The Displaced Nation

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An expat author on why he can’t get enough of Beirut — and your chance to win his thriller named for that city!

Beirut Collage 3We here at the Displaced Nation simply can’t get enough of the displaced thriller-writer Alexander McNabb. Last month he gave away his first book in his Levant series, Olives — A Violent Romance, to several lucky Displaced Nation readers. (Yes, they were thrilled!) And today we announce a couple of more McNabb giveaways, including of his second book, Beirut (see below). But before we explode with excitement, let’s hear what Alexander has to say about that notoriously dangerous city…

— ML Awanohara

To start off, I’d like to present a passage from my new book, Beirut, that I hope captures the flavor of this historic and extremely dynamic Middle Eastern city. The scene centers on the displaced Gerald Lynch, the British Secret Intelligence Service officer we encountered in Olives:

It was late in the afternoon as Gerald Lynch hopped along the uneven paving that lined Gouraud Street, the heart of Beirut’s bustling Gemayze area. He wore jeans and a leather jacket against the chill spring air, his hands in his pockets as he squeezed between the parked cars.
Gouraud’s bars, as ever, welcomed those who wanted to party and forget the woes of a world where violence and conflict were a distant memory but a constant worry. Orphaned by Belfast’s troubles, Lynch appreciated Beirut’s fragile peace and sectarian divides, the hot embers under the white ash on the surface of a fire that looked, to the casual observer, as if it had gone out. Lynch scowled as he passed a poster carrying Michel Freij’s smiling face, encircled in strong black script: “One Leader. One Lebanon.”

There can be few places on earth so sexy, dark, cosmopolitan and brittle as Beirut. At night the city celebrates with a vigour that borders on the manic. Louche young things puff cigarette smoke up into the air, DJs make music, poets dream and artists stencil the walls with the painful irony of youth. Drinkers drink, dancers dance. They celebrate life there as only people who realize how slender the tightrope they walk is — as only a people who collaborated in a 15-year-long enterprise designed to wipe themselves, and their country, off the face of the earth can.

But first, the country

It’s important to understand that Lebanon is a country of divides: north and south; mountain and coast; Shia, Sunni, Christian and Druze.

The country was born out of Greater Syria and the collapse of the Ottoman Empire following World War II. The French as the reigning colonial power created it by cobbling together communities who had been in conflict since the Crusades and legislating their way through ancient attitudes and rivalries.

Lebanon’s answer? To enshrine the sectarianism in its constitution, with each religious sect being given its own proscribed role.

Beirut, the Monte Carlo of the East

From its early days as Roman Berytus, Beirut — Lebanon’s capital and largest city — has been a city with greatness in her heart. Surrounded by lush Mediterranean countryside, the verdant Chouf mountains and the glorious fecundity of the Bekaa Valley, served by the sea and a history of maritime trade going back to the Phoenicians, Beirut developed in the course of the 20th century into a major financial center and trade entrepôt.

It was “the Monte Carlo of the East,” the jewel of the Mediterranean. Rich Arab playboys tossed cash around them like leaves; mean-eyed British spies clung to the hotel bars, trading waspish observations and gathering undiplomatic innuendoes. And the women! The olive-skinned beauties of the Levant, like Beirut itself, were so welcoming, so corrupting!

The impact of the Lebanese Civil War (1975-1990)

Lebanon tore itself apart in a war as senseless as any other, admirably abetted by the Palestine Liberation Organization, Syria and Russia, America and Israel. It’s always the outsiders who throw kindling on the hot passions of Lebanon’s divisions. And then the Lebanese pay a heavy price for their lack of moderation and willingness to invite those outsiders in.

After the war, Beirut dragged itself wearily to its feet, slowly but surely rebuilding its commercial heart — the efforts to rebuild dogged by constant conflict, corruption and terrible old men who weave together influence and fear to maintain their profitable status quo.

When the war finally ended, in 1990, the travel magazines were starting to gush about Beirut again — its stunning restaurants, funky bars and glorious sights.

But the potential for violence remains. As you may recall, a deadly car bomb attack occurred in October of this year. It tore a busy square in Ashrafiyeh apart, killing the head of Lebanese intelligence.

A bomb as big as the monstrous blast that had taken the life of Rafiq Hariri in 2005, the man who had led the effort to rebuild Beirut — an explosion big enough to make the Syrians finally quit Lebanon.

Both of these car-bomb assassinations left three-meter craters.

The book Beirut

Although Beirut — An Explosive Thriller is set across a swathe of Europe and not just Beirut, the book is about Beirut at its core. It’s about sectarianism and power, corruption and sex. It’s about wealth and poverty, love and betrayal.

While writing it, I spent hours walking around the city, along the curving corniche and up into the busy streets that cling to the foothills rising from the coast up to the snow-capped mountains.

Walking with friends, walking alone — day and night, spring and summer. From the maze of funky little bars of Hamra to the boutiques of Verdun, from the spicy Armenian groceries of Bourj Hammoud to the cafés overlooking the famous rocks at Raouché, I have long reveled in the city’s beautiful wealth and its grim poverty.

How can you not write books set in the Levant? I’m only amazed I’m in such scant company. As a playground for spies and powerful men, beautiful women and deadly conflicts you can’t beat it. And yet, as a writer of novels, I have it pretty much to myself.

* * *

Now it’s time for the freebies! Displaced Nation readers, you can get your very own copy of my latest book. Here are 2 ways to do so:

1) For TDN readers with an iPad or ePub compatible reader (Nook, Sony, Kobo, Android etc): Get your copy of Beirut — An Explosive Thriller free of charge (and save $4.99) on Smashwords. But first, you’ll need to sign up for the DISPLACED DISPATCH to get the code (it will come in the issue delivered this Saturday, December 8). NOTE: The code is valid ONLY FROM THIS SATURDAY, DECEMBER 8th TO MONDAY DECEMBER 10 — and then, pfft, it’ll disappear. Dear readers, you are MORE than welcome to share that code with family, friends, strangers, dogs in the street — even lawyers.

2) For TDN readers with Kindles: Leave a comment on this post with your e-mail, and I will send a Kindle file and instructions how to install it. Best I can do, I’m afraid — Amazon doesn’t let me do freebies! Do remember to use “name dot name at domain dot com” so the spambots don’t find you! Or you can hit me up directly at @AlexanderMcNabb on Twitter.

If you miss out on these opportunities and/or would like to read something else I’ve written, my first novel, Space (a spoof of international spy thrillers), is available for free download on Amazon from today onwards for three days.

TO ALL READERS: If anyone wants to add their voice (whichever way it leans) about my books on Amazon or Goodreads, that’s welcome feedback. The more people know they exist, the merrier! 🙂

Finally, congrats to Apple Gidley, who left an engaging comment on my last post and will be getting a print copy of Olives by post!

STAY TUNED for tomorrow’s post, consisting of some 2012 highlights from the Anthony Windram series, Expat Moments.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Images (of the book, of Beirut): All from Alexander McNabb.

LIBBY’S LIFE #65 – All about a dress (by Melissa)

Scene: A holiday office party at a Golf Club near Woodhaven. Libby and Oliver are already there, and Libby has just seen her nemesis, Melissa, arrive, wearing an identical dress to her own.

Melissa:  This dress is kinda tight and I have to suck in my belly because even two pairs of Spanx aren’t doing it for me. And when you suck in your belly, everything else rises and spills over the top, so I have to keep pushing it back in while no one is looking.

The dress looked awesome when I tried it in Macy’s three weeks ago, but that was before Mom force-fed me pumpkin cheesecake last weekend. I was like, “Mom, you know I don’t eat dairy,” but she got all snotty, asking if I was on another of my fad diets, and wouldn’t it be easier just to cut out the daily pack of Oreos.

Like, that’s so not fair. I don’t eat a pack of Oreos every day. Not usually, anyways. Only when I’m stressed, and I guess I’m kinda stressed right now, what with the divorce and all, so yeah, the Oreo intake has gone up. But I figure if I cut out dairy, that should compensate.

I didn’t want to come to this party tonight. Between you and I, I’d rather chew my own arm off than go to these god-awful office events. Given the choice between socializing with people I work with and spending an evening watching bad TV, I’d rather stay home and zombie out in front of Downtown Abbey or whatever it’s called. You’d need to be out of social options before you watched that, right? But Terry said if I didn’t come tonight, it would look suspicious, that people would think I have something to hide.

Personally, I don’t care much what people think. It’s not my problem now I’m nearly divorced. But I said I’d come, as long as he paid for a new dress.

“You have to come to create a diversion,” he said. “Turn on the charm with Oliver. Make everyone think you’ve only got eyes for him. If he’s not going to play ball, he will have to live with the consequences.”

Terry offered Oliver a promotion a few weeks ago, a kind of bribe to not say anything about me and Terry to Caroline, Terry’s wife. Only Oliver didn’t take the promotion, and now Terry’s afraid Oliver might rat him out to Caroline, so if I pay a lot of attention to Oliver, Terry thinks I will create a — what did he call it? — a smokestack.

Or something like that. Whatever.

Actually, it should be a lot of fun, flirting with Oliver under Libby’s nose. Irregardless of my dress being a little tight, I’m looking hot tonight. Not bad for forty-,  I mean, thirty-two. Better than Libby, who’s had three kids and, judging by the last time I saw her, has let herself go.

Except Libby doesn’t seem to be here, which is a shame because if she’s not here, making eyes at Oliver isn’t as much fun.

I can see Oliver over on the other side of the room, near the fireplace with the stuffed moose’s head, talking with Sam’s wife Anita, and a pretty blonde woman in a red dress a bit like mine.

Identical to mine, in fact.

I can only see the back of her, but she’s thinner than me. She mustn’t have had kids. You’re only that skinny when you’ve not had kids.

I wonder who she is? And — ha! — more to the point, I wonder if Libby Patrick knows who she is?

I push my way sideways across the room, trying not to spill my Chardonnay everywhere.

Oliver’s still talking to the blonde and Anita, and from my position behind them, I can see his hand go round the blonde’s waist. Then he moves his hand down and squeezes her butt.

I’m kinda shocked, you know? All this time I’ve been throwing myself at him at the office, and he never takes the bait, but here he is in full view of everyone at the party, groping a woman who clearly isn’t his wife.

It’s almost enough to make me drive back to Woodhaven and tattle to Libby. Almost, but not quite. Not after she changed the locks and accused me of stalking her husband.

No. This is — what’s it called? — pathetic justice.

“Oliver!” I say, and bat my eyelashes at him, which turns out to be a mistake because I overdid it on the lash-building mascara earlier and now my left eyelids are stuck together.

He turns. “Melissa,” he says, and nods, then bends down and murmurs something in the blonde’s ear.

Kinda rude, I think, but these Brits have no manners.

The blonde turns round, resting her head on Oliver’s shoulder, and I feel my mouth droop open a little.

“Melissa,” she says, looking me up and down as if I’m something her goddamned dog walked into the house. “Long time no see.”

Holy shit. When did Libby Patrick turn into Drew Barrymore?

She smirks a little, and leans over to say something to me.

“You might want to visit the restroom,” she whispers. “You’re losing your dress.”

.

Next post: LIBBY’S LIFE #66 – The ladies in red

Previous post: LIBBY’S LIFE #64 – Shades of red (2, not 50)

A note for Libby addicts: Check out Woodhaven Happenings, where from time to time you will find more posts from other characters.  Want to remind yourself of Who’s Who in Woodhaven? Click here for the cast list!

Read Libby’s Life from the first episode.

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Stay tuned for our next post!

If you enjoyed this post, we invite you to subscribe for email delivery of The Displaced Dispatch, a round up of the week’s posts from The Displaced Nation. Sign up for The Displaced Dispatch by clicking here!

Img: Map of the World – Salvatore Vuono/FreeDigitalPhotos.net

Thanksgiving: Shine, shine, shine, dear writers, however displaced

Today’s guest blogger, Kristin Bair O’Keeffe, is a cultural spelunker. With a husband from Ireland, a daughter from Vietnam, nearly five years as an expat in Shanghai, China, and an insatiable appetite for place, how could she not be? She’s also an author with an MFA degree in fiction writing, 18 years of experience as a writing instructor, a writerhead passionista, and the curator of #38Write, a monthly series of online writing workshops for place-passionate culture junkies around the world. Let’s listen up and hear why Kristin thinks Thanksgiving is a time for us displaced writers to shine!

— ML Awanohara

On Thursday, November 22, friends and families all over the United States (as well as oodles of displaced/replaced U.S.-ians around the world) will gather together to celebrate Thanksgiving. While this holiday can be traced back to the English Reformation and Henry VIII, it is now a secular holiday during which participants are expected to do just three simple things:

  1. eat turkey and pumpkin pie until we groan and bloat up like petrified puffer fish.
  2. endure our Great Aunt Pru, who smells like mothballs and passes out linty lozenges that look like they’ve been in the bottom of her purse since the Reformation.
  3. give thanks.

Writers of all ilk love this holiday. After all, it’s a day for us to shine! A day for us to show off by expressing our thanks far more eloquently than the neighbor who is slouched in front of his television in a tryptophan-induced haze.

We do, of course, have a lot to live up to:

“Thanksgiving Day, a function which originated in New England two or three centuries ago when those people recognized that they really had something to be thankful for—annually, not oftener—if they had succeeded in exterminating their neighbors, the Indians, during the previous twelve months instead of getting exterminated by their neighbors, the Indians.” ~ Mark Twain

“There is one day that is ours…Thanksgiving Day is the one day that is purely American.” ~ O. Henry [except, Mr. Henry forgot to add, those damn Canadians a bit to our north, who horn in on our gratefulness territory and dare to give thanks of their own, albeit on a different day]

“I come from a family where gravy is considered a beverage.” ~ Erma Bombeck

But no matter how splendid the thanks of those who came before us, this is a day on which writers can strut their best stuff!

So whether or not you’re American (U.S. American, that is), grab this opportunity to make a list of things for which you are thankful. Hurl yourself into the craft of thanks! Then, when your Thanksgiving host pauses just before cutting the first slice of turkey and says, “Would anyone like to share a thing or two for which you’re grateful?” you can whip out that slip of paper, clear your throat, and in your best writerly voice, make ’em weep in their cranberry sauce.

Here are a handful of mine:

1) Despite my great love for China, I am wildly thankful I will not be sitting face to face with the still-raw, almost-gobbling, dripping-blood, trying-to-limp-away turkey I once faced in Shanghai (ordered weeks in advance, mind you, from a fancy, well-respected, Western-y hotel and for which we paid a pretty-pretty RMB). All hail the year of mashed potatoes as the main dish! (We should have stuck with jiaozi.)

2) I am so, so, so grateful I am not living during the English Reformation and that I am not required to wear contraptions like this on my head:

Anne Boleyn

3) I am grateful that Maya Angelou called to read me a new poem. (Sorry, sorry, sorry! This is actually one of Oprah’s moments of thankfulness, not mine. But it sounds good, doesn’t it?)

4) I am thankful for my amazing family and friends from Ireland, Vietnam, Germany, India, China, the U.S., the U.K., and so many more places—all those who guide me, teach me, love me, and put up with me in my best and worst moments as a human being.

5) I am thankful and excited and inspired that writers around the world are flocking to my #38Write workshops and that my vision for contributing—and helping other writers contribute—to the global conversation of story is being realized. Whoop! Whoop!

6) I am grateful that there are writers all around the globe (like you!) who are driven to explore, write stories about the cultures and places in which they live, and connect.

Your turn! What are you thankful for?

CONNECT: If you’d like to learn more or if you’d like to register for one of Kristin Bair O’Keeffe’s #38Write workshops, grab a cup of coffee and pop over to her Web site and blog WRITERHEAD. Registration for December’s #38Write workshop is now open. You can Tweet Kristin at @kbairokeeffe, friend her on Facebook, and/or check out the #38Write group boards on Pinterest.

STAY TUNED for tomorrow’s post, Part 2 of Zeynep Kilic’s search for love in her adopted country.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Images: Kristin Bair O’Keeffe portrait; Anne Boleyn, courtesy Wikimedia Commons.

LIBBY’S LIFE #64 – Shades of red (2, not 50)

“Do I look OK?” I ask, fastening the clasp on my necklace, and turning to face Oliver.

After a desperate couple of hours yesterday in Macy’s, I’d bought a lipstick red, off-the-shoulder dress to wear to tonight’s torturous party. Now I’m zipped into it, I’m pleasantly surprised at how I look. You know, considering I’ve had twins and everything this year.

And while red isn’t normally my colour, I’m damned if I’m going to a party where Melissa will be acting like a tramp and flirting with Oliver while her real clandestine lover makes speeches about “proactively engaging interdependent results” or some such corporate-speak nonsense, and the other wives whisper and point and stock up on gossip for their next coffee morning.

No. If anyone’s going to play the tramp around Oliver, it’s me.

Oliver looks me up and down, apparently agreeing that this dress is an improvement on my usual uniform of jeans and T-shirt, and gives me a leer that suggests our evening won’t be over when the party finishes.

“You look fabulous,” he says. “You never get any older, did you know that?”

No, I didn’t. Inside, I feel ancient; withered beyond my years after the ups and downs of the last eighteen months, and the last six in particular, but nevertheless, it’s good to hear that I carry Life’s burden well on the outside. Even if it means a heart attack from built-up stress farther down the road, at least I will die looking good.

Downstairs, I hand a fussy, teething George to Maggie, who is babysitting tonight.

“You go off and have fun, both of you,” she says. “It’s pleasure and not business, isn’t it?”

Oliver pulls a face.

“Depends how you look at it. I’d rather go and see the new Bond film, to be honest.”

You and me both, Oliver. In fact, I’d rather lie down in the road and be run over by a slow-moving truck.

“We know everyone there, though,” Oliver goes on. “That makes it less of an ordeal. And it’s at the Golf Club, so the food should be good.”

Yes, I know everyone. Let’s see…Anita, Julia. Caroline. Caroline’s husband Terry, the boss, who’s offered Oliver a job (the one I’m not supposed to know about) as a bribe because, if my womanly intuition is correct, Oliver knows something about Terry’s antics with Melissa, who is also coming to the party.

No, Oliver’s right. It won’t be an ordeal. It will be a minefield. No matter how good the food is, I’d better not drink too much and tread on any mines.

“Take no notice of him,” I say to Maggie. “We’ll have a lot of fun.”

She looks at me, a little frown on her face.

Maggie always knows when I’m lying.

*  *  *

“You stayed near Bath, right?” Anita asks me. “How was it?”

We’re at the Golf Club just outside Woodhaven, the posh one where Oliver takes his customers when they visit. This function room is trying to be Upper Class Olde English and failing miserably.They’ve got the horse prints right, but the carpet would look more at home in a cinema foyer. Also, Upper Class Olde English would never, ever fix fake beams on a popcorn ceiling.

I hold a glass of Pinot Grigio in one hand and a paper plate of appetizers in the other, feeling light-headed already, despite my earlier vow not to drink too much. It’s so much easier to take a sip of wine than it is to gracefully negotiate dim sum towards my mouth.

There’s definitely a gap in the market for quality liquidized hors d’oeuvres. Baby food shots for adults. Pureed Peas and Sun-Dried Tomatoes with Pernod.  Avocado and Duck Coulis with Cointreau. That kind of thing. Come on — it’s no worse than pineapple and cheese on a stick, is it?

“Oh, you know.” I shrug. “English. Cold, wet. Full of people with fixed opinions of life in the USA because they once spent a week in Florida.”

After a few days of our English vacation, I realised I was no longer quite one of “them”. “Home” wasn’t where I used to think it was. I’m not sure when it happened, exactly. Perhaps it was the evening when I had to concentrate on the accents on TV, used as I was to a nasal New England voice reading the news. Or perhaps it was when someone in the pub started to criticise “the bloody Yanks” and I couldn’t stop my rage rising, or myself from rushing to America’s defence. It’s the nearest I’ve ever got to being in a bar fight.

But, somewhere, I’d changed. That much I knew.

“And how about–” Anita moves in closer so that our plates of dim sum overlap. “How about you and Oliver?”

I deliberately misunderstand her.

“Oh, Oliver had a great time in England. We’ve never been to that part of the world before. It was spoilt a bit because his mother turned up early, but then mine couldn’t make it because she and my dad caught flu, and –”

I look around the room. Where is Oliver? He’d been nearby when Anita first started talking to me.

Anita leans in even closer.

“Don’t look now,” she whispers. “But Melissa Harvey Connor just arrived. She’s wearing a dress exactly like yours.”

*  *  *

Due to various factors involving turkeys and pumpkins, this post is shorter than usual. Kate apologizes for this, and hopes to get an extra episode onto TDN before the next scheduled Libby’s Life, which is on November 29.

Next post: LIBBY’S LIFE #65 – All about a dress (by Melissa)

Previous post: A post from Melissa – LIBBY’S LIFE #63

A note for Libby addicts: Check out Woodhaven Happenings, where from time to time you will find more posts from other characters.  Want to remind yourself of Who’s Who in Woodhaven? Click here for the cast list!

Read Libby’s Life from the first episode.

STAY TUNED for Monday’s post!

If you enjoyed this post, we invite you to subscribe for email delivery of The Displaced Dispatch, a round up of the week’s posts from The Displaced Nation. Sign up for The Displaced Dispatch by clicking here!

Image: Travel – Map of the World by Salvatore Vuono / FreeDigitalPhotos.net

An expat author on what it’s like to write “controversial” books — and your chance to win one!

The London-born Alexander McNabb has spent nearly half of his life in the United Arab Emerites. Last month we interviewed him about his series of books on Middle Eastern themes, the first of which, Olives — A Violent Romance, has been sparking some controversy. (“Bring it on!” he told us.) Alexander is back at the Displaced Nation to share some good news: He is giving away several copies of Olives to our readers!! (See details below.) He is also here to discuss: does the book deserve its notoriety?

The Jordanian Web site Albawaba did a lovely interview with me in which they played up the “controversial novelist” angle quite nicely — I am, apparently, “scandalous.” Now, as any fule kno, if you want to sell books a whiff of scandal is quite handy.

That said, I have always shied away from that sales strategy — at least in part born of my dislike of the way the British author Geraldine Bedell’s publisher attempted to hijack the first Emirates Airline Festival of Literature (which I usually attend) to promote her mediocre book, The Gulf Between Us. Penguin claimed the festival organizers had tried to ban the book for its inclusion of a homosexual sheikh. (For more details, go to my post on this story.)

And yet bucketloads of controversy have dogged me since Olives — A Violent Romance was published a year ago. It’s much easier to be a “controversial author” in the Middle East than it is in the West these days.

Where is speech truly free?

We tend to forget how the film Monty Python’s Life of Brian (1979) was picketed by Christian groups, and how in 1988 Scorsese’s Last Temptation of Christ an adaption of a 1953 novel, was picketed and banned in some countries.

Let alone Lady Chatterley’s Lover (an unexpurgated edition could not be published in the UK until 1960), Frankie Goes to Hollywood (their controversial single, “Relax”) or many other shameful bans on music and literature in my own country in my own lifetime.

We think of ourselves as secular, tolerant and free-minded — yet our recent history has been filled with our failing to come to terms with free speech and literature that brings up topics we find uncomfortable.

Imagine how it is, then, in the Middle East, a region not only more sensitive to discussion of religious, cultural and social issues but with many more taboos to play with.

Some inconvenient truths

In Olives, my first book, a Muslim family is depicted drinking alcohol. This caused considerable comment online and from reviewers in the region, some of whom thought this was unnecessary and meretricious. A few tried to portray this scenario as unrealistic, but that didn’t really wash. Alcohol and the Arab world have a fraught — and frequently secretive — relationship.

Even more controversy followed with the fact that a Muslim woman sleeps with a British, Christian, man in the book. This was a humdinger that sparked debate about my motivations, the possibility this could happen and, once again, why I had to include such unsavory behavior.

Talk about inconvenient truth.

But the money shot was my decision to use real names in the book: real Jordanian and Palestinian family names. It wasn’t much of a decision, really, more of a no-brainer — you wouldn’t set a novel in the Highlands of Scotland and call characters MacShuggy or MacSquarepants because you were afraid of the clans, would you? And yet that expectation very much exists in Jordan today!

One member of a family with the same name as the female protagonist, Dajani, posted a comment on the Olives blog on behalf of the whole family demanding that the name be changed:

It would have been entirely feasible for you as an author to have contrived/fabricated a fictional name which does not infringe or violate our good family’s history and reputation and [we] do not believe that you have exercised good judgement in this choice.

The row spilled over to Facebook and other platforms and quickly got out of hand. One commenter on Jordanian blog 7iber (pronounced “hiber”) noted:

…this would be worth some honor killings if these names were abused.

Umm, that’s a death threat. (No matter that it’s probably something silly typed by an anonymous pimply onanist showing off, it does tend to stop one in the old tracks when you first read it.)

Worse, distributors in Jordan had refused to carry the print edition, citing concerns over the book’s use of that prominent Palestinian family name. Olives wasn’t banned in Jordan by government censors — but it was blocked by what a sympathetic commentator quite rightly called “a more insidious form of censorship.”

Fact vs fiction

Why has this been happening — because people in the Middle East can’t separate fact from fiction? Absolutely! It’s a real issue in the region. There is all too little fiction produced in and about the region: people simply don’t read very much in the main. A bestselling Arabic novel might sell a few thousand copies at most — the vast majority of Arabic writers pay to have their books printed.

So quite a few people, not unsurprisingly, find it hard to separate fiction from fact. Strangely enough, another branch of the Dajani family (which is very large and widespread, part of the reason I used the name) is passionately pro Olives — and I have to say the same thing to them: “Guys, it’s fiction!”

But the fact remains, my book set in Jordan can’t be sold in the country it’s set in.

As I said, it’s all too easy to be scandalous in the Middle East. Mind you, wait ‘till they see Beirut – An Explosive Thriller

*  *  *

Now it’s time for the freebies! Displaced Nation readers, you can get your very own copy of the book that’s been making waves in my part of the world. Here are 3 ways to do so:

1) For TDN readers with an iPad or ePub compatible reader (Nook, Sony, Kobo, Android etc): Get your copy of Olives — A Violent Romance free of charge (and save $4.99) on Smashwords. But first, you’ll need to sign up for the DISPLACED DISPATCH to get the code (it will come in the issue delivered this Saturday). NOTE: The code is valid until 1st December — and then, pfft, it’ll disappear. Dear readers, you are MORE than welcome to share that code with family, friends, strangers, dogs in the street — even lawyers.

2) For TDN readers with Kindles: Leave a comment on this post with your e-mail, and I will send a Kindle file and instructions how to install it. Best I can do, I’m afraid — Amazon doesn’t let me do freebies! Do remember to use name dot name at domain dot com so the spambots don’t find you! Or you can hit me up directly at @alexandermcnabb on Twitter…

3) For TDN readers who still like shiny PRINT books: If anyone would like to win Olives — A Violent Romance in print, delivered to their doorsteps anywhere in the world, just leave a comment and let us know where, if you could move to live anywhere on earth tomorrow, you’d go — and why!

TO ALL READERS: Olives — A Violent Romance has (wonderfully) met with considerable critical acclaim — if anyone wants to add their voice (whichever way it leans) on Amazon or Goodreads, that’s welcome feedback. The more people know the book exists, the merrier! 🙂

STAY TUNED for tomorrow’s post, the first in a two-part series on an expatriate’s love life.

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Images: All from Alexander McNabb.

LIBBY’S LIFE #63: A post from Melissa

Kate:  We’ve heard a lot about Libby and Oliver’s landlady, but only from Libby’s biased point of view. In today’s episode, the woman herself, Melissa Harvey Connor, takes the stage. 

Can she redeem her reputation after everything Libby’s told us about her? 

Melissa:  Life has a way of sorting itself out. It doesn’t matter what happens, or what kind of bad shit goes down, it’ll all work out in the end. If it’s not worked out, it’s not the end, and the fat lady hasn’t done her number yet.

I read that somewhere on Pinterest, but it’s a good philosophy, right? I’ve always thought so, anyway. Even now, at the age of 44 — I mean 32 — whenever things aren’t going to plan, I try to hang on to the idea that good things happen to those who wait.

Like, within reason. I can’t stay 32 forever, irregardless* of what that doctor who shoots me up with Botox says. A girl can wait only so long for the good times to roll around, especially if she’s being driven insane by her husband Jeffrey.

Jeffrey Connor. How in God’s name did someone like me wind up with someone like him, you ask?

I’ll tell you how. It was his cute British accent. Like Sean Connery’s James Bond. Very English. I’m a sucker for guys with British accents. They’re so much classier than your average Joe’s accent round here.

Jeffrey and his wife at the time, Shelley, ended up renting my house after I moved to a new condo. One thing led to another — I’d collect the rent check from Jeffrey on evenings when Shelley was out at book group, and pretty soon we were making jokes about me being the highest paid call girl in Woodhaven. Or rather, he’d be making jokes about call girls in that classy accent of his — he said it was an Essex accent, but whatever, he sounded like Sean Connery to me — and I’d be all, “Say something else! Talk to me some more!”

After four years of it, though, I had to call timeout.  By that stage I’d realized his accent was more like Russell Brand’s than Sean Connery’s, and the jokes about call girls were so not funny any more.  Four years is a long time  for anyone — Patsy Traynor said I deserved a medal — though I guess it was less if you don’t count the year he was still living with that boring wife of his.

The weird thing is, I hated Shelley at the time, but now I just think, you poor woman. I’d had Jeffrey for four years, but she’d had him for ten, and he’s gone back for more. Jeffrey, I discovered, is boring, and boring is contagious, so no wonder Shelley bored the pants off of everyone she met. I might have found out Jeffrey was boring too, if I’d listened to what he was saying instead of drooling over the accent he was saying it in.

I found out soon enough when we were married, though.Twenty-four hours after we stood in front of the minister in that Vegas chapel — getting a five-minute wedding in Vegas was probably the most exciting thing Jeffrey had ever done — he suggested that we drive to see the Grand Canyon.

What the hell? Drive 300 miles to see a big ditch, when we could have been playing blackjack in the Bellagio? Or even, dare I suggest it, having sex in our hotel room? This weekend away had turned into a honeymoon, after all, and that’s what you’re supposed to do on honeymoon. What you’re not supposed to do is drive 300 miles in a beige Ford Taurus to see a hole in the ground. It wouldn’t have been so bad if we’d rented the Porsche or the Corvette at the airport’s Avis place, or hell, even the Mustang, and we could have driven those 300 miles in a little style. But no, Jeffrey was all “Oh no, honey, I can’t afford that. Not with maintenance payments for the kids as well.” And I was like, “Well, Jeffrey, you should have thought of that yesterday before you got yourself a trophy wife!”

I know. Trophy wives are usually younger than the husbands, and  technically Jeffrey is nine years younger than me. But at the time I said I was 28, so that makes me a trophy in my book. Plus I was a successful realtor with two houses and no kids — well, I have two of those as well, actually, but they’re with their father in North Dakota. They never come here, and obviously I never go there, because who in their right mind visits North Dakota?

Anyway, as I stood on the south rim of this big ditch in the middle of Noplace, Arizona, while Jeffrey took gazillions of photos of sky and rocks and things, I thought, Oh. My. God. What have I done?

Then I thought, Come on Melissa. You know things usually turn out good in the end. This happened for a reason.

So I waited for the reason and for things to turn out good, but you know what? They kept on getting worse. I was just dying of boredom, and I got to thinking that if it didn’t kill me soon, I’d help it along some with some Prozac and a few Jack Daniels chasers.

But then, this time last year, everything changed.

We’d had a big winter storm that cut the power to all the houses in town, and I was worried about my tenants, Libby and Oliver, so I went to see if they were all right. There was no reply when I rang the doorbell, so I let myself in with the spare key. You hear bad stuff about people dying of carbon dioxide poisoning** and landlords getting sued, and I thought I’d better check no one was lying dead in the bath tub or anything.

So there I am, walking around upstairs with a flashlight, and I trip over a sweater on the floor and nearly fall over the railings to the floor below. At this point, Mrs Libby High-Horse Patrick walks in the house as if she owns the place — which she doesn’t, because I do — and orders me out of my house because, she says, I’m invading her privacy and sniffing her husband’s sweatshirt.

Sniffing her husband’s sweatshirt? Puh-leese! Oliver’s cute and all, and I don’t mind admitting I used to have a little crush on him when he and Libby first moved in, but she made me sound like I was a bunny-boiling stalker. Which I’m not. But I was prepared to forget what she said, so I went round a few days later, and you know what? The bitch had gotten the locks changed so my key didn’t work.

Of course, I went to complain to the HR department where Oliver and Jeffrey work, because they’re the people who pay me Oliver’s rent. I told them I wanted the Patricks out of my house because they’d changed the locks and brought a dog to live in the place without permission. And the snotty guy in HR read over the lease and said they were perfectly within their rights to do both those things, and maybe I should have a proper lawyer draw up a lease next time if I didn’t like it, because as long as I was getting my rent on time, I didn’t have a leg to stand on.

So we had a yelling match right there in the office, and I guess I must have been too loud, because another guy walks in and wants to know what it’s all about. I tell him, at length and in detail, and halfway through, the guy from the HR department rolls his eyes and leaves the room. These Brits are so rude. But I keep on ranting at the second guy, because he seems to be listening carefully, and I think I may get somewhere. Besides, he’s kinda cute.

“And let me tell you,” I say at the end, when I’ve run out of things to say, “no one messes with Melissa Harvey Connor in this town!”

“You’re Jeffrey Connor’s wife?” he says. He’s got this awesome accent. Hugh Grant! I think. Older than Hugh Grant, though. Think George Clooney before he went gray.

I nod. “Technically,” I say, as he takes me by the elbow and leads me into a very classy office with a window and a view over the River.  He closes the door behind him, pulls out a chair at his desk for me to sit on.

On his desk there’s a brass nameplate. Terry Michaels, President, American Operations.

I’ve heard Jeffrey talk about him. The boss of the company on this side of the Atlantic, no less. And let’s face it, who cares about the other side anyway?

“Why don’t we talk about it some more?” he asks. “Are you free for lunch? I’m sure we can sort things out to everyone’s satisfaction.”

*  *  *

And that was how I met the real love of my life, Terry. His wife Caroline is a nut job and he’s thinking of divorcing her, so no one must know about us, he told me. If she knew about us, she could get very nasty, and Terry has no intention of living in poverty so that Caroline can max out her cards at Tiffany.

So we were careful, and for a long time, no one suspected a thing. Then the housing market plummeted, Jeffrey finally got the message that I wasn’t that into him so he went back to his ex-wife, but not before he got me a job in his office, working for Oliver of all people. It was a great cover story — I flirted nonstop with Oliver, and let the rumors fly. Terry said he’d heard from Caroline that the gossip among the English wives was that Oliver and I were having a passionate fling. Too funny, right? I hoped it would get back to Libby. Serve her right for changing my goddamn locks.

Then in August, Oliver queried some overtime I’d done. Nine hours in one week. “Of course I did it,” I said. “Ask Mr. Michaels. He asked me to stay behind to help him.” And so he did, although of course it wasn’t filing he’d had in mind.

Oliver stared at me for a long time. “I’m sure he did,” he said, and walked away.

“He knows,” I told Terry later.

Terry told me not to worry, that he could sort Oliver out. “He’s due for a pay rise,” he said. “Now that Jeffrey’s left, we could do some restructuring. I’ll have a chat, man to man. If the job offer is good enough, he’ll see sense.”

But that was nearly a month ago, and Oliver still hasn’t taken any promotion.

*  *  *

 * Kate (and everyone else) knows ‘irregardless’ is not a word. Melissa, however, back in the day, paid less attention to her high school English teacher than was advisable, and doesn’t take kindly to helpful editing suggestions. Sorry.

** She didn’t pay much attention in Chemistry, either.

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Next post: LIBBY’S LIFE #64 – Shades of red (2, not 50)

Previous post: LIBBY’S LIFE #62 – Private investigations

A note for Libby addicts: Check out Woodhaven Happenings, where from time to time you will find more posts from other characters.  Want to remind yourself of Who’s Who in Woodhaven? Click here for the cast list!

Read Libby’s Life from the first episode.

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Stay tuned for our next post!

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Img: Map of the World – Salvatore Vuono/FreeDigitalPhotos.net

RANDOM NOMAD: Patricia Winton, Crime Writer, Expat in Rome & Lover of La Dolce Vita

Place of birth: In a farmhouse belonging to my paternal grandparents near Pelham, Tennessee, on a snowy December night
Passport: USA
Overseas history: Italy (Marina di Pisa, Livorno, Rome): 1969-70; 1970-71; 2002 – present.
Occupation: Crime Writer. My protag is an Italian American journalist rebuilding a career as a food writer in Italy. She first appeared in “Feeding Frenzy,” one of the mystery stories in Fish Tales: The Guppy Anthology, edited by Ramona DeFelice Long (Wildside Press, 2011). She’s waiting in the wings in an as yet unsold manuscript, set in Rome. She will solve another crime in the novel I’m beginning next week (for National Novel Writing Month), set in Florence.
Cyberspace coordinates: Italian Intrigues — Notes about life in Italy, food and wine, mysteries and crime (blog); Novel Adventurers — Seven writers blog about their passion for culture, travel, and storytelling (collaborative blog); @patriciawinton (Twitter handle); and Novel Adventurers (FB page).

What made you abandon your homeland for Italy?
I had the opportunity to come live in Italy when I was quite a young woman, and I lost my heart to the land, the people, and the cuisine — not to mention the wine. I talked about coming back to live for years, but life intervened. Following 9/11 (I worked a block from the White House at the time), I really felt my mortality and decided it was time to make the move. Or to stop talking about it.

Was anyone else in your immediate family displaced?
One of my sisters lived in Panama for three years. Another lives in New Mexico, a state that many people think is a foreign country. One classic example: New Mexicans had trouble trying to get tickets to the Atlanta Olympics and were told to go the the Mexican consulate. The situation is so ridiculous that New Mexico Magazine runs a monthly column called “One of Our 50 Is Missing.”

Tell me about the moment during your various stays in Italy when you felt the most displaced.
“Bureaucracy” may be a French word, but the Italians invented it. If you don’t believe me, I invite you to consider the Biblical story of Christmas: a decree went out from Caesar Augustus that all the world should be taxed, each to his own city.

Getting together the paperwork to file for permanent residency was a nightmare. After almost a year of compiling documents, it all came down to what the Italians saw as a discrepancy: my passport lists my place of birth as Tennessee while my birth certificate, issued by the state of Tennessee, listed my place of birth as Pelham. Getting that sorted out took six months. During the interregnum, every document including my permission to stay expired. I couldn’t renew anything until the residency question was settled.

When did you feel the least displaced?
It’s always at table. On the edge of a Tuscan vineyard enjoying homemade pasta and good wine, sharing laughter with friends. Before a roaring fire in a chilly stately home with simple chicken and salad, but more laughter and wine. With a group of strangers in at a local market luncheonette, querying a table-mate about her meal and being offered a share.

You may bring one curiosity you’ve collected from each of the countries where you’ve traveled or lived into The Displaced Nation. What’s in your suitcase?
A morsa di prosciutto (prosciutto holder). While most prosciutto crudo sold in Italy as elsewhere is machine-sliced, traditional purists want it cut by hand. To hold the ham steady, it’s placed in the morsa, a large clamp that hold it, while a knife is used to slice.

Hmmm… I hope it won’t be deployed by the murderer in one of your crime novels as an instrument of torture! I understand that when you first went to Italy, you learned to make pasta by hand, and then took a pasta machine back to the United States, where you taught many others how to make it, while also writing a food column for a newspaper. We are therefore looking forward to the meal you are invited to prepare for Displaced Nation members, based on your travels. What’s on the menu?

Indeed, I’ll be serving a traditional Italian meal:
Antipasto (appetizer): Fiori di zucca faraciti (zucchini blossoms stuffed with mozzarella and anchovies, dipped in batter and fried)
Primo piatto (first plate — traditionally the pasta, rice, or soup course): Gnocchi di Zucca alla Gorgonzola (pumpkin dumplings with gorgonzola sauce)
Secondo piatto (main course): Grigliata Mista di Pesce (mixed fish grill)
Contorni (vegetable accompaniment): Finocchio (fennel)
Frutta: Pesca (peach)
Dolce (dessert): Tiramisù
Bevande (drinks): Acqua minerale frizzante (fizzy mineral water); and Falanghina (white wine made from one of the oldest grapes grown in Italy)
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And now can you please suggest an Italian word or expression for the Displaced Nation’s argot?
One that I’m currently enjoying is in gamba, meaning “in the leg.” In general, it means “to be an expert” or “to be good at what you do.” But it means so much more. I wrote an extensive piece about the phrase at Novel Adventurers recently.

Halloween is nearly upon us, and many of our posts of late have been about horror and that sort of thing. Tell me, do you keep up American Halloween celebrations in Rome?
I haven’t really celebrated Halloween since I was a child. I spent much of my adult life working on political campaigns. With Halloween falling days before the election, I never seemed to get organized for it. Here in Italy, it’s a relatively new holiday and more for adults than children, really. Children dress up for carnival, wearing their costumes to school for days before Martedì Grasso (Italian for Mardi Gras).

There are Halloween-related items for sale (plastic Jack O’ Lanterns and such), but no pumpkins for making Jack O’ Lanterns. Those are reserved for cooking. If I do anything to celebrate, I cook pumpkin, either as a vegetable or as part of the primo piatto.

Also in keeping with the season, we’ve started exchanging expat horror stories on the site. What’s the creepiest situation you’ve encountered on your travels?
The creepiest thing that ever happened to me occurred many years ago on a train from Munich to Florence. It started off pleasantly enough. I shared a compartment with five or six other people. A couple of them spoke only German. One woman spoke Italian and German, a man spoke German and English, and I spoke English and Italian. We had a polyglot conversation, with people translating for others and listening to see how much of the foreign tongues we could decipher. It was lots of fun. They all left the train before I did, and each warned me to be careful on my long journey as they descended one by one.

Alone, I moved near the window, and the rocking of the train lulled me to sleep. Quite some time later, I was awakened by the conductor turning on the lights to check tickets. I discovered that I had been joined in the compartment by a man who was in the act of pleasuring himself in the dark while I slept.

Now THAT’s creepy! Readers — yay or nay for letting Patricia Winton into The Displaced Nation? Not only can she cook, but she can tell a shocking story! (Note: It’s fine to vote “nay” as long as you couch your reasoning in terms we all — including Patricia — find amusing!)

STAY TUNED for tomorrow’s post, another horrifying Displaced Q by Tony James Slater!

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Img: Patricia Winton (author photo)

15 films that depict the horrors of being abroad, or otherwise displaced

Readers, we’re getting goosebumps and our blood is curdling. Horror novelist, former expat and Third Culture Kid Sezin Koehler is here to remind us that, however glamorous the life of an expat or world traveler may seem, it has a netherworld — one that horror movie makers are fond of depicting. To proceed is at your peril.

As if moving or traveling abroad isn’t scary enough, there is a whole host of films that would put the kibosh on even the most adventurous of people. For today’s guest post for The Displaced Nation, I’m breaking down these tales of terror into three groups:

  1. The expat.
  2. The world traveler.
  3. The otherwise displaced.

What follows is a rundown of some of the best horror films that will make you never want to leave home again.

1. Expat Horror: Caveat expat, or expat beware (or in some cases, beware of the expat!).

1) Ils (Them) (2006), dir. David Moreau and Xavier Palud.
In this terrifying French film, two expat partners, a teacher and a writer, living outside Bucharest in Romania are terrorized and psychologically tortured by an unknown group for days before their murder. Based on a true story, the villains — who were apprehended in real life — turn out to be even more shocking than the events they perpetrated.

My big question: Why on earth do you choose to live out in the middle of nowhere in Romania? Tragic story indeed, but really, they should have known better. Now you do.

2) Suspiria (1977), dir. Dario Argento.
Considered one of the classic horror films and what many now consider to be the father of the arthouse horror genre, Argento’s dark and twisted tale features a ballet school in Rome full of young girls from all around the world who live and study within walls haunted by a chilling presence that picks off the girls one by one. The score by Goblin is enough to give you nightmares and make you reconsider sending your children away to school. Ever.

3) & 4) Red Dragon (2002), dir. Bret Rattner; & The Silence of the Lambs (1991), dir. Jonathan Demme.
In Red Dragon Dr. Hannibal Lector is just a British expat living and practicing psychiatry in the United States. In fact, he’s helping the police with a brutal series of murders in which specific body parts had been taken as trophies. Detective Will Graham eventually discovers that not only is psychiatrist-to-the-stars Dr. Lector responsible for these grisly killings, he’s also eating the missing pieces.

The next time we meet Hannibal the Cannibal is in The Silence of the Lambs, where he is safely tucked away in a maximum security prison until the FBI needs his profiling assistance in uncovering the identity of a man who is kidnapping and skinning women.

Maybe Dr. Lector is a reason why locals are so wary of expats around the world?

5) The Omen (1976), dir. Richard Donner.
It’s hard enough being the wife of the American ambassador to the UK, but when Lee Remick discovers that there is something very wrong, very evil with her son, Damien, matters only get worse.

In many ways this is the kind of expat horror to which we can most relate: being in a foreign country, going through a difficult time, and not having the kind of support one might have at home. Even though the Thorns are wealthy and have a full staff at their beck and call, Mrs. Thorn cannot confide in them her misgivings that her son is the Antichrist — nor can she with anyone else since she’s the ambassador’s wife. In the end she goes mad from fear and frustration.

As expats, we’ve all been there. Luckily, though, we didn’t have the incarnation of Satan as our son. At least I hope not.

6) Freaks (1932), dir. Tod Browning.
This magnificent film follows a group of sideshow circus performers in Dust Bowl America — the majority of whom are European expats from all over the continent. As foreigners as well as displaying physical deformities of all kinds, this group is the marginalized of the most marginalized in America not just at that time, but even today.

The gorgeous German and “normal” trapeze artist Cleopatra finds out that Hans, the midget, is fabulously wealthy and sets out to steal him away from his same-sized girlfriend Frieda — with disastrous consequences as the group of freaks tries to bring the wicked Cleopatra into their embrace. Cleo finds out well and good that one does not mess with members of the sideshow.

The message here? Respect your local customs, even if you think them freakish. It could be what stands between your body as it is or being turned into a human-chicken hybrid.

2. Traveler Horror: “Let your suitcases gather dust!”, cry these films.

1) Hostel (2005), dir. Eli Roth.
A group of backpackers passing through the Slovakian capital city, Bratislava — it has no semblance to the real place whatsoever — gets kidnapped by an organization that sells young people to the highest bidders so that they can be tortured and murdered in the Slovakian outback with impunity. While the film is rife with cultural and geographical blunders, it nonetheless preys on a legitimate fear of kidnapping and/or human trafficking while traveling, especially for young women as we see in the two follow-up films in this gory franchise.

Kids, don’t fall for the local pretty girl/handsome boy who picks you up in a bar. You have no idea whom they could be working for.

2) American Werewolf in London (1981), dir. John Landis.
Two American backpackers (uh-oh) in the Scottish highlands stray from the road and are attacked by a wild beast. One dies, the other is in a coma for three days with horrible gashes across his chest. When the doctor informs him he was attacked by a madman he’s confused, claiming it was a wolf that had killed his friend and wounded him. Come full moon, young David Kessler finds out it was neither man nor wolf, and he’s becoming one.

There’s nothing like a story about a horrific accident taking place while traveling, especially when said accident turns you into a monster. Always remember, STAY AWAY FROM THE MOORS/MUIRS!

3) The Descent (2005), dir. Neil Marshall.
After the tragic death of Sarah’s husband and daughter in a wicked car accident, her fellow British extreme-sporting friends decide to take a trip across the pond to Appalachia for a spelunking expedition. Why anyone would think that crawling around in caves would be a good idea I haven’t a clue — let alone choose to take an already-traumatized woman into that scenario. But hey, they do. And not only do they find themselves in an unmapped cave system that has no way back to the surface, there are others down there in the dark who’d like to ensure the girls never leave.

Dear People Traveling to America: For Pete’s sake, avoid the US’s back country! Monsters are above and below.

4) Wolf Creek (2005), dir. Greg Mclean.
Two British tourists in Australia pair up with a local to check out a supposed alien-landing site in the middle of nowhere. All is fine until their car battery dies. Stranded in the badlands of Oz, grateful are they when a mechanic rolls up and tows them to his place to fix their vehicle. But oh, he’s not a mechanic at all. He’s a serial murderer who waits for tourists to come out to the Wolf Creek Crater, and takes his good time torturing them before their slow death.

The film is based on a true story — one of the British girls actually survived and made it to the authorities. It turned out the man had killed hundreds of people over decades, and nobody even suspected a thing. Shiver

5) Primeval (2007), dir. Michael Katleman.
During the Rwanda-Burundi conflict, bodies were dumped into the Ruzizi River at such alarming rates that the crocs began eating human flesh. One of these crocs, nicknamed Gustave by the locals, gets a taste for human flesh and begins hunting humans inland. An American team of journalists are sent to capture and bring back the beast amidst an ongoing civil conflict between warlords and villagers.

The best thing about this movie is that there really is a 70-year-old, 22-feet-long croc named Gustave who swims the Ruzizi. He was last sighted in 2008, but I know he’s still out there. I can feel him.

3. Displaced Horror: “Think twice about moving or taking a sojourn outside the ‘hood” is the moral here.

1) The Amityville Horror (1979), dir. Stuart Rosenberg.
As if moving doesn’t suck enough, can you imagine moving into a house that not only was the site of a brutal family murder but is also haunted? I don’t even know how many whammies that makes the scene. Also based on the true story of the Lutz family, who were terrorized by their house to the point where they fled without any of their belongings and never went back to collect them.

Word to the wise: Always check about the house’s history before you move in, and always remember to burn sage throughout, even in cabinets and drawers, before you move anything in anything at all. Trust me on this one.

2) Se7en (1995), dir. David Fincher.
Heralding a promotion to detective, Brad Pitt gets transferred to an anonymous city with a reputation of being among the worst in America. *Cough* Detroit *Cough*. His wife is miserable as she wants to have a family, but cannot imagine raising children in that town. The first case he lands is a serial killer murdering people based on the Seven Deadly Sins — one that quickly sucks both him and his wife into a horrific spiral of torture and murder.

Women, don’t let your husband drag you to a horrible city. Just don’t. Your life very well may depend on it.

3) The Texas Chainsaw Massacre (2003), dir. Marcus Nispel.
A group of friends on a road trip through Texas and — oh crap! — their car breaks down. It’s just their luck that the person who finds them is the patriarch of the psychotic and inbred Hewett family, known for killing and cooking their victims. There are no happy endings here, people.

If you’re going on a road trip, stick to the main roads, for God’s sake! I mean, jeez, everybody knows that. And while you’re at it, stay the bloody hell out of Texas!

4) El laberinto del fauno (Pan’s Labyrinth) (2006), dir. Guillermo del Toro.
Set in 1944 fascist Spain, the film tells the story of Ofelia, a young girl who accompanies her mother to live with her new stepfather, a barbarous Spanish general. Amidst the horror, Ofelia discovers a fairy world underneath the very grounds of their home, a place to which she escapes when the torture around her becomes too much to bear. But even fairy worlds have their horrors, as she soon finds out.

Moms, jeez, don’t marry jerks and then don’t agree to live in their military camp. Seems like logic to me, but I guess it needs to be said.

* * *

So, are you ready to burn your passport and throw away all your travel gear yet? 😉

And do you have any other films you’d add to my best-of abroad horror list?

Sezin Koehler, author of American Monsters, is a woman either on the verge of a breakdown or breakthrough writing from Lighthouse Point, Florida. Culture shock aside, she’s working on four follow-up novels to her first, progress of which you can follow on her Pinterest boards. Her other online haunts are Zuzu’s Petals, Twitter, and Facebook — all of which feature eclectic bon mots, rants and raves.

STAY TUNED for tomorrow’s post, which has Kate Allison continuing our horror theme.

If you enjoyed this post, we invite you to register for The Displaced Dispatch, a round up of weekly posts from The Displaced Nation, with seasonal recipes, book giveaways and other extras. Register for The Displaced Dispatch by clicking here!

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Images: From MorgueFile: Cinema; Hat and suitcase;  Bridge from biplane.

Photo of Sezin, from her newest FB page, ZUZUHULK, used with her permission.

LIBBY’S LIFE #62 – Private investigations

It looks much easier in movies. Being a private detective, I mean.

If this were a movie, for example. I’d have taken Oliver’s phone with us to the park and, while Jack played nicely on the slide, I’d have scrolled through a couple of texts and emails until — ta-da! — I discovered irrefutable evidence that proved Oliver wasn’t getting any extra-curricular entertainment from our landlady. Then next week I could have returned in triumph to the Coffee Morning Posse, demanding an apology for them spreading untrue rumours.

This isn’t a movie, however, so what happens instead is this:

While Oliver trundles his mother off to see the sights of Bath, the children and I walk to the park. Jack insists on jumping on every fallen leaf he sees, so a ten-minute walk becomes a thirty-minute loiter. When we arrive at the park, he leaps into a big pile of leaves, twisting his ankle on a tree root beneath, and falls over and skins his hands. This makes not only him cry but George and Beth cry too, and while I’m all for sibling bonding, I wish they’d find another way to do it. Fortunately, no one else is at the park that early, so I’m spared the disapproving stares and visits from social services. Hugs, cuddles, pats on the back and “there-there”s have no effect, and all three kids bellow in unison until an ice cream van comes along, tinkling “Greensleeves”.

Motherly love is all very well, but it’s no match for a Flake wedged in an ice cream cornet.

So what with adorning Jack’s hands with Spiderman plasters, decorating the twins’ faces with ice cream, and discovering, too late, that the baby wipes are back at the house, it’s no wonder that playing Nancy Drew falls down the pecking order of my to-do list.

When I do get round to perusing the contents of Oliver’s phone, I’m first nervous about what I might see, then disappointed at the dull reality.

Oliver’s inbox consists of emails from customers complaining about this, that, and the other; automated reminders for finance meetings and business development brainstorming sessions; an email in September from Terry Michaels, Caroline’s husband, asking Oliver out for a drink after work (I didn’t know Oliver was that pally with the boss); and a bunch of joke emails from Oliver’s colleagues that probably wouldn’t pass any political correctness tests. The only messages from Melissa were a couple in which Oliver had queried the overtime she’d claimed in August, and she was fighting back, saying she had indeed been in the office until 8pm on August 21, 23, and 24.

There was nothing interesting in his inbox, in fact, until I got to one from HR, dated three weeks ago. It certainly made up for the rest of the inbox contents.

Oliver, it seems, has been offered a new job.

Correct me if I’m wrong, but life partners normally share this kind of information, don’t they? It’s the first I’ve heard about this job, though.

It would still be in Massachusetts so we wouldn’t have to move, so that’s good. But get this: the letter states that the position would come with a company car up to the value of $35,000, first class travel while on company business, and two weeks extra paid vacation. The salary, the email says, would be commensurate with the grade, plus a bonus percentage based on past performance, to be evaluated by Assistant Head Honcho Terry Michaels. (A-ha! Hence the invitation of a drink after work, a few days later.)

I’m not familiar with the ins and outs of the grading system in Oliver’s company, but I do know that at present there is no company car, he gets four weeks holiday like everyone else in Milton Keynes, and if he wants to travel even business class he has to be flying long-haul, like to Australia. This job would be a big career leap for him.

Why wouldn’t Oliver want to share the possibility of good news with me? I suppose he could argue that he didn’t want to get my hopes up in case nothing came of it.

Or maybe he turned it down.

But why would he do that?

Having raised more questions than I’ve answered, I take the children home, and carefully replace the phone on the window seat in our bedroom.

*  *  *

“How did you like Bath?” I ask Sandra later, when she and Oliver return to our little cottage. Oliver, I sense, has run out of patience already — not a good thing when Sandra is here for another five days.

She wrinkles her nose.  “Those Georgian houses all look the same. I can’t see the difference between them and  the new Barratt estate in Milton Keynes.”

“Philistinism” doesn’t begin to describe the attitude of my mother-in-law towards architectural aesthetics.

“A bit more expensive than your average Barratt house,” I say. “We could never afford to live there, anyway.”

“Not even with what Oliver makes in America?”

“Nope,” Oliver says.

“I thought that was the whole point of you going out there, to get a promotion,” Sandra says, pouting.

We didn’t tell her that. She assumed it. Heaven forbid that we should leave Milton Keynes to expand our horizons and get away from family irritants.

“Yes. Well. Sometimes these things don’t happen as planned. There’s no promotion in the immediate future, I assure you, and we won’t be buying a house in the Royal Crescent anytime soon.”

I bet we could afford it if he took that job in the email. I’m dying to say this, but of course that would mean admitting I’d been snooping through his phone.

“You should try sleeping with your boss!” Sandra laughs, and splutters all over Jack who has come to her for a hug. He steps away quickly.

“Not my style, Mum,” Oliver says. “I leave that sort of thing to other people. Me, I’ve got principles.”

He walks into the living room, where I can hear him talking softly to the twins, who gurgle back.

“What’s his problem?” Sandra asks, jerking her head in Oliver’s direction.

I shrug. “Hormones?”

But not his.  Someone else’s hormones are causing him trouble.

I leave that sort of thing to other people, he said.

His query about Melissa’s overtime. His boss’s request for a man-to-man chat over a beer, and an offer of  a job he could have only dreamed about six months ago.

Me, I’ve got principles, he said.

Like everyone, Oliver has his faults.

But I know that taking bribes isn’t one of them.

*  *  *

Next post: LIBBY’S LIFE #63 – A post from Melissa

Previous post: LIBBY’S LIFE #61 – A voice in the dark

A note for Libby addicts: Check out Woodhaven Happenings, where from time to time you will find more posts from other characters.  Want to remind yourself of Who’s Who in Woodhaven? Click here for the cast list!

Read Libby’s Life from the first episode.

STAY TUNED for Monday’s post!

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Image: Travel – Map of the World by Salvatore Vuono / FreeDigitalPhotos.net

Oblivious to controversy, this expat author stirs up tales of violence, romance and tragedy in the Middle East

Alexander McNabb isn’t afraid of ghoulies, ghosties, long-leggedy beasties, and things that go bump in the night — which, as Kate Allison announced the week before last, is this month’s theme at the Displaced Nation.

How do I know he isn’t afraid? Because he is too busy tuning into other sources of thrills, chills and excitement for his books — namely, Middle Eastern politics and intrigue.

Though he doesn’t seek controversy, he doesn’t shy away from it either. His books are violent, explosive, and deadly. One has actually been banned in Jordan.

I now have the pleasure of giving Mr McNabb the floor to tell us more about his affinity for such dastardly topics. Don’t worry, he doesn’t have fangs but is a gentle sort with a great sense of humo(u)r… He is also a lively conversationalist, with his own radio show in Dubai, and a cook.

Welcome, Alexander. Shall we start out with what should be a basic question (though it rarely is for us displaced types): where are you from?
I was born in London, in Edgware General Hospital, which they have since knocked down, presumably to stop lightning striking twice. I grew up in various countryside areas north of London and was unwillingly educated at The Haberdashers’ Aske’s Boys’ School in Elstree.

When did you first go to the Middle East?
In 1986. I was selling an insanely visionary software package put together by a directory publisher that had the wonderful idea of selling its information as an integrated database. I presented this to a number of puzzled Saudis who lost no time in introducing me to their most junior members of staff and leaving me there. It taught me an important lesson — Gulf Arabs never say “no,” it’s considered rude. And “not no” doesn’t mean “yes”!

How did you end up living in Dubai?
When that project and, ultimately, the company failed I got involved in the publishing side of things. And so in 1993 I moved out to Dubai to start a subsidiary of the publishing company I worked for. And got myself shut down by the Ministry of Information. But that’s another story…

We will talk about your trio of books set in the Middle East shortly. But first: do you have any other published works?
The first book I wrote was a spoof of international spy thrillers, called just Space. I re-read the manuscript a couple of months ago and it made me laugh a lot, so I published that as a $2.99 Kindle-only book. I worked for ten years as an editor and publisher and for longer than that as a writer and journalist, so there are millions of my words out there — lost and crying out plaintively…

No need for them to mourn as you’ve just now published Beirut — An Explosive Thriller, which is the second in three books you are writing that are set in the Middle East, called The Levant Cycle. The first was Olives — A Violent Romance and the third will be Shemlan — A Deadly Tragedy. Could you say a little more about the Levant Cycle?
The Levant Cycle was never meant to be — the three books just happen to be set in the same region, contain some of the same characters and be roughly contiguous. But they are very different. Olives is really a novel — the story follows young British journalist, Paul Stokes as he arrives in Jordan and quickly falls afoul of the law — while Beirut is a hardcore international spy thriller. And they’re independent works in themselves. I had always thought of a book that would form an interlinear to Olives, a telling of that story from another perspective, possibly that of Gerald Lynch, the British Secret Intelligence Service officer that Paul encounters. Beirut wasn’t meant to follow on from Olives and then it just did, sort of taking up from when Paul moves to Beirut. And of course Beirut shows a very different Gerald Lynch, because in Olives you only see Lynch from Paul’s somewhat jaundiced perspective. So the books can be grouped, but I didn’t want a trilogy — a cycle seemed more appropriate.

Are you now working on the third book?
Yes, I’m about halfway through Shemlan and loving it. It’s a great deal darker than the other two books. It’s about a retired diplomat who’s dying of cancer going back to his past and finding that past is likely to kill him before the disease does.

What does “shemlan” mean?
Shemlan is a tiny village high in the hills above Beirut. It’s a little-known fact that Shemlan was for many years home to the Middle East Centre for Arabic Studies, where the British government taught its diplomats — and its spies — Arabic. A lot of my research for the book has consisted of taking friends and colleagues up there for lunch at Al Sakhra (The Cliff House), the lovely Arabic restaurant in the village. I know, it’s hard…

What made you decide to center the action of your books around the politics of the Middle East?
No one else was writing fiction centered on this region. There hasn’t been an interesting Middle Eastern spy thriller since Eric Ambler’s The Levanter. Olives was intended to introduce a Western audience that doesn’t care very much to some of the more complicated aspects of life in that part of the world — to some of the human issues that lie behind the glib headlines.

I presume you aren’t afraid of controversy?
Bring it on! Actually, I was amazed at the “controversy” that Olives provoked because of my having depicted Muslims drinking alcohol and Arab women having sex with foreigners. These things never happen in the Arab World! And then the Great Naming Scandal, when my use of a real Palestinian name (Dajani, for the Palestinian family Paul gets involved with) was deemed by distributors in Jordan to make the book too hot for them to handle. It still can’t be sold there!

How about Beirut?
I was truly blown away when the UAE’s National Media Council granted the necessary “Permission to Print” for Beirut. I’m sure someone, somewhere will find some aspect of the book controversial, but I think that’s more a product of the lack of narrative literature in the region than it is any quest for controversy on my part. And yes, you do actually have to get permission to print a book here — and government clearance to import books into any country in the region.

What audience did you have in mind for Olives?
Olives was written for a British audience but has appealed broadly across Europe and the US as well as in the Arab World. I’ve been more than pleased at Western readers who have enjoyed Olives and said, “I didn’t know about all that stuff.” And, because I thought I might lose Arab friends, I have been truly overjoyed that so many Palestinian and Arab readers have loved it.

At one point in Olives, Paul, the British journalist, becomes romantically involved with his Palestinian coworker, Aisha Dajani. Do you think Westerners can have successful relationships with Arabs and live happily ever after?
I really don’t see it as a “Westerner/Arab” thing at all – it’s an awful cliché, but love transcends nationality, culture and, yes, religion. I have seen relationships founder on that particular rock, where the partners can’t clear the hurdle of converting to or from Islam, but I have also seen couples deal with that. And, of course, there are still a great number of Christians in the Arab world and Muslims in the West. East and West doesn’t have to be about Islam, even if it often is.

Did you base the hero, Paul, on anyone in particular?
Paul Stokes is modeled on a number of callow Brits I have encountered arriving in the Middle East over the years, most of them journalists. You get a lot of credit in the Arab World for having tried to understand things, for actually bothering to learn something about the region and its people before you go leaping in blindly, as Paul does. I have often been highly amused at the way Arab friends have reacted to the behavior of British people new to the region — funny little things like different approaches to generosity, family, children and manners. I remember once walking into the office to be met by horrified glares from the girls, all trying to catch my attention and draw it to the new Brit who was happily — and loudly — clipping his nails at his desk. Or the British staffer who labelled her things in the office fridge. To the Arabs, you just share and if we’re out of something, you get it — someone labeling a bottle of milk was a source of appalled amusement.

Paul becomes “localized,” even becomes a smoker, which is why he is so torn between “home,” represented by his girlfriend Anne, and “away,” which of course is Aisha. And she, of course, is the hero of the book. You’re not actually supposed to like Paul, really. Perhaps sympathize with him…

You characterize Olives as a “violent romance.” What does that mean exactly?
The book’s working title for years was just “Olives.” The problem with that is that when you google “Olives,” you get Crespo, cookbooks or restaurants. So I decided on a defining subtitle — and nothing else seemed to suit other than “violent romance.” Olives is both a romance and a spy thriller. Thriller readers would find it too slow or romantic, romance readers would find it a little rough was the general concern. I hate how publishing brackets and pigeonholes us like that. The love story part of it has been popular, for sure — but a lot of people didn’t know about the region’s water crisis and learned about it from Olives, which has been cool.

Will Beirut attract the same readers?
Beirut is a totally different book and I was perhaps a little gleeful at how Olives readers would react to its much more hardcore spy thriller nature, particularly female readers. I was also a little scared, because I was setting out to kill what little fan base Olives has won for me. Readers, including females, have loved Beirut so far, which has me slack-jawed to be honest. But then it shows how wrong those traditional publishing preconceptions are — women actually reading a thriller? Oh, the shock of it all!

Is that why you are self-publishing The Levant Cycle — because the books do not fit in traditional publishing categories? I ask because quite a few expat authors we’ve featured on The Displaced Nation have self-published their works.
Let’s start with 250 rejections from agents for, respectively, Space, Olives and Beirut. When London agent Robin Wade signed me, it was for Beirut. I thought I was made, I really did. 250 rejections — and then an agent comes along and makes like a scrooch owl! Robin shopped Beirut around to 14 top publishers (there’s an image of the list I had of them, one after another struck off as the news came in, posted up on the Beirut site) and they, to a man, rejected it.

Why do you think that happened?
The ignorance about the Middle East from agents and editors alike has been shocking: “We have terrorism here at home, I don’t think people want to read about that” and “This novel, set in war-torn city Beirut” were two low points. But the worst was the editor who praised Beirut’s pace, setting, style and dialogue, compared it to Le Carré — but said he didn’t think it would fly in supermarkets. After that, I decided to see what readers thought without waiting for the gatekeepers. I am so glad I did.

Funnily enough, I discovered your books last month, when the Displaced Nation was dedicating itself to a series of food posts and I happened upon your collective blog about food, The Fat Expat.
Blogging became an outlet for me between frustrated bouts of writing. My partner in foodie crime, Simon “HalfManHalfBeer” McCrum, and I tried bringing others on board — but in the end The Fat Expat was doomed to tempus fugit failure. Still, I loved it while it lasted. I used to run a food magazine so am quite experienced in food preparation, photography and so on — and I love cooking.

Last month we were asking all of our interviewees: would you travel for food?
Damn right I would! Sweden this year, stunning food at stunningly high prices but you haven’t lived until you’ve eaten sour cream and crayfish on toast for breakfast. Estonia last year, a gorgeous holiday of art, museums and culture interspersed with the world’s largest, cheapest Martinis and top class cuisine — pelmeni in chicken stock, venison in red wine! But you want to really eat? There are stunning restaurants in Jordan — puffed up flatbreads fresh from the brick oven, potato pan-fried with egg and Mediterranean herbs. And, of course, Beirut — French food that makes Parisians blush alongside mountains of mezze, splashes of Armenian spice and of course Lebanese wines. I had to edit out my descriptions of Château Musar from Beirut because they crossed that threshold between what matters in a book and what readers need to know. But Musar is one of the world’s great wines. And the rosé from Château Ksara? Barmy, quite barmy. Do not, if you have the chance, neglect Massaya — a lovely wine from the achingly beautiful Bekaa Valley.

Next month’s Displaced Nation theme will be expats and politics — in honor of the U.S. elections. Do you have a horse in that particular race?
Obama. I don’t think anyone should forget that the people behind Romney are the people who took America to war against Iraq for no reason other than profit and dominance. There were never any WMDs and there was no link whatever between the murderously secular Saddam and the New Caliphate of Al Qaeda. Over a million people have died, the Middle East is lurching from crisis to crisis — and those old men are still doing three-martini lunches and planning their next move to make the world a safer place. At least Obama represents a hope of inclusion and reason.

Do you think expats should stay in touch with their home country’s politics? Do you?
Living in the Middle East, US politics are something you tend to follow because it pretty much shapes the region. I follow British politics to a degree, but it’s hard to be passionate about a system that has become so centrist and messaged. It’s something of a sitcom really.

What’s next, after the Cycle is finished?
I can’t even begin to think about what’s next, but there are plenty of contenders for next project, including a book set in Ireland and one about a traumatized teacher coming back from Iraq. Neither feature Mr. Lynch.

Readers, why not give those witches, ghosts, zombies, werewolves and vampires of yours a break and try Alexander McNabb’s wonderful cocktails of romance, intrigue, and high-stakes international politics instead?

STAY TUNED for tomorrow’s episode in the life of our fictional expat heroine, Libby. (What, not keeping up with Libby? Read the first three episodes of her expat adventures.)

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Images: Alexander McNabb author image and book covers.