debut novel about a group of American women who try to start afresh in Paris. She has kindly agreed to respond to our questions and comments. 

The Displaced Nation has been examining the “gothic” side of expat life over the past couple of weeks. Thus it may seem odd that today we have chosen to celebrate a book that takes place in La Ville-Lumière (“The City of Light” or “The Illuminated City”) by an author who lives near the City of Angels.

Hidden in Paris coverBut looks can be deceiving — and the cover of Corine Gantz’s debut novel, Hidden in Paris, is quite a cunning ruse. It shows a Parisian balcony with French doors reflecting the Eiffel Tower, and a flower box bursting with hot-pink geraniums. What could possible be amiss within such a picture-perfect setting, you may wonder? Plenty, it turns out.

But before we get into that, let’s begin our fête in honor of Mme Gantz and her book. To put ourselves in the proper mood, we have prepared a special cocktail, a French 75. We’ve also gone all out with our canapés. There’s a savory gougère, brie en croûte, duck rillettes, chilled asparagus with mustard sauce, a Puy lentil salad — and, in honor of Mme Gantz, her family favorite, taramasalata on toast (see her father’s recipe below).

Okay, seats, please! Our honored guest has agreed to kick off the festivities by answering a few questions from The Displaced Nation team. After that, the floor is yours, dear reader.

Corine GantzYour new novel, Hidden in Paris, may not tell a gothic tale per se, but we think it relates to our theme because it centers on three women who are running away from their lives. Is that a fair assessment?
People who say they love to be scared amuse me. They have a fascination with horror flicks, they read vampire books, they ride roller coasters. Yet they might be the same people who walk great circles around a pile of bills or make every effort to avoid a difficult phone call. What can be scarier than real life?

I think there is a limit to what we can handle, and at some point the tendency is to want to run way, literally or figuratively. In Hidden in Paris three strangers — all American women — have reached the point of terminal discomfort, when tackling real issues feels more terrifying than running away abroad.

Lola is running away from her husband, Althea from an eating disorder, and Annie, although she pretends to be the most high functioning member of the group, is hiding the biggest secret of all. (Just to add some spice, there is also a male character, Lucas, who is hiding his love for Annie.)

People often fantasize that “elsewhere” — particularly Paris because of the attached notion of romance — will solve their problems, or at least make the problems go away for a while. Well, we long-term expats know better. Moving to another country brings great logistical changes to one’s life, which can distract you into thinking you’ve left your pathos behind, when, in fact, you’ve brought it along in your suitcase. Wherever you go, you bring your own personal gothic tale with you.

In the case of these three female characters, the disruptions to their routines, along with new encounters, bring them to the tipping point toward change.

The thing is, as in real life, my characters fight the change they need kicking and screaming, which makes for fun story telling.

Food is another obsession of ours at The Displaced Nation. We detect from reading an excerpt from Hidden in Paris that it also plays a big role in your book.
You detect correctly. For me, writing a novel is a barely disguised way for me to talk about food — the novel being a vehicle for food just as grilled toast is a vehicle for foie gras.

I grew up in France on my mother’s terrific cooking. But she is the type of cook who wants no help in the kitchen, so at age 23 I arrived in the United States never having cooked an egg. I was terribly homesick and depressed and needed to “taste home” again — so had no choice but to teach myself how to cook. The saving grace was that I had a copy of a recipe book filled with my mother’s recipes, so I proceeded to recreate the food, and jolly myself out of my depression. Cooking gave my life a purpose: it became my creative outlet.

I think the preparation of food can be extremely healing, meaningful and joyful. Food is, after all, the soul and spirit of a home. I enjoy cooking as much as I enjoy eating, and when I’m not doing one or the other I’m telling stories where food turns out to be one of the principal characters.

You are a Française who has been “displaced” to the Los Angeles area for a couple of decades, where you live with your American husband and two sons. Does your novel echo that experience?
Had I landed on an alien planet I doubt I would have been any more confused and out of place.  I understood none of the codes, none of the cultural references, of Los Angeles. I could not understand people or express myself — and I resented them for that.

Writing sprouted from this: the frustrated need for self-expression and communication. Like my protagonist, Annie, I had to figure out how to function, and I would be lying to say I functioned well. Also like Annie, I resisted my country of adoption for years. I did not have both feet in it. A part of me felt in limbo: I was standing by for my eventual return to my home country.

Twenty years later I don’t even feel French anymore, but no one here lets me forget I’m not American either. Americans seem fascinated with my Frenchness, as though it defines me. For example, it’s often about how I say things rather than what I say. Yesterday I was saying to a friend: “On the envelope my husband gave me for mother’s day there was a…” She interrupted and said: “Could you repeat that?” I repeated and she fell into peals of laughter: “I just love how you said the word ‘envelope’!”

In Hidden in Paris, I wanted to transpose my experience and reverse it. I wanted to bring American women to France and see how well they coped with that set of codes and cultural idiosyncrasies. That’s only fair, don’t you think? I’m a little miffed to report that they are a more adaptable than I was.

You have a popular blog, Hidden in France, where you’ve been entertaining Francophiles and others with stories of the writing life, décor, food, family, travel and all things French. In fact, The Displaced Nation has featured one of your posts — about the time you fell into your swimming pool when the first day of spring brought heavy rains to the LA area. Tell us, has your blog had an influence on your writing? Also, why have you chosen the trope “hidden in”?
The blog has everything to do with my writing. Before the blog, I was a closet writer, ashamed that my English was too imperfect. The blog gave me a sense of just how forgiving and supportive readers were. I have readers now, and I have fans! Had I based my self-worth as a writer on agent rejections, I would have changed my hobby to fly-fishing. Readers are what make someone a writer.

The word “hidden” is significant only in the sense that I was hiding for years behind an alias as a blogger, and I just recently came out as writer for the world to see (speaking of fear…).

When it came time to settle on a title for the book, it felt natural to give it the same title as the blog — but I decided against it because there was already a memoir by that name. So Hidden in France became Hidden in Paris.

Finally, The Displaced Nation supports a fictional character, Libby, who is about to move from London to Boston with her husband. Do you have any advice for her?
Well, how about if I let my own fictional character, Annie — who moved from Boston to Paris to follow her own husband twelve years ago — speak to Libby directly:

Don’t do it, Libby! Kidding! Well I would suggest you have more babies, some siblings for your son, Jack, and fast. They will keep you busy and busy is the name of the game: no time to think! And if you decide against having more babies, then take on a hobby (such as cooking and eating) to keep your sanity without demanding that your husband become your everything for companionship, friendship and intellectual stimulation.

Don’t be like me in other words. Don’t forget that the man has a job and he is tired at the end of the day and nobody needs a needy wife. (Sorry for the harsh words, Libby, but this is the truth.)

You could also take a run-down house and remodel it. I did. You will have no skin left on your fingers but lifting bags of concrete makes for pretty shapely biceps. The remodeling might bring you to financial ruin but if that becomes the case, you will always have eating, which you can become very good at.

Without further ado, let’s pour the champagne for a toast to Corine Gantz. Tchin-tchin! And now, patient reader, it’s your turn. Questions, please, for this très gentille debut novelist… If you want to check out her book a little more, go to her author’s site, and to buy it, go to her Amazon page.

Taramasalata on toast — Corine Gantz’s family recipe
You will need:

  • one packet of smoked cod roe (seriously, can you even find this in the US?)
  • 8 tablespoons safflower oil
  • 2 tablespoons lemon juice.

Mix fish roe and lemon juice, then slowly beat with a fork and add the oil as you would do to make mayonnaise.Spread thinly on toasts and serve with very good champagne, et voilà! Très festif.

Images: Hidden in Paris cover, artwork by Robin Pickens; author’s photo.

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Expat life as psychological thriller? An unholy appreciation of novelist Shireen Jilla

SPECIAL TDN ANNOUNCEMENT: Dear readers, we have some thrills and chills in store for you: a chance to engage with expat writer Shireen Lilla. She has kindly agreed to respond to our comments and questions on her new novel, Exiled.

Please accept this candle. You’ll need it to light your way to the faux coffin where we’re serving Victorianesque nibbles and “finger” foods in honor of the novelist Shireen Jilla.

Be sure to try our house speciality: fried tartantula. Such an exquisite dish! Or how about some maggoty cheese, imported straight from Sardinia for the occasion? It makes an excellent pairing with our special punch. (Go on, have a sip! It’s only bubbling because we added dry ice to the bowl.)

Our honored guest looks lovely, doesn’t she, in her long black cape with the red-satin collar? But don’t be fooled. Looks are extremely deceiving in her case. Jilla harbors no illusions about the dark side of expat life — and she isn’t afraid to grasp you by the hand and seduce you into entering that netherworld for an adventure.

Many an expat veteran has advised that being stationed overseas isn’t necessarily the life of Riley. But how many of them have ever warned us of the dangers lurking on the other side: everything from psychological breakdown to murder most foul?

Slyvia Plath, the American poet who’d been living in a bucolic a part of the English countryside, put her head in the oven upon returning to London. Nancy Kissel, who was living in an exclusive Parkview high-rise apartment complex in Hong Kong, allegedly killed her husband with a blunt instrument and rolled up his body in an Oriental rug.

But why dwell on real-life cases when Jilla’s imagination can provide us with all the macabre details we need?

Deliciously “exiled”

Shireen Jilla
Let us raise our goblets to Jilla’s debut novel, Exiled, a dark, dysfunctional psychodrama set in New York City.

The novel tells the story of Anna, who is so in love with her husband, Jessie, an ambitious British diplomat, that she can’t wait to start a new chapter of their life together in New York. Jessie is the ticket (quite literally!) for Anna to leave her old life in rural Kent far behind.

At first, New York lives up to its promise. The couple find a brownstone on the Upper West Side and fall into the rhythm of New York life. But then disaster strikes, again and again.

As Anna herself puts it in her Foreword to the story:

I couldn’t imagine that my romantic dream would turn into a dark battle for everything I loved.

In our current gothic mood, we laud the idea of this book (unfortunately, we’ve only read excerpts as it’s not yet available in the U.S.) for:

1) Defying stereotypes: Many outsiders who write about New York are tempted to extol the city’s glitz and glamor a la Sex and the City. Not Jilla. As one critic put it, she gives us a New York that is “a teeming pit of hissing vipers, only just covered with a finely buffed veneer of sophistication.”

Exiled2) Pushing the envelope: Jilla, a Third Culture Kid (she is half English, half Persian, and grew up in Germany, Holland and England) who has also been an expat — in Paris, Rome, and New York — hasn’t simply replicated her experience but has dug deeper to reveal psychological truths about the people she has observed. Anna’s step-mother-in-law is a powerful socialite and philanthropist of precisely the sort seen on The Real Housewives of New York City. In Jilla’s rendering, though, she is further revealed as calculating, manipulative — and evil. As one reader-reviewer on Amazon says:

Imagine the stark terror of Rosemary’s Baby firmly grounded in reality. Shireen Jilla has created the sharp thrill of horror in a world of utterly true and compelling characters.

3) Presenting a heroine who could almost be Libby’s alter-ego: Now who is Libby, you might ask? She is the Displaced Nation’s fictional about-to-be expat wife. Her diary entries appear every Friday on this blog. After hearing about Anna, we can’t help but wonder: will Libby’s life take a sinister turn once she reaches Boston? No, Boston isn’t New York — but how long before Libby encounters a Boston Brahmin…or two?!

Time to break the spell?

Before we blow out our candles, it’s your turn, dear reader:

Has Shireen Jilla also illuminated something for you by exploring the gothic side of our displaced lives? Does she speak to your own experience — to the times when you’ve been face to face with people who seemed evil, or with nefarious doings?

And do you have any questions for Jilla about what motivated her to write such a gloriously dark book?

img: New York Skyline, by plastAnka.

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Ho’ omaika’i ‘Ana to TCK writer Tony Roberts

Aloha, reader. We would love for you to join our celebration of writer Anthony H. [“Tony”] Roberts, who produced our favorite article of the week, “No Time for Goodbyes,” a gripping account of his family’s sudden departure from Iran in 1978, when he was just 17.

Tony wrote his piece for Denizen, the online magazine for Third Culture Kids — kids who grew up in a culture or cultures other than their own.

Tony now lives on the Big Island of Hawai’i, so our fete in his honor, which has just begun, consists of a min-luau with traditional foods, mai-tais, and a hula performance.

You will also have a chance to engage with Tony directly as he’s agreed to respond to your comments and questions. (Mahalo, Tony!)

In fact, the hula dance is about to begin. Watch the series of three dances telling us why Tony’s life is so special:

#1: TRAGEDY

From Tony, we can learn about what it is like to be displaced by circumstance rather than by choice. Tony spent five years of his childhood exploring deserts in Saudi Arabia and three years as a teenager running wild in the streets and hillsides of the ancient city of Tehran. Then suddenly the Islamic revolution occurred, and before he had a chance to click his heels even once, he, along with his mother and sister, were transported back to their small farm town in Kansas, where he’d been born but no longer thought of as home:

The greatest sadness of leaving Iran in 1978 was its speed. Our departures were so fast that there was no time for goodbyes. All of my closest high school friends scattered to the winds. Tens of thousands of Americans lived in Tehran when I was there, and by the end of 1979 there were only 52 left — the American hostages.

#2: TRIUMPH

Tony has done something many expats only dream of: he’s written up his experience in a work of historical fiction. His book, published in February of this year, is called Sons of the Great Satan. It tells the story of an American teenager forging a friendship with an Iranian teenager in the last golden hours before the Shah of Iran falls and the country is engulfed by a whirlwind of chaos. Go to YouTube trailer.

#3: MULTICULTURALISM

Tony and his family embody our ideal of global citizens. His wife is a Kiwi, his son a Cherokiwi, and they live in Hawai’i, a melting pot of cultures from around the world, with influences from China, the Philippines, Japan, Korea, Portugal and Puerto Rico, to name a few. And let’s not forget Ziggy, the family pet. He’s a Boxador, a cross between the Boxer and the Labrador Retriever. (Ziggy, assuming Fergus makes it to The Displaced Nation, we’re sure he would enjoy palling around with you.)

And now, it’s time to adorn Tony with leis and drink a toast to his honor. Okole maluna! Cheers, Tony!

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“Over my ‘Ead,” by Jake Barton

Join The Displaced Nation in a glass of dry sherry and some delicious tapas in honor of our favorite displaced blog post of the week — “Over my ‘Ead” by Jake Barton.

Jake’s experience of language classes in another country reminds us that a common first language does not necessarily a friendship make:

“Who needed language classes? We decided we’d do as we’d done in France. Cultivate the society of locals, pick up the language in a natural manner, avoid red-faced expats wearing unsuitable clothing.”

Well said, sir.

Read Jake’s blog on writing and travel at http://jakebarton.com

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