For the final post in this year’s “A picture says…”, host James King highlights some of the photos that spoke to him most eloquently, from this year’s series. (If you like what you see, be sure to check out his blog, Jamoroki.)
My heartiest holiday greetings to one and all. I hope you enjoying the festive season, and I wish you a wonderful New Year.
As ML says, we’re doing an End-of-Year Special instead of the regular monthly interview. But before I get started with my picks, I really want to thank the 10 wonderful people who have contributed so much to my column over the past year by subjecting themselves to my tortuous interviews. Without exception, every single one of you has had a fascinating story to tell which has been beautifully illustrated with the personal photographs you were kind enough to share with the Displaced Nation readership.
After it was suggested to me that I should select my five favorite photos out of the 70 posted, I dived in head first, only to realize I could upset some of the 10 new friends I have made in 2014.
So I want to say before we start that this is not a competition. I would like to pick all 70 photos but of course that’s not possible so here are my 5 (in random order) along with my reasons for choosing them. There were a few close shaves by the way.
1) “Pumpkin Field,” by Aisha Ashraf
Irish expat, blogger, traveller and photographer Aisha Ashraf is currently based in Canada with her husband and three children. A freelance features writer, Aisha has published articles in newspapers, magazines and a range of expat and mental health websites. She says she has been a cultural chameleon since she first emigrated from Ireland to England at the age of eight. She is also a friend to the Displaced Nation and a recipient of one of its “Alice Awards” for a post on her Expatlog blog, provocatively entitled “My mother was a nun.”
I have chosen this photo of Aisha’s daughter in a field full of pumpkins because it is so vital, and the naturalness of the colours brings her lovely composition to life. Not only this but the viewer can only guess how or why a picture was created and Aisha’s words offer a whole new dimension.
Aisha says:
“I love nature—perhaps it was growing up on a farm and spending most of my time outdoors. I have a condition called Borderline Personality Disorder (BPD) and getting outside is a big factor in alleviating its debilitating hold. I see incredible, uncomplicated beauty in the natural world that I find soothing and strengthening. I try to capture it with my camera in a way that may allow others to be moved and nourished by it, too.”
2) “Church on Skyrne Hill,” by Ed Mooney
The story of Irishman Ed Mooney is quite different from others guests for several reasons, the main one being that he is not an expat. On the contrary, he travels within the confines of his native Ireland.
That said, Ed does cross boundaries, at least in a temporal sense. He loves nothing more than to immerse himself in an obscure historical site, exploring Irish history, lore and mythology while also photographing the surrounding ruins, to keep a record of what remains from generations past.
I really like the name Ed has given to his hobby: “ruin-hunting”. Ed tells me that ruin-hunting merges Past, Present & Future. By researching the history behind a place, he pays tribute to the Past. By writing about the experience, he brings it into the Present. And by posting his article, along with his photos, on his blog, he preserves his findings for the future. I love the way Ed weaves historic research into (mostly) black-and-white images.
I have chosen Ed’s photo of the church that sits on Skryne Hill, the site of an early Christian settlement. Ed says his memory of Skryne remains vivid. The tower is inaccessible due to a very heavy iron gate that appears to be rusted shut. As with all Ed’s pictures there seems to be a ghostly atmosphere, which is not surprising considering his subjects. Ed’s story of his experience is spooky to say the least and drew me into the picture more closely than usual.
Ed describes his visit to the church as follows:
“I shone my torch through the bars on one of the windows. Inside were a number of interesting stone artefacts that I wanted to capture. So I set up my flashgun and shot through the bars. On the second or third flash something physically grabbed my camera strap and pulled it into the tower. It all happened so fast, but somehow I managed to pull that camera away from the window while shouting a few expletives. At first I wondered if it might have been a draught of some kind that had caught my strap, but it could not have been as I was pressed right up against the opening and there was no wind to cause a draught. Then I thought that maybe someone was inside, but there was no way for a person to get in or out of the tower. To this day I still can’t explain what happened. But it certainly left a lasting memory.”
3) Monteseel by Andy Harvard
South African photographer, traveller and chef Andrew (Andy) Harvard is by nature a creative person. His creative talents, ideas and passion spill over into his passion for photography, which he indulges on travels in South Africa and worldwide. His blog celebrates all three of his passions under the descriptive title “snap fly cook”.
An early bird, Andy often wakes-up at 03h00 in summer to be on the beach in Durban, where he lives, in time for first light and sunrise an hour or so later. He is also fond of seeking out “hard to access” locations and revels in the hours spent working and reworking his photos through his favourite software packages.
Andy says “I find this process very calming and am sometimes like a kid in awe when something magical happens. It is a meditation of sorts for me, an ‘addiction’ that has to be fed. Oh! The wonders of HDR processing.”
I have chosen Andy’s beautiful picture of Monteseel because, having lived in Durban for a while way back in 1990, I know how awe inspiring the landscape is. Andy has perfectly captures the essence of the Kwa Zulu Natal in this photo. I can feel the heat as the day dawns and, as Andy says:
“Huge mountains, deep valleys, tranquillity, big skies, rural living, clean fresh breezes, golden light—Monteseel, in the Valley of One Thousand Hills, makes one realize how small and insignificant certain problems we all have actually are.”
4) “Boy in the Door,” by Cornish Kylie
Kylie Millar was born and bred in Cornwall, England, and, though she now finds herself in Thailand, just like me, she remains proud of her Cornish heritage, having branded herself on her travel blog as Cornish Kylie.
Not only that but Kylie informs me that the Cornish were granted official minority status earlier this year. Being born and bred in Cornwall now means, technically, that a person is identified as Cornish first, British second—with the latter identity being confined largely to one’s passport. Well, it is true that Cornwall was its own Celtic nation before the Norman Conquest, and they have their own language, Kernewek, which is distinct from Welsh.
I had little hesitation in choosing Kylie’s “Boy in the Door” as one of my five. Adjectives like dirty, dusty, colourful, old and intriguing come to mind when I look at her picture. And each time I look at it, I expect the boy to be gone.
Kylie describes it thus:
“When I was in the Atlas Mountains of Morocco, I couldn’t resist taking pictures of the many beautifully decorated doorways. This picture was accidental as the boy emerged from the doorway just as I pressed the shutter release. Then I realised how people can add an extra dimension and started to include people in more of my photographs. This trip to Morocco was special: it opened my eyes to a very different part of the world.”
5) “Hampi,” by Maverick Bird
Born and raised in India, Svetlana Baghawan, who calls herself Maverick Bird, is a mother and writer as well a traveller. She describes herself as a compulsive shopper, foodie, bad cook (her words) and animal lover. She likes to travel solo across continents, sometimes completely alone, often with her five-year-old daughter in tow. Having worked as a flight attendant for quite a few years, she was bitten by the travel bug early, and for good.
I have chosen Svetlana’s picture of Hampi, a village in Karnataka State in South West India. It is famed for being located within the ruins of Vijayanagara, an empire that came to prominence at the end of the 13th century. Svetlana has clearly been touched by the places she has visited on her travels and in this picture she conveys feelings of solitude in the wilderness and tranquility. I find it very moving.
Svetlana says:
“Although it was tough to decide between Hampi and Kashmir, I love Hampi more for its surreal mix of a tangible ghostly civilization lying scattered amidst one of the most beautiful landscapes in India (think balancing boulder, rice fields, forests and obscure rivers) and little pockets of villages. The enchanting blend of the dead and living is breath-taking and this photo represents Hampi’s larger-than-life beauty. You have to see it to believe it.”
I believe you. Svetlana.
* * *
Readers, do you agree with my picks or do you have other favorites? Please leave any questions or feedback in the comments!
(If you are a travel-photographer and would like to be interviewed by James for the 2015 series, please send your information to ml@thedisplacednation.com.)
STAY TUNED for our next fab post!
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