Yesterday in San Francisco, at the corner of Folsom and 8th, I saw a middle-aged man holding up a sheet of dark glass and staring at the sun through it. “It’s beautiful,” he said to me as I passed him on the sidewalk, “so beautiful.”
I smiled in reply to him, secretly wary that he just another cracked, panhandling prophet in a city full of them.
“Do you want to look at the sun through it?” he asked, indicating his sheet of glass. I looked at him confused. ”It’s welder’s glass,” he said by way of explanation.
Yes, he must be mad, I thought, and just before I was about to smile a “no, thank you,” and carry on walking, albeit at a hurried pace, he held the glass up at me, and through it, like some wonderful magic trick, the sun appeared as dark disc apart from a brilliant cresent of light at the bottom. That there was a partial solar eclipse had completely passed me by. I hadn’t been able to see the effect with the naked eye, the sun looked larger, a little hazier, but nothing out of the ordinary and it would have passed me by, but here on this particularly street corner was this happy, smiling man performing what at first seemed like a magic trick, and making sure that a small moment of joy wouldn’t pass me. So I took hold of this stranger’s sheet of glass and looked straight at the sun through it, and he was right — it was so beautiful.
This week, The Displaced Nation asked if I could write about three chance encounters experienced in my adopted homeland that I found moving or bittersweet. Moments like I experienced yesterday on Folsom and 8th.
This ties in with an idea that has long interested me, and inspires my personal blog, Culturally Discombobulated — it’s what I think of as little moments of nothing*. Moments that on the surface may seem mundane, or insignificant, but that move you or are the catalyst for deeper thoughts. My own little dipped madeleines.
As this is something I do at times on my personal blog, I am going to reproduce here three little moments of nothing that I have already been posted over there.
1) A rock and a hard place
A garage forecourt in Kingman, Arizona is not the sort of place you expect to visit on a sightseeing tour. But a sightseeing tour is precisely what I am on, and a garage forecourt in Kingman, Arizona, is precisely where I find myself. In fact, this is the second time today I’ve found myself on this same depressing patch of asphalt.
To be fair, I should clarify that I have been on a bus tour of the Grand Canyon and now, late in the day, we are making our way back to Nevada. We’re certainly not stopping in Kingman for reasons of historical interest. We are not here to learn that it was in Kingman that Clark Gable and Carole Lombard were married. Gable driving the two of them all the way here from Hollywood in his cream-colored roadster during a break in the filming of Gone with the Wind. In the town they purchased a marriage license from a dumb struck clerk named Viola Olsen before being married by the nearest Methodist Minister they could find. We are not here to learn about the town’s connection with Route 66. We are not here to learn that it was in Kingman that Timothy McVeigh renounced his US citizenship, turned his home into a bunker and began making homemade bombs.
No, this is a purely pragmatic stop; a convenient place on the I40 to stretch the legs, grab a bite to eat, and empty the bladder. In the morning on our way out to the Canyon we stopped here. I bought a ham sandwich at a Chevron garage as I couldn’t stomach the thought of my other option — McDonald’s — that early. The women working in the garage were pleasant, hefty, corn-fed girls. All three had the same hairstyle, an architectural triumph of ringlets and hairspray piled high atop their heads, it looked like it belonged in a 1987 High School Prom. Once back outside on the forecourt a number of men tried to pan-handle me. There was, I thought, something off about the place. By its very nature, you expect a stop like this to be full of folks on the move, but instead there was an unsettling stillness. A number of the people gave off the impression that they’ve been standing around in this same forecourt all their adulthood. It could be that some of the sketchier elements in the town have a rough idea of what the sightseeing bus’s itinerary is — and they come especially and try and get some change out of the tourists.
And now after a long day, we’re back. A bus load of predominantly foreign tourists, here to pay a brief visit like some cut-price UN delegation: Japanese, Thai, Italian, Canadian, French, Australian and British make up our contingent. Some of us are loud and overbearing, and some of us think that everything needs to be documented by our cameras, and some of us have spent all day complaining, and some of us have spent all day gushing in delight, and some of us — if the snoring has been anything to go by — have spent all day asleep, and we are all thoroughly sick of the sight of each other.
Thanks to the evening breeze, the forecourt smells even more strongly of gasoline, pitch and fried grease than it did earlier. Off we all trot, against my better judgment, to the McDonald’s. Every night it’s a different cast, but it’s always the same show that the locals get to enjoy when the sightseeing tour stops here: a tired group of hungry tourists that mewl and bark and garble in their strange tongues and accents. We soon take over and overwhelm the McDonald’s; we create long lines for the toilets, even longer lines for the food along with a white noise of strongly accented English and misunderstood orders.
It’s all too much for one Arizonian. I think it’s one of the men that pan-handled me early in the day. He has a similar looking beard, the same sun-blistered complexion, and the same jittery demeanor. He is angry with the Frenchman queuing behind him for what he perceives as an invasion of his personal space, and he is getting irate with how long it is taking the Turkish family in front of him to order, but their English is poor and they and the cashier are struggling to make themselves understood. When he finally gets to place his order and is waiting for his chicken McNuggets, he scans carefully all of the other people waiting in line, and scowls at these interlopers with their ridiculous anoraks and backpacks. He takes his McNuggets and barges his way out through the line, needlessly aggressive. As he passes, he elbows me. “F***in’ furriners,” he mutters.
2) “In my father’s house.”
The shoes of the man sat opposite me on the “E” train are made from black leather, long since scuffed to grey. They are on the whole unexceptional, but for a large fleur-de-lis that has been embossed below the lacing. Their one time appropriateness for special occasions has been worn away.
On the subway and on the underground I often find myself staring intently at the shoes of my fellow passengers. It is not from a fetish, it is just that I keep my eyes on the floor, avoiding eye contact with those around me, or I keep my eyes on the page of a book I am reading. A few minutes before, when we pulled into a station, I stopped reading, put my book on my lap, and cast my eyes to the floor. Occasionally a glance is stolen, such as the one I make at the man wearing the fleur-de-lis shoes. He is a thin, middle-aged black man wearing a blue suit that like his shoes is faded by wear. He sings “In my father’s house.” Well, he sort of sings “In my father’s house.” It is not the whole hymn that he regales the train with, it is just that one phrase — half-sung, half-shouted every thirty seconds or so. Looking up I see that most of the other passengers have their eyes to the ground, particularly when he sing/shouts “In my father’s house,” though every time he does that he looks around. I don’t feel he looks around for a reaction, but for recognition. Perhaps feeling that things have descended again into commuter quietness, he again sing/shouts ”In my father’s house.” I put my eyes to the floor and look at the fleur-de-lis pattern.
Queens Plaza is his stop. As he leaves the train, he notices the book in my lap — God: A Biography, by Jack Miles. He seems happy with my reading material and looking at me, he sings/shouts “In my father’s house” as if I’m the only of his “E” train flock that understands the importance and virtue of his ministry. Then he leaves the train before I have time to explain that reading a book called God does not make me virtuous as he might think it does, and that the book is a critical look at the Old Testament. It considers God a literary character and so casts him in the light of literary theory. Not that I would have said that if I had the time.
3) Angels and iced tea
In this almost empty coffee shop three elderly women, lifelong friends perhaps, crowd round a table and converse over iced tea. They talk at length about their new pastor, about his energy and his youthfulness. They talk at length about angels, about their unwavering belief in them and their experiences of them. The loudest of the women, her hair an unconvincing shade of red, starts to talk about her youngest granddaughter — about how she’s as sharp as a tack, but hasn’t she started asking the trickiest of questions. The red-haired woman confides to her two companions that she has spoken with their youthful and energetic pastor about how to respond to these questions.
For instance, she tells the other two, only the other day the granddaughter had said, ”Grandma, why do we have to go to Church?”
She was, she freely admits, flummoxed by how to answer, but then she remembered the pastor’s words. “Aw, sweetie, that’s a matter of faith.”
Yesterday, she continues, when she was driving her granddaughter home from school the girl had asked, “Grandma, why do we call trees trees?”
She once again patiently said to her granddaughter, “Aw, sweetie, that’s a matter of faith.”
In the almost empty coffee shop the three women gently laugh at the ridiculous things that children say, take a sip of iced tea, and start talking about angels again.
*The film director Max Ophüls once wrote about art: “Details, details, details! The most insignificant, the most unobtrusive among them are often the most evocative, characteristic and even decisive. Exact details, an artful little nothing, make art.” Most of my life I seem to spend in search of moments of little nothings that I end up attaching great importance to. It probably makes me a nightmare to deal with it as a friend or companion.
STAY TUNED for tomorrow’s post, an account of la dolce vita from a fresh perspective!
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img: “Angel,” by RON MUECK (1997), courtesy metropilot (Flickr).