The Displaced Nation

A home for international creatives

BOOK REVIEW: “The Chalk Circle,” by Tara L. Masih, Ed.

TITLE: The Chalk Circle
AUTHOR: Tara L. Masih (Editor)
LITERARY AWARDS: 2012 Skipping Stones Honor Award
AUTHOR’S CYBER COORDINATES:
Website: www.taramasih.com
PUBLICATION DATE: May 2012 (Wyatt-MacKenzie Publishing)
FORMAT: Ebook (Kindle) and Paperback
GENRE: Anthology/Autobiography
SOURCE: Review copy from author

Author Bio:

Tara L. Masih, a native of Long Island, N.Y., is the editor of The Rose Metal Press Field Guide to Writing Flash Fiction (a ForeWord Book of the Year) and The Chalk Circle: Intercultural Prizewinning Essays, and the author of Where the Dog Star Never Glows: Stories (a National Best Books Award finalist). She has published fiction, poetry, and essays in numerous anthologies and literary magazines (including ConfrontationHayden’s Ferry ReviewNatural Bridge,The PedestalNight Train, and The Caribbean Writer); and several limited edition illustrated chapbooks featuring her flash fiction have been published by The Feral Press. Awards for her work include first place in The Ledge Magazine‘s fiction contest and Pushcart Prize, Best New American Voices, and Best of the Web nominations.

(Source: Author’s website)

Summary:

Award-winning editor Tara L. Masih put out a call in 2007 for intercultural essays dealing with the subjects of  “culture, race, and a sense of place.” The prizewinners are gathered for the first time in a ground-breaking anthology that explores many facets of culture not previously found under one cover. The powerful, honest, thoughtful voices — Native American, African American, Asian, European, Jewish, White — speak daringly on topics not often discussed in the open, on subjects such as racism, anti-Semitism, war, self-identity, gender, societal expectations.

(Source: Amazon.com book description)

Review:

I’ll be honest: anthologies are not what I head for when I enter a bookshop. My gripe is that the tales are too short, and that just as you are getting into the swing of a story, it ends.

This collection of real-life snapshots, on the other hand, is different. Like most other writers, I have an addiction to people-watching and surreptitious eavesdropping, so an anthology of confessions on multicultural issues, by prize-winning writers, is right up my alley.

Because of the book’s broad topic of “culture, race, and a sense of place,” the essay subjects range widely, as each writer offers his or her own perspective on the topic. Not all of the pieces are about living abroad in another country. One such essay, which also struck me as the most poignant, was “A Dash of Pepper in the Snow,” by Samuel Autman. An African-American who grew up in an all-black neighbourhood of St. Louis, Missouri, Autman became the first black reporter for the Salt Lake Tribune in Utah during the early 1990s. His recollections of that time show, clearly, that one does not need to cross oceans to feel like a fish out of water in the worst possible way.

The essay that will probably strike the loudest chord with TDN readers is “Fragments: Finding Center,” by Sarah J. Stoner. An American-born writer who, until the age of 18, had never lived in the country of her passport but had grown up in Uganda, Morocco, Belgium, and Thailand, Stoner writes of her first days at college. This pivotal life experience also coincided with her first days of living in America, a country she can technically call “home” but which feels like anything but:

A pronounced British accent or status as an exchange student would work wonders for me in this moment. But my bland and unremarkable exterior offers no such grace. I appear deceptively American.

Because everyone’s experiences are unique, different essays will appeal to different readers. A solitary person myself, I was fascinated by “Connections,” by Betty Jo Goddard, in which the 78-year-old writer describes her isolated existence in Alaska, and her feelings about using modern technology to stay connected to the world.

Everyone, though, will be touched by “Tightrope Across the Abyss,” by Shanti Elke Bannwart, a woman born in Germany at the start of World War II. In this piece, Bannwart tells the story of her neighbor, Bettina Goering. Goering is the great-niece of Herman Göring, right-hand man of Adolf Hitler, who swallowed cyanide two hours before he was due to be hanged at Nuremberg. Her  struggles to reconcile herself with her Nazi ancestry have already been documented in the film Bloodlineswhere she “seeks redemption by facing Holocaust survivor and artist Ruth Rich in Sidney, Australia.” Bannwart, with her own 70-year burden of having a Nazi father decorated by Hitler, meets her neighbor Goering, and in doing so finds the nugget of peace and self-forgiveness that has evaded her for so long.

Words of wisdom:

On the convenience of the label “TCK”:

Yes. I’m a Third Culture Kid.

I was relieved to finally have a shortened version of, “Well, I am American but I never lived in America until college. I went to high school in Thailand and before that I lived in Belgium and then Morocco before that. Yes, I was born in the U.S., but we left for Uganda when I was seventeen days old.”

(From “Fragments: Finding Center,” by Sarah J. Stoner)

On getting to know a place:

Places are best soaked in through the tongue, sent stomach-ward, digested and incorporated into the body. To know a place is to visit local markets, order things with unpronounceable names, and eat street food no matter the time of day.

(From “Assailing Otherness” by Katrina Grigg-Saito)

On using technology to stay in touch:

Such connections [phone and email]…are available even to “hermits” living on a ridge-top at the end of nowhere. Are they needed? No. But they enrich my life. My life is full of potential connections.

(From “Connections,” by Betty Jo Goddard)

Verdict:

Although this anthology of autobiographical experiences is a slight departure from the usual books we review at Displaced Nation, it’s a valuable and high quality addition to our stable of “displaced reading.” The sheer variety of experiences depicted in the book means that all readers, wherever they hale from and wherever they are at present, will find something that resonates.

“The Chalk Circle” can be purchased here. 

STAY TUNED for Thursday’s trip to Woodhaven, where Libby is feeling more and more like an exhibit on  the Jerry Springer Show.

Image:  Book cover – “The Chalk Circle”

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4 responses to “BOOK REVIEW: “The Chalk Circle,” by Tara L. Masih, Ed.

  1. Tara Masih May 24, 2012 at 2:24 pm

    I really appreciate your giving this such a wonderful, thoughtful review, especially since you are not that into reading anthologies! So delighted you found it a worthwhile read.

    • Kate Allison May 24, 2012 at 5:08 pm

      A pleasure! It offered such food for thought, and an insight into others’ lives and perspectives. Might even change my mind on anthologies after this🙂

  2. ML Awanohara May 26, 2012 at 10:49 am

    @Tara @Kate
    I have a basic question. Why is the anthology entitled “The Chalk Circle”? Is that an allusion to the Brecht play or the ancient Chinese play on which Brecht based his work?

    • Tara Masih May 28, 2012 at 7:30 pm

      ML: Thanks for asking. No, the reference is to an older quote from Jane Carlyle to her husband Thomas Carlyle, in 1845. In it she says, “I would draw a chalk circle round every individuality and preach to it to keep within that, and preserve and cultivate its individuality.” There is more to the quote and an explanation of why I used this to title the book in the Foreword.

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